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    "138082-21881882":
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        "datetime_modified":"20250904T104107",
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        "datetime_end":"20251118T170000",
        "has_end_time":1,
        "date_start":"2025-11-18",
        "date_end":"2025-11-18",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Art","Detroit","Diversity Equity and Inclusion","Ecology","Environment","Exhibition","Festival","Free","Humanities","Natural Sciences","Nature","Science","Visual Arts"],
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    {
        "datetime_modified":"20251114T111221",
        "datetime_start":"20251118T080000",
        "datetime_end":"20251118T235900",
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        "date_start":"2025-11-18",
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        "event_title":"Nam Center for Korean Studies Mascot Design Contest",
        "occurrence_title":"",
        "combined_title":"Nam Center for Korean Studies Mascot Design Contest",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"\ud83d\udce3 Announcing the Nam Center for Korean Studies Mascot Contest! \ud83d\udce3\r\n\r\nAre you creative, passionate about Korean culture, or someone who loves bringing people together? Help us design the Nam Center\u2019s very first mascot! We invite students, faculty, staff, and community members to submit ideas that celebrate Korea\u2019s vibrant spirit and culture, as well as the mission of the Nam Center.\r\n\r\nHow to Enter:\r\nAnyone regardless of their affiliation and age can enter the contest! Submit your original mascot design (sketch, painting, or digital art), along with a brief description of your mascot\u2019s personality and meaning [https:\/\/myumi.ch\/4mEjZ].\r\n\r\nDeadline for Entries: December 10, 11:59 PM (EST), 2025\r\n\r\nWinner Announcement: Winners will be officially announced on December 21 on our Facebook page and notified via email.\r\n\r\nPrizes: \r\n\ud83e\udd47 First Place: Your design will become the official Nam Center mascot! You\u2019ll receive either a custom 6-inch plush keychain or a larger plush (based on your design), along with a $250 gift card.\r\n\ud83e\udd48 Second Place: Honorable mention, Nam Center tote bag, and a $100 gift card.\r\n\ud83e\udd49 Third Place: Recognition, Nam Center tote bag, and a $50 gift card.\r\nPrizes will be mailed to you.\r\n\r\n\u2b50 Rules & Submission \u2b50\r\n - Submit one mascot character drawing (.jpg or .png file \/ maximum file size 20 MB)\r\n - Your design should be truly original and represent the vibrant Nam Center for Korean Studies.\r\n - Each entrant can submit only one design.\r\n - Your creation must be entirely your own\u2014and exclusively yours!\r\n - Designs must not have been previously published.\r\n - No existing logos, brands, or unauthorized third-party images.\r\n - You may add a creative emblem with \u201cNam Center,\u201d \u201cNam Center for Korean Studies,\u201d or \u201cNCKS\u201d to your design! It could be featured in future Nam Center promos.\r\n - A caption giving your mascot a name and a personality\u2014tell us what inspired your design! \r\n - By entering, you\u2019ll confirm that you\u2019ve read and agree to the terms outlined on the contest page.\r\n\r\n\ud83c\udfc6 Winner Selection \ud83c\udfc6\r\nAfter the deadline, a panel of judges from the Nam Center and the U-M International Institute will review your brilliant entries! They\u2019ll be looking for:\r\n - Outstanding originality and creativity\r\n - A compelling connection to the Nam Center\u2019s culture and mission\r\n - Clarity and quality in the design\r\n - Overall impact\r\n\r\nConditions: \r\n - Winners will be contacted by email and need to reply within 7 business days. If we don\u2019t hear back, another winner may be chosen.\r\n - Judges may request minor tweaks for the winning design. You\u2019ll have 10 days to review and approve any changes.\r\n - If we don\u2019t receive enough high-quality entries, we may extend the deadline or decide not to select a winner.\r\n\r\nUnleash your creativity and show us the heart of the Nam Center! Good luck and have fun! \u2b50\r\n\r\nFor questions, please contact outreachkorea@umich.edu.",
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                "guid":"141870-21889557@events.umich.edu",
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        "tags":["Art","animation","Asian Languages And Cultures","Korea","Korean Studies"],
        "website":"https:\/\/myumi.ch\/4mEjZ",
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                "group_id":"2738",
                "website":"http:\/\/www.ii.umich.edu\/ncks"                },             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
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                "website":"http:\/\/www.lsa.umich.edu\/asian"                }                    ],
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        "datetime_modified":"20250806T143931",
        "datetime_start":"20251118T090000",
        "datetime_end":"20251118T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Best Used By",
        "occurrence_title":"",
        "combined_title":"Best Used By: An Exhibition by Narsiso Martinez",
        "event_subtitle":"An Exhibition by Narsiso Martinez",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Narsiso Martinez\u2019s art practice, drawing upon his own experience as a farmworker, honors the people performing the essential labor required to fill produce sections and restaurant kitchens around the country through portraiture on discarded materials, such as cardboard boxes and paper grocery bags. Best Used By highlights timely issues regarding worker invisibility and anonymity. As part of his project, Martinez will be researching archives related to regional agricultural history and engaging with local food service workers.",
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                "guid":"137200-21879909@events.umich.edu",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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        "tags":["Art","Immigration","Social Justice","Multicultural","Visual Arts","Humanities","History"],
        "website":"https:\/\/www.instagram.com\/umichhumanities\/",
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        "datetime_modified":"20250908T171134",
        "datetime_start":"20251118T090000",
        "datetime_end":"20251118T163000",
        "has_end_time":1,
        "date_start":"2025-11-18",
        "date_end":"2025-11-18",
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        "time_zone":"America\/Detroit",
        "event_title":"Brothers and Uncles, Kings and Typecutters",
        "occurrence_title":"",
        "combined_title":"Brothers and Uncles, Kings and Typecutters: Five generations of Estienne printing in Michigan Collections (1512-1625)",
        "event_subtitle":"Five generations of Estienne printing in Michigan Collections (1512-1625)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Explore the evolution of the printed page through the prism of one remarkable family of scholar-printers. \r\n\r\nPrinting changed the speed and scale at which information circulated. Over a century, scholarly printers competed to produce carefully edited editions. As they produced more and more, they developed methods, such as page-layout and indices, to make their books easy to read, and they created dictionaries and reference books so a reader could get more from their books.\r\n\r\nThe Estienne family of printers are among the most renowned and long-lasting printing houses of the era. Family links and investment in scholarly training helped them to sustain a business in the print trade for six generations in France and Switzerland.\r\n\r\nThe Special Collections Research Center holds nearly 80 imprints dating from the first years of the sixteenth century into the reign of Louis XIV. View nineteen examples chosen to show the breadth of the Michigan Estienne collection in an era of amazing change.\r\n\r\nImage: Detail from \"Polem\u014dnos, Himeriou, kai all\u014dn tin\u014dn meletai,\" by Henri Estienne, Paris 1567. The Olive tree device is the best-known emblem of the Estienne house, surviving in over a dozen forms. First used by Robert I in 1526, it refers to a passage in Romans 11 that praises humility in the face of divine will.",
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        "tags":["Books","Library","Free"],
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        "event_title":"Cathy Barry Art Exhibition",
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