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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250430T110000",
        "datetime_end":"20250430T170000",
        "has_end_time":1,
        "date_start":"2025-04-30",
        "date_end":"2025-04-30",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
        "occurrence_notes":null,
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        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"Lizzie and Jonathan Tisch Apse",
        "location_name":"Museum of Art",
        "has_livestream":0,
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        "tags":["Humanities","Exhibition","Art","Free","Museum","Staff","UMMA"],
        "website":"https:\/\/twitter.com\/ummamuseum",
        "sponsors":[
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                "group_name":"University of Michigan Museum of Art (UMMA)",
                "group_id":"1177",
                "website":"http:\/\/www.umma.umich.edu\/"                }                    ],
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        "datetime_start":"20250430T110000",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Commence: A Stamps Graduating Students Exhibition",
        "occurrence_title":"",
        "combined_title":"Commence: A Stamps Graduating Students Exhibition",
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        "description":"The Penny W. Stamps School of Art &amp; Design is pleased to announce the second edition of Commence: A Stamps Graduating Students Exhibition. The goal of Commence is to provide all graduating majors at Stamps with a meaningful opportunity to exhibit their work that will be viewed by the public in Ann Arbor, Southeast Michigan, and beyond. Commence offers a vibrant snapshot of the wide-ranging and diverse artwork being produced by Stamps undergraduates.\nAll students who are graduating from the Stamps School\u2019s BFA and BA programs in Fall of 2024, Winter 2025, or Spring\/\u200bSummer 2025 are invited to participate by contributing one artwork.\nExhibition Dates: April 26 \u2013 May 3, 2025Opening Reception: Saturday, April 26, 2-4 p.m.\nStamps Gallery, 201 S. Division St, Ann Arbor",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/commence-2025",
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        "datetime_modified":"20250429T181504",
        "datetime_start":"20250430T110000",
        "datetime_end":"20250430T170000",
        "has_end_time":1,
        "date_start":"2025-04-30",
        "date_end":"2025-04-30",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Perspective{s}: The 2025 IP Exhibition",
        "occurrence_title":"",
        "combined_title":"Perspective{s}: The 2025 IP Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"All Stamps seniors who are enrolled in the year-long Integrative Project course participate in the IP Exhibition held each spring, which is the culmination of their thesis work. The senior studio spaces in the Stamps Art &amp; Architecture Building are transformed into exhibition space, with 4D work featured in a group screening and reel, and selected projects displayed in the A&amp;A Street Gallery. \n\nExhibition Dates: April 21 \u2013 May 3, 2025Art &amp; Architecture Building, 2000 Bonisteel BlvdOpen Monday through Saturday, 11 a.m. to 5 p.m.\nOpening Reception: Friday, April 25, 1-8 p.m.Film\/Video Screenings will take place in the Art &amp; Architecture Auditorium on Friday, April 25, 2025 at 4 p.m. and 6 p.m. (followed by a talkback with the filmmakers), and on Saturday, May 3 at 2 p.m.",
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        "location_name":"Art &amp; Architecture Building, 2000 Bonisteel Blvd, Ann Arbor MI 48109-2069",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/2025-ip-exhibition",
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    {
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250430T110000",
        "datetime_end":"20250430T170000",
        "has_end_time":1,
        "date_start":"2025-04-30",
        "date_end":"2025-04-30",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
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        "tags":["Art","UMMA","European","Exhibition","History","Museum"],
        "website":"https:\/\/www.facebook.com\/ummamuseum\/",
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    {
        "datetime_modified":"20240620T181506",
        "datetime_start":"20250430T110200",
        "datetime_end":"20250430T170000",
        "has_end_time":1,
        "date_start":"2025-04-30",
        "date_end":"2025-04-30",
        "time_start":"11:02:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Michelle Hinojosa: Logcabins",
        "occurrence_title":"",
        "combined_title":"Michelle Hinojosa: Logcabins",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Stamps Gallery commissioned Michelle Hinojosa (MFA, 2023) to reimagine the pillars on Division Street that flank the Gallery. Hinojosa has created log cabin quilts to adorn the columns in front of Stamps Gallery. The log cabin quilts traditionally represent the warm hearth at the center of a home. This installation reflects on the interplay between home, placemaking, labor, and intergenerational memories of migration. Rather than quilting cotton designed to softly embrace the body, these quilts are sewn from outdoor grade, UV-resistant polyester. The quilt is an ode to Hinojosa\u2019s grandmother who illegally crossed the US\/Mexico border holding her babies and her quilts. As she and her family drove across the United States to work in the fields of the Salinas Valley, the quilts offered a safe space for her and her family. Hinojosa celebrates their resilience to her grandmother and elders while also drawing attention to precarity and violence experienced by refugees and migrants crossing the US-Mexico border in our present today.\nArtist\u2019s bio:\nMichelle Inez Hinojosa is an artist, educator, and researcher whose work is informed by Indigenous and Latine\/x\/a\/o studies. Born and raised in Texas, she earned her Bachelor of Fine Arts degree in both drawing and painting and art education with a minor in art history at the University of North Texas. She holds a Master of Fine Arts from the University of Michigan. She works with quilting, bead weaving, embroidery, jewelry, transparent film installations, painting, ceramics, and sculpture to honor and explore the history of migration in her family and humanize the current discourse around migration still occurring at the southern border. Alongside her artwork she maintains a writing practice to re-story, re-make, and re-claim the often subordinated narratives of Latinx, Chicanx, Mexican, and Texican peoples. \n\nRecently, Hinojosa was named an inaugural Creative Careers Artist in Residence at the University of Michigan, she has also attended residencies at Mildred's Lane (Pennsylvania), Anderson Ranch Art Center (Aspen, CO) and The Cedars Union (Dallas, TX). ",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
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