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        "event_title":"Integrating Qualitative Methods into Survey Research",
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        "combined_title":"Integrating Qualitative Methods into Survey Research: A noncredit course presented by Darby Steiger",
        "event_subtitle":"A noncredit course presented by Darby Steiger",
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        "description":"Founded in 1948, the Summer Institute in Survey Research Techniques is designed specifically to meet the needs of professionals and graduate students seeking to deepen their expertise in survey methodology and data collection. Offered through the Michigan Program in Survey and Data Science within the Institute for Social Research at the University of Michigan, the program provides a rigorous and flexible curriculum that blends theoretical foundations with practical application \u2014 entirely online. \n\nClasses are open for registration.\nYou do not have to be affiliated with the University to attend. \nRegistration and payment are required a minimum of two weeks prior to the start of the class. \n\nJuly 13-17, 2026 (M-F)\n10:30am-12:00pm\nIntegrating Qualitative Methods into Survey Research\nPresented by Darby Steiger\nCourse Fee: $500\n\nThis intensive course is designed to introduce novice and intermediate survey researchers to the integration of qualitative methods into survey research. Guided by the literature on mixed methods research, the course will present various motivations and strategies for blending qualitative components into a quantitative study. Students will be introduced to a variety of qualitative methods and the ways each approach can complement a survey, including focus groups, in-depth interviews, asynchronous research, cognitive testing, open-ended survey questions, and multiple methods used across a single study. Through case studies and collaborative exercises, students will explore the potential contribution of each method, as well as the benefits of combined methods to advance and understand specific research questions. Practical considerations will be covered, including study design, sampling, recruitment, data collection, analysis, and integration of qualitative findings into survey reporting. This course is designed for those with a specific research question in mind, as participants will be asked to design multi-method approaches to a research question of their choice. By the end of this course, participants will understand the role qualitative research can play in survey research and how to design and implement a qualitative phase in a multimethod study.\n\nDarby Steiger is Vice President of Innovation & Solutions and Director of Qualitative Research at SSRS. Darby is responsible for spearheading the advancement of the core SSRS research products while driving cutting-edge approaches to the firm\u2019s qualitative and quantitative research divisions. With over 30 years as a qualitative researcher and survey methodologist, Darby has extensive experience conducting qualitative and quantitative research for a wide range of organizations and topics. A national leader in research methods, Darby regularly presents at leading industry conferences and recently served on the Executive Council of the American Association for Public Opinion Research. Darby has three degrees from the University of Michigan.",
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        "tags":["Data","Data Analysis","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Graduate and Professional Students","Mathematics","Online","Research","Survey Methodology","Survey Methods","Survey Research"],
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        "event_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
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        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through November 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 12 - November 12) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 2 Curatorial Statement\n\nCurated by Sometimes Space: Sally Clegg (entry pillar)\nCurated by CYNK Studios: Kim Karlsrud (courtyard pillar)\n\nArtists Sally Clegg and Kim Karlsrud wrap the Division Street pillars in highly site-specific ornament unearthed from the overlooked margins of Ann Arbor. On the Courtyard pillar, Karlsrud scales up photographs of objects found in liminal spaces surrounding campus buildings on Green Road, which the artist has encrusted in road salt. On the entryway pillar, Clegg zooms in on tiny fragments of found material from UMich\u2019s famous \u201crock\u201d to celebrate nearly seven decades of student art and activism. Both artists uplift aggregate of local human activity to reveal tiny worlds of found form. \n\nSally Clegg: Sentimentary Rock\nSentimentary Rock is a composition of paint slag collected from the UMich rock monument at the corner of Washtenaw Avenue and Hill Street. This colorful composite material has been accumulating at the base of the iconic limestone boulder since the mid 1950\u2019s, when students began a tradition of painting it in acts of protest, creativity, and ritual, sometimes multiple times per week. Akin to byproducts of industry such as \u201cFordite\u201d (collectable chunks of automotive overspray sometimes called \u2018Detroit agate\u2019), Sentimentary Rock includes thousands of layers, each dripped from a palimpsestic public proclamation. When processed, sculpted, sealed, assembled, and macro-photographed, the result is this enlarged array of tiny gems, intended to celebrate the indissoluble student voice. \n\nKim Karlsrud: What Amasses\nWhat Amasses is an assemblage of everyday found objects collected within the Miller Creek watershed, an urbanized drainage system that encompasses much of the city of Ann Arbor and the University of Michigan campus. Selected objects were immersed in a road salt solution, allowing delicate crystalline formations to emerge. Road salt is a common material input into these hydrological networks during the winter months and exists in multiple states of refinement, expression, coherence, and fragmentation. Each object was then arranged, photographed, and enlarged to recontextualize these materials in ways that invite deeper reflections on how infrastructure and human agency blur notions of the natural and the artificial. \nArtist Statements\/Bios\n\nSally Clegg \nSally Clegg is an artist and educator from Pelham, Massachusetts. Her studio practice is rooted in sculpture and expanded printmaking, stemming from a fascination with human efforts to make meaning from our relationships to objects. Clegg integrates history, popular culture, literature and philosophy as material for artmaking, leveraging personal anecdote and humor to reveal the complexity, absurdity, and theoretical richness at play in our connections to things and to ourselves. \n\nClegg holds an MFA in Art from The University of Michigan Stamps School of Art & Design, and a BA in Art & English from Goucher College. She has exhibited nationally and internationally, and her work can be found in permanent collections at Yale University, The New York Public Library, and elsewhere. Her artwork and writing has appeared in ASAP\/Journal, BOMB Magazine, Sculpture Magazine, and Hyperallergic. She is a lecturer in Art & Design at the University of Michigan. Website \/ Instagram\n\n\nKim Karlsrud \nKim Karlsrud is the co-founder of Commonstudio, a collaborative creative practice that develops socio-ecological and spatial interventions, installations, and initiatives working with and within urban landscapes. Her work explores the space between art and design, and is grounded in the concept of the \u201ccommons,\u201d that which is shared, as well as that which is ordinary, banal, and commonplace.\n\nKarlsrud completed her undergraduate degree in Product Design from Otis College of Art and Design and an MFA in Art from the University of Michigan. She is currently an Assistant Visiting Professor in the College of Design at the University of Oregon, teaching across Art and Landscape Architecture departments. She jointly received the 2014-15 Prince Charitable Trust Rome Prize in Landscape Architecture, was a 2017 resident at the Headlands Center for the Arts, and is the 2025-26 Fuller Fieldscape Fellow. Website \/ Instagram",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
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        "event_title":"Quantum Research Institute | Heterogeneous Materials Integration for Photonic Integrated Circuits",
        "occurrence_title":"",
        "combined_title":"Quantum Research Institute | Heterogeneous Materials Integration for Photonic Integrated Circuits: Prof. Richard Mirin - University of California Santa Barbara",
        "event_subtitle":"Prof. Richard Mirin - University of California Santa Barbara",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"In-Person: Duderstadt 1180 (North Campus)\nZoom: https:\/\/umich.zoom.us\/j\/95879021951?jst=2\n\nAbstract\nWafer-bonding is a key enabling technology for the development of complex photonic integrated circuits (PICs) that utilize the best properties of various materials. III-V semiconductors are especially important for such PICs because they offer a wide variety of bandgaps, very high gain under electrical injection, large optical nonlinearity, and wide transparency regions. I will describe some of the projects done by the Quantum Nanophotonics Group at NIST\/Boulder over the past several years that utilize wafer-bonding to make novel optoelectronic devices, including chip-scale nonlinear optics and the demonstration of integrated semiconductor lasers at wavelengths less than 1000 nm.\n\nBio:\nProf. Richard Mirin received a BS in EECS from UC Berkeley in 1990 and an MS and PhD in ECE from UC Santa Barbara in 1992 and 1996, respectively. In the fall of 1996, he joined the Optoelectronics Division of the National Institute of Standards and Technology (NIST) in Boulder, CO. In January 2026, he returned to the ECE Dept at UC Santa Barbara. Prof. Mirin is a Fellow of Optica and IEEE and an Associate Editor of Optica.",
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