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    "137179-21879863":
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        "event_title":"Stacey L. Kirby: The Bureau of Personal Belonging (Ann Arbor Edition)",
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        "combined_title":"Stacey L. Kirby: The Bureau of Personal Belonging (Ann Arbor Edition)",
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        "description":"Exhibition Dates: September 27 - November 8, 2025\nOpening Performances: September 27, 1-5 p.m.Closing Performances: November 8, 1-5 p.m.\nStacey L. Kirby\u2019s The Bureau of Personal Belonging is a series of interactive performances set within immersive installations and activated by viewer participation. The work fosters dialogue on identity, community, and civil engagement. Through bureaucratic forms, papers, postures, language, and aesthetics, audiences are invited to participate in respectful dialogues and playful interactions with the artist. As the 2025 Roman J. Witt Artist-in-Residence, Kirby spent 12 weeks on campus from January through March of 2025 meeting with students, faculty, and staff from the Stamps School and across U-M. Based on these conversations, Kirby devised a site-specific installation that seeks to amplify the voices of the U-M community, uphold the value of democratic civic engagement, and highlight the power of art in building solidarity and mutual respect.\nCurated by Srimoyee Mitra.",
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        "event_title":"Untold Stories, Part II: A Stamps Faculty Exhibition",
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        "combined_title":"Untold Stories, Part II: A Stamps Faculty Exhibition",
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        "description":"Exhibition Dates: September 12 - December 13Opening Reception: September 18, 6:30-8:30 p.m.\nUntold Stories: Part II is the second in a series of three exhibitions featuring the work of faculty members from the Stamps School of Art &amp; Design. Organized thematically, Part II explores timely and resonant themes related to the freedom of expression, movement, and civic rights. Drawing on personal narratives and public archives, the artists offer inspiring ways of storytelling that make latent ideas visible and experiential - expanding the boundaries of their artistic research.\nUntold Stories: Part II is curated by Srimoyee Mitra, and features work by Stamps faculty Ebitenyefa Baralaye, Annica Cuppetelli, Quinn A. Hunter, Carol Jacobsen, Andy Kirshner, Rebekah Modrak, and Ricky Weaver.",
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    {
        "datetime_modified":"20251015T121513",
        "datetime_start":"20251011T110100",
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        "date_start":"2025-10-11",
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        "time_start":"11:01:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 1): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 1): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Phase 1 Opening Reception: September 18, 6:30\u2009\u2013\u20098:30 p.m.\nFrom September 2025 through August 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 1 Curatorial Statement\nCurated by Sometimes Space: Amelia Burns (entry pillar)Curated by CYNK Studios: Erin McKenna (courtyard pillar)\nArtists Amelia Burns and Erin McKenna reimagine the Division Street pillars through digital collages rooted in memory, landscape and shared environments. Burns arranges fragments of her own photographs into airy compositions where these pictorial remnants become enshrined by the artist\u2019s vision of the sacred. McKenna draws from the language of quilting, organizing her photos of mushrooms, moss and lichen into vibrant geometric patterns which echo Ohio textile traditions. Both artists, Midwestern women attentive to the nuances of place, weave personal imagery into collective meaning. Together, their works create spaces of reverence and connection.\nAmelia Burns: GODSPROMISESRISINGHIGHGODSPROMISESRISINGHIGH contains fragments of photographs I have made over years in various locations in the United States. Each fragment holds personal meaning for me. The exalted pieces of environments float together and create a visual smorgasbord of symbols, denoting a capitalist world, filled with tender moments and connections, where all objects are made holy.\nErin McKenna: Mushroom TrailMushroom Trail reimagines the Ohio Star quilt block through a collage of photographs of mushrooms, lichen, and moss gathered during walks in my Appalachian forest home. I created small blocks of repeating patterns to build texture and color. Inspired by the Barn Quilt Trail, the work honors Ohio\u2019s yard art traditions. Like other local expressions, from chainsaw-carved bears to the front porch goose, it fosters a shared sense of pride of place, and community.\nArtist Statements\/Bios\nAmelia BurnsThrough my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. My work speaks to the loneliness, humor, beauty, pain, and joy that coexist within these spaces. The landscapes I create\u2014whether photographic or collage-based\u2014are imbued with a visceral connection to the physical environments I\u2019ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.\nAt its core, my work explores the underworld of human experience, grappling with the visceral tension between authenticity and artifice in contemporary Americana. It reflects the disgusting horror of capitalism, the mysticism of my Irish Catholic upbringing, and the profound solitude that fuels my process. The resulting images are landscapes of seeking, filled with the pain, glory, and quiet resistance of life.\nAmelia Burns is a photographer, collage artist, curator and educator exploring the cultural and physical landscapes of the U.S., capturing the nuances of shared environments. She earned her BFA in Photography from Pratt Institute in 2005 and later completed her MFA at Cranbrook Academy of Art in 2023. Website \/ Instagram\nErin McKenna Erin McKenna is an interdisciplinary artist with a background in sculpture. Her practice embraces humor, playful misuse, and celebration as strategies to dismantle stereotypes and complicate binaries of construction and embellishment. With a feminist lens, she explores the space where necessity meets excess, highlighting the subversive potential of both. Her sculptures often pair gritty building materials with tactile fabrics, generating tension between utility and ornament. Growing up in a perpetually unfinished home\u2014a place of sawdust, chop saws, and improvisation\u2014instilled in her a respect for visible labor, inventive problem-solving, and imperfection. Her process follows personal rules:\nno hierarchy of materialssubvert expected usecomplicate binaries, stereotypes and associationsmisuse, misapplyallow for variable arrangementsrepeat, reiterate, reuseconsider the subversive possibilities of the excessive, fantastic, and necessaryalways let the labor be visible\nMcKenna earned her BFA from Columbus College of Art &amp; Design in 2012 and later completed her MFA at Stamps School of Art &amp; Design at the University of Michigan. She recently moved back to the forest she calls home in Southeastern Ohio, where she serves as Exhibitions Director at The Dairy Barn Arts Center, hunts for mushrooms with her toddler, and makes quilts. Website \/ Instagram",
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        "datetime_modified":"20260324T094536",
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        "time_zone":"America\/Detroit",
        "event_title":"Creating the Future of Medicine for 175 Years",
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        "combined_title":"Creating the Future of Medicine for 175 Years: A free museum exhibit about U-M medical history",
        "event_subtitle":"A free museum exhibit about U-M medical history",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"As the Medical School celebrates the anniversary of its opening in the fall of 1850, and Michigan Medicine marks the 100th anniversary of the opening of the \"Old Main\" University Hospital that served as its flagship from 1925 to 1986, a free museum exhibit explores 175 years of medical education, research and clinical care. \r\n\r\nOpen to the public at the Museum on Main Street operated by the Washtenaw County Historical Society, the exhibit includes artifacts, photos and facts about how U-M's medical community grew from humble beginnings on the Diag to become one of the nation's largest and most respected academic medical centers. It also asks visitors to ponder their own attitudes and experiences, and to submit memories and photos of their time working, studying, volunteering or receiving care at U-M's medical campus and beyond. There are also activities for young visitors.\r\n\r\nThe museum is open to the public every Saturday and Sunday from 12 p.m. to 4 p.m.\r\n\r\nFull details about the exhibit, including parking instructions and how to book a free private group tour on a weekday, are available at http:\/\/michmed.org\/museum\r\n\r\nThe museum has an accessible entrance at the rear of the building.",
        "occurrence_notes":"Park in nearby municipal lots or structures; on-site parking is extremely limited. Accessible entrance at rear of building off Beakes St.",
                "guid":"139428-21885478@events.umich.edu",
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        "building_name":"Off Campus Location",
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        "location_name":"500 N. Main Street, Ann Arbor MI 48104 at the intersection of Main, Kingsley and Beakes streets",
        "has_livestream":0,
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        "tags":["Medicine","Nursing","Life Science","History","Museum"],
        "website":"https:\/\/www.facebook.com\/MichiganMedicine\/",
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                "group_name":"Michigan Medicine",
                "group_id":"1033",
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                "group_name":"Bentley Historical Library",
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        "date_end":"2025-10-11",
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        "time_end":"12:45:00",
        "time_zone":"America\/Detroit",
        "event_title":"T.REX",
        "occurrence_title":"",
        "combined_title":"T.REX",
        "event_subtitle":"",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"With stunning CGI visuals and the latest research from leading paleontologists, the film offers audiences a fresh perspective on the GOAT (Greatest Of All Tyrants): Tyrannosaurus rex. Anchored by the true story of the young fossil hunters who made the discovery of a lifetime when they spotted a large fossilized leg bone on a walk on public lands in North Dakota, T. REX intercuts the remarkable fossil dig, with cutting edge computer graphics that bring the iconic T. rex to life\u2014from hatchling to hulking adult. Narrated by Jurassic Park actor Sam Neill, T. REX explores the newest science that has helped reinvent our understanding of the iconic predator.",
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        "building_id":"1005169",
        "building_name":"Museum of Natural History",
        "campus_maps_id":"646",
        "room":"Planetarium & Dome Theater",
        "location_name":"Museum of Natural History",
        "has_livestream":0,
        "cost":"Tickets are $8 and are available in the museum store on the day of the show.",
        "tags":["Film","Museum","Planetarium","natural history museum"],
        "website":"https:\/\/lsa.umich.edu\/ummnh\/visitors\/planetarium-dome-theater.html",
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                "group_name":"Planetarium & Dome Theater at the Museum of Natural History",
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