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Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. 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"datetime_start":"20260918T120000", "datetime_end":"20260918T170000", "has_end_time":1, "date_start":"2026-09-18", "date_end":"2026-09-18", "time_start":"12:00:00", "time_end":"17:00:00", "time_zone":"America\/Detroit", "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye", "occurrence_title":"", "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye", "event_subtitle":"", "event_type":"Exhibition", "event_type_id":"7", "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.", "occurrence_notes":null, "guid":"149541-21906599@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/149541", "building_id":"null", "building_name":"Off Campus Location", "campus_maps_id":"1", "room":"", "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104", "has_livestream":0, "cost":"", "tags":["Art"], "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye", "sponsors":[ { "group_name":"Penny W Stamps School of Art & Design", "group_id":"3157", "website":"http:\/\/stamps.umich.edu\/" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_thumb\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_large_2x\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_thumb\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_thumb_square\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_large\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_large_lightbox\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_large_crop\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_list\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_grid\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_grid_2x\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_feature_large\/media\/attachments\/2026\/08\/event_149541_original-2.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_feature_thumb\/media\/attachments\/2026\/08\/event_149541_original-2.jpg" }, "occurrence_count":67, "first_occurrence":21906594 } , "150763-21910123": { "datetime_modified":"20260903T094529", "datetime_start":"20260918T120000", "datetime_end":"20260918T180000", "has_end_time":1, "date_start":"2026-09-18", "date_end":"2026-09-18", "time_start":"12:00:00", "time_end":"18:00:00", "time_zone":"America\/Detroit", "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea", "occurrence_title":"", "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea", "event_subtitle":"", "event_type":"Exhibition", "event_type_id":"7", "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*", "occurrence_notes":null, "guid":"150763-21910123@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/150763", "building_id":"1000396", "building_name":"Duderstadt Center", "campus_maps_id":"181", "room":"", "location_name":"Duderstadt Center", "has_livestream":0, "cost":"", "tags":["Korean Studies","Art","Korea","History","Exhibition","Asian Languages And Cultures","Asia","Activism"], "website":"", "sponsors":[ { "group_name":"Nam Center for Korean Studies", "group_id":"2738", "website":"http:\/\/www.ii.umich.edu\/ncks" }, { "group_name":"University Library", "group_id":"1186", "website":"https:\/\/www.facebook.com\/UMichLibrary\/" }, { "group_name":"International Institute", "group_id":"1968", "website":"http:\/\/www.ii.umich.edu" }, { "group_name":"Center for Emerging Democracies", "group_id":"3096", "website":"http:\/\/www.ii.umich.edu\/emergingdemocracies" }, { "group_name":"Donia Human Rights Center", "group_id":"3281", "website":"http:\/\/www.ii.umich.edu\/humanrights" }, { "group_name":"Asian Languages and Cultures", "group_id":"3364", "website":"http:\/\/www.lsa.umich.edu\/asian" }, { "group_name":"Department of Political Science", "group_id":"3610", "website":"" }, { "group_name":"Duderstadt Center", "group_id":"4245", "website":"http:\/\/dc.umich.edu" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_thumb\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/event_large_2x\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/group_thumb\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/group_thumb_square\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/group_large\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/group_large_lightbox\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/event_large_crop\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/event_list\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/event_grid_2x\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/event_feature_large\/media\/attachments\/2026\/08\/event_150763_original-1.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_feature_thumb\/media\/attachments\/2026\/08\/event_150763_original-1.jpg" }, "occurrence_count":14, "first_occurrence":21910123 } }