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        "datetime_end":"20240418T230000",
        "has_end_time":1,
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        "date_end":"2024-04-18",
        "time_start":"08:00:00",
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        "event_title":"Propositions to Progress: A Working Atlas of the Global South",
        "occurrence_title":"",
        "combined_title":"Propositions to Progress: A Working Atlas of the Global South",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Historically, maps have served as a panoptic technology, assisting imperial powers in governance, discipline, and control. In this exhibit, internationally renowned Filipino artist Cian Dayrit acts as a counter-cartographer, reclaiming mapmaking as an emancipatory activity.\r\n\r\nDayrit\u2019s artworks, embroidered on textiles or painted over collages of colonial-era maps, plot the extraction of natural resources, land grabbing, and dispossession and displacement in his native Philippines. At the same time, their resistant lines summon new imaginaries out of the overlaps between places and memories.\r\n\r\nDayrit\u2019s practice is critically and practically informed by the narratives of Filipino communities. Items exhibited alongside his artwork are the result of map-drawing workshops the artist has convened with rural, urban, and indigenous communities across the Philippines. Propositions to Progress invites you to engage in the collaborative endeavor to activate alternative territories from the ground up.\r\n\r\nCian Dayrit is an interdisciplinary artist exploring colonialism and ethnography, archaeology, history, and mythology. Dayrit subverts the language of the state, museum, and military to visualize the contradictions on which these institutions are built. He studied at the University of the Philippines.",
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                "guid":"119224-21844699@events.umich.edu",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library (2nd floor)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Library","Maps"],
        "website":"",
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        "date_start":"2024-04-18",
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        "event_title":"Souq Stories: Gaza Lives",
        "occurrence_title":"",
        "combined_title":"Souq Stories: Gaza Lives",
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        "description":"This exhibit is an extension of Souq Stories (https:\/\/souqstories.insaniyyat.org\/), which was displayed in 2021 in all seven of the historic markets it depicts in Gaza, Nazareth, Acre, Nablus, Jerusalem, Khalil, and Jaffa. Its youth group organizers aimed to bolster Palestinian unity across the systemic barriers \u2014 colonial divides, military checkpoints, walls, etc. \u2014 that fragment the lives of people living in Palestine. \r\n\r\nSouq Stories: Gaza Lives brings us to present-day Gaza, sharing the stories of, and images captured by, young journalists and photographers who have continued to document the realities of life in Palestine. It also honors one among them, Fouad Abu Khammash, who was killed in January 2024 in an Israeli bomb attack on Gaza.\r\n\r\n< The exhibit includes images of people suffering the aftermath of the ongoing violence. >\r\n\r\nThis exhibit was curated by Souq Stories team members Shareef Sarhan and Waed Abbas in partnership with U-M students Amir Marshi, Zainab Hakim, Mariam Odeh, and Vivian M. Nguyen. It\u2019s offered in conjunction with this year\u2019s Palestine Awareness Week, an annual series of educational events related to Palestinian history, culture, and politics. Presented in association with Insaniyyat: Society of Palestinian Anthropologists.",
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        "room":"Gallery, 1st Floor",
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        "datetime_modified":"20240229T170957",
        "datetime_start":"20240418T090000",
        "datetime_end":"20240418T170000",
        "has_end_time":1,
        "date_start":"2024-04-18",
        "date_end":"2024-04-18",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Exile and the Mentor-student Relationship: A Force for Resistance and Decolonization",
        "occurrence_title":"",
        "combined_title":"Exile and the Mentor-student Relationship: A Force for Resistance and Decolonization",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This small exhibit features work in reproduction by Iraqi artists Hanaa Malallah and Mohammed Karim, as well as an original painting by Karim. Both Malallah and Karim were significantly influenced by their mentors during and after their training in Iraq, and continue to share their work and ideas with a new generation today.\r\n\r\nIn the United States, Iraq is typically spoken about in a passive position: colonized, under despotic rule, occupied. Post-occupied. Through connections between mentors and students, and students who became mentors to new students, Iraqi artists have been a force for anti-colonialism, claiming their heritage and its future for themselves.\r\n\r\nView the exhibit Monday-Friday in the Fine Arts Library, Tappan Hall, 855 S. University Ave.",
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        "room":"Fine Arts Library, 2nd Floor",
        "location_name":"Tappan Hall",
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        "datetime_modified":"20240109T115403",
        "datetime_start":"20240418T090000",
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        "date_start":"2024-04-18",
        "date_end":"2024-04-18",
        "time_start":"09:00:00",
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        "event_title":"Garden Repairs",
        "occurrence_title":"",
        "combined_title":"Garden Repairs: An installation by Susan Goethel Campbell",
        "event_subtitle":"An installation by Susan Goethel Campbell",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"About the installation:\r\nGarden Repairs is an installation of paper textiles that loosely narrate the life cycle of plants. It considers the process of germination as a site for the cross-pollination of ideas from diverse disciplines around the future of the built environment. \r\n\r\nAbout the artist:\r\nSusan Goethel Campbell creates multi-disciplinary work that considers the contemporary landscape to be an emergent system where nature, culture, and the engineered environment are indistinguishable from one another. Central to her practice is the collection, documentation, and observation of seasonal change and ephemera in both natural and artificial environments. Her work is realized in several formats, including installation, video, prints, and drawings, as well as projects that engage communities to look at local and global environments.\r\n\r\nCampbell earned an MFA in printmaking from Cranbrook Academy of Art. Her work has been exhibited internationally in Belgium, Germany, Switzerland, and Slovenia and nationally throughout the US, including the National Museum of Women in the Arts, Queens Art Museum, Crystal Bridges Museum, Museum of Contemporary Art Detroit, Grand Rapids Art Museum, the Detroit Institute of Arts, The Drawing Center, and The International Print Center New York. In 2009 she was one of 18 artists selected for the inaugural Kresge Artist Fellowship.\r\n\r\nCampbell has been awarded residencies at the Banff Centre for the Arts, the Flemish Center for Graphic Arts, the Jentel Foundation, Beisinghoff Print Residency, and the Print Research Institute of North Texas. She taught studio art for 15 years at the College for Creative Studies in Detroit and has been a visiting artist in numerous institutions in the United States and abroad. Her work is in the collection of the National Museum of Women in the Arts, New York Public Library, Detroit Institute of Arts, Toledo Museum of Art, and the University of Michigan Special Collections Library.\r\n\r\nThis project is made possible by a grant from the Mellon Foundation as part of the Institute for the Humanities' multi-year High Stakes Art initiative.",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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        "datetime_modified":"20240410T154229",
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        "datetime_end":"20240418T103000",
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        "event_title":"Hirshhorn Museum and Sculpture Garden in partnership with LRCCS present: Artist Talk: Contemporary Photography in China",
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        "combined_title":"Hirshhorn Museum and Sculpture Garden in partnership with LRCCS present: Artist Talk: Contemporary Photography in China: A live webinar in Chinese and English with chat function for Q&A",
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        "description":"Join the webinar at https:\/\/umich.zoom.us\/j\/94123750186\r\n\r\nComplete event details at https:\/\/hirshhorn.si.edu\/event\/artist-talk-contemporary-photography-in-china\/\r\n\r\nIn a special online talk, five of the most groundbreaking artists working in China over the past three decades\u2014Lin Tianmiao, Rong Rong, Song Dong, Xing Danwen, and Zhang Peili\u2014will join Hirshhorn Museum and Sculpture Garden assistant curator Betsy Johnson and University of Michigan postdoctoral research fellow Meng Zhao in conversation.\r\n\r\nThis program is inspired by the Hirshhorn\u2019s recent exhibition A Window Suddenly Opens: Contemporary Photography in China, which brought together photography by twenty-five of the most innovative artists working in China over the past thirty years. During this time of swift cultural transformation, Chinese artists embraced the immediacy of photography to document the changes around them as well as their own thoughts and actions as they shifted their focus away from the collective to prioritize self-expression. This program will bring together key figures in the development of experimental photography in China to look back at these decades and discuss how they came to understand photography as a conceptual art form and the impact of this understanding on their communities and artistic practices.\r\n\r\nThis program was initiated by The Triune Brain collective and is presented in partnership with the University of Michigan Lieberthal-Rogel Center for Chinese Studies and the Hirshhorn Museum.\r\n\r\nInterpreting provided by Eriksen Translations.",
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        "tags":["Art","Asia","China","International Students","Visual Arts"],
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        "datetime_start":"20240418T090000",
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        "date_start":"2024-04-18",
        "date_end":"2024-04-18",
        "time_start":"09:00:00",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "building_name":"Lane Hall",
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        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_name":"Institute for Research on Women and Gender",
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                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_id":"1158",
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                "group_name":"Women's and Gender Studies Department",
                "group_id":"2809",
                "website":"http:\/\/www.lsa.umich.edu\/wgs"                }                    ],
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