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    "142768-21891382":
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        "datetime_modified":"20251215T163232",
        "datetime_start":"20260305T090000",
        "datetime_end":"20260305T170000",
        "has_end_time":1,
        "date_start":"2026-03-05",
        "date_end":"2026-03-05",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "permalink":"http:\/\/events.umich.edu\/event\/142768",
        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts","North Campus","Humanities","Art","ArtsEngine","Culture","Detroit","Exhibition","Free"],
        "website":"",
        "sponsors":[
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    {
        "datetime_modified":"20251212T085640",
        "datetime_start":"20260305T090000",
        "datetime_end":"20260305T210000",
        "has_end_time":1,
        "date_start":"2026-03-05",
        "date_end":"2026-03-05",
        "time_start":"09:00:00",
        "time_end":"21:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Evolution of Campus, 1838-1963: A Cartographic Celebration of U-M's History",
        "occurrence_title":"",
        "combined_title":"The Evolution of Campus, 1838-1963: A Cartographic Celebration of U-M's History",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Learn about the campus\u2019 history and architecture and explore the campus that might have been. This exhibit highlights the U-M Ann Arbor campus, both before its creation and throughout its continuous evolution. Featuring the work of famous architects such as Alexander Jackson Davis, Albert Kahn and Eero Saarinen, the exhibit presents maps, plans, architectural drawings, proposals, and photographs of the campus throughout its evolution.  \r\n\r\nThis exhibit was originally part of a larger exhibit displayed from July 2017 to January 2018 to commemorate U-M's bicentennial.",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library (2nd floor)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Maps","Library"],
        "website":"https:\/\/www.lib.umich.edu\/events",
        "sponsors":[
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                "group_id":"1186",
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    {
        "datetime_modified":"20260115T181512",
        "datetime_start":"20260305T110000",
        "datetime_end":"20260305T190000",
        "has_end_time":1,
        "date_start":"2026-03-05",
        "date_end":"2026-03-05",
        "time_start":"11:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 2): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through August 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - April 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (May 12 - August 12) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 2 Curatorial Statement\n\nCurated by Sometimes Space: Sally Clegg (entry pillar)\nCurated by CYNK Studios: Kim Karlsrud (courtyard pillar)\n\nArtists Sally Clegg and Kim Karlsrud wrap the Division Street pillars in highly site-specific ornament unearthed from the overlooked margins of Ann Arbor. On the Courtyard pillar, Karlsrud scales up photographs of objects found in liminal spaces surrounding campus buildings on Green Road, which the artist has encrusted in road salt. On the entryway pillar, Clegg zooms in on tiny fragments of found material from UMich\u2019s famous \u201crock\u201d to celebrate nearly seven decades of student art and activism. Both artists uplift aggregate of local human activity to reveal tiny worlds of found form. \n\nSally Clegg: Sentimentary Rock\nSentimentary Rock is a composition of paint slag collected from the UMich rock monument at the corner of Washtenaw Avenue and Hill Street. This colorful composite material has been accumulating at the base of the iconic limestone boulder since the mid 1950\u2019s, when students began a tradition of painting it in acts of protest, creativity, and ritual, sometimes multiple times per week. Akin to byproducts of industry such as \u201cFordite\u201d (collectable chunks of automotive overspray sometimes called \u2018Detroit agate\u2019), Sentimentary Rock includes thousands of layers, each dripped from a palimpsestic public proclamation. When processed, sculpted, sealed, assembled, and macro-photographed, the result is this enlarged array of tiny gems, intended to celebrate the indissoluble student voice. \n\nKim Karlsrud: What Amasses\nWhat Amasses is an assemblage of everyday found objects collected within the Miller Creek watershed, an urbanized drainage system that encompasses much of the city of Ann Arbor and the University of Michigan campus. Selected objects were immersed in a road salt solution, allowing delicate crystalline formations to emerge. Road salt is a common material input into these hydrological networks during the winter months and exists in multiple states of refinement, expression, coherence, and fragmentation. Each object was then arranged, photographed, and enlarged to recontextualize these materials in ways that invite deeper reflections on how infrastructure and human agency blur notions of the natural and the artificial. \nArtist Statements\/Bios\n\nSally Clegg \nSally Clegg is an artist and educator from Pelham, Massachusetts. Her studio practice is rooted in sculpture and expanded printmaking, stemming from a fascination with human efforts to make meaning from our relationships to objects. Clegg integrates history, popular culture, literature and philosophy as material for artmaking, leveraging personal anecdote and humor to reveal the complexity, absurdity, and theoretical richness at play in our connections to things and to ourselves. \n\nClegg holds an MFA in Art from The University of Michigan Stamps School of Art & Design, and a BA in Art & English from Goucher College. She has exhibited nationally and internationally, and her work can be found in permanent collections at Yale University, The New York Public Library, and elsewhere. Her artwork and writing has appeared in ASAP\/Journal, BOMB Magazine, Sculpture Magazine, and Hyperallergic. She is a lecturer in Art & Design at the University of Michigan. Website \/ Instagram\n\n\nKim Karlsrud \nKim Karlsrud is the co-founder of Commonstudio, a collaborative creative practice that develops socio-ecological and spatial interventions, installations, and initiatives working with and within urban landscapes. Her work explores the space between art and design, and is grounded in the concept of the \u201ccommons,\u201d that which is shared, as well as that which is ordinary, banal, and commonplace.\n\nKarlsrud completed her undergraduate degree in Product Design from Otis College of Art and Design and an MFA in Art from the University of Michigan. She is currently an Assistant Visiting Professor in the College of Design at the University of Oregon, teaching across Art and Landscape Architecture departments. She jointly received the 2014-15 Prince Charitable Trust Rome Prize in Landscape Architecture, was a 2017 resident at the Headlands Center for the Arts, and is the 2025-26 Fuller Fieldscape Fellow. Website \/ Instagram",
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        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"",
        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "cost":"",
        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/the-stamps-gallery-pillar-project-fore-site-phase-two",
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                "group_name":"Penny W Stamps School of Art & Design",
                "group_id":"3157",
                "website":"http:\/\/stamps.umich.edu\/"                }                    ],
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    {
        "datetime_modified":"20260305T112055",
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Lunch and Learn: Advocating for Your Digital Research Project - Hybrid",
        "occurrence_title":"",
        "combined_title":"Lunch and Learn: Advocating for Your Digital Research Project - Hybrid",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"This workshop is a part of a series of professional development opportunities presented by the Phillip J. Bowman Center for Scholarship to Practice for members of the Bowman Center Scholars currently working at the University of Michigan. \nThis Lunch and Learn event will provide valuable information on how to advocate for your project.\u00a0\nYou\u2019ve got a great plan for your research project. Now, how do you describe the value of your project in your CV or when you are up for review?\u00a0 And how will people know about it and find it once it exists? This workshop will discuss how to communicate the successes and impact of your digital project to make it legible to fellow researchers and university administration. This session will provide guidance on how to best communicate and highlight to external and internal stakeholders the deliverables and anticipated outcomes of your project.\n\nFacilitator: Keenan Colquitt, Ph.D., Program Manager for Scholar EngagementPresenter:\u00a0 Rebecca Welzenbach, Research Impact and Information Science Librarian\n",
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                "guid":"145373-21897203@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/145373",
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        "location_name":"530 E. Liberty St. Suite 100",
        "has_livestream":0,
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        "tags":["Sessions"],
        "website":"https:\/\/sessions.studentlife.umich.edu\/p\/track\/16291",
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                "group_id":"4791",
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        "datetime_modified":"20260226T153559",
        "datetime_start":"20260305T120000",
        "datetime_end":"20260305T133000",
        "has_end_time":1,
        "date_start":"2026-03-05",
        "date_end":"2026-03-05",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"PDF Accessibility & Manual Remediation in Adobe Acrobat (Part 1)",
        "occurrence_title":"",
        "combined_title":"PDF Accessibility & Manual Remediation in Adobe Acrobat (Part 1)",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Learn about the PDF format and essential techniques for creating accessible PDFs in this two-part workshop series. Registration for both parts (in order) is required to gain a holistic understanding of PDF accessibility and remediation. \n\nPart 1 will cover the pros and cons of the PDF format and more accessible, alternative formats to consider. For files that must be PDFs, you will learn about some of the hidden information that gives PDF content a meaningful structure (machine-readable text and tags), plus an introduction to techniques in Acrobat and tools that can assist with adding and repairing structure where needed. You will also learn about features to apply in source documents and how to properly export content from Microsoft Word to PDF to retain accessibility features. Finally, we'll take an initial look at the Acrobat accessibility checker and talk about its limitations. \n\nPart 2 will cover intermediate and advanced techniques for tagging PDF elements, defining accurate reading order, adding document metadata, and reviewing accessibility with both built-in and third-party accessibility checker tools.\n\nRegister for PDF Accessibility & Manual Remediation in Adobe Acrobat (Part 2) at https:\/\/events.umich.edu\/event\/145678.\n\nPlease note: Attendees should already have some familiarity with core concepts of digital accessibility prior to attending this series (e.g., color contrast, font selection, and proper use of document formatting tools like headings, lists, etc.). We will not have time to cover these topics in depth.\n\nAmerican Sign Language (ASL) interpreting services and Communication Access Realtime Translation (CART) captioning services will be provided. If you need additional accommodations to participate in this webinar, please email the ADA Coordinator at ADAcoordinator@umich.edu.",
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                "guid":"145676-21897670@events.umich.edu",
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        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
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        "tags":["Academic Technology At Michigan","Workshop","Inclusion","Disability","Digital Accessibility","Accessibility"],
        "website":"https:\/\/umich.zoom.us\/webinar\/register\/WN_7gRYAcaASx6j3Nas3u4Ftg",
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                "group_name":"Disability Equity Office",
                "group_id":"5177",
                "website":"https:\/\/ecrt.umich.edu\/disability-accessibility\/"                },             {
                "group_name":"Equity Civil Rights and Title IX Office",
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        "event_title":"Internship Lab",
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