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        "datetime_end":"20240426T200000",
        "has_end_time":1,
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        "date_end":"2024-04-26",
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        "event_title":"Andrea Carlson Future Cache",
        "occurrence_title":"",
        "combined_title":"Andrea Carlson Future Cache",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"In Andrea Carlson Future Cache, a 40-foot-tall memorial wall towers over visitors, commemorating the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians who were violently burned from their land in Northern Michigan on October 15, 1900. Written across the walls above and around the memorial, a statement proclaims Anishinaabe rights to the land we stand on: \u201cYou are on Anishinaabe Land.\u201d\u00a0\u00a0\n \nPresented alongside are paintings of imagined decolonized landscapes and a symbolic cache of provisions. Future Cache implicitly asks those who have benefited from the legacies of colonization to consider where they stand and where to go from here and seeks to foster a sense of belonging for displaced Indigenous peoples fighting for restitution.\n\nSpecial thanks to the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians, Margaret Noodin, and Richard A. Wiles, for their consultation on the State Historical Marker text; to Margaret Noodin and Michael Zimmerman, Jr. for translating the gallery texts into Anishinaabemowin; to James Horton and Fritz Swanson for generously producing the letterpress broadsides; to colleagues at the U-M Biological Station, U-M Museum of Anthropological Archaeology, U-M Clements Library, and U-M Clark Map Library. For more information on the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians visit BurtLakeBand.org.\u00a0\n\nLead support for Future Cache is provided by Lizzie and Jonathan Tisch, Erica Gervais Pappendick and Ted Pappendick, and the U-M Office of the Provost.\n\u00a0",
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        "room":"Vertical Gallery",
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        "website":"https:\/\/umma.umich.edu\/exhibitions\/2022\/andrea-carlson-future-cache",
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        "event_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
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        "combined_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
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        "description":"Care in Uncertain Times\n \nAs crises of public health, economic instability, authoritarian regimes, racial injustice, and climate change spread around the globe,\u00a0millions are experiencing distress, conflict, uncertainty, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979, when the Khmer Rouge ruled Cambodia, about a quarter of the country\u2019s populations died of infectious diseases, weapon wounds, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its\u00a0diaspora\u00a0has evolved in the face of cultural upheaval. Showcasing works from worldwide collections, including those from some of the foremost members of the Cambodian contemporary art scene, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, Eleanor Noyes Crumpacker Endowment Fund, and U-M Ross School of Business.\n\u00a0",
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        "room":"A. Alfred Taubman Gallery I",
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        "tags":["Art","Culture","Exhibition","Museum","Public Health","UMMA"],
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        "datetime_start":"20240426T100000",
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        "event_title":"Curriculum \/ Collection",
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        "combined_title":"Curriculum \/ Collection",
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        "description":"In Curriculum \/ Collection, an incredible variety of University of Michigan courses take material form. Collected for each course are objects that address the nature of materiality, time, and human interaction in relation to our environments, our wars, our relationships, and our eccentricities.\u00a0\n \nWorking in collaboration with University faculty, the works in this exhibition were selected for their capacity to provoke engagement with the guiding questions and themes of their specific courses, while also offering students inspiration for research and art projects in their areas of study. The exhibition demonstrates some of the diverse and creative ways art plays a central role in learning across the disciplines. It also asks us to consider what we can learn from art objects across an infinite variety of specialties and subject matter.\n \nAs classes begin in Fall of 2021, you\u2019ll be able to use these pages to explore the collections designed for each course, dive into the works themselves, and hear from the professors and students about how they are engaging with art and objects in new ways. Who knows, maybe you\u2019ll learn something surprising along the way, too.\n\nLead support for this exhibition is provided by the University of Michigan Office of the Provost, Erica Gervais Pappendick and Ted Pappendick, and the Eleanor Noyes Crumpacker Endowment Fund, and the Oakriver Foundation.\n\u00a0",
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        "tags":["Art","Exhibition","Faculty","Museum","Nature","Research","UMMA"],
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        "event_title":"Regionals",
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        "description":"Frisbee tournament in Zeeland, MI",
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        "event_title":"Topics in Causal Inference Addressing Practical Data Challenges",
        "occurrence_title":"",
        "combined_title":"Topics in Causal Inference Addressing Practical Data Challenges: Charlotte Mann",
        "event_subtitle":"Charlotte Mann",
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        "description":"Abstract: Evaluating the effects of interventions is important to inform policy decisions across many disciplines. This dissertation is motivated by applications including evaluating medical treatments, state-level policy decisions, and educational curricular interventions. In each of these applications, there are practical barriers to using previously developed effect estimation methods with available data. We present estimation strategies that overcome these challenges or offer practical benefits of their own, beyond those of typical methods.\r\n\r\nFirst, we apply a method that integrates experimental (RCT) and observational data for treatment effect estimation to a paired cluster-randomized field experiment in education (CTAI study). For this data integration approach, first, we fit an outcome model with the auxiliary, observational data. Then, we use predictions from the auxiliary model as a \u201csuper covariate\u201d in treatment effect estimation with the RCT. The application to the CTAI study demonstrates the process and practical benefits of fitting an auxiliary model in addition to the data integration method\u2019s efficacy in a relevant applied setting.  \r\n\r\nWhile we were able to access both auxiliary and RCT data for the CTA study, this may not always be the case in practice. For example, during the first year of the COVID-19 pandemic, large patient databases existed, but access to this data was restricted. To overcome this challenge, we aimed to share a useful auxiliary model for analyses of COVID-19 RCTs. In collaboration with physicians, we developed a risk model for in-hospital COVID-19 mortality. We discuss considerations for developing a model that would be useful for data integration in diverse (and unknown) RCTs and for physicians in practice. \r\n\r\nWe additionally explore more general approaches to integrate observational and experimental data for causal inference, when data privacy is a concern. Namely, we consider ways to release observational datasets, which limit disclosure of confidential information and can still be used in two treatment effect estimators, which leverage auxiliary data for generalizability or precision. We find that integrating privacy transformed observational data still improves generalizability or precision of treatment effect estimates, beyond that achieved using the RCT data alone.\r\n\r\nResearchers may also want to use data that cannot be fully released, due to data privacy concerns, for treatment effect estimation directly. For example, analyses of health policies often rely on data provided by US data agencies, but publicly available mortality outcomes in the US are censored, so counts of 10 or fewer individual deaths are suppressed. This results in sometimes substantial missing data for county-level analyses. We address this common challenge to policy evaluations by presenting a rank-sum test statistic that accommodates outcomes censored in this way. We apply the rank-sum test to estimate the county-level effect of Medicaid expansion as part of the Affordable Care Act on mortality in the US in 2014, with attention to observational study design and additional statistical challenges that arise with county-level mortality counts.\r\n\r\nFinally, motivated by the CTAI study, we present a general framework for design-based estimation in paired cluster-randomized experiments (pCRTs) for average individual effects. Given that pCRTs are common, it is surprisingly not obvious how to analyze them. Our framework clarifies the bias-variance trade-off between different treatment effect estimators and emphasizes the benefits of covariate adjustment for estimation with pCRTs. This analysis and extensive simulation studies provide guidance for how to analyze pCRTs in practice.",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
        "occurrence_notes":null,
                "guid":"84303-21621270@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/84303",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","European","Exhibition","History","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
        "sponsors":[
             {
                "group_name":"University of Michigan Museum of Art (UMMA)",
                "group_id":"1177",
                "website":"http:\/\/www.umma.umich.edu\/"                }                    ],
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