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        "event_title":"Women's Basketball vs Ferris State (ex)",
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        "event_type_id":"20",
        "description":"Women's Basketball vs Ferris State (ex)",
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        "building_name":"Crisler Arena",
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        "location_name":"Crisler Arena",
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        "cost":"See MGoblue.com",
        "tags":["Athletics - Women's Basketball","Athletics"],
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        "event_title":"THE LONG FALL",
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        "combined_title":"THE LONG FALL: a dance theater work by vim vigor dance company",
        "event_subtitle":"a dance theater work by vim vigor dance company",
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        "description":"*You are falling, but you never land.*\n\nTHE LONG FALL imagines a world suspended in contradiction \u2013 a space of constant motion where characters shift form, time loops without resolution, and realities collide. Inspired by the existential absurdity of being alive, the failures of assigned roles, and the blurred boundaries between play and performance, the work explores the combustible territory between childhood imagination, adult consequence, and theatrical illusion.\n\nWhat does it mean when children play at war, or love, or death \u2013\u00a0enacting dramas they barely understand? And what happens when those same dramas become real, lived, or staged? Is the stage any less real than the battlefield, the bedroom, or the family dinner table? THE LONG FALL lives in this surreal overlap, where innocence and impact are tangled, where performance is both survival and surrender.\n\nSet against an original electronic score by Marshall Chadbourne, the myth of the American mission \u2013 of family, of purpose, of safety \u2013 fractures. No promise can truly be kept. No victory comes without shadow. And still, we try. We fail. We try again. Our lives tumble forward in the chaotic current of time, and even as we fall through space, we brazenly and optimistically reach for one another. These exquisite moments of connection, caught between descent and delay, are the flashes of meaning against all odds.\n\nMy process begins with the body. Behavior that rises into high physicality becomes a portal into the surreal, emotional, and mythic. The pressure between bodies becomes a kind of truth-teller. The audience is present \u2013 not just as observers, but as witnesses, co-dreamers, and sometimes accomplices.\n\nCreation is collaborative, volatile, and alive. I bring movement, text, images, themes, and tasks; the ensemble brings their interpretations \u2013 wild, grounded, broken, ecstatic. We construct a world from fragments and contradictions. A world that drifts between war-torn realities and absurd dream-states. Where the nuclear family is both icon and ruin. Where love is earnest and unspeakable. Where we fail beautifully, collapsing forward, haunted and held.\n\nTHE LONG FALL does not seek to tell a linear story, but to inhabit a state \u2013\u00a0a falling, looping, breaking, trying. It is a meditation on fragile persistence, on the way human beings continue inside impossible conditions. How even when the promise has been broken, the mission has failed, the family has splintered, we keep playing. Over and over, bending time into childlike loops: Are we there yet?\n\nCAST & COLLABORATORS\nConcept and Direction: Shannon Gillen\nChoreography: Jason Cianciulli and Shannon Gillen, in collaboration with the performers\nChoreographic Assistant: Katherine Kiessling\nPerformance: Jason Cianciulli, Tzveta Kassabova, Katherine Kiessling, and Samy Navarez\nGuest Performance: Ruby Clay, Audrey De Guia, Emerson Forbes, Leah Kropp, Rachel McNaughton, Ava Menzel, Melisa Orduna, Olga Rabetskaya, Jessica Serres, Caitlyn Wade, Angelica White\nSound Score: Marshall Chadbourne with voice over by Sasha Lipinski\nLighting Design: Jess Fialko\nSet Design: Jungah Han\nOriginal Text: Shannon Gillen with excerpts from Beckett's 'Happy Days'\nBackstage Operations Manager: Tiff Crutchfield",
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        "datetime_modified":"20251015T181648",
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        "event_title":"Justin Benavidez, tuba",
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        "combined_title":"Justin Benavidez, tuba",
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        "description":"Guest artist and alum Justin Benavidez (MM \u201907, DMA \u201910, tuba) performs a recital with collaborative pianist Liz Ames.\n\nABOUT THE GUEST ARTIST\n\nHailed as \u201ca true virtuoso\u201d by *Fanfare* Magazine and described as a \u201ctour-de-force\u201d by *American Record Guide*, JUSTIN BENAVIDEZ joined the faculty of the Eastman School of Music as Associate Professor of Tuba and Euphonium in 2023. He is Principal Tuba of the Syracuse Orchestra and spends his summers on faculty at the Round Top Music Festival in Round Top, Texas and as Principal Tuba of the Cabrillo Festival of Contemporary Music in Santa Cruz, California.\n\nBenavidez has performed across North America, Europe, and Japan. He has appeared as a concerto soloist with various ensembles, including the Albany Symphony Orchestra, the United States Army Band \u201cPershing\u2019s Own\u201d, the Aspen Music Festival Orchestra, and the Eastman Wind Ensemble. His debut solo album *Emblems* won Silver Medals in the Classical Album and Solo Instrumentalist categories of the 2018 Global Music Awards. The *International Tuba Euphonium Association Journal* described it as \u201can impressive and highly entertaining record\u201d on which Benavidez \u201cshreds with enthusiasm, exuberance, and precision.\u201d His second album *Storyteller* won Silver Medals in the Classical Album and Solo Instrumentalist categories of the 2022 Global Music Awards and was named a finalist for the 2023 ITEA Roger Bobo Award for Excellence in Recording. *Fanfare* described the album as \u201csplendidly eloquent [\u2026] a masterclass in expressiveness.\u201d\n\nAs an orchestral tubist, Benavidez has performed with the symphony orchestras of Charleston, Charlotte, Jacksonville, Philadelphia, Rochester, Santa Fe, Sarasota, Tallahassee, and Utah. He is the only tubist to have been awarded the Orchestral Fellowship and the New Horizons Fellowship at the Aspen Music Festival where he was a student for six summers, held the principal tuba chair in the festival orchestra, and was the winner of the Aspen Music Festival concerto competition.\n\nBenavidez was the distinguished recipient of the Horace H. Rackham Merit Fellowship for doctoral studies at the University of Michigan and was presented with the University of Michigan Paul Boylan Award for outstanding accomplishments and significant contributions in the field of music. As a scholar, Benavidez was awarded the McKnight Faculty Fellowship to complete his research on the most significant solo repertoire for tuba, culminating in a critical volume that will be published by Oxford University Press. He serves as Editor-in-Chief for the *ITEA Journal* and was the editor for *Flow Studies* through Mountain Peak Music, a daily routine regimen for tuba.\n\nAs one of today\u2019s leading educators, Benavidez is frequently invited to present master classes and perform as a guest recitalist at preeminent universities, workshops, and conferences. Notable invitations have included Indiana University, the University of Michigan, Yale University, Rice University, the Kunitachi College of Music in Tokyo, the Bern University of the Arts in Switzerland, the Lyon Conservatory of Music, the Paris Conservatory of Music, and multiple International Tuba Euphonium Conferences. He was awarded the Florida State University Teaching Award in 2021 for exceptional teaching and mentorship. Benavidez\u2019s students have distinguished themselves through numerous accomplishments and awards, including first place prizes at international competitions, performing positions in premier military bands and orchestras, and teaching positions at secondary and collegiate institutions.\n\nBenavidez is a Melton Meinl Weston and Denis Wick performing artist. He performs on his Meinl Weston 2182W F tuba and Nirschl York CC tuba.\n",
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        "room":"Stamps Auditorium",
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        "website":"https:\/\/smtd.umich.edu\/wp-content\/uploads\/2025\/10\/Justin-Benavidez-Guest-Artist-October-30.pdf",
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        "event_title":"Lute Legends Collective with the SMTD Baroque Chamber Orchestra and Joseph Gascho",
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        "combined_title":"Lute Legends Collective with the SMTD Baroque Chamber Orchestra and Joseph Gascho: Borderlands: Music on the Edge",
        "event_subtitle":"Borderlands: Music on the Edge",
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        "description":"7:15pm Pre-Concert Lecture Demonstration (In-Person Only)\n8:00pm Performance (In-Person and Livestreaming)\n\nThis transfixing musical journey is anchored by a triangle of distinct traditions: the evocative depiction of nature in ancient China, the multilayered ornamentation of the European Renaissance, and the improvisatory brilliance of Arabic maqam. Yet the performance explores the uncharted geographical and stylistic spaces between the points of that triangle. Through diverse repertoire such as haunting Uyghur folk tunes from Xinjiang, polyphonic songs from the Iberian Peninsula, and classical forms from the Ottoman court, we experience moments when these three musical traditions reached out to engage with one another. Guided by three plucked-string specialists joined in collaboration by mutual curiosity and friendship, listeners will hear musical dialogues that can only take place in real or imagined \"borderlands\" where cultural boundaries blur and creativity know no bounds.\n\nABOUT THE GUEST ENSEMBLE\n\nLucas Harris, lute; Ronnie Malley, oud; Wen Zhao, pipa\n        \nEach member of THE LUTE LEGENDS COLLECTIVE is a committed carrier of an ancient musical tradition, whether it be the virtuosic modal improvisation of the Middle East, the intricate polyphony of the European Renaissance and Baroque, or the picturesque musical depiction of nature from China. Though instruments such as the oud, lute, & pipa each have evolved a distinct set of techniques and sounds, the recognition that our beloved instruments are \u201clong-lost cousins\u201d invites us into a new kind of musical conversation based on mutual curiosity and friendship. The Lute Legends Collective is our way of reuniting our instruments in a cross-traditional musical experiment for the twenty-first century.\n\nLucas Harris & Wen Zhao, directors\nhttp:\/\/www.lutelegends.com",
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        "building_id":"1000440",
        "building_name":"Earl V. Moore Building",
        "campus_maps_id":"52",
        "room":"Britton Recital Hall",
        "location_name":"Earl V. Moore Building",
        "has_livestream":0,
        "cost":"Free - no tickets required",
        "tags":["North Campus","Music","Free","Concert","Culture"],
        "website":"https:\/\/smtd.umich.edu\/live-stream-britton\/",
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        "event_title":"The Myriad Project",
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        "description":"An electroacoustic soundscape\r\n\r\nThe Myriad Project is a Michigan-based, emerging electroacoustic chamber music group made of oboe, bassoon, and electric violin with loop station. The ensemble creates a unique sound that mixes together the colorful, more traditionally classical timbres of oboe and bassoon, with the more modern sound of the electric violin, and the immersive textures created by the loop station.  Myriad Project performances are characterized by imaginative sound worlds, innovative techniques and fun concert experiences for audiences.",
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        "location_name":"ARK Reserved",
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