{
    "142768-21891355":
    {
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260206T090000",
        "datetime_end":"20260206T170000",
        "has_end_time":1,
        "date_start":"2026-02-06",
        "date_end":"2026-02-06",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","ArtsEngine","Culture","Detroit","Exhibition","Free","Humanities","North Campus","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    }    ,    "138431-21890615":
    {
        "datetime_modified":"20251212T085640",
        "datetime_start":"20260206T090000",
        "datetime_end":"20260206T210000",
        "has_end_time":1,
        "date_start":"2026-02-06",
        "date_end":"2026-02-06",
        "time_start":"09:00:00",
        "time_end":"21:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Evolution of Campus, 1838-1963: A Cartographic Celebration of U-M's History",
        "occurrence_title":"",
        "combined_title":"The Evolution of Campus, 1838-1963: A Cartographic Celebration of U-M's History",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Learn about the campus\u2019 history and architecture and explore the campus that might have been. This exhibit highlights the U-M Ann Arbor campus, both before its creation and throughout its continuous evolution. Featuring the work of famous architects such as Alexander Jackson Davis, Albert Kahn and Eero Saarinen, the exhibit presents maps, plans, architectural drawings, proposals, and photographs of the campus throughout its evolution.  \r\n\r\nThis exhibit was originally part of a larger exhibit displayed from July 2017 to January 2018 to commemorate U-M's bicentennial.",
        "occurrence_notes":null,
                "guid":"138431-21890615@events.umich.edu",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library (2nd floor)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Library","Maps"],
        "website":"https:\/\/www.lib.umich.edu\/events",
        "sponsors":[
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                "group_name":"University Library",
                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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    }    ,    "142791-21891561":
    {
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260206T090000",
        "datetime_end":"20260206T170000",
        "has_end_time":1,
        "date_start":"2026-02-06",
        "date_end":"2026-02-06",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Tukilile Vaa",
        "occurrence_title":"",
        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
        "occurrence_notes":null,
                "guid":"142791-21891561@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142791",
        "building_id":"1005179",
        "building_name":"202 S. Thayer",
        "campus_maps_id":"524",
        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Humanities","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
        "sponsors":[
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                "group_name":"Institute for the Humanities",
                "group_id":"1130",
                "website":"http:\/\/www.lsa.umich.edu\/humanities"                }                    ],
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    }    ,    "144462-21895388":
    {
        "datetime_modified":"20260128T212428",
        "datetime_start":"20260206T093000",
        "datetime_end":"20260206T163000",
        "has_end_time":1,
        "date_start":"2026-02-06",
        "date_end":"2026-02-06",
        "time_start":"09:30:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"GISC Conference. Nature & Islamic Creative Expressions",
        "occurrence_title":"",
        "combined_title":"GISC Conference. Nature & Islamic Creative Expressions: February 6-7, 2026 | Cahoots, 206 E Huron St, Ann Arbor, MI 48104",
        "event_subtitle":"February 6-7, 2026 | Cahoots, 206 E Huron St, Ann Arbor, MI 48104",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Nature & Islamic Creative Expressions\nFebruary 6-7, 2026\nCahoots, 206 E Huron St, Ann Arbor, MI 48104\nVisit https:\/\/myumi.ch\/9p8xx for full conference details.\n\nThe Nature and Islamic Creative Expressions conference, organized jointly by Aliyah Khan, Director of the Global Islamic Studies Center (GISC) and Associate Professor, and Christiane Gruber, Professor in the Department of the History of Art and founder of Khamseen: Islamic Art History Online, will be held at the University of Michigan in Ann Arbor on February 6-7, 2026. A dozen scholars and practitioners of global Islamic art and narratives will examine Islam\u2019s relationship to the natural world over the centuries and consider how Islamic thought and Muslim traditions offer alternative solutions to today\u2019s ecological challenges.\n   \n   We study and leverage the intersections of ecology and spirituality by drawing on the deep knowledge of diverse fields, including art history, Islamic philosophy and theology, Muslim cultural studies, literary studies, architecture, and community activism in locales from the Ottoman Empire to Iran, Pakistan, Saudi Arabia, Nigeria, and Trinidad. Our aim is to identify what historical and contemporary Islamic perspectives on nature offer to unfolding global conversations about the earth and our shared and symbiotic human, animal, and plant futures, thus building sustainable futures and potentially interrupting the Anthropocene.\n   \n   Featuring the work of:\n   Christiane Gruber | University of Michigan, Organizer\n   Aliyah Khan | University of Michigan, Organizer\n   Omolade Adunbi | University of Michigan\n   Katherine Bartsch | University of Adelaide, Australia\n   Patricia Blessing | Stanford University\n   Gohar Dashti | Visual Artist\n   Anna M. Gade | University of Wisconsin, Madison\n   Sune Haugb\u00f8lle | Roskilde University, Denmark\n   Charlotte Maury | Louvre Museum, Paris\n   Mohamed Amer Meziane | Brown University\n   Amanda Phillips | University of Virginia\n   Elizabeth Rauh | The American University in Cairo\n   Saleema Waraich | Skidmore College\n\n*Friday, February 6, 2026: Past and Present*\n\nWelcome (9:30AM-10AM): Christiane Gruber and Aliyah Khan \n\nMorning Panel 1 (10:00AM-12:00PM): Collecting, Draining, and Drowning in Water\nPatricia Blessing, \u201cIndoor, Outdoor, and in Between: Water in Ottoman Mosques\u201d\nElizabeth Rauh, \u201cDraining Eden: The Ecocide of the Iraqi Wetlands\u201d\nAliyah Khan, \u201cMuharram in the Caribbean: Drowned Model Tombs and the Oceanic Return to Karbala\u201d\nModerator: Charlotte Karem Albrecht, Director, Arab and Muslim American Studies Program\n\nLunch (12:00PM-1:30PM)  \n\nAfternoon Panel 2 (1:30PM-3:30PM): Plant Vitalities\nAmanda Phillips, \u201cPerfection in Bloom: Ottoman Writing About Flowers, 1650-1750 CE\u201d\nChristiane Gruber, \u201cGod's Greenhouses: Agricultural Mosques and Phyto-Aesthetics in Rural Anatolia\u201d\nCharlotte Maury, \u201cVisual Representations of the Vital Force of Plants in Islamic Art and its Relation to Animality\u201d\nModerator: Paroma Chatterjee, Chair, Department of the History of Art \n\n*Saturday, February 7, 2026: Futurities*\n\nMorning Panel 3 (10:00AM-12:00PM): Green Futures\nSaleema Waraich, \u201cFrom the \u2018City of Gardens\u2019 to \u2018Smog Capital of the World\u2019: Ecological Dystopias and Imaginaries in Lahore, Pakistan\u201d\nMohamed Amer Meziane, \u201cWho Makes the Anthropocene: Islam, Ecology, and the Environmental History of *Orientalism\u201d*\nGohar Dashti, \u201cGeometries of Belonging: A New Look at Nature Through an Eastern Perspective\u201d\nModerator: Aseman Talebi, Ph.D. Candidate, Department of the History of Art \n\nLunch (12:00PM-1:30PM)\n\nAfternoon Panel 4 (1:30PM-3:30PM): Oil and Desert Ecologies\nOmolade Adunbi, \u201cThe Art of Oil Resistance in the Niger Delta\u201d\nKatherine Bartsch, \u201cEphemeral Mosques: Mapping a Network of Faith in Australia\u2019s Unforgiving Desert Interior\u201d\nSune Haugb\u00f8lle, \u201cNeom\/Nature: Regreening and Sociotechnical Imaginaries in Saudi Arabia\u201d\nModerator: Sena Duran, Ph.D. Candidate, Department of American Culture \n\nBreak (3:30PM-3:45PM)\n\nClosing Remarks (3:45PM-4:30PM): Anna Gade\n\nTo read about the papers being presented, speaker bios, & to register to attend, please visit: https:\/\/myumi.ch\/9p8xx   \n   The Nature and Islamic Creative Expressions conference is free and open to all University of Michigan students, faculty, staff, and the public. All sessions will be held at the Cahoots Ann Arbor Event Space, 206 E. Huron St., Ann Arbor, Michigan 48104.\n   \n   This conference is brought to you by the Global Islamic Studies Center and the Department of the History of Art, and cosponsored by: the Institute for the Humanities, the College of Literature, Science, and the Arts, the Department of American Culture, the Arab and Muslim American Studies Program, the Program in the Environment, the Center for Middle Eastern & North African Studies and the Islamophobia Working Group.\n   \n\nAccommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Email: -- islamicstudies@umich.edu",
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        "building_name":"Off Campus Location",
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        "location_name":"Cahoots, 206 E Huron St, Ann Arbor, MI 48104",
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        "tags":["african diaspora","African Studies","Arab And Muslim American Studies","Area Studies","Art","Art History","Arts of Islam","Global Islamic Studies","Visual Arts"],
        "website":"https:\/\/myumi.ch\/9p8xx",
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                "website":"https:\/\/www.facebook.com\/UmichGISC\/"                },             {
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                "group_id":"1020",
                "website":"http:\/\/facebook.com\/UMichLSA"                },             {
                "group_name":"History of Art",
                "group_id":"1034",
                "website":"http:\/\/www.lsa.umich.edu\/histart\/events"                },             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
                "group_name":"Program in the Environment (PitE)",
                "group_id":"2418",
                "website":""                },             {
                "group_name":"Center for Middle Eastern and North African Studies",
                "group_id":"2563",
                "website":"http:\/\/www.ii.umich.edu\/cmenas"                },             {
                "group_name":"African Studies Center",
                "group_id":"3187",
                "website":"http:\/\/www.ii.umich.edu\/asc\/"                },             {
                "group_name":"Department of American Culture",
                "group_id":"3309",
                "website":"http:\/\/lsa.umich.edu\/ac"                },             {
                "group_name":"Arab and Muslim American Studies (AMAS)",
                "group_id":"3630",
                "website":""                },             {
                "group_name":"Islamophobia Working Group (IWG)",
                "group_id":"4457",
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