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    "116759-21837937":
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        "datetime_modified":"20240109T115403",
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        "datetime_end":"20240408T170000",
        "has_end_time":1,
        "date_start":"2024-04-08",
        "date_end":"2024-04-08",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Garden Repairs",
        "occurrence_title":"",
        "combined_title":"Garden Repairs: An installation by Susan Goethel Campbell",
        "event_subtitle":"An installation by Susan Goethel Campbell",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"About the installation:\r\nGarden Repairs is an installation of paper textiles that loosely narrate the life cycle of plants. It considers the process of germination as a site for the cross-pollination of ideas from diverse disciplines around the future of the built environment. \r\n\r\nAbout the artist:\r\nSusan Goethel Campbell creates multi-disciplinary work that considers the contemporary landscape to be an emergent system where nature, culture, and the engineered environment are indistinguishable from one another. Central to her practice is the collection, documentation, and observation of seasonal change and ephemera in both natural and artificial environments. Her work is realized in several formats, including installation, video, prints, and drawings, as well as projects that engage communities to look at local and global environments.\r\n\r\nCampbell earned an MFA in printmaking from Cranbrook Academy of Art. Her work has been exhibited internationally in Belgium, Germany, Switzerland, and Slovenia and nationally throughout the US, including the National Museum of Women in the Arts, Queens Art Museum, Crystal Bridges Museum, Museum of Contemporary Art Detroit, Grand Rapids Art Museum, the Detroit Institute of Arts, The Drawing Center, and The International Print Center New York. In 2009 she was one of 18 artists selected for the inaugural Kresge Artist Fellowship.\r\n\r\nCampbell has been awarded residencies at the Banff Centre for the Arts, the Flemish Center for Graphic Arts, the Jentel Foundation, Beisinghoff Print Residency, and the Print Research Institute of North Texas. She taught studio art for 15 years at the College for Creative Studies in Detroit and has been a visiting artist in numerous institutions in the United States and abroad. Her work is in the collection of the National Museum of Women in the Arts, New York Public Library, Detroit Institute of Arts, Toledo Museum of Art, and the University of Michigan Special Collections Library.\r\n\r\nThis project is made possible by a grant from the Mellon Foundation as part of the Institute for the Humanities' multi-year High Stakes Art initiative.",
        "occurrence_notes":null,
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        "building_id":"1005179",
        "building_name":"202 S. Thayer",
        "campus_maps_id":"524",
        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Humanities","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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        "event_title":"Graduate and Professional Student Appreciation Week: Big Solar Breakfast",
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        "combined_title":"Graduate and Professional Student Appreciation Week: Big Solar Breakfast",
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        "event_type":"Social \/ Informal Gathering",
        "event_type_id":"19",
        "description":"\nEach year, during National Graduate and Professional Student Appreciation Week, the Rackham Graduate School joins universities from across the country to host events designed to support and recognize graduate students. The week is aimed at highlighting the great contributions and high value that graduate and professional students bring to our community. This year\u2019s events include networking, delicious food, games, swag, and the relaxing, joyful presence of therapy dogs. Join us for a week of connection and celebration!\nThis year, National Graduate and Professional Student Appreciation Week kicks off with a celestial delight: the solar eclipse!\nStop by Rackham in the morning to enjoy a delicious breakfast with your fellow scholars and pick up a pair of solar glasses. Designed for safe solar eclipse viewing, use your solar glasses to enjoy the solar eclipse in the afternoon:\n\nPartial Eclipse Start Time: 1:57 p.m.\nMaximum Coverage Time: 3:13 p.m.\nPercent Coverage: 99 percent\n\nWe are so appreciative of the ways your brilliant minds, dedication, and hard work shape our campus community\u2014it\u2019s nothing short of a cosmic wonder.\n\nSponsored by Professional Development and Engagement, Rackham Graduate School.\nRegistration is required at https:\/\/myumi.ch\/pkZQe.\n\nWe want to ensure full and equitable participation in our events. If an accommodation would promote your full participation in this event, please follow the registration link to indicate your accommodation requirements. Please let us know as soon as possible in order to have adequate time, preferably one week, to arrange for your requested accommodations or an effective alternative.",
        "occurrence_notes":null,
                "guid":"120203-21844218@events.umich.edu",
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        "building_id":"1000172",
        "building_name":"Rackham Graduate School (Horace H.)",
        "campus_maps_id":"71",
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        "location_name":"Rackham Graduate School (Horace H.)",
        "has_livestream":0,
        "cost":"",
        "tags":["Graduate Students"],
        "website":"https:\/\/rackham.umich.edu\/event\/graduate-and-professional-student-appreciation-week-big-solar-breakfast\/",
        "sponsors":[
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                "group_name":"Rackham Graduate School",
                "group_id":"1187",
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    {
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240408T090000",
        "datetime_end":"20240408T160000",
        "has_end_time":1,
        "date_start":"2024-04-08",
        "date_end":"2024-04-08",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "website":""                },             {
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        "datetime_modified":"20231205T144915",
        "datetime_start":"20240408T090000",
        "datetime_end":"20240408T230000",
        "has_end_time":1,
        "date_start":"2024-04-08",
        "date_end":"2024-04-08",
        "time_start":"09:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Orson Welles as Family Man: Son, Husband, Father",
        "occurrence_title":"",
        "combined_title":"Orson Welles as Family Man: Son, Husband, Father",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit provides a unique glimpse into the actor\/director Orson Welles\u2019 private life. Unlike previous U-M Library exhibits that focused on the artist at work, this display shows him in informal and familial environments, revealing a depth and complexity of character that are often overshadowed by his fame and professional achievements. The photographs and documents displayed showcase a variety of emotional tones \u2014 warmth, humor, tenderness, and passion. Candid and relaxed more than posed, they are similar to most people's pictures in old family albums.\r\n\r\nCulled from the Orson Welles-Beatrice Welles materials that are part of the Mavericks & Makers collection within the U-M Library\u2019s Special Collections Research Center, each photo or letter tells a story of a connection Welles held dearly. The materials included are from two periods: the late 1920s and early 1930s, when Welles was a teenager, and the mid-1950s to early 1960s, during the early years of his marriage to his third wife, Paola Mori.\u00a0\r\n\r\nIt should be noted that Welles\u2019s personal life was messy at best. Other collections housed at U-M that include personal materials related to Welles document his first and second marriages, including the\u00a0Welles-Feder Collection\u00a0and the\u00a0Wilson-Welles Collection. The items on display here were saved by his third and final child, Beatrice Welles, and reflect her childhood memories of her parents.\r\n\r\nThe exhibit is available during Hatcher Gallery Exhibit Room hours (https:\/\/umlib.us\/hatchergalleryexhibits).",
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                "guid":"115811-21835640@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/115811",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Gallery Exhibit Room (1st floor)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Exhibition","Free","Library"],
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        "sponsors":[
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                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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    {
        "datetime_modified":"20240104T111339",
        "datetime_start":"20240408T090000",
        "datetime_end":"20240408T170000",
        "has_end_time":1,
        "date_start":"2024-04-08",
        "date_end":"2024-04-08",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Peter Dunn Exhibition",
        "occurrence_title":"",
        "combined_title":"Peter Dunn Exhibition: 720' 10\"",
        "event_subtitle":"720' 10\"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Peter Dunn has historically been an object maker as a designer and sculptor. Whether designing furniture or developing the ideas for sculpture, the process has always been the same. Ideas begin as\r\nscribbled images that are then stretched and refined with CAD software.  At its core, much of the work studies the manipulation of simple geometry.  Dunn looks at the form from different forced perspectives \u2013 exploding, augmenting, slicing, repeating, and lighting.  This body of work is a study of perception, sympathy, hierarchy, and reality. The \u201cWe Are Virus\u201d series is an adaptation from an initial design where it continued to evolve and adapt through manipulation of parts and scale.\r\n\r\nPeter Dunn received his BFA from Wayne State University and MFA from University of Michigan.  He currently serves on faculty at College for Creative Studies",
        "occurrence_notes":"for further information contact serrag@med.umich.edu",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "cost":"",
        "tags":["Alumni","Art","Culture","Detroit","Exhibition","Humanities","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "datetime_start":"20240408T090000",
        "datetime_end":"20240408T180000",
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        "date_start":"2024-04-08",
        "date_end":"2024-04-08",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Social Media and Society in India Symposium",
        "occurrence_title":"",
        "combined_title":"Social Media and Society in India Symposium: The 4th International Conference",
        "event_subtitle":"The 4th International Conference",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"The University of Michigan is hosting a hybrid conference on social media and society in India April 8-9, 2024, featuring an array of speakers to discuss various ways in which social media is impacting contemporary life in India. \r\n\r\nFull conference details at https:\/\/myumi.ch\/zXXNy\r\n\r\nPlease register to attend the symposium in person or via Zoom at https:\/\/myumi.ch\/W55D1\r\n\r\nView the speakers and program for the symposium.\r\n\r\nThe event is in its fourth iteration at U-M and is a premier venue for conversations around social media and society in India.\r\n\r\nThe Social Media and Society in India Symposium is organized by Joyojeet Pal, associate professor of information at UMSI. \r\n\r\nFunding for the symposium is provided by: the School of Information (UMSI); LSA Center for South Asia Studies; Martha Boaz Distinguished Lectureship Fund at UMSI; LSA Communication & Media; Center for Ethics, Society and Computing (ESC); Wallace House Center for Journalists; and Digital Studies Institute.",
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        "building_name":"North Quad",
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        "room":"Space 2435",
        "location_name":"North Quad",
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        "tags":["Asia","India","Information","Social Media"],
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                "website":"http:\/\/www.ii.umich.edu\/csas"                },             {
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                "website":"http:\/\/www.lsa.umich.edu\/asian"                }                    ],
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