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    "116487-21837129":
    {
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240502T090000",
        "datetime_end":"20240502T160000",
        "has_end_time":1,
        "date_start":"2024-05-02",
        "date_end":"2024-05-02",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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    }    ,    "107870-21817796":
    {
        "datetime_modified":"20240130T121550",
        "datetime_start":"20240502T100000",
        "datetime_end":"20240502T200000",
        "has_end_time":1,
        "date_start":"2024-05-02",
        "date_end":"2024-05-02",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
        "occurrence_notes":null,
                "guid":"107870-21817796@events.umich.edu",
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        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"Lizzie and Jonathan Tisch Apse",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Free","Humanities","Museum","Staff","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2023\/a-gathering",
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                "group_id":"1177",
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    }    ,    "95387-21789345":
    {
        "datetime_modified":"20240130T121548",
        "datetime_start":"20240502T100000",
        "datetime_end":"20240502T200000",
        "has_end_time":1,
        "date_start":"2024-05-02",
        "date_end":"2024-05-02",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Andrea Carlson Future Cache",
        "occurrence_title":"",
        "combined_title":"Andrea Carlson Future Cache",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"In Andrea Carlson Future Cache, a 40-foot-tall memorial wall towers over visitors, commemorating the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians who were violently burned from their land in Northern Michigan on October 15, 1900. Written across the walls above and around the memorial, a statement proclaims Anishinaabe rights to the land we stand on: \u201cYou are on Anishinaabe Land.\u201d\u00a0\u00a0\n \nPresented alongside are paintings of imagined decolonized landscapes and a symbolic cache of provisions. Future Cache implicitly asks those who have benefited from the legacies of colonization to consider where they stand and where to go from here and seeks to foster a sense of belonging for displaced Indigenous peoples fighting for restitution.\n\nSpecial thanks to the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians, Margaret Noodin, and Richard A. Wiles, for their consultation on the State Historical Marker text; to Margaret Noodin and Michael Zimmerman, Jr. for translating the gallery texts into Anishinaabemowin; to James Horton and Fritz Swanson for generously producing the letterpress broadsides; to colleagues at the U-M Biological Station, U-M Museum of Anthropological Archaeology, U-M Clements Library, and U-M Clark Map Library. For more information on the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians visit BurtLakeBand.org.\u00a0\n\nLead support for Future Cache is provided by Lizzie and Jonathan Tisch, Erica Gervais Pappendick and Ted Pappendick, and the U-M Office of the Provost.\n\u00a0",
        "occurrence_notes":null,
                "guid":"95387-21789345@events.umich.edu",
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        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"Vertical Gallery",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2022\/andrea-carlson-future-cache",
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                "group_id":"1177",
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    }    ,    "114750-21833492":
    {
        "datetime_modified":"20240130T121549",
        "datetime_start":"20240502T100000",
        "datetime_end":"20240502T200000",
        "has_end_time":1,
        "date_start":"2024-05-02",
        "date_end":"2024-05-02",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
        "occurrence_title":"",
        "combined_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Care in Uncertain Times\n \nAs crises of public health, economic instability, authoritarian regimes, racial injustice, and climate change spread around the globe,\u00a0millions are experiencing distress, conflict, uncertainty, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979, when the Khmer Rouge ruled Cambodia, about a quarter of the country\u2019s populations died of infectious diseases, weapon wounds, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its\u00a0diaspora\u00a0has evolved in the face of cultural upheaval. Showcasing works from worldwide collections, including those from some of the foremost members of the Cambodian contemporary art scene, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, Eleanor Noyes Crumpacker Endowment Fund, and U-M Ross School of Business.\n\u00a0",
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        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"A. Alfred Taubman Gallery I",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Culture","Exhibition","Museum","Public Health","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2024\/angkor-complex-cultural-heritage-and-post-genocide-memory-in-cambodia",
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                "website":"http:\/\/www.umma.umich.edu\/"                }                    ],
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    {
        "datetime_modified":"20240130T121551",
        "datetime_start":"20240502T100000",
        "datetime_end":"20240502T200000",
        "has_end_time":1,
        "date_start":"2024-05-02",
        "date_end":"2024-05-02",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
        "occurrence_notes":null,
                "guid":"84303-21621275@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/84303",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
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