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        "datetime_end":"20251022T170000",
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        "date_end":"2025-10-22",
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        "event_title":"Stacey L. Kirby: The Bureau of Personal Belonging (Ann Arbor Edition)",
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        "combined_title":"Stacey L. Kirby: The Bureau of Personal Belonging (Ann Arbor Edition)",
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        "description":"Exhibition Dates: September 27 - November 8, 2025\nOpening Performances: September 27, 1-5 p.m.Closing Performances: November 8, 1-5 p.m.\nStacey L. Kirby\u2019s The Bureau of Personal Belonging is a series of interactive performances set within immersive installations and activated by viewer participation. The work fosters dialogue on identity, community, and civil engagement. Through bureaucratic forms, papers, postures, language, and aesthetics, audiences are invited to participate in respectful dialogues and playful interactions with the artist. As the 2025 Roman J. Witt Artist-in-Residence, Kirby spent 12 weeks on campus from January through March of 2025 meeting with students, faculty, and staff from the Stamps School and across U-M. Based on these conversations, Kirby devised a site-specific installation that seeks to amplify the voices of the U-M community, uphold the value of democratic civic engagement, and highlight the power of art in building solidarity and mutual respect.\nCurated by Srimoyee Mitra.",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/stacey-kirby-the-bureau-of-personal-belonging",
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        "event_title":"The Eye of the Storm",
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        "combined_title":"The Eye of the Storm",
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        "description":"Join us for an innovative exhibition and installation organized by the Stamps School\u2019s SEC (Student Exhibition Committee) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations. \nExhibition Statement\nIn the midst of contemporary chaos there is a quieter, more isolated struggle to find meaning. As we pursue consistency within our own art making practices, we must nurture our yearnings for a sustainable community. Fleeting connections can be found in the in-betweens of time and space\u2014cooking with others, commuting, etc.\nThe Eye of the Storm is an exhibition demonstrating various forms of individual and collective peacemaking and resistance. This show explores the ways we use creative rituals within the private and public spheres: exploring self identity, advocating for justice, fostering care for others and social bonding. The selected artworks reflect each artist's way of staying in motion and\/or finding calm amidst complicated or difficult times. \nThis exhibition is organized and juried by SEC student curators Hana Ichikawa, BFA '26 (lead); Urvi Joshi, BA '26; Elsie Rogers, BFA '27; Jacqueline Vinson, BFA '27; and Maggie Watson, BFA '26. \nThe Eye of the Storm will be on display in the Stamps Gallery atrium from October 17 - November 1, 2025, and features work by the following Stamps students:\nSage Booth, BFA '28Rachel DeVeyra, BFA '26McKenna Finn, BA '26Reese Ford, BFA '26Abigail Garcia, BFA '27Erin Malone, BFA '27Summer Mansi, BFA '27Margaret (Mags) McKinney, BFA '28Ava Muntner, BFA '27Mia Noel, BFA '28Eliana Pettigrew, BFA '26Oliver Lee St Cyr, BFA '26Jesse Strohauer, BFA '28",
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        "date_start":"2025-10-22",
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        "event_title":"Transfer Student Week Cords & Candy",
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        "event_type":"Fair \/ Festival",
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        "description":"If you\u2019re a transfer student, come get FREE Halloween Candy for Transfer Student Week in the LSA building.\r\n\r\nAlso if you\u2019re a transfer student graduating next semester, we\u2019re giving out transfer cords on Wednesday!",
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    {
        "datetime_modified":"20251003T181516",
        "datetime_start":"20251022T110000",
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        "event_title":"Untold Stories, Part II: A Stamps Faculty Exhibition",
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        "combined_title":"Untold Stories, Part II: A Stamps Faculty Exhibition",
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        "description":"Exhibition Dates: September 12 - December 13Opening Reception: September 18, 6:30-8:30 p.m.\nUntold Stories: Part II is the second in a series of three exhibitions featuring the work of faculty members from the Stamps School of Art &amp; Design. Organized thematically, Part II explores timely and resonant themes related to the freedom of expression, movement, and civic rights. Drawing on personal narratives and public archives, the artists offer inspiring ways of storytelling that make latent ideas visible and experiential - expanding the boundaries of their artistic research.\nUntold Stories: Part II is curated by Srimoyee Mitra, and features work by Stamps faculty Ebitenyefa Baralaye, Annica Cuppetelli, Quinn A. Hunter, Carol Jacobsen, Andy Kirshner, Rebekah Modrak, and Ricky Weaver.",
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        "datetime_modified":"20251015T121513",
        "datetime_start":"20251022T110100",
        "datetime_end":"20251022T190000",
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        "date_start":"2025-10-22",
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        "time_start":"11:01:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 1): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 1): The Stamps Gallery Pillar Project",
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        "description":"Phase 1 Opening Reception: September 18, 6:30\u2009\u2013\u20098:30 p.m.\nFrom September 2025 through August 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 1 Curatorial Statement\nCurated by Sometimes Space: Amelia Burns (entry pillar)Curated by CYNK Studios: Erin McKenna (courtyard pillar)\nArtists Amelia Burns and Erin McKenna reimagine the Division Street pillars through digital collages rooted in memory, landscape and shared environments. Burns arranges fragments of her own photographs into airy compositions where these pictorial remnants become enshrined by the artist\u2019s vision of the sacred. McKenna draws from the language of quilting, organizing her photos of mushrooms, moss and lichen into vibrant geometric patterns which echo Ohio textile traditions. Both artists, Midwestern women attentive to the nuances of place, weave personal imagery into collective meaning. Together, their works create spaces of reverence and connection.\nAmelia Burns: GODSPROMISESRISINGHIGHGODSPROMISESRISINGHIGH contains fragments of photographs I have made over years in various locations in the United States. Each fragment holds personal meaning for me. The exalted pieces of environments float together and create a visual smorgasbord of symbols, denoting a capitalist world, filled with tender moments and connections, where all objects are made holy.\nErin McKenna: Mushroom TrailMushroom Trail reimagines the Ohio Star quilt block through a collage of photographs of mushrooms, lichen, and moss gathered during walks in my Appalachian forest home. I created small blocks of repeating patterns to build texture and color. Inspired by the Barn Quilt Trail, the work honors Ohio\u2019s yard art traditions. Like other local expressions, from chainsaw-carved bears to the front porch goose, it fosters a shared sense of pride of place, and community.\nArtist Statements\/Bios\nAmelia BurnsThrough my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. My work speaks to the loneliness, humor, beauty, pain, and joy that coexist within these spaces. The landscapes I create\u2014whether photographic or collage-based\u2014are imbued with a visceral connection to the physical environments I\u2019ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.\nAt its core, my work explores the underworld of human experience, grappling with the visceral tension between authenticity and artifice in contemporary Americana. It reflects the disgusting horror of capitalism, the mysticism of my Irish Catholic upbringing, and the profound solitude that fuels my process. The resulting images are landscapes of seeking, filled with the pain, glory, and quiet resistance of life.\nAmelia Burns is a photographer, collage artist, curator and educator exploring the cultural and physical landscapes of the U.S., capturing the nuances of shared environments. She earned her BFA in Photography from Pratt Institute in 2005 and later completed her MFA at Cranbrook Academy of Art in 2023. Website \/ Instagram\nErin McKenna Erin McKenna is an interdisciplinary artist with a background in sculpture. Her practice embraces humor, playful misuse, and celebration as strategies to dismantle stereotypes and complicate binaries of construction and embellishment. With a feminist lens, she explores the space where necessity meets excess, highlighting the subversive potential of both. Her sculptures often pair gritty building materials with tactile fabrics, generating tension between utility and ornament. Growing up in a perpetually unfinished home\u2014a place of sawdust, chop saws, and improvisation\u2014instilled in her a respect for visible labor, inventive problem-solving, and imperfection. Her process follows personal rules:\nno hierarchy of materialssubvert expected usecomplicate binaries, stereotypes and associationsmisuse, misapplyallow for variable arrangementsrepeat, reiterate, reuseconsider the subversive possibilities of the excessive, fantastic, and necessaryalways let the labor be visible\nMcKenna earned her BFA from Columbus College of Art &amp; Design in 2012 and later completed her MFA at Stamps School of Art &amp; Design at the University of Michigan. She recently moved back to the forest she calls home in Southeastern Ohio, where she serves as Exhibitions Director at The Dairy Barn Arts Center, hunts for mushrooms with her toddler, and makes quilts. Website \/ Instagram",
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        "datetime_modified":"20251106T063241",
        "datetime_start":"20251022T120000",
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        "date_start":"2025-10-22",
        "date_end":"2025-10-22",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"2025 BIG10+ Academic Faculty Hiring Fair - Open to All BIG10 PhD &Postdocs on Handshake",
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        "combined_title":"2025 BIG10+ Academic Faculty Hiring Fair - Open to All BIG10 PhD &Postdocs on Handshake",
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        "event_type":"Careers \/ Jobs",
        "event_type_id":"2",
        "description":"The virtual BIG10 Academia Faculty Hiring Fair connects PhD and Postdoc professionals with academies across the nation and internationally who are hiring tenure and non-tenure track faculty positions. If you want to work in academia in a faculty role, then this is the career fair for you!DATA FROM THE 2024 BIG10 ACADEMIA CAREER FAIR:\n Over 1,800\u00a0student registrations from 18 BIG10 Institutions\n Almost 700\u00a0Curriculum Vitae (C.V.s) shared with\n     recruiting academies\n 42\u00a0Academies recruitingWhich academies attended the 2024 BIG10 Fair (& the jobs they were hiring for in parentheses)?The Ohio State University (Asst. Professors: Tenure, Professional, or Research Track; Lecturers)Cal Poly (Tenure-Track, Full-Time Lecturer, Part-Time Lecturer)Florida Atlantic University (Assistant Professor, Assistant Teaching Professor)Harvey Mudd College (Professor ofManufacturing)Johns Hopkins University (Non-Tenure Track Research positions, Non-Tenure Track Professional positions)Missouri University of Science & Technology (Tenure-Track, non-Tenure-Track)Northeastern University (Tenure-Track Faculty positions, Non-Tenure Track Research positions, Non-Tenure Track Teaching positions, Non-Tenure Track Professional positions)Texas State University (Tenure Track Faculty)University of Alabama (Assistant Professor \/ Associate Professor \/ Professor)University of Kentucky (Tenure-Track Faculty positions)University of Notre Dame (Tenure-Track Faculty positions, Non-Tenure Track Research positions, Non-Tenure Track Teaching positions, Non-Tenure Track Professional positions, Non-Tenure TrackClinical positions)University of Oregon (Assistant\/Associate\/Full Professors and Career Faculty)University of Virginia (Tenure-Track Faculty positions, Non-Tenure Track Research positions, Non-Tenure Track Teaching positions, Non-Tenure Track Clinical positions)Click the \"Register\" button now to join us! BIG10 PhD & Postdocs who want to participate in this career fair:Please check with your career services office, Graduate School, and\/or Office of Postdoctoral Affairs to determine if and how you can participate in The BIG10 Academia Career Fair virtually on Handshake or via the Qualtrics survey to submit your C.V.For Purdue, Penn State & UMB, we haveattached specific instructions from Handshake to the career fair for you to utilize a \"workaround\" since your universities are not on Handshake at all. This work around DOES NOT\u00a0work for other invited institutions who donot support Handshake accounts for postdocs and\/or graduate students. Sorry. If you don't have a Handshake account, then you can still participateindirectly by submitting your C.V. via a Qualtrics survey.\u00a0If you know you want faculty position, then we highly recommend you submit a C.V. no matter where you are in your current program, as some organizations will track your progress over the next several years. You can submit your C.V. by utilizing the link provided in the \"You are registered\" email that Handshake sends once you are registered for The BIG10+ Academia Faculty Hiring Fair or via promotional emails from your home institution. Submission of aC.V. is\u202fnot\u202frequired\u00a0to participate in this career fair, but is highly encouraged.DEADLINE for C.V. submissions is\u202fMonday, September 29th at noon Eastern Time.\u202fThis is a HARD deadline to provide our recruiters with 3 weeks to review C.V.s, so submit early just in case you have technical difficulties. I also recommend you add your C.V. on Handshake, as this platform is a great place to search and apply for positions at your level. \u00a0Who should attend the\u00a0The BIG10 Academia Faculty Hiring Fair?All PhD students and Postdocs looking for a faculty position are welcome to attend this virtual career fair. We highly encourage all early program PhDs and early postdoc trainees\/scholars\/researchers to explore future careers and build your professional network within Higher Education. Those of you within 18 months of completing your program should consider this a MUST attend career fair and explore current faculty positions.How will I engage with employers at The BIG10 Academia Career Fair?To engage with employers on Handshake's virtual career fair platform, you must register for the career fair\u00a0AND\u00a0sign up for group and\/or individual\u00a0sessions with organizations of interest to your career goals.For details on this process, please see Signing Up for & Managing Virtual Fair Sessions.Review which organizations are attending the event (follow organizations you want to check back in with). Make sure to do your research on the top organizations of interest to you and determine how you see your skillsets fitting into their organization and research program.You'll be able to sign up for sessions at any point, even during the career fair (as long as the session hasn't started). Sessions are limited, so we recommend signing up before the fair begins.What are the technical requirements for using virtual events, video,and chat?Refer to Handshake's Video Requirements and Troubleshooting Guide\u00a0for more information.Who can I contact for help on the day of the event?Visit the Zoom help room associated with the career fair. See the event for the help room link.Accessibility InformationIf you have a disability and rely on a screen reader or the keyboard for access to your computer you will experience difficulty using Handshake. Please reach out to your career services office for assistance in navigating and using the Handshake application.",
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        "datetime_modified":"20251002T142353",
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        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "tags":["Art","Arts Initiative","Exhibition","Visual Arts"],
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        "datetime_modified":"20251009T175932",
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        "datetime_end":"20251022T130000",
        "has_end_time":1,
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        "date_end":"2025-10-22",
        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Charlie O'Geen Talks about Poured Earth",
        "occurrence_title":"",
        "combined_title":"Charlie O'Geen Talks about Poured Earth: Material Conversations",
        "event_subtitle":"Material Conversations",
        "event_type":"Lecture \/ Discussion",
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        "description":"Learn about Charlie O'Geen's work on fabric-formed poured earth. O'Geen, an instructor at U-M's Taubman College of Architecture and Urban Planning, will present on his work with Poured Earth Collaborative (PEC) using fabric-formed poured earth to create a site-derived, no-carbon-emission construction option.\r\n\r\nTo address human-made global warming, PEC aims to resist mass production and building commodification by creating spatial divisions out of the land itself. Their approach begins with site and material, working with diagrams, models, and prototypes, and returning to the facts of site-derived building methods to avoid carbon impacts of materials and their displacement.\r\n\r\nMaterial Conversations are monthly informal discussions to learn about materials research at the University of Michigan.",
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