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    "150924-21910450":
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        "datetime_modified":"20260909T144452",
        "datetime_start":"20260930T070000",
        "datetime_end":"20260930T080000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"07:00:00",
        "time_end":"08:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Great Lakes Regional Nursing Innovation Conference",
        "occurrence_title":"",
        "combined_title":"Great Lakes Regional Nursing Innovation Conference: Nursing Voices:  Innovating the Future of Healthcare Together",
        "event_subtitle":"Nursing Voices:  Innovating the Future of Healthcare Together",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"This nursing innovation conference will provide an overview of a broad range of topics from nationally known speakers on the topics of most relevance to nursing and healthcare innovation today.  Presentations on intellectual property, elevating the front-line voice in innovation, building cultures of nursing innovation, rural health innovations, what investors look for in innovation pitches, business skills and concepts, and a guide to market, among others, will be addressed.  This conference is for clinical nurses, nurse educators, nurse scientists\/researchers, nursing students, and anyone interested in healthcare innovation. The conference also features a Nurse Innovator Showcase, shining the spotlight on some of our own UMSN Nurse Innovators and their inventions. This is being held at the NCRC on North Campus.",
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        "has_livestream":0,
        "cost":"$150 for Professionals\/Graduate Students; $25 for UMSN Undergraduate and DNP Students",
        "tags":["Healthcare","Entrepreneurship","Innovation","Nursing","Public Health","Nursing Students"],
        "website":"https:\/\/rsvp.umich.edu\/event\/84ed2c06-a132-44be-83b1-24a549a332af\/summary",
        "sponsors":[
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                "group_name":"Healthcare Innovation Impact Program (HiiP) U-M School of Nursing",
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        "datetime_modified":"20260818T121511",
        "datetime_start":"20260930T080000",
        "datetime_end":"20260930T170000",
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        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Camille Ann Brewer, MFA, MLIS",
        "occurrence_title":"",
        "combined_title":"Camille Ann Brewer, MFA, MLIS: Exhibition Title: Diagrams of Memory: Interwoven Ontology",
        "event_subtitle":"Exhibition Title: Diagrams of Memory: Interwoven Ontology",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Camille Ann Brewer lives and works in the City of Detroit, Michigan.  Through the process of textile construction, Brewer\u2019s artwork intersects cartographic and photographic images that speak to specific spaces and time. Weaving together of physical place, memory with time is the core subject of this body of work.  \n\nThe artwork is built with time-period paper maps, which illustrate spatial geography and political territory; along with paper-collaged images of people, places and things, which tie directly to the history and human relationships in space.  In patterns that support the artwork\u2019s theme, the two disparate paper elements are then woven together to create a serendipitous making and aesthetic experience.",
        "occurrence_notes":"Monday through Friday hours, or by appointment serrag@med.umich.edu",
                "guid":"150411-21909353@events.umich.edu",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "tags":["ArtsEngine","Art","Alumni","ArtsRx","Culture","Detroit","Diversity","Diversity Equity and Inclusion","Exhibition","Humanities","North Campus","Reception","Visual Arts","Women's Studies"],
        "website":"",
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                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "datetime_modified":"20260911T104038",
        "datetime_start":"20260930T080000",
        "datetime_end":"20260930T170000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Ukraine","russia"],
        "website":"",
        "sponsors":[
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                "group_name":"Copernicus Center for Polish Studies",
                "group_id":"3110",
                "website":"http:\/\/www.ii.umich.edu\/polish"                },             {
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
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                "website":"http:\/\/www.ii.umich.edu\/wcee"                }                    ],
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    {
        "datetime_modified":"20260814T155307",
        "datetime_start":"20260930T080000",
        "datetime_end":"20260930T230000",
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        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
        "occurrence_title":"",
        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
        "event_subtitle":"Exhibit",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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                "guid":"150290-21908808@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150290",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library, 2nd Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Maps","Library","Free"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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        "datetime_modified":"20260818T114238",
        "datetime_start":"20260930T080000",
        "datetime_end":"20260930T170000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lila Kadaj Exhibition",
        "occurrence_title":"",
        "combined_title":"Lila Kadaj Exhibition: Tic Tic",
        "event_subtitle":"Tic Tic",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions, including the Detroit Institute of Arts, the Cranbrook Art Museum, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: \u201cWhen looking at a beautiful flower.  It\u2019s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It\u2019s not about I am a woman....it\u2019s not about I am a first generation Arab American.....it\u2019s not about being a child of trauma....it\u2019s not about a member of my family being gunned down on the street....it\u2019s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It\u2019s the painting, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it\u2019s in fashion.\u201d",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery Concourse Level",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Exhibition","Women's Studies","Visual Arts","North Campus","Middle East Studies","Free","Diversity","Detroit","Culture","ArtsRx","Art","Arab Heritage Month"],
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        "date_start":"2026-09-30",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 1010",
        "location_name":"Weiser Hall",
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        "tags":["russia","Art","ukraine"],
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        "datetime_modified":"20260915T161734",
        "datetime_start":"20260930T090000",
        "datetime_end":"20260930T163000",
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        "event_title":"Art Exhibit: Hands on Fire",
        "occurrence_title":"",
        "combined_title":"Art Exhibit: Hands on Fire: Jim Cogswell: Hands on Fire",
        "event_subtitle":"Jim Cogswell: Hands on Fire",
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        "description":"Jim Cogswell: Hands on Fire\n\n**August 31 to October 9, 2026**\n**Public Reception: Friday, September 18, 4:30 to 6:30 pm**\n\nJim Cogswell\u2019s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis\u2019 cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962), The Trojan Women (1971), and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022), Cogswell\u2019s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens, Greece, which also responded to the cinematic trilogy. By following Cacoyannis\u2019 adaptations, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war, imperial overreach, and abuse of power; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason, to count and to indicate. They give us agency, as creators but also as destroyers. They give form to our willingness to act in the world, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies, College of Literature, Science, and the Arts at the University of Michigan, for their ongoing support for my research and the dissemination of this project.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "tags":["arts at michigan","art","arts","artists and curators","artists","Art History","art and design","Arts Initiative","Classical Studies","Exhibition","free","History","Visual Arts"],
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                "group_id":"1029",
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