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        "time_zone":"America\/Detroit",
        "event_title":"Summer Deep Reading on Deep Learning (Transformer Circuits)",
        "occurrence_title":"",
        "combined_title":"Summer Deep Reading on Deep Learning (Transformer Circuits): Multi-Part Journal Club - Hosted by Matthew James O'Meara, PhD",
        "event_subtitle":"Multi-Part Journal Club - Hosted by Matthew James O'Meara, PhD",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Matthew O'Meara, PhD and his lab are hosting what we're calling Summer Deep Reading on Deep Learning. This year it will be a multi-part journal club on Transformer Circuits. We're going to start with Grokking and touch on lazy\/rich training regimes, thermodynamics and phase transitions. The aim is to make the math accessible while getting into advanced topics. \n\nAll are welcome, please pass this announcement to folks in your lab or anyone else you think may be interesting.\n\nOver the course of the series, we are going to explore the use of generative and agentic AI and how we can use it to engage with new ideas and learn from each other. So each week we'll suggest exercises covering prompting strategies, ClaudeCode, Skills\/MCPs, agentic workflows, and rigor and reproducibility. As a finale, for those that can attend, we'll hold a multi-day hackathon where we can work together to integrate what we've learned into resource for others.\n\nSchedule and Logistics\nWe'll meet every-other week on Fridays at 10-11am location 4B700, where the coordinates may vary depending on availability.\n\nFriday 5\/22\nFriday 6\/5\nFriday 6\/19\nFriday 7\/3\nHackathon 7\/15-17th\n\n* Each session we'll cover a paper journal as a journal club, and share what we learned about and through the AI tools.\n* For coordination and up-to-date information, please join the #summer-deep-reading-deep-learning channel on slack.\n\nExpectations:\nRead the paper and be curious",
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        "tags":["Hackathon","Gen Ai","Ai In Science And Engineering","Artificial Intelligence","Bioinformatics","Computational Science"],
        "website":"https:\/\/medschool.umich.edu\/departments\/computational-medicine-bioinformatics\/summer-deep-reading-deep-learning-transformer-circuits",
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        "event_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through November 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 12 - November 12) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 2 Curatorial Statement\n\nCurated by Sometimes Space: Sally Clegg (entry pillar)\nCurated by CYNK Studios: Kim Karlsrud (courtyard pillar)\n\nArtists Sally Clegg and Kim Karlsrud wrap the Division Street pillars in highly site-specific ornament unearthed from the overlooked margins of Ann Arbor. On the Courtyard pillar, Karlsrud scales up photographs of objects found in liminal spaces surrounding campus buildings on Green Road, which the artist has encrusted in road salt. On the entryway pillar, Clegg zooms in on tiny fragments of found material from UMich\u2019s famous \u201crock\u201d to celebrate nearly seven decades of student art and activism. Both artists uplift aggregate of local human activity to reveal tiny worlds of found form. \n\nSally Clegg: Sentimentary Rock\nSentimentary Rock is a composition of paint slag collected from the UMich rock monument at the corner of Washtenaw Avenue and Hill Street. This colorful composite material has been accumulating at the base of the iconic limestone boulder since the mid 1950\u2019s, when students began a tradition of painting it in acts of protest, creativity, and ritual, sometimes multiple times per week. Akin to byproducts of industry such as \u201cFordite\u201d (collectable chunks of automotive overspray sometimes called \u2018Detroit agate\u2019), Sentimentary Rock includes thousands of layers, each dripped from a palimpsestic public proclamation. When processed, sculpted, sealed, assembled, and macro-photographed, the result is this enlarged array of tiny gems, intended to celebrate the indissoluble student voice. \n\nKim Karlsrud: What Amasses\nWhat Amasses is an assemblage of everyday found objects collected within the Miller Creek watershed, an urbanized drainage system that encompasses much of the city of Ann Arbor and the University of Michigan campus. Selected objects were immersed in a road salt solution, allowing delicate crystalline formations to emerge. Road salt is a common material input into these hydrological networks during the winter months and exists in multiple states of refinement, expression, coherence, and fragmentation. Each object was then arranged, photographed, and enlarged to recontextualize these materials in ways that invite deeper reflections on how infrastructure and human agency blur notions of the natural and the artificial. \nArtist Statements\/Bios\n\nSally Clegg \nSally Clegg is an artist and educator from Pelham, Massachusetts. Her studio practice is rooted in sculpture and expanded printmaking, stemming from a fascination with human efforts to make meaning from our relationships to objects. Clegg integrates history, popular culture, literature and philosophy as material for artmaking, leveraging personal anecdote and humor to reveal the complexity, absurdity, and theoretical richness at play in our connections to things and to ourselves. \n\nClegg holds an MFA in Art from The University of Michigan Stamps School of Art & Design, and a BA in Art & English from Goucher College. She has exhibited nationally and internationally, and her work can be found in permanent collections at Yale University, The New York Public Library, and elsewhere. Her artwork and writing has appeared in ASAP\/Journal, BOMB Magazine, Sculpture Magazine, and Hyperallergic. She is a lecturer in Art & Design at the University of Michigan. Website \/ Instagram\n\n\nKim Karlsrud \nKim Karlsrud is the co-founder of Commonstudio, a collaborative creative practice that develops socio-ecological and spatial interventions, installations, and initiatives working with and within urban landscapes. Her work explores the space between art and design, and is grounded in the concept of the \u201ccommons,\u201d that which is shared, as well as that which is ordinary, banal, and commonplace.\n\nKarlsrud completed her undergraduate degree in Product Design from Otis College of Art and Design and an MFA in Art from the University of Michigan. She is currently an Assistant Visiting Professor in the College of Design at the University of Oregon, teaching across Art and Landscape Architecture departments. She jointly received the 2014-15 Prince Charitable Trust Rome Prize in Landscape Architecture, was a 2017 resident at the Headlands Center for the Arts, and is the 2025-26 Fuller Fieldscape Fellow. Website \/ Instagram",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
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        "description":"From September 2025 through August 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 3 \nCurated by Sometimes Space: Abhishek Narula (entry pillar)Curated by CYNK Studios: Nathan Byrne (courtyard pillar)",
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        "event_title":"Dynamic Contracting: Sequential Payments, Stochastic Target Problems, and State-Constrained Control",
        "occurrence_title":"",
        "combined_title":"Dynamic Contracting: Sequential Payments, Stochastic Target Problems, and State-Constrained Control: Liwei Huang",
        "event_subtitle":"Liwei Huang",
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        "event_type_id":"16",
        "description":"Abstract:\n\nThis thesis develops stochastic-control methods for dynamic principal\u2013agent problems in continuous time. The first part studies adverse selection with moral hazard, where the agent privately observes her type. We reformulate the principal\u2019s problem as an optimal control problem with partial information and state constraints, and characterize the value through state-constrained HJB equations. The second part studies sequential contracting with multiple lump-sum payments at fixed dates, using recursive BSDEs to reduce the Stackelberg problem to a single stochastic control problem with mixed static and continuous controls. The third part allows the principal to choose both the timing and size of discretionary bonuses, leading to a mixed control-stopping problem characterized by HJB variational inequalities. Together, the thesis shows how private information, payment timing, and contractual flexibility shape optimal incentive design.",
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        "tags":["Mathematics","Graduate Students","Graduate","Dissertation"],
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        "event_title":"Heartfulness Meditation",
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        "description":"Heartfulness Guided Meditation is a weekly, drop-in program designed to help you Mental well-being. \r\n\r\nAll U-M students, faculty, and staff are welcome to participate in guided meditation practice with a trainer every Friday at noon over Zoom (details to join are provided below). No prior experience with meditation is required. \r\n\r\n*What will you learn?*\r\n\r\nThe guided meditation practice involves three simple steps: relaxation, rejuvenation, and meditation.\r\n\r\nRelaxation brings your body to a calm, steady posture creating a stillness at the physical level, and prepares the mind for meditation. We follow this with a rejuvenation method to detox the mind to let go of stress and complex emotions, and will leave you feeling light and refreshed. Lastly, learning to meditate by being mindful of your heart will connect you with yourself by listening to your heart\u2019s voice. \r\n\r\n*Why Meditate?*\r\n\r\nWhile physical fitness keeps our bodies in shape, meditation is an exercise for the mind and mental wellness. In addition to the measurable benefits mentally and physically, many people benefit from an unquantifiable inner poise and harmony. \r\n\r\n*Please take Learn to Meditate session if you are new to the practice. These sessions are offered Monthly.* https:\/\/events.umich.edu\/event\/128708\r\n\r\n*Event Details*\r\n\r\nHeartfulness Guided Meditation \r\nFridays from 12-12:30 p.m. ET (except during university season days \/ holidays)\r\nJoin Via Zoom Meeting\r\nRegister to receive Passcode (see \u201cRelated links\u201d\r\n\r\n\r\nThis wellness program is coordinated by ITS Teaching & Learning and provided at no cost by heartfulness.org.",
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    {
        "datetime_modified":"20260521T181508",
        "datetime_start":"20260605T120000",
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        "date_start":"2026-06-05",
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        "event_title":"Marianetta Porter: Breath, Fragment, Return",
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        "description":"\n\nCurated by Juana Williams, this exhibition examines how Marianetta Porter uses everyday objects, fragments, and embodied memory to make absence an active, living presence while challenging linear histories. Rooted in African American experience, her practice treats what is discarded, overlooked, or missing not as loss, but as a source of meaning that continues to act on the present. Through her process and materials, Porter reveals how memory is carried in the body and embedded in ordinary things. Her work also resists forward-moving notions of time, instead presenting a diasporic temporality in which past, present, and lived experience circulate together through repetition, touch, and recall. In doing so, Porter proposes a vision of history as unfinished, memory as active, and absence as a force that sustains connection and shapes the present. \n\nMarianetta Porter is a visual artist and product designer whose research and creative practice are grounded in the study of African American history, culture, and representation. Through the language of visual art, she draws connections between historic memory and contemporary African American life, giving voice to the history of the African diaspora while acknowledging its central influence on the birth and flourishing of American culture.\n\nHer work has been exhibited nationally at institutions such as the Indianapolis Museum of Art, the Chicago Museum of Science and Industry, the Spoleto Festival, the Harriet Tubman Museum, and the Hampton University Museum of Art.\n\nShe earned her Bachelor of Fine Arts from Hampton University and her Master of Fine Arts from the University of Michigan. The recipient of numerous awards, Porter is Professor Emeritus at the University of Michigan\u2019s Stamps School of Art and Design.\n\nJuana Williams is a curator and writer whose work explores the intersections of cross-border intellectual history, cultural memory, and identity formation as expressed through modern and contemporary art from Africa and its diasporas.\n\nWilliams has held curatorial and academic appointments at organizations including the Detroit Institute of Arts, Library Street Collective, Wayne State University, and the Urban Institute for Contemporary Art. Her curatorial projects have been presented at institutions across the United States and France, including the Grand Rapids Art Museum, the Muskegon Museum of Art, Palais de Tokyo (Paris), and the Westmoreland Museum of American Art. In addition, she has presented lectures at various museums and universities and contributed to numerous exhibition catalogs. Her work has been written about in publications such as Artsy, Beaux Arts Magazine, Cond\u00e9 Nast Traveller, Michigan Chronicle, and Observer. Williams holds a BA in Fine Art and an MA in Art History from Wayne State University.",
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