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        "datetime_modified":"20251010T121521",
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        "datetime_end":"20251022T220000",
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        "date_start":"2025-10-22",
        "date_end":"2025-10-22",
        "time_start":"07:00:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"2025 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2025 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"August 18 - October 24, 2025Exhibition Reception: September 11, 3-5 p.m.\n\"In their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students 'develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.' Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now? At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \nUntil now, the classroom studios and review rooms have been the only place to catch a glimpse of the art and design work resulting from this pivotal course. Last year, Associate Dean for Academic Programs Rebecca Strzelec proposed something new: an exhibition installed throughout the Art &amp; Architecture Building during the summer that would celebrate Second Year Studio work and help to welcome the community back in the Fall. This inaugural 2025 Second Year Studio Exhibition showcases our rising third-years and transfer students, and invites first-years and other newcomers to explore both the building, and the creative possibilities ahead. The show features 44 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \nThe pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path\u2014experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\"\n- Sally Clegg, Lecturer and Student Exhibitions Coordinator\nExhibiting Artists and Designers\n\nRobin Beaney\nAdi Behar\nDavid Byun\nZo\u00eb Corley\nChloe Dennis\nViktoriya Finyak\nMaria Elena Garc\u00eda-Murgu\u00eda\nElisa Gasser\nOlivia Glynn\nRoe Halbert\nNadav Havilio\nDee Holmes\nRuby Hough\nUrvi Joshi\nEunice Kim\nHannah Kryzhan\nBen Levitsky\nJoyce Liu\nKatelyn Ma\nAlexandria Mainor\nErin Malone\nSummer Mansi\nCheyenne Moore\nElla Moxon\nShafiq Muqit\nAlex Nguyen\nAnna Noh\nLeanna Mokihana Paik\nEva Park\nMichelle Peng\nEliana Pettigrew\nZainab Rahmani\nOlivia Reed\nSky Roberts\nZachary Sebestyen\nOliver Lee St Cyr\nSophie Stillwagon\nVeronica Weinberg\nCaitlin Weingarden\nNala Arielle White\nAriel Williams\nSilas Williams\nKatherine Xu\nJoy Yang\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/second-year-studio-exhibition",
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    {
        "datetime_modified":"20250904T104107",
        "datetime_start":"20251022T080000",
        "datetime_end":"20251022T170000",
        "has_end_time":1,
        "date_start":"2025-10-22",
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        "time_zone":"America\/Detroit",
        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Exhibition","Art","Detroit","Diversity Equity and Inclusion","Ecology","Environment","Festival","Free","Humanities","Natural Sciences","Nature","Science","Visual Arts"],
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "datetime_modified":"20250922T152041",
        "datetime_start":"20251022T080000",
        "datetime_end":"20251022T220000",
        "has_end_time":1,
        "date_start":"2025-10-22",
        "date_end":"2025-10-22",
        "time_start":"08:00:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Michigan Arts Festival",
        "occurrence_title":"",
        "combined_title":"Michigan Arts Festival: September 25\u2013October 26, 2025",
        "event_subtitle":"September 25\u2013October 26, 2025",
        "event_type":"Fair \/ Festival",
        "event_type_id":"10",
        "description":"The Michigan Arts Festival will run from September 25 to October 26, 2025, across U-M\u2019s Ann Arbor, Dearborn Detroit, and Flint campuses and at select community venues. Signature events will take place at the Michigan Theater, Hill Auditorium, Taubman College, UMMA, Stamps Gallery, North Campus Diag, and more.\r\n\r\nVisit arts.umich.edu\/fest to see an updated list of featured events and opportunities and check the Michigan Arts Festival keyword on the Happening@Michigan calendar to see everything arts-related happening during the festival!\r\n\r\nThe festival is open to all\u2014U-M students, faculty, staff, alumni, and the public. While some events are ticketed, many if not most events are accessible free of charge.",
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                "guid":"137072-21879504@events.umich.edu",
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        "tags":["Art","Michigan Arts Festival","Michigan Arts","Arts At Michigan"],
        "website":"http:\/\/arts.umich.edu\/fest",
        "sponsors":[
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                "group_name":"Arts Initiative",
                "group_id":"4583",
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        "datetime_modified":"20250908T171134",
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        "datetime_end":"20251022T163000",
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        "date_end":"2025-10-22",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Brothers and Uncles, Kings and Typecutters",
        "occurrence_title":"",
        "combined_title":"Brothers and Uncles, Kings and Typecutters: Five generations of Estienne printing in Michigan Collections (1512-1625)",
        "event_subtitle":"Five generations of Estienne printing in Michigan Collections (1512-1625)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Explore the evolution of the printed page through the prism of one remarkable family of scholar-printers. \r\n\r\nPrinting changed the speed and scale at which information circulated. Over a century, scholarly printers competed to produce carefully edited editions. As they produced more and more, they developed methods, such as page-layout and indices, to make their books easy to read, and they created dictionaries and reference books so a reader could get more from their books.\r\n\r\nThe Estienne family of printers are among the most renowned and long-lasting printing houses of the era. Family links and investment in scholarly training helped them to sustain a business in the print trade for six generations in France and Switzerland.\r\n\r\nThe Special Collections Research Center holds nearly 80 imprints dating from the first years of the sixteenth century into the reign of Louis XIV. View nineteen examples chosen to show the breadth of the Michigan Estienne collection in an era of amazing change.\r\n\r\nImage: Detail from \"Polem\u014dnos, Himeriou, kai all\u014dn tin\u014dn meletai,\" by Henri Estienne, Paris 1567. The Olive tree device is the best-known emblem of the Estienne house, surviving in over a dozen forms. First used by Robert I in 1526, it refers to a passage in Romans 11 that praises humility in the face of divine will.",
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        "building_name":"Hatcher Graduate Library",
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        "location_name":"Hatcher Graduate Library",
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        "tags":["Library","Free","Books"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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        "time_zone":"America\/Detroit",
        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connection Gallery lower level",
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        "description":"Lifetime Fitness classes are offered at Briarwood Mall in the JCPenney wing every Monday-Friday from 9-10am. No experience necessary. Classes are specifically designed for older adults, however, everyone is welcome. LTF classes are free, but please consider making a $2\/person per class donation as our classes are supported strictly through donations. No registration is necessary, simply attend when it fits your schedule.",
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        "tags":["Health & Wellness","fitness"],
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        "datetime_start":"20251022T090000",
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        "date_start":"2025-10-22",
        "date_end":"2025-10-22",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Conifer Trees, Bark Beetles, and Fire",
        "occurrence_title":"",
        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
        "event_subtitle":"An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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        "tags":["Humanities","Art","Exhibition","Ecology","Sustainability","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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        "datetime_modified":"20251219T115228",
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        "date_start":"2025-10-22",
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        "event_title":"Faculty On-Campus Work Retreats",
        "occurrence_title":"",
        "combined_title":"Faculty On-Campus Work Retreats",
        "event_subtitle":"",
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        "event_type_id":"19",
        "description":"THIS EVENT IS FACULTY EXCLUSIVE!\r\n\r\nSign up for a two-hour work session, followed by a hot lunch with colleagues. The Faculty On-Campus Work Retreats offer a quiet space to work with other scholars and artists, and an opportunity for you to prioritize your research and creative work by committing to one or two work sessions before teaching, service, and email take over the semester. Lunch, after the work session, is a chance to share interests and work with other colleagues, to learn about each others\u2019 research, to grow professional and social networks, and to experience the University as a collective.\r\n\r\nThe Work Retreats are open to all ~7,600 members of the Faculty Senate, including tenure-track professors, lecturers, research faculty, clinical faculty, librarians, archivists, and curators. The series was developed by the Faculty Senate Office, is supported by the Office of the Provost, and is co-sponsored by Librarian Mary Lawrence.\r\n\r\nThe retreats officially run from 10-1 (10-12 for quiet work time and 12-1 for lunch). Faculty are also invited to arrive at 9am to get in an extra hour of work (and enjoy coffee, tea, and breakfast snacks). You\u2019re welcome to arrive early, any time after 9 am.",
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