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    "152223-21913396":
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        "has_end_time":1,
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        "date_end":"2026-10-08",
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        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Art Exhibit: Hands on Fire",
        "occurrence_title":"",
        "combined_title":"Art Exhibit: Hands on Fire: Jim Cogswell: Hands on Fire",
        "event_subtitle":"Jim Cogswell: Hands on Fire",
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        "description":"Jim Cogswell: Hands on Fire\n\n**August 31 to October 9, 2026**\n**Public Reception: Friday, September 18, 4:30 to 6:30 pm**\n\nJim Cogswell\u2019s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis\u2019 cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962), The Trojan Women (1971), and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022), Cogswell\u2019s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens, Greece, which also responded to the cinematic trilogy. By following Cacoyannis\u2019 adaptations, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war, imperial overreach, and abuse of power; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason, to count and to indicate. They give us agency, as creators but also as destroyers. They give form to our willingness to act in the world, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies, College of Literature, Science, and the Arts at the University of Michigan, for their ongoing support for my research and the dissemination of this project.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"152223-21913396@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/152223",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
        "has_livestream":0,
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        "tags":["Arts Initiative","art","art and design","Art History","artists","artists and curators","arts","arts at michigan","Visual Arts","Classical Studies","Exhibition","free","History"],
        "website":"https:\/\/lsa.umich.edu\/rc\/reserve-a-room-\/rc-art-gallery.html",
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        "datetime_modified":"20260915T123553",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Breakfast, Luncheon, and Dinner: Dining Out in the 1910s, 1920s, and 1930s",
        "occurrence_title":"",
        "combined_title":"Breakfast, Luncheon, and Dinner: Dining Out in the 1910s, 1920s, and 1930s",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Enjoy a buffet selection of early twentieth century menus from the Janice Bluestein Longone Culinary Archive. Visit the Special Collections Research Center on the 6th floor of the Hatcher Library, Monday-Friday, 9:00am-4:30pm.",
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        "campus_maps_id":"65",
        "room":"Special Collections, 6th floor",
        "location_name":"Hatcher Graduate Library",
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        "tags":["Library","Free","Culinary History"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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        "datetime_start":"20261008T090000",
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        "event_title":"Fashion\/Forward",
        "occurrence_title":"",
        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.\n\n *Image: \"Untitled,\" Jade Saren, Creative Growth Art Center*",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts","Disability Studies","Humanities","Michigan Arts Festival"],
        "website":"https:\/\/www.facebook.com\/UMichHumanities\/",
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        "datetime_modified":"20260928T153704",
        "datetime_start":"20261008T090000",
        "datetime_end":"20261008T200000",
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        "date_end":"2026-10-08",
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        "event_title":"Faster and More Fun: American Home Cooking in the 1920s",
        "occurrence_title":"",
        "combined_title":"Faster and More Fun: American Home Cooking in the 1920s: American Home Cooking",
        "event_subtitle":"American Home Cooking",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Visit the Hatcher Gallery Exhibit Room to see historical materials that illustrate women\u2019s changing relationship with food, cooking, and technology during the heady decade of the 1920s, sandwiched between WWI and the Great Depression. This exhibit features materials from the Janice Bluestein Longone Culinary Archive, as well as select items from the Art, Architecture, and Engineering Special Collections and the Transportation History Collection.\n\nAs America rang in a new decade in the 1920s, cookbook authors and appliance manufacturers stood ready to offer the newly emancipated and forward-thinking American woman a vision for her future, a vision that would be scientifically  grounded, speedy enough to make time for leisure as well as housework, and guaranteed to bring fun to that most humdrum of chores: planning and preparing meals for a family three times a day, 365 days a year.",
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        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Hatcher Gallery Exhibit Room, 1st Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Library","Free","Culinary History"],
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    {
        "datetime_modified":"20260728T142037",
        "datetime_start":"20261008T090000",
        "datetime_end":"20261008T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Grand Vision",
        "occurrence_title":"",
        "combined_title":"Grand Vision: An exhibition by Olayami Dabls",
        "event_subtitle":"An exhibition by Olayami Dabls",
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        "description":"Visiting artist Olayami Dabls is a storyteller, curator, educator, and mentor. He is the founder of the MBAD African Bead Museum in Detroit. Through material culture, Dabls presents commentary on the past, present, and future from African and African-American perspectives, with the understanding that generations of African ancestors used visual materials to convey information about their identity as well as send messages for healing and protection. Dabls is a luminary; for decades he has re-imagined what a museum space can be, accessible to everyone, free from the underpinnings of colonialism and the Western, often white, frame. *Grand Vision* includes a conceptual installation in the Gallery, presenting Dabls\u2019s own work in visual conversation with African beads and artifacts from Dabls\u2019s Bead Museum collections. \n\nAdditionally, Dabls\u2019s iconic outdoor sculpture *Iron Teaching Rocks Table Manners* will be installed on the U-M campus grounds near UMMA, at the intersection of State Street and South University from September 17- October 11, 2026. The project\u2019s range intends to more fully articulate the many facets of Dabls\u2019 creative practice, and the overlay of art, history, identity, community, and healing.",
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        "tags":["African American","Visual Arts","Art","Detroit","Exhibition","Humanities","Michigan Arts Festival"],
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