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    "154594-21918021":
    {
        "datetime_modified":"20261109T161409",
        "datetime_start":"20261118T120000",
        "datetime_end":"20261118T133000",
        "has_end_time":1,
        "date_start":"2026-11-18",
        "date_end":"2026-11-18",
        "time_start":"12:00:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"NCKS Colloquium Series | Dying Tree: Embodying Jungyong in Contemporary Korean Choreography",
        "occurrence_title":"",
        "combined_title":"NCKS Colloquium Series | Dying Tree: Embodying Jungyong in Contemporary Korean Choreography: Jae-duk Kim: Choreographer, Composer, and Artistic Director",
        "event_subtitle":"Jae-duk Kim: Choreographer, Composer, and Artistic Director",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom at https:\/\/myumi.ch\/J45y2\n\nSynopsis:\nDying Tree is an original movement practice developed by choreographer Kim Jaeduk through improvisation and close observation of the body. Inspired by his reflections on Jungyong (\u4e2d\u5eb8), a philosophical concept rooted in Confucian thought, this practice explores how movement can be sustained and transformed aesthetically through the interplay of force and balance, speed and expression.\n\nThis colloquium takes as its starting point an image that emerged from observing Kim Jaeduk's improvisational movement: a body that appears almost motionless, like a dying tree in winter, while an intense flow of energy continues within. This contrast between outward stillness and inner vitality connects to a longstanding question in Kim Jaeduk's choreographic practice: how can movement be sustained through continuous change? The image became a point of departure for developing the physical principles of Dying Tree and gradually shaping them into a distinct movement style.\n\nThe presentation explores how the concept of Jungyong is embodied through several key movement principles. These include Chumi (\u919c\u7f8e), which explores asymmetrical bodily forms and the aesthetic potential of unconventional shapes; Jwause (\u5de6\u53f3\u52e2), which organizes lateral shifts and changes in the body's center; and Changyeong (\u8d0a\u8f15), which cultivates a deliberately light quality of movement.\nThe presentation also examines the relationship between Hyeongsik(\u5f62\u5f0f), the structural organization of movement that can be physically learned and repeated, and Hyeongyong (\u5f62\u5bb9), which expands its expressive possibilities. Through this relationship, it considers how established movement structures can become the basis for new choreographic expressions.\n\nCombining a spoken presentation with live movement demonstrations, the colloquium shows how philosophical ideas can inform physical exploration, movement training, and the creative process of contemporary choreography.\n\nRather than presenting Dying Tree as a direct representation of a particular philosophical tradition, this colloquium approaches it as an ongoing artistic practice through which ideas are interpreted, tested, and explored through the body. From Kim Jaeduk's choreographic perspective, it seeks to illuminate how embodied knowledge, philosophical inquiry, and creative experimentation intersect in the making of contemporary dance.\n\nBiography:\nKim Jae-duk is an internationally acclaimed South Korean choreographer and composer, currently serving as the Artistic Director of Modern Table Contemporary Dance Company in Korea and Resident Choreographer of T.H.E Dance Company in Singapore.\n\nRecognized for his distinctive choreographic language, Kim creates dynamic works that bring together contemporary dance, music, rhythm, and physical expression. His artistic practice explores the relationship between movement and sound, drawing inspiration from diverse cultural influences and traditional rhythmic structures to develop a unique and powerful performance vocabulary.\n\nKim has established an extensive international presence through commissions and collaborations with leading dance companies across Asia, Europe, Oceania, and South America. His choreographic works have been presented by institutions including the Argentine National Contemporary Dance Company, Lucerne Municipal Dance Company TanzLuzern in Switzerland, Hong Kong City Contemporary Dance Company (CCDC), New Zealand Dance Company, Curitiba Municipal Ballet in Brazil, and the Seoul Metropolitan Dance Theatre.\n\nHis notable works include Tension Espacial, commissioned by the Argentine National Contemporary Dance Company in 2015 and subsequently revived for a total of 48 performances in 2026; Jangdan, created for Hong Kong CCDC; Brown, which received three awards at the 2023 Hong Kong Dance Awards; JE-UI, commissioned by TanzLuzern; and MEDITA, which received the 2025 Grand Prize in Choreography from the Korean Association of Dance Critics. His work Sokdowas also selected for the official showcase of Tanzmesse in Germany in 2020.\n\nIn recognition of his outstanding artistic achievements, Kim received the 2024 New York Bessie Award for Outstanding Choreography. His other accolades include the Korea Modern Dance Association's Choreographer of the Year Award, three awards at the 24th Hong Kong Dance Awards in 2023 for Brown, the Music & Sound Design Award at the 21st Hong Kong Dance Awards in 2019 for Jangdan, and a Commendation from the Minister of Culture, Sports and Tourism of Korea in 2018.\n\nBeyond his choreographic work, Kim is actively involved in international artistic exchange and education. He has led workshops and participated in residency and educational programmes at major international platforms, including ImPulsTanz \u2013 Vienna International Dance Festival and the Centre National de la Danse (CND) in Paris. In 2008, he was invited to lecture at the Rambert School of Ballet and Contemporary Dance in the United Kingdom.\n\nThrough his ongoing work in Korea and Singapore, as well as his collaborations with international dance companies and cultural institutions, Kim Jae-duk continues to expand the possibilities of contemporary dance, establishing a distinctive artistic voice on the global stage.\n\n*If there is anything we can do to make this event accessible to you, please contact us at namhy@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "building_id":"1005059",
        "building_name":"Walgreen Drama Center",
        "campus_maps_id":"526",
        "room":"Large Classroom 2439",
        "location_name":"Walgreen Drama Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","Dance","Korea","Korean Studies","Performance"],
        "website":"",
        "sponsors":[
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                "group_name":"Nam Center for Korean Studies",
                "group_id":"2738",
                "website":"http:\/\/www.ii.umich.edu\/ncks"                },             {
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                "group_id":"155",
                "website":"http:\/\/smtd.umich.edu\/events"                },             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
                "group_name":"Asian Languages and Cultures",
                "group_id":"3364",
                "website":"http:\/\/www.lsa.umich.edu\/asian"                }                    ],
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    {
        "datetime_modified":"20261108T103154",
        "datetime_start":"20261118T120000",
        "datetime_end":"20261118T180000",
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        "time_zone":"America\/Detroit",
        "event_title":"The Tree of Eternity",
        "occurrence_title":"",
        "combined_title":"The Tree of Eternity: Interactive arttech exhibit",
        "event_subtitle":"Interactive arttech exhibit",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Tree of Eternity is an immersive, interactive installation that explores remembrance, loss, and the enduring presence of those we have loved. \n\nThe installation centers on a projected tree surrounded by interactive terminal pods that control its structure.\n\nVisitors approach interactive pods positioned throughout the gallery space, where they are invited to recall memories of people or experiences throughout their lives. Depending on the kiosk they interact with, different effects will be present on the projected tree.\n\nAs more visitors\u2019 memories are inputted, the tree\u2019s visuals adapt and change form, demonstrating that our memories persist with us. Projection mapping creates ethereal visuals accompanied by atmospheric audio. Even when visitors aren't actively engaging with the kiosks, the system generates ambient transmissions, suggesting that the tree\u2014and the memories it embodies\u2014continues to live and grow.\n\nThe installation creates a dialogue between life and death, presence and absence, individual memory and collective remembrance, inviting participants to contribute to a living memorial that persists beyond any single moment of grief or reflection.",
        "occurrence_notes":"2281 Bonisteel Blvd., Ann Arbor, MI",
                "guid":"154133-21917244@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/154133",
        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
        "room":"Gallery",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","digital humanities","Digital Scholarship","Digital Studies","Digital Studies Institute","Exhibition","Free","Humanities","In Person","Interdisciplinary","Undergraduate Students","Visual Arts"],
        "website":"https:\/\/treeofeternity.art\/",
        "sponsors":[
             {
                "group_name":"LSA Technology Services",
                "group_id":"4207",
                "website":""                },             {
                "group_name":"Digital Studies Institute",
                "group_id":"4337",
                "website":""                }                    ],
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        "date_end":"2026-11-18",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Tiffany Ng, carillon",
        "occurrence_title":"",
        "combined_title":"Tiffany Ng, carillon",
        "event_subtitle":"",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"University Carillonist Tiffany Ng performs on the Charles Baird Carillon, an instrument of 53 bronze bells located inside the Burton Memorial Tower. The largest bell, which strikes the hour, weighs 12 tons, while the smallest bell, 4\u00bd octaves above, weighs just 15 pounds.\n\nThirty-minute recitals are performed on the Charles Baird Carillon at noon every weekday that classes are in session, followed by visitor Q&A with the carillonist. The bell chamber may be accessed via a combination of elevator and stairs. Take the elevator to the highest floor possible (floor 8), and then climb two flights of stairs (39 steps) to the bell chamber (floor 10). Hearing protection earmuffs are provided for visitors. Be prepared to walk on ice and snow in the bell chamber during winter. Built in 1936, the Charles Baird Carillon is not ADA accessible. Visitors with mobility concerns are invited to visit the Lurie Carillon.",
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                "guid":"154337-21917563@events.umich.edu",
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        "building_id":"1000155",
        "building_name":"Burton Memorial Tower",
        "campus_maps_id":"25",
        "room":"",
        "location_name":"Burton Memorial Tower",
        "has_livestream":0,
        "cost":"Free - no tickets required",
        "tags":["Free","Music"],
        "website":"https:\/\/smtd.umich.edu\/live-stream-burton\/",
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                "website":"http:\/\/smtd.umich.edu\/events"                }                    ],
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        "datetime_modified":"20260729T130108",
        "datetime_start":"20261118T121500",
        "datetime_end":"20261118T124500",
        "has_end_time":1,
        "date_start":"2026-11-18",
        "date_end":"2026-11-18",
        "time_start":"12:15:00",
        "time_end":"12:45:00",
        "time_zone":"America\/Detroit",
        "event_title":"CEW+ Midweek Mindfulness",
        "occurrence_title":"",
        "combined_title":"CEW+ Midweek Mindfulness: Virtual Guided Weekly Mindfulness Sits",
        "event_subtitle":"Virtual Guided Weekly Mindfulness Sits",
        "event_type":"Well-being",
        "event_type_id":"12",
        "description":"RSVP here: https:\/\/umich.zoom.us\/meeting\/register\/htrYM6lXQH28gjySTQaKIw\n\nJoin us on Wednesdays from 12:15 \u2013 12:45 pm. Register once to receive a Zoom link to access the sits each week or as your schedule allows.\n\nMindful meditation is a contemplative practice that, over time, can build resilience and coping skills to support you to gain perspective, navigate the demands of daily life, and build compassion. Weekly guided sits offer a virtual community of practice that explores present-moment awareness, open and directed attention, non-judgment, and self-compassion. CEW+ Midweek Mindfulness welcomes practitioners of all skill levels. Each session offers instruction, support, and the opportunity to practice guided and self-directed mindful meditation. Participate weekly, or drop in as your schedule allows. All are welcome!",
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                "guid":"109796-21906865@events.umich.edu",
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        "building_name":"Off Campus Location",
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        "location_name":"Virtual via Zoom",
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        "livestream_type":"other",
        "livetream_require_login":0,
        "livestream_id":"",        
        "livestream_link":"",        
        "cost":"",
        "tags":["Caregivers","first-generation","Free","Graduate and Professional Students","Health & Wellness","Mindfulness","Nontraditional Students","Self-care","Student Parents","Students With Children","Support","transfer students","Undergraduate","Undergraduate Students","Virtual","Welcome to Michigan","Well-being","Wellness","women","women's health","Work-life Balance","Zoom"],
        "website":"https:\/\/umich.zoom.us\/meeting\/register\/htrYM6lXQH28gjySTQaKIw",
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        "datetime_modified":"20261008T142440",
        "datetime_start":"20261118T130000",
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        "date_end":"2026-11-18",
        "time_start":"13:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Interdisciplinary QC-CM Seminar | Topological defects in quantum materials: what the spectrum, the S-matrix and the STM tip know",
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        "combined_title":"Interdisciplinary QC-CM Seminar | Topological defects in quantum materials: what the spectrum, the S-matrix and the STM tip know: Eric Akkermans (Technion)",
        "event_subtitle":"Eric Akkermans (Technion)",
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        "event_type_id":"21",
        "description":"Point defects in chiral or particle\u2013hole-symmetric crystals are topological objects: a vacancy in graphene binds a zero mode fixed by an index theorem, carrying a quantized, measurable charge. I will show how this topology is encoded in three places an experiment can reach:  the displaced-state count, the scattering matrix, and the local density of states, and how an exact closed formula for the defect's scattering determinant yields a sum rule that distinguishes a true vacancy from a strong impurity. The same index structure governs interacting electrons bound to several defects, where the Coulomb interaction entangles the protected modes, and extends, unexpectedly, to the topological classification of two-qubit gates.",
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        "building_id":"1000167",
        "building_name":"West Hall",
        "campus_maps_id":"163",
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