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    "111822-21913342":
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        "datetime_end":"20260924T083000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"07:30:00",
        "time_end":"08:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"A&A Shop Orientation",
        "occurrence_title":"",
        "combined_title":"A&A Shop Orientation",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"In order to access the Art & Architecture Shop, users must complete BOTH Orientation AND Woodshop Basics Proficiency Training. The A&A Shop Orientation covers basic information about the Shop (hours, policies, storage, equipment, etc.) as well as an overview of safety rules and concepts to help you navigate the space safely and effectively. Please note that it does NOT give you access to use the machinery--all users must receive Proficiency Training on each piece of equipment before use.\u00a0Access: The Shop is available to students, staff, and faculty from the\u00a0Penny W. Stamps School of Art & Design and the Taubman College of Architecture and Urban Planning for work on class projects and research only. Potential users from other academic disciplines must be receiving credit for a class taught by a faculty member from the Art or Architecture schools.\u00a0Learn more on the A&A Shop site here.\u00a0",
        "occurrence_notes":null,
                "guid":"111822-21913342@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/111822",
        "building_id":"",
        "building_name":"",
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        "room":"",
        "location_name":"Art & Architecture Shop, 2000 Bonisteel Room 1251",
        "has_livestream":0,
        "cost":"",
        "tags":["Sessions"],
        "website":"https:\/\/sessions.studentlife.umich.edu\/p\/track\/9885",
        "sponsors":[
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                "group_name":"Sessions @ Michigan",
                "group_id":"4791",
                "website":"https:\/\/sessions.studentlife.umich.edu\/"                }                    ],
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        "datetime_modified":"20260911T104038",
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        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Weiser Hall",
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        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
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        "tags":["Ukraine","russia"],
        "website":"",
        "sponsors":[
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                "group_name":"Copernicus Center for Polish Studies",
                "group_id":"3110",
                "website":"http:\/\/www.ii.umich.edu\/polish"                },             {
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    {
        "datetime_modified":"20260814T155307",
        "datetime_start":"20260924T080000",
        "datetime_end":"20260924T230000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
        "occurrence_title":"",
        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
        "event_subtitle":"Exhibit",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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                "guid":"150290-21908802@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150290",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library, 2nd Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Maps","Library","Free"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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    {
        "datetime_modified":"20260821T151308",
        "datetime_start":"20260924T080000",
        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Geophilosophies (3): Cross-Cultural Thinking in Precarious Times",
        "occurrence_title":"",
        "combined_title":"Geophilosophies (3): Cross-Cultural Thinking in Precarious Times: A Workshop Series Exploring Cross-Cultural Thinking Hosted by the University of Michigan in Collaboration with the Uberoi Foundation",
        "event_subtitle":"A Workshop Series Exploring Cross-Cultural Thinking Hosted by the University of Michigan in Collaboration with the Uberoi Foundation",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"In this era of global disorientation, marked by unfolding ecological crises, ongoing wars fueled by technological competition, the idea of dialogical engagement and even more so the idea of cross-cultural thinking, feels like a nostalgic dream. In the wake of the international order\u2019s dismantling and the ruinous acceleration of techno-capitalism, social discontent has been channeled into extreme nationalisms that promise a \u2018homecoming\u2019 at the expense of outsiders, immigrants, refugees. Adding to these woes, intellectual efforts to challenge the \u2018dogmatic images\u2019 of thinking that have ruled by elevating particular epistemologies to the level of \u2018global thought,\u2019 are being increasingly stymied by capitulant institutions. Yet, it is precisely in such precarious times that cross-cultural thinking seems more necessary than ever, not least as an antidote to the ongoing segregation of knowledges and thought-systems currently underway.\n    \t\nThis conference is part of a series of events organized under the Geophilosophies initiative. As a project Geophilosophies not only calls attention to thought-systems that continue to be erased, discredited, or ignored by dominant cultures, but more importantly, encourages the kind of deep conceptual encounter between different traditions of thought with the capacity to effect real psychic, social and ecological change. We define cross-cultural thinking as the kind of engagement that strives for maximum communication, unlike the concept of \u2018border crossing\u2019 which we see as a vestige of nation-state sovereignty. Thus defined, cross-cultural thinking is transversal and ecosophical by nature, inasmuch as it strives for modes of thinking grounded in lived practices and experiences that effortlessly bring incompatible concepts and entities into new associations characterized by their mutual self-transformation. On this note, we invite presentations that re-examine unexplored avenues in cross-cultural philosophical thinking, aiming to repair fractured connections between self, society and world amid today\u2019s global turmoil. We are particularly interested in experimental methodologies that explore: (i) the nature of contact zones between concepts, praxes, and worldviews; (ii) the co-imbrication of one\u2019s subjectivity in cross-cultural encounters. We encourage risk-taking, for example, by resisting the kind of knowledge specializations that may prevent genuine engagement between differences and that work through two or more traditions of thought to create an \u2018in-between\u2019 idiom that is at home in its homelessness.\n \nPursued in collaboration with the Uberoi Foundation, an organization that is dedicated to cross-cultural exchange and expanding awareness of diverse traditions, this conference promises to break new ground in the development of ways of thinking that simultaneously draw upon ancient human wisdoms while also being informed by the urgency of the present global moment, bringing a diasporic consciousness to a world seduced by the alluring false comfort of restrictive nationalisms.",
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        "building_id":"1000172",
        "building_name":"Rackham Graduate School (Horace H.)",
        "campus_maps_id":"71",
        "room":"Assembly Room",
        "location_name":"Rackham Graduate School (Horace H.)",
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        "tags":["Asian Languages And Cultures","Workshop","conference","Philosophy"],
        "website":"https:\/\/www.instagram.com\/umichalc\/?hl=en",
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                "group_name":"Asian Languages and Cultures",
                "group_id":"3364",
                "website":"http:\/\/www.lsa.umich.edu\/asian"                }                    ],
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260924T080000",
        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
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        "tags":["ukraine","russia","Art"],
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        "sponsors":[
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                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
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