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        "datetime_modified":"20251215T163232",
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        "datetime_end":"20260422T170000",
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        "date_end":"2026-04-22",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Art","ArtsEngine","Culture","Detroit","Exhibition","Free","Humanities","North Campus","Visual Arts"],
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"UROP Spring 2026 Research Symposium",
        "occurrence_title":"",
        "combined_title":"UROP Spring 2026 Research Symposium",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"The Undergraduate Research Opportunity Program\u2019s Annual Research Symposia are the culminating events for all students participating in UROP Programs. The event celebrates the partnerships created between students and research mentors, and serves as a conference where students present their research project and learn about the research their fellow UROP students have worked on throughout the program.",
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        "tags":["first-generation","symposium","Transfer Students","Undergraduate","Undergraduate Students","Urop"],
        "website":"https:\/\/twitter.com\/UROPumich",
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        "datetime_start":"20260422T093000",
        "datetime_end":"20260422T103000",
        "has_end_time":1,
        "date_start":"2026-04-22",
        "date_end":"2026-04-22",
        "time_start":"09:30:00",
        "time_end":"10:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Dynamic neural ensembles support memory stability and flexibility across the lifetime",
        "occurrence_title":"",
        "combined_title":"Dynamic neural ensembles support memory stability and flexibility across the lifetime: Denise Cai",
        "event_subtitle":"Denise Cai",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"2026 Cell & Developmental Biology Seminar Series\n\nSpeaker: Denise Cai, PhD. Associate Professor. Co-Director, Computational and Systems Neuroscience Center Icahn School of Medicine at Mount Sinai.\n\nHost: Changyang Linghu, PhD\n\nThe venue is accessible via elevator and ramp. If you require any accommodations in order to fully participate in this activity, please inform Brooke Lorigan-Bishar.\nT: 734-647-4835\nE: brloriga@med.umich.edu",
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        "room":"ABC Seminar Rooms",
        "location_name":"Taubman Biomedical Science Research Building",
        "has_livestream":0,
        "cost":"",
        "tags":["Basic Science","Biology","Biosciences","Science"],
        "website":"https:\/\/medschool.umich.edu\/events\/cdb-seminar-series-denise-cai\/2026-04-22",
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        "event_title":"Finals Study Hall",
        "occurrence_title":"",
        "combined_title":"Finals Study Hall",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Looking for a quiet space to study for Finals? Join us at the DSI! We create a quiet study space, complete with snacks, drinks, and lo-fi vibes! No RSVPs required!",
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        "room":"G325",
        "location_name":"Mason Hall",
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        "tags":["Digital Studies Institute","Study Hall","Undergraduate","Undergraduate Students"],
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        "datetime_modified":"20260511T181505",
        "datetime_start":"20260422T110000",
        "datetime_end":"20260422T190000",
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        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through November 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 12 - November 12) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 2 Curatorial Statement\n\nCurated by Sometimes Space: Sally Clegg (entry pillar)\nCurated by CYNK Studios: Kim Karlsrud (courtyard pillar)\n\nArtists Sally Clegg and Kim Karlsrud wrap the Division Street pillars in highly site-specific ornament unearthed from the overlooked margins of Ann Arbor. On the Courtyard pillar, Karlsrud scales up photographs of objects found in liminal spaces surrounding campus buildings on Green Road, which the artist has encrusted in road salt. On the entryway pillar, Clegg zooms in on tiny fragments of found material from UMich\u2019s famous \u201crock\u201d to celebrate nearly seven decades of student art and activism. Both artists uplift aggregate of local human activity to reveal tiny worlds of found form. \n\nSally Clegg: Sentimentary Rock\nSentimentary Rock is a composition of paint slag collected from the UMich rock monument at the corner of Washtenaw Avenue and Hill Street. This colorful composite material has been accumulating at the base of the iconic limestone boulder since the mid 1950\u2019s, when students began a tradition of painting it in acts of protest, creativity, and ritual, sometimes multiple times per week. Akin to byproducts of industry such as \u201cFordite\u201d (collectable chunks of automotive overspray sometimes called \u2018Detroit agate\u2019), Sentimentary Rock includes thousands of layers, each dripped from a palimpsestic public proclamation. When processed, sculpted, sealed, assembled, and macro-photographed, the result is this enlarged array of tiny gems, intended to celebrate the indissoluble student voice. \n\nKim Karlsrud: What Amasses\nWhat Amasses is an assemblage of everyday found objects collected within the Miller Creek watershed, an urbanized drainage system that encompasses much of the city of Ann Arbor and the University of Michigan campus. Selected objects were immersed in a road salt solution, allowing delicate crystalline formations to emerge. Road salt is a common material input into these hydrological networks during the winter months and exists in multiple states of refinement, expression, coherence, and fragmentation. Each object was then arranged, photographed, and enlarged to recontextualize these materials in ways that invite deeper reflections on how infrastructure and human agency blur notions of the natural and the artificial. \nArtist Statements\/Bios\n\nSally Clegg \nSally Clegg is an artist and educator from Pelham, Massachusetts. Her studio practice is rooted in sculpture and expanded printmaking, stemming from a fascination with human efforts to make meaning from our relationships to objects. Clegg integrates history, popular culture, literature and philosophy as material for artmaking, leveraging personal anecdote and humor to reveal the complexity, absurdity, and theoretical richness at play in our connections to things and to ourselves. \n\nClegg holds an MFA in Art from The University of Michigan Stamps School of Art & Design, and a BA in Art & English from Goucher College. She has exhibited nationally and internationally, and her work can be found in permanent collections at Yale University, The New York Public Library, and elsewhere. Her artwork and writing has appeared in ASAP\/Journal, BOMB Magazine, Sculpture Magazine, and Hyperallergic. She is a lecturer in Art & Design at the University of Michigan. Website \/ Instagram\n\n\nKim Karlsrud \nKim Karlsrud is the co-founder of Commonstudio, a collaborative creative practice that develops socio-ecological and spatial interventions, installations, and initiatives working with and within urban landscapes. Her work explores the space between art and design, and is grounded in the concept of the \u201ccommons,\u201d that which is shared, as well as that which is ordinary, banal, and commonplace.\n\nKarlsrud completed her undergraduate degree in Product Design from Otis College of Art and Design and an MFA in Art from the University of Michigan. She is currently an Assistant Visiting Professor in the College of Design at the University of Oregon, teaching across Art and Landscape Architecture departments. She jointly received the 2014-15 Prince Charitable Trust Rome Prize in Landscape Architecture, was a 2017 resident at the Headlands Center for the Arts, and is the 2025-26 Fuller Fieldscape Fellow. Website \/ Instagram",
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        "description":"Come hear about the honors research of OS seniors Lindsey Smith and Eden Wilcomes!Lost in Translation: The Role of Spanish-Language Political Advertising and Communications Agencies - Eden Wilcomes\nAs the Hispanic population of the United States continues to rise, so too does the Hispanic electorate\u2019s influence in national elections. Similarly, as the prominence of the Latino vote becomes more noticeable, so does the attention of politicians. In order to appeal to Latino voters, many politicians and campaigns seek the help of Spanish-language political communications agencies, yet there exists little research on political communications and advertising agencies generally, and even less on specialized agencies. By conducting interviews with employees of Spanish-language agencies, politicians and their staff, and Spanish-language communications experts, I was able to better understand the importance and purpose of Spanish-language political advertising.Present-Day Panopticon: Reactions to Electronic Surveillance Among Young Professionals Entering the Workforce - Lindsey Smith\nWith the rise of technology, employers have increasing access to data on their employees' actions and productivity. Interview based research was conducted with University of Michigan juniors and seniors who recently interned in large business organizations. My findings highlight how interns react to surveillance (or the possibility of it) and this age group's perspective on surveillance as a whole.\u00a0",
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