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    "142801-21891654":
    {
        "datetime_modified":"20251216T115749",
        "datetime_start":"20260319T183000",
        "datetime_end":"20260319T200000",
        "has_end_time":1,
        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
        "time_start":"18:30:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Opening Reception for *Flyways*",
        "occurrence_title":"",
        "combined_title":"Opening Reception for *Flyways*: With artist Sheida Soleimani.",
        "event_subtitle":"With artist Sheida Soleimani.",
        "event_type":"Reception \/ Open House",
        "event_type_id":"17",
        "description":"Please join us for the opening reception of Sheida Soleimani's debut Michigan exhibition *Flyways *immediately following her Penny Stamps Lecture at the Michigan Theater. See the exhibition, meet the artist, and enjoy some light refreshments. All are welcome!\r\n\r\nAbout the exhibition: \r\nIranian-American artist Sheida Soleimani\u2019s exhibition Flyways (a reference to the migratory patterns of birds) represents the latest iteration of Soleimani's ongoing Ghostwriter series, in which she continues to explore her parents\u2019 experiences of political exile and migration as a lens to examine broader systems of geopolitics. Soleimani creates detailed compositions in the studio that combine photographs, props, live animals, and even her own parents, resulting in surreal, magical realist scenes.\r\n\r\nThe artist's most recent works include imagery evocative of her family\u2019s history alongside photographs of injured birds from her care work as a wildlife rehabilitator. As an extension of her art practice, Soleimani founded the non-profit Congress of the Birds, a wild bird rehabilitation center in Rhode Island. The sheer range of Soleimani's practice\u2014her choice of imagery, subject matter, and method\u2014informs a visual language that is surprising, inventive, imaginative, and contemporary. Soleimani\u2019s exhibition in the Institute for the Humanities Gallery will feature a newly curated selection of photographs from the Ghostwriter series, along with a new site-specific wall drawing created as part of the project.\r\n\r\nAbout the artist:\r\nSheida Soleimani is an artist, educator, and licensed wildlife rehabilitator whose work examines power, environmental crisis, queerness, migration, and care. The daughter of political refugees who escaped Iran in the early 1980s, Soleimani draws on archival materials, props, and sculptural elements to create visually lush, politically incisive tableaux. She works across various mediums, investigating themes such as oil politics and human rights abuses, confronting the systems of violence linking the SWANA region and the United States, unraveling their implications in American culture. Though her images are dreamlike, they are grounded in lived experience: her parents frequently appear as subjects, in compositions made from elements of their (sometimes harrowing) tales. Increasingly, wildlife enters the frame \u2013 injured and orphaned birds, with their own quiet stories of migration and survival. Before the lens, these animals encapsulate Soleimani's multifaceted practice: care as art, storytelling as resistance.\r\n\r\nHer work has been the subject of solo exhibitions in institutions such as the International Center for Photography, New York (2025), the Contemporary Arts Center, Cincinnati (2025), the Museum of Fine Arts, Boston (2023), Southern Utah Museum of Art, Cedar City (2019), Atlanta Contemporary, Atlanta (2018), and MoMA PS1, New York (2017), to name a few. Soleimani\u2019s work is held in permanent collections including the Solomon R. Guggenheim Museum, the Museum of Fine Arts, Boston, the Victoria & Albert Museum, the Pennsylvania Academy of the Fine Arts, MIT List Visual Arts Center, and Cranbrook Art Museum. In 2018, she founded Congress of the Birds, (originally) a home-based clinic in Providence, Rhode Island, where she provides care for wild birds.",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Birding","Art","Humanities","Multicultural","Visual Arts"],
        "website":"https:\/\/www.instagram.com\/umichhumanities\/",
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    {
        "datetime_modified":"20251215T152929",
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        "date_end":"2026-03-19",
        "time_start":"19:00:00",
        "time_end":"21:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CJS Winter 2026 Film Series | *The Legend of the Stardust Brothers (\u661f\u304f\u305a\u5144\u5f1f\u306e\u4f1d\u8aac)*",
        "occurrence_title":"",
        "combined_title":"CJS Winter 2026 Film Series | *The Legend of the Stardust Brothers (\u661f\u304f\u305a\u5144\u5f1f\u306e\u4f1d\u8aac)*: Directed by Makoto Tezuka, 1985, 1 hr 40m",
        "event_subtitle":"Directed by Makoto Tezuka, 1985, 1 hr 40m",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"A shady music mogul brings together two wannabe stars\u2014punk rock rebel Kan and new-wave crooner Shingo\u2014and transforms them into the Stardust Brothers, a girl-friendly, silver-jumpsuited, synth-pop sensation. Along with their #1 fan, who herself dreams of a music career, the duo rockets to stardom.\r\n   \r\n   Attendance is free and open to the public, and no prior registration is required. Seating is first-come, first-served, and doors open at 6:30 PM.\r\n   \r\n   Presented in Japanese with English subtitles. Read more about the film, including ratings, at https:\/\/www.imdb.com\/title\/tt0419821\/\r\n   \r\n   Learn more about the CJS Winter 2026 Film Series at: https:\/\/myumi.ch\/AZ8Ep\r\n   This film series is in partnership with Marquee Arts.\r\n\r\n*Accommodation: If there is anything we can do to make this event accessible to you, please contact us at cjsevents@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"142757-21891341@events.umich.edu",
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        "building_name":"Off Campus Location",
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        "location_name":"State Theatre, 233 S State St, Ann Arbor, MI 48104",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Japanese Studies","Film Series","Asian Languages And Cultures"],
        "website":"https:\/\/marquee-arts.org\/event-page\/?showingId=970712&eventId=970710",
        "sponsors":[
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                "group_name":"Center for Japanese Studies",
                "group_id":"1003",
                "website":""                },             {
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
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                "website":"http:\/\/www.lsa.umich.edu\/asian"                }                    ],
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        "datetime_modified":"20260312T181654",
        "datetime_start":"20260319T193000",
        "datetime_end":"20260319T210000",
        "has_end_time":1,
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        "date_end":"2026-03-19",
        "time_start":"19:30:00",
        "time_end":"21:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Naomi Fan, violin",
        "occurrence_title":"",
        "combined_title":"Naomi Fan, violin",
        "event_subtitle":"",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"Graduate student Naomi Fan performs a final master's degree recital.",
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                "guid":"145850-21897953@events.umich.edu",
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        "building_id":"1000440",
        "building_name":"Earl V. Moore Building",
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        "room":"Britton Recital Hall",
        "location_name":"Earl V. Moore Building",
        "has_livestream":0,
        "cost":"Free - no tickets required",
        "tags":["North Campus","Free","Music"],
        "website":"https:\/\/drive.google.com\/file\/d\/14ljThIsWwmdw8j15Cdo1NHjLzz8AX9_a\/view?usp=drive_link",
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                "group_id":"155",
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    {
        "datetime_modified":"20260213T181643",
        "datetime_start":"20260319T193000",
        "datetime_end":"20260319T203000",
        "has_end_time":1,
        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
        "time_start":"19:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"This Dance is About Leslie Cheung - Dance MFA Thesis Performance by Tim Tsang",
        "occurrence_title":"",
        "combined_title":"This Dance is About Leslie Cheung - Dance MFA Thesis Performance by Tim Tsang",
        "event_subtitle":"",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"The Department of Dance presents a performance created by Tim Tsang, candidate for the Master of Fine Arts in Dance.\n\nBlending contemporary dance, live performance, and concert spectacle, this event will unfold as a concert-meets-dance experience, featuring ensemble choreography, live vocals, spoken reflection, and cinematic lighting by collaborator David Goodman-Edberg. \n\nThe performance invites audiences into a shared emotional landscape \u2013 one shaped by ambition, grief, resilience, and connection. Drawing on Hong Kong cultural icon Leslie Cheung\u2019s concerts, films, and public persona, the performance traces a journey from glamour to intimacy through Cheung\u2019s legacy. It examines pressure, visibility, and the search for care. At its core, *This Dance Is About Leslie Cheung* is not only about legacy, but about how legacy, identity, and inspiration is carried forward. \n\nRather than offering a biography of Leslie Cheung, the concert stages an encounter with his legacy. Cheung appears as an influence, a fantasy, and a point of departure \u2013 someone whose artistry opened doors while also revealing the emotional cost of visibility. The performance traces how admiration can slip into imitation, how confidence can fracture under pressure, and how failure might become a pathway toward care.\n\nABOUT THE ARTIST\n\nCreated by choreographer and Dance MFA candidate Timothy Tsang, *This Dance Is About Leslie Cheung* reflects Tsang\u2019s ongoing inquiry into how performance carries memory, pressure, and care. Tsang is a queer Chinese American dance artist whose work bridges movement, cultural memory, and embodied research. Shaped by a transnational upbringing between Shanghai and Chicago, his choreography often moves between different cultural contexts \u2013 asking how bodies navigate identity, visibility, and belonging.",
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        "room":"Dance Performance Studio Theatre",
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    {
        "datetime_modified":"20260209T093504",
        "datetime_start":"20260319T194000",
        "datetime_end":"20260319T213000",
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        "date_start":"2026-03-19",
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        "time_start":"19:40:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Student Art Meetup: SMTD Creative Arts Orchestra",
        "occurrence_title":"",
        "combined_title":"Student Art Meetup: SMTD Creative Arts Orchestra",
        "event_subtitle":"",
        "event_type":"Social \/ Informal Gathering",
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        "description":"Looking to explore art with other students? Join us on Thursday, March 19th as we check out the the Creative Arts Orchestra! This performance will feature a unique fusion of performance fields such as dance, theatre, and music technology through improvisation. \n\nWe will meet outside of Great Greek in Pierpont Commons at 7:40 PM, and walk together to the Moore Building for the show (about a 5-minute walk). Hope to see you there!",
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        "description":"Legendary rustbelt blues shouter and guitar slinger\r\n\r\nLarry McCray is a powerhouse bluesman with a soul-soaked voice, blistering guitar chops, and a story embodying the spirit of his music. With his new album Heartbreak City, McCray turns the page on a new chapter\u2014raw, joyful, and deeply personal. Produced by blues-rock champions and Grammy Nominated duo Joe Bonamassa and Josh Smith, Heartbreak City finds the legendary singer and guitarist firing on all cylinders, reconnecting with his roots while stepping boldly forward.\r\n\r\nFrom the first notes of the title track, McCray reminds listeners why he\u2019s long been hailed as one of the most expressive blues artists of his generation. Heartbreak City showcases Larry\u2019s gritty vocals and searing guitar work, evoking the decades he spent grinding it out in clubs, pouring heartache and redemption into every solo. Elsewhere, standout single \u201cBye Bye Blues\u201d draws on McCray\u2019s teenage years in Michigan, when soul music still ruled the airwaves. Co-written with longtime collaborator Charlie Walmsley, it nods to giants like Johnnie Taylor and Bobby Bland while delivering a sound all his own\u2014grooving, head-nodding, and utterly timeless.\r\n\r\nThe release follows 2022\u2019s Blues Without You, which marked McCray\u2019s long-awaited return after a seven-year hiatus. The album debuted at No. 2 on the Billboard Blues chart and was named the #1 Blues Album of 2022 by Blues Rock Review, solidifying his status as a torchbearer of modern blues. In 2024, McCray was inducted into the Michigan Rock and Roll Legends Hall of Fame, a testament to his deep roots in the state and his enduring impact on American music. Now, Heartbreak City builds on that momentum. It\u2019s a record that reflects Larry McCray at his most self-assured -grounded in tradition, but more fearless than ever.\r\n\r\nBorn in 1960 in Smackover, Arkansas, McCray grew up steeped in gospel, soul, and the electric blues of the three Kings\u2014B.B., Albert, and Freddie. He moved to Saginaw, Michigan at 12, where he honed his guitar style by blending classic blues with the psychedelic edge of Hendrix and the southern fire of the Allman Brothers. After years of gigging while working a factory job, he was signed in the late \u201980s as the first artist on Virgin Records\u2019 blues imprint Point Blank. His debut Ambition (1990) was followed by acclaimed albums like Delta Hurricane, Meet Me at the Lake, and Born to Play the Blues, solidifying his role in defining modern blues-rock through the \u201990s and early 2000s.\r\n\r\nOver the years, McCray has played alongside a who\u2019s who of music legends \u2014B.B. King, Buddy Guy, Albert King, the Allman Brothers, Joe Walsh, Jonny Lang, Levon Helm, and of course, Joe Bonamassa. He was named Orville H. Gibson Male Blues Guitarist of the Year in 2000 and won the Top Guitarist prize in the International Blues Matters writer\u2019s poll in 2014.\r\n\r\nBut accolades aside, it\u2019s the soul in McCray\u2019s music that keeps fans coming back. \u201cI feel totally reborn,\u201d he says. \u201cThis new album lets me show the full scope of what I do \u2014it\u2019s blues, it\u2019s soul, it\u2019s real stories. This is who I am.\u201d",
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