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        "datetime_modified":"20260423T085450",
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        "datetime_end":"20260506T170000",
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        "date_start":"2026-05-06",
        "date_end":"2026-05-06",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Melissa Jones Exhibition",
        "occurrence_title":"",
        "combined_title":"Melissa Jones Exhibition: Internal Architecture",
        "event_subtitle":"Internal Architecture",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Melissa Jones works across multiple mediums, consistently centering the human figure, texture, and elements of the natural world\u2014such as weathered surfaces, bones, and rust. These recurring interests create a unifying thread throughout her work, regardless of medium.\nShe creates in both two and three dimensions, including sculpture, painting, and assemblage. Oil painting is her preferred medium, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones\u2019 work is primarily figurative, often narrative and autobiographical\u2014though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form, finding beauty in subtle details: the turn of a wrist, the curve of a spine, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form, embracing the challenge of capturing this complexity in paint. Beyond physical representation, her work also explores psychological dimensions, aiming to convey mood and emotional depth.\n\nHer technique, in both painting and sculpture, is highly detailed, realistic, and developed gradually over time through layered processes. At times, her work enters the realm of magical realism. While deeply personal, her narratives remain intentionally ambiguous, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit, Jones studied at Wayne State University, earning a Bachelor\u2019s degree in Art Education and a Master\u2019s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006, receiving numerous awards. In addition, she served as a board member and exhibition committee member for the Detroit Artists Market.",
        "occurrence_notes":"Mon-Friday, 9 am to 5 pm or by appointment serrag@med.umich.edu",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "cost":"",
        "tags":["ArtsEngine","ArtsRx","Detroit","Exhibition","Family","Free","Humanities","Visual Arts"],
        "website":"",
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                "group_name":"North Campus Research Complex NCRC Art Program",
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                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    {
        "datetime_modified":"20260518T091620",
        "datetime_start":"20260506T090000",
        "datetime_end":"20260506T170000",
        "has_end_time":1,
        "date_start":"2026-05-06",
        "date_end":"2026-05-06",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Resistance is Fertile: Celebrating 30 Years of Cultivating Change",
        "occurrence_title":"",
        "combined_title":"Resistance is Fertile: Celebrating 30 Years of Cultivating Change",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Resistance Is Fertile honors the founding moment of the Institute for Research on Women & Gender, while speaking to the present. The institute was established because faculty members believed that research on women, gender, and sexuality required an institutional commitment to thrive. That belief was itself a form of resistance\u2014to disciplinary silos, to marginalization, to the idea that such scholarship was peripheral.\n\nThis theme reminds us that resistance is not merely reactive; it is constructive. When rooted in collaboration and sustained through infrastructure, it produces knowledge that reshapes disciplines, institutions, and public life.\n\nThis exhibit celebrates 30 years of IRWG\u2014its history, its programs, and the people whose vision and labor built it into what it is today. Through archival materials, milestones, and stories, we trace the evolution of an institute that has continually expanded the boundaries of research in women, gender, and sexuality.\n\nThis exhibit centers growth, collaboration, and intellectual creativity\u2014honoring the sustained efforts, bold ideas, and collective care that have shaped IRWG\u2019s legacy and continue to guide its future.\n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M. \n\nLocated on the first floor of Lane Hall (204 S. State Street), the Exhibit Space is free and open to the public, M-F, 9am-4pm.",
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                "guid":"148280-21903678@events.umich.edu",
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        "building_name":"Lane Hall",
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        "location_name":"Lane Hall",
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        "cost":"",
        "tags":["Women History","women","Gender Based Violence","gender","Activism","women's studies","Women's And Gender Studies"],
        "website":"https:\/\/irwg.umich.edu\/lanehall",
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
                "group_name":"Women's and Gender Studies Department",
                "group_id":"2809",
                "website":"http:\/\/www.lsa.umich.edu\/wgs"                }                    ],
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    {
        "datetime_modified":"20260511T181505",
        "datetime_start":"20260506T110000",
        "datetime_end":"20260506T190000",
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        "date_start":"2026-05-06",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through November 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 12 - November 12) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 2 Curatorial Statement\n\nCurated by Sometimes Space: Sally Clegg (entry pillar)\nCurated by CYNK Studios: Kim Karlsrud (courtyard pillar)\n\nArtists Sally Clegg and Kim Karlsrud wrap the Division Street pillars in highly site-specific ornament unearthed from the overlooked margins of Ann Arbor. On the Courtyard pillar, Karlsrud scales up photographs of objects found in liminal spaces surrounding campus buildings on Green Road, which the artist has encrusted in road salt. On the entryway pillar, Clegg zooms in on tiny fragments of found material from UMich\u2019s famous \u201crock\u201d to celebrate nearly seven decades of student art and activism. Both artists uplift aggregate of local human activity to reveal tiny worlds of found form. \n\nSally Clegg: Sentimentary Rock\nSentimentary Rock is a composition of paint slag collected from the UMich rock monument at the corner of Washtenaw Avenue and Hill Street. This colorful composite material has been accumulating at the base of the iconic limestone boulder since the mid 1950\u2019s, when students began a tradition of painting it in acts of protest, creativity, and ritual, sometimes multiple times per week. Akin to byproducts of industry such as \u201cFordite\u201d (collectable chunks of automotive overspray sometimes called \u2018Detroit agate\u2019), Sentimentary Rock includes thousands of layers, each dripped from a palimpsestic public proclamation. When processed, sculpted, sealed, assembled, and macro-photographed, the result is this enlarged array of tiny gems, intended to celebrate the indissoluble student voice. \n\nKim Karlsrud: What Amasses\nWhat Amasses is an assemblage of everyday found objects collected within the Miller Creek watershed, an urbanized drainage system that encompasses much of the city of Ann Arbor and the University of Michigan campus. Selected objects were immersed in a road salt solution, allowing delicate crystalline formations to emerge. Road salt is a common material input into these hydrological networks during the winter months and exists in multiple states of refinement, expression, coherence, and fragmentation. Each object was then arranged, photographed, and enlarged to recontextualize these materials in ways that invite deeper reflections on how infrastructure and human agency blur notions of the natural and the artificial. \nArtist Statements\/Bios\n\nSally Clegg \nSally Clegg is an artist and educator from Pelham, Massachusetts. Her studio practice is rooted in sculpture and expanded printmaking, stemming from a fascination with human efforts to make meaning from our relationships to objects. Clegg integrates history, popular culture, literature and philosophy as material for artmaking, leveraging personal anecdote and humor to reveal the complexity, absurdity, and theoretical richness at play in our connections to things and to ourselves. \n\nClegg holds an MFA in Art from The University of Michigan Stamps School of Art & Design, and a BA in Art & English from Goucher College. She has exhibited nationally and internationally, and her work can be found in permanent collections at Yale University, The New York Public Library, and elsewhere. Her artwork and writing has appeared in ASAP\/Journal, BOMB Magazine, Sculpture Magazine, and Hyperallergic. She is a lecturer in Art & Design at the University of Michigan. Website \/ Instagram\n\n\nKim Karlsrud \nKim Karlsrud is the co-founder of Commonstudio, a collaborative creative practice that develops socio-ecological and spatial interventions, installations, and initiatives working with and within urban landscapes. Her work explores the space between art and design, and is grounded in the concept of the \u201ccommons,\u201d that which is shared, as well as that which is ordinary, banal, and commonplace.\n\nKarlsrud completed her undergraduate degree in Product Design from Otis College of Art and Design and an MFA in Art from the University of Michigan. She is currently an Assistant Visiting Professor in the College of Design at the University of Oregon, teaching across Art and Landscape Architecture departments. She jointly received the 2014-15 Prince Charitable Trust Rome Prize in Landscape Architecture, was a 2017 resident at the Headlands Center for the Arts, and is the 2025-26 Fuller Fieldscape Fellow. Website \/ Instagram",
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        "building_id":"null",
        "building_name":"Off Campus Location",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/the-stamps-gallery-pillar-project-fore-site-phase-two",
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                "group_name":"Penny W Stamps School of Art & Design",
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                "website":"http:\/\/stamps.umich.edu\/"                }                    ],
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    {
        "datetime_modified":"20260427T141109",
        "datetime_start":"20260506T110000",
        "datetime_end":"20260506T120000",
        "has_end_time":1,
        "date_start":"2026-05-06",
        "date_end":"2026-05-06",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Great Lakes Seminar Series: Adam Reimer",
        "occurrence_title":"",
        "combined_title":"Great Lakes Seminar Series: Adam Reimer: Leveraging behavioral insights to improve outreach and protect water quality",
        "event_subtitle":"Leveraging behavioral insights to improve outreach and protect water quality",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"About the presentation: Achieving conservation aims in the Great Lakes region, including protecting water quality, enhancing wildlife habitat, and building community resilience, often relies on voluntary actions by farmers, ranchers, and rural landowners. Numerous agencies, organizations, and policies support farmer adoption of soil health practices, improved nutrient management, and managed tile drainage. Despite decades of effort, adoption of key practices has lagged what is needed to reach larger conservation goals. National Wildlife Federation has worked with producers and conservation professionals for over a decade to improve outreach and conservation communications to reach new audiences and expand adoption of key practices. NWF programs apply insights from social and behavioral science to increase organizational capacity and identify novel strategies for increasing conservation adoption. This presentation will share key insights from NWF programs and outline research and extension needs to scale up adoption in the Great Lakes region.\r\n\r\nAbout the speaker: Adam Reimer is the outreach and evaluation scientist at the National Wildlife Federation. He has training in interdisciplinary social and agricultural science with a PhD from Purdue University. Adam has an extensive research background exploring farmer and landowner conservation decision making and the role of policy and social networks in conservation outcomes. At NWF, he helps support local and farmer-led conservation outreach throughout the Midwest by leveraging social and behavioral sciences to develop effective engagement strategies.",
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                "guid":"142040-21889936@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142040",
        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"",
        "location_name":"Virtual",
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        "livetream_require_login":0,
        "livestream_id":"",        
        "livestream_link":"https:\/\/attendee.gotowebinar.com\/register\/421667551029906016",        
        "cost":"",
        "tags":["Great Lakes","seminar","Research","Public Policy","Lecture","Free","Environmental Policy","Environment","Ecology"],
        "website":"https:\/\/ciglr.seas.umich.edu\/event\/10222025_adam_reimer\/",
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                "group_name":"Cooperative Institute for Great Lakes Research (CIGLR)",
                "group_id":"3432",
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        "datetime_modified":"20260416T160239",
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        "date_end":"2026-05-06",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Virtual Canvas Accessibility for Panorama Training",
        "occurrence_title":"",
        "combined_title":"Virtual Canvas Accessibility for Panorama Training",
        "event_subtitle":"",
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        "event_title":"Elsa Olander - Becoming: My Journey Through Stamps",
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        "description":"Becoming is the senior thesis project of Stamps School of Art & Design student Elsa Olander. It is a multidisciplinary exhibition that traces her artistic evolution from high school student in Kenya to graduating college senior in the U.S. It explores personal growth through material experimentation, identity formation, and cultural hybridity. The work features 2-D, 3-D, and 4-D work; each piece serving as a visual artifact of transformation.\n\nBecoming isn\u2019t about arriving. It\u2019s about highlighting the moments that get us there. The doubt, discovery, and growth that shape who we are. It\u2019s a reminder to learn from the past and plan for the future, but most importantly to live in the present. We become who we are not just through all the choices we make, but through the people we surround ourselves with, the information we take-in, and what we choose to believe or question.\n\n\u201cThis exhibition is about my growth and process, but it\u2019s not singular. Many of my family members, including my mother, aren\u2019t able to attend my graduation due to the ongoing visa ban affecting several African countries. This show is my way of honoring their presence in my life, acknowledging where I\u2019ve come from, and sharing my journey with those who may not be able to witness it in person. My hope is that viewers see these works not just as a portrait of my evolution, but as an invitation to reflect, relate, and reimagine their own paths of becoming.\u201d \n-Elsa Olander\n\nBecoming: My Journey Through Stamps\n\ufeff\ufeffExhibition Dates: April 30 \u2013 May 22, 2026\n\ufeff\ufeffOpening Reception: Thursday, April 30, 5:30 \u2013 8 p.m. (RSVP Recommended)\n\ufeff\ufeffDuderstadt Center Gallery",
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        "event_title":"Learn to Meditate in 3 days",
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        "combined_title":"Learn to Meditate in 3 days: Pushyami Gundala",
        "event_subtitle":"Pushyami Gundala",
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        "description":"Make meditation part of your goal to strengthen your mental well-being. Discover three core practices\u2014meditation, rejuvenation, and inner connect in just three session.\r\n\r\nMeditation is a mindful journey for regulating your mind. It\u2019s like a mental workout, training the mind to focus on a single thought amid the 60,000 that pass through daily. With 3 core practices it cultivates effortless concentration, heightened awareness, and presence in the moment, allowing a shift from thinking to feeling. Meditation also leads to a deeper state of relaxation, regulating the stress response and promoting numerous health benefits.\r\n\r\nThe session will be guided by a trainer via Zoom meeting for all 3 days from noon to 1 p.m. All U-M students, faculty, and staff are welcome to join at no cost. No prior experience with meditation is required.\r\n\r\nEvent Details\r\n*When: Every month for 3 days (attending all 3 sessions is recommended)*\r\n\r\nThe session is Remote over Zoom and upon registration you will have the Zoom MeetingId and Passcode\r\nSee Related Links for registration\r\n\r\nThis wellness program is coordinated by Information Technology and Services (ITS) Teaching & Learning, and is provided at no cost by heartfulness.org.\r\n\r\nJoin the MCommunity group for email updates \u2013 Meditation for wellness",
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        "datetime_start":"20260506T120000",
        "datetime_end":"20260506T160000",
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        "date_start":"2026-05-06",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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