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        "datetime_modified":"20250123T100238",
        "datetime_start":"20250221T090000",
        "datetime_end":"20250221T170000",
        "has_end_time":1,
        "date_start":"2025-02-21",
        "date_end":"2025-02-21",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"On the World With the World",
        "occurrence_title":"",
        "combined_title":"On the World With the World: Pop-up exhibition",
        "event_subtitle":"Pop-up exhibition",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"*On The World With The World* is an exhibition of 40 artworks by over 24 artists from the Progressive Art Studio Collective (PASC) program. PASC is the first progressive art studio and exhibition program in Detroit and Wayne County dedicated to supporting artists with developmental disabilities and mental health differences to advance artistic practices and build individual careers in the art and design fields.\r\n\r\nThis exhibition introduces the PASC program, and the wide range of styles and ways of working that drive this community of artists, to the Ann Arbor community. The exhibition is hung salon style, referencing the communal character of the Osterman Common Room as a social gathering space. It intends to bring engaged people together for conversation on art, disabilities, and questions of access in the art world.\r\n\r\nPASC embraces the philosophy that creating an artwork is an expressive and communal act whereby an individual communicates their unique perspective on the world with the world.",
        "occurrence_notes":null,
                "guid":"130104-21865339@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/130104",
        "building_id":"1005179",
        "building_name":"202 S. Thayer",
        "campus_maps_id":"524",
        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Exhibition","Visual Arts","Humanities","Art"],
        "website":"https:\/\/www.facebook.com\/UMichHumanities\/",
        "sponsors":[
             {
                "group_name":"Institute for the Humanities",
                "group_id":"1130",
                "website":"http:\/\/www.lsa.umich.edu\/humanities"                }                    ],
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    }    ,    "133001-21872178":
    {
        "datetime_modified":"20250226T104926",
        "datetime_start":"20250221T090000",
        "datetime_end":"20250221T170000",
        "has_end_time":1,
        "date_start":"2025-02-21",
        "date_end":"2025-02-21",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"RAW Exhibit",
        "occurrence_title":"",
        "combined_title":"RAW Exhibit",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\u201cRAW\u201d is a 2024 printmaking portfolio featuring 25 15\u201dx20\u201d works on paper by a diverse group of primarily student artists, organized by Professor Endi Poskovic of the Stamps Printmedia program. The hand-pulled prints in the set, which has never been exhibited before, span media from colorful laser cut woodblock prints, to lithography, to copper plate etching. The newly formed Stamps Student-led Exhibitions Committee (SEC) will curate and rotate selections of these prints in alignment with the portfolio\u2019s theme\u2014where time and effort transform raw potential.",
        "occurrence_notes":null,
                "guid":"133001-21872178@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/133001",
        "building_id":"1000120",
        "building_name":"Michigan Union",
        "campus_maps_id":"191",
        "room":"First Floor",
        "location_name":"Michigan Union",
        "has_livestream":0,
        "cost":"",
        "tags":["Exhibition","Art"],
        "website":"",
        "sponsors":[
             {
                "group_name":"University Unions",
                "group_id":"2583",
                "website":"http:\/\/www.uunions.umich.edu"                },             {
                "group_name":"Penny W Stamps School of Art & Design",
                "group_id":"3157",
                "website":"http:\/\/stamps.umich.edu\/"                }                    ],
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        "occurrence_count":65,
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    }    ,    "131383-21868365":
    {
        "datetime_modified":"20250117T144257",
        "datetime_start":"20250221T090000",
        "datetime_end":"20250221T163000",
        "has_end_time":1,
        "date_start":"2025-02-21",
        "date_end":"2025-02-21",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Red Summer: Racial Violence in the American Landscape, 1917-1923",
        "occurrence_title":"",
        "combined_title":"Red Summer: Racial Violence in the American Landscape, 1917-1923: Wendel A. White",
        "event_subtitle":"Wendel A. White",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Red Summer portfolio represents the stories of various locations in the American landscape where racial violence (often characterized as \u201cRace Wars\u201d at the time) erupted between 1917 and 1923. These years of conflict reveal several aspects of racial anxiety that inform our contemporary experience, including, though not limited to; racism, fear of violent black revolt, lynching, poverty, mass incarceration, and competition for employment. The term \u201cRed Summer\u201d was first used by James Weldon Johnson to describe the violent attacks against black communities during 1919.  \r\n\r\nThough the events of the early twentieth century seem to be remote and fading apparitions of an American past; my work is concerned with the power and influence of our shared historical narrative upon the present. The upheaval of Red Summer occurred approximately fifty years after the American Civil War, fifty years before the height of the Civil Rights Era, and three centuries after the first enslaved Africans arrived in English colonies that would become the United States. \r\n\r\nThe project combines photographs of the contemporary landscape made at or near the site of racial conflict with fragmented selections of contemporaneous newspaper reporting (1917-1923). In many cases, the newsprint images include the surrounding stories or advertisements. The combination of the landscape photograph and the reproduction of newspaper fragments (which invade the contemporary with a narrative from the past), is a rupture and a conversation on the timeline between past and present.",
        "occurrence_notes":"Enter through East University Ave. Open to the public.",
                "guid":"131383-21868365@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/131383",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Ann Arbor","Visual Arts","free","Exhibition","arts at michigan","arts","artists"],
        "website":"https:\/\/lsa.umich.edu\/rc\/reserve-a-room-\/rc-art-gallery.html",
        "sponsors":[
             {
                "group_name":"Residential College",
                "group_id":"1029",
                "website":""                }                    ],
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    }    ,    "129602-21864049":
    {
        "datetime_modified":"20250211T122734",
        "datetime_start":"20250221T090000",
        "datetime_end":"20250221T160000",
        "has_end_time":1,
        "date_start":"2025-02-21",
        "date_end":"2025-02-21",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Redefining the Crown",
        "occurrence_title":"",
        "combined_title":"Redefining the Crown: The Voices of Black Breast Cancer Survivors",
        "event_subtitle":"The Voices of Black Breast Cancer Survivors",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"In Winter 2025, the Lane Hall exhibit space will feature a portraiture series titled Redefining the Crown showcasing the powerful stories of six Black breast cancer survivors.\r\n\r\nBased on a photo essay by U-M Faculty Versha Pleasant (MD\/MPH) and Ava Purkiss (PhD) in Medicine at Michigan, this exhibition examines the cultural and personal significance of hair within Black communities, particularly through the lens of breast cancer treatment and recovery. The term \"crown\" is deeply symbolic in Black culture, signifying beauty, strength, and identity. The featured photo essay by photographer Tafari Stevenson-Howard captures the intimate journeys of Ann Chatman, Tanisha Kennedy, Felecia McDaniel, Shantell Elaine McCoy, Tamara Lynn Myles, and Veleria Banks.\r\n\r\nThrough their narratives and portraits, the exhibit examines how these women have navigated the profound impact of hair loss caused by chemotherapy, inviting the audience to witness their stories with radical empathy. It explores the cultural pride and personal identity intricately tied to their hair, and how these elements are redefined amidst their battles with breast cancer.\r\n\r\nThe exhibit will be on view from January 21, 2025 to August 8, 2025. This exhibition is presented with support from IRWG, the Department of Women's and Gender Studies, and Michigan Medicine. \r\n\r\nLocated on the first floor of Lane Hall (204 S. State Street), the Exhibit Space is free and open to the public, M-F, 9am-4pm.",
        "occurrence_notes":null,
                "guid":"129602-21864049@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/129602",
        "building_id":"1000183",
        "building_name":"Lane Hall",
        "campus_maps_id":"84",
        "room":"",
        "location_name":"Lane Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["african american","Art","institute for research on women and gender","women","Women's And Gender Studies"],
        "website":"http:\/\/irwg.umich.edu\/",
        "sponsors":[
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
                "group_name":"Michigan Medicine",
                "group_id":"1033",
                "website":"https:\/\/www.facebook.com\/MichiganMedicine\/"                },             {
                "group_name":"Women's and Gender Studies Department",
                "group_id":"2809",
                "website":"http:\/\/www.lsa.umich.edu\/wgs"                }                    ],
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    }    ,    "129585-21863741":
    {
        "datetime_modified":"20241203T104657",
        "datetime_start":"20250221T090000",
        "datetime_end":"20250221T200000",
        "has_end_time":1,
        "date_start":"2025-02-21",
        "date_end":"2025-02-21",
        "time_start":"09:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Bibliophile and the Library: Private-Press Books from the Collection of Bill Heidrich",
        "occurrence_title":"",
        "combined_title":"The Bibliophile and the Library: Private-Press Books from the Collection of Bill Heidrich",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"View beautifully illustrated books that stand as remarkable testaments to the work of twentieth-century small private presses, which, in contrast to the trend of mass commercialization, produced limited editions that celebrated the uniqueness of manual craftsmanship. Features such as exquisite typeface design, letterpress printing, handmade paper, traditional illustration techniques like woodcut and engraving, and the inclusion of original art by renowned artists highlight the presses' dedication to artistry and detail.\r\n\r\nThe display opens with an edition of \"The Works of Geoffrey Chaucer,\" published in 1896 by William Morris at his Kelmscott Press, a pivotal press that greatly influenced the development of the private press movement as a means of preserving and revitalizing the fine printing and art traditions of the past. Additionally, the exhibit includes some examples of artist\u2019s proofs, offering a glimpse into the intricate creative process behind these exceptional works.\r\n\r\nThese books are on loan from the collection of Bill Heidrich, a long-time supporter of the University of Michigan Library.",
        "occurrence_notes":null,
                "guid":"129585-21863741@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/129585",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Hatcher Gallery Exhibit Room, 1st floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Library","Exhibition","Books"],
        "website":"https:\/\/www.lib.umich.edu\/events",
        "sponsors":[
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                "group_name":"University Library",
                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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    {
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        "event_title":"8th Annual Building Power Conference: Building Power Toward Collective Liberation",
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        "event_type_id":"5",
        "description":"The mission of Building Power is to center community knowledge in the fight against white extremism. Often in academic spaces, we do not learn from the activists, community leaders, and organizers doing the work in our communities. We want to flip this narrative and provide a space for community leaders to be the teachers, and for students to engage in this type of learning in an accessible way.",
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             {
                "group_name":"School of Social Work FLOURISH Office",
                "group_id":"4550",
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                "group_name":"Black Radical Healing Pathways",
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