Happening @ Michigan https://events.umich.edu/list/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. Abstraction, Color, and Politics in the Early 1970s (August 24, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452720@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (August 24, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511244@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (August 24, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884043@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (August 24, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884268@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (August 24, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694094@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (August 24, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769718@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Jason DeMarte: Garden of Artificial Delights (August 24, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286963@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

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Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 24, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694194@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (August 25, 2019 12:00pm) https://events.umich.edu/event/53718 53718-13452774@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (August 25, 2019 12:00pm) https://events.umich.edu/event/58562 58562-14511245@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (August 25, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884044@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (August 25, 2019 12:00pm) https://events.umich.edu/event/63804 63804-15884269@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (August 25, 2019 12:00pm) https://events.umich.edu/event/63427 63427-15694095@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (August 25, 2019 12:00pm) https://events.umich.edu/event/63517 63517-15769719@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Jason DeMarte: Garden of Artificial Delights (August 25, 2019 12:00pm) https://events.umich.edu/event/62085 62085-15286964@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

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Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 25, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694195@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
UMMA Pop Up: Progressive Acoustic Music with Warren & Flick​ (August 25, 2019 1:00pm) https://events.umich.edu/event/64389 64389-16340375@events.umich.edu Event Begins: Sunday, August 25, 2019 1:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Warren & Flick explore the nuanced textures of a two-person band. Using both original material and standards from many genres they have arranged in a personal style, the group finds new depth in the simplicity of the duo. Jacob Warren plays double bass, while Grant Flick plays violin, tenor guitar and mandolin. Currently based out of Ann Arbor, Michigan, the two met at the 2015 Acoustic Music Seminar (AMS), a program accepting only sixteen young string players from around the world to participate in a week of intense improvisation, composition, and performance training. A part of the Savannah Music Festival in Georgia, AMS is led by multi-instrumentalist Mike Marshall with the help of guitarist Julian Lage.

After discovering their shared musical interests, Jacob and Grant began collaborating as a duo as well as in larger projects including The Leafless and Westbound Situation, both comprised of former AMS participants. Jacob and Grant attend University of Michigan School of Music, Theatre, & Dance, where they spend much of their time arranging, composing and performing together. With Jacob’s classical foundation and Grant’s experience in bluegrass and jazz, their contrasting backgrounds give them a unique and compelling musical narrative. ​ Find them on Facebook.

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Performance Fri, 19 Jul 2019 12:15:50 -0400 2019-08-25T13:00:00-04:00 2019-08-25T14:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Performance Museum of Art
Collection Ensemble (August 25, 2019 2:00pm) https://events.umich.edu/event/63395 63395-15669543@events.umich.edu Event Begins: Sunday, August 25, 2019 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

The reinstallation of UMMA’s Apse, called “Collection Ensemble” highlights the breadth and variety of the Museum’s collection and juxtaposes works of art from different artists, periods, areas, and media. The installation is organized around a very large photograph of a Baroque church by Candida Höfer. From this centerpiece, the works of art are grouped in scenes or distinctive vignettes comprised of a broad mix of American, European, African, and Asian art from across media. The reinstallation doesn’t adhere to either chronological or geographic boundaries. Curated by Vera Grant, UMMA’s Deputy Director for Curatorial Affairs, Curator of Modern and Contemporary Art. Of this installation, she says: “The exhibition recasts the role of the collection as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation. The arrangements remind us that works of art can change in meaning and affect when placed in new contexts.” Join an docent to explore and interpret this exciting new project.

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Presentation Fri, 17 May 2019 18:15:29 -0400 2019-08-25T14:00:00-04:00 2019-08-25T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
In Conversation:  Contemporary Inuit Art:  An Artistic and Cultural Phenomenon (August 25, 2019 3:00pm) https://events.umich.edu/event/63492 63492-15753280@events.umich.edu Event Begins: Sunday, August 25, 2019 3:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Tillirnanngittuq (pronounced “tid-ee-nang-ee-took” and meaning “unexpected”) is UMMA’s first exhibition to showcase The Power Family Program for Inuit Art and presents 34 engaging sculptures and 24 striking prints.  In mid-20th-century, the Inuit of Canada’s Arctic experienced profound cultural change – moving from a semi-nomadic hunting culture (one of the last hunting cultures on earth) into permanent settlements, where the Inuit came into daily contact with the technology and values of the increasingly global economy.  Contemporary Inuit art first gained public attention in the 1950s and quickly attracted international acclaim for both its cultural interest and its artistic strength.  Join guest curator, Mame Jackson, for an overview of this fascinating history and for a discussion of the traditional cultural values and “world view” of the Inuit as revealed in time-honored Inuit legends and expressed in Inuit art.

This exhibition inaugurates the Power Family Program for Inuit Art, established in 2018 through the generosity of Philip and Kathy Power.

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Lecture / Discussion Thu, 22 Aug 2019 12:16:15 -0400 2019-08-25T15:00:00-04:00 2019-08-25T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
Abstraction, Color, and Politics in the Early 1970s (August 27, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452828@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (August 27, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511246@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (August 27, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884045@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (August 27, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884270@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (August 27, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694096@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (August 27, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769720@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Jason DeMarte: Garden of Artificial Delights (August 27, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286965@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

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Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 27, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694196@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Volunteer at Artscapade! (August 28, 2019 9:00am) https://events.umich.edu/event/42847 42847-16274478@events.umich.edu Event Begins: Wednesday, August 28, 2019 9:00am
Location: Museum of Art
Organized By: Arts at Michigan

Artscapade is at UMMA on Friday, August 30, 7-10pm
Sign up to volunteer today! http://artsatmichigan.umich.edu/programs/artscapade/

Arts at Michigan and the University of Michigan Museum of Art (UMMA) celebrate Welcome Week through Artscapade -- an evening of art-making, live music, dance and poetry, games, and prizes. We're looking for volunteers to help with Artscapade! There are many fun volunteer opportunities for Artscapade. As a volunteer you'll meet new students, explore UMMA, help run fun arts activities, and get a free Artscapade t-shirt! We hope that you will join us to kick off the new year with Arts at Michigan!

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Fair / Festival Thu, 22 Aug 2019 14:43:45 -0400 2019-08-28T09:00:00-04:00 2019-08-28T10:00:00-04:00 Museum of Art Arts at Michigan Fair / Festival Artscapade at UMMA
Abstraction, Color, and Politics in the Early 1970s (August 28, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452881@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (August 28, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511247@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (August 28, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884046@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (August 28, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884271@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (August 28, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694097@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (August 28, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769721@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

]]>
Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Jason DeMarte: Garden of Artificial Delights (August 28, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286966@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

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Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 28, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694197@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (August 29, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452934@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (August 29, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511248@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (August 29, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884047@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (August 29, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884272@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (August 29, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694098@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (August 29, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769722@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Jason DeMarte: Garden of Artificial Delights (August 29, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286967@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

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Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 29, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694198@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (August 30, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452987@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (August 30, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511249@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (August 30, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884048@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (August 30, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884273@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (August 30, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694099@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (August 30, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769723@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Jason DeMarte: Garden of Artificial Delights (August 30, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286968@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

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Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 30, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694199@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Artscapade! (August 30, 2019 7:00pm) https://events.umich.edu/event/23020 23020-16378895@events.umich.edu Event Begins: Friday, August 30, 2019 7:00pm
Location: Museum of Art
Organized By: Arts at Michigan

Arts at Michigan and UMMA celebrate Welcome Week by introducing more than 4,000 students to the wide array of possibilities for arts participation on campus at an evening of art-making, live music, dance and poetry, games, and prizes.

Also, we're looking for volunteers for this event-- help us make it happen (and get a free Artscapade t-shirt in the process!): http://artsatmichigan.umich.edu/programs/artscapade/

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Reception / Open House Wed, 12 Jul 2017 14:07:38 -0400 2019-08-30T19:00:00-04:00 2019-08-30T22:00:00-04:00 Museum of Art Arts at Michigan Reception / Open House Artscapade Promo
Artscapade! (August 30, 2019 7:00pm) https://events.umich.edu/event/63389 63389-15663396@events.umich.edu Event Begins: Friday, August 30, 2019 7:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

UMMA and Arts at Michigan celebrate Welcome Week by introducing new University of Michigan students to the Museum of Art for an evening of  live music, performances, dance, poetry, film, games, prize raffle, and a variety of art-making activities.  During the event, students will  have the opportunity to become familiar with the Museum and everything it has to offer, as well as experience the wide array of possibilities for arts participation across campus. 

Student programming at UMMA is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Presentation Fri, 30 Aug 2019 18:16:24 -0400 2019-08-30T19:00:00-04:00 2019-08-30T22:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
Abstraction, Color, and Politics in the Early 1970s (August 31, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452721@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (August 31, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511250@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (August 31, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884049@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (August 31, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884274@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (August 31, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694100@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (August 31, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769724@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Jason DeMarte: Garden of Artificial Delights (August 31, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286969@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

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Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 31, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694200@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 1, 2019 12:00pm) https://events.umich.edu/event/53718 53718-13452775@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (September 1, 2019 12:00pm) https://events.umich.edu/event/58562 58562-14511251@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 1, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884050@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (September 1, 2019 12:00pm) https://events.umich.edu/event/63804 63804-15884275@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (September 1, 2019 12:00pm) https://events.umich.edu/event/63427 63427-15694101@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 1, 2019 12:00pm) https://events.umich.edu/event/63517 63517-15769725@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

]]>
Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Jason DeMarte: Garden of Artificial Delights (September 1, 2019 12:00pm) https://events.umich.edu/event/62085 62085-15286970@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (September 1, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694201@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 3, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452829@events.umich.edu Event Begins: Tuesday, September 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-03T11:00:00-04:00 2019-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (September 3, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511252@events.umich.edu Event Begins: Tuesday, September 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-03T11:00:00-04:00 2019-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 3, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884051@events.umich.edu Event Begins: Tuesday, September 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-03T11:00:00-04:00 2019-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (September 3, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884276@events.umich.edu Event Begins: Tuesday, September 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

]]>
Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-09-03T11:00:00-04:00 2019-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (September 3, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694102@events.umich.edu Event Begins: Tuesday, September 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

]]>
Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-03T11:00:00-04:00 2019-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 3, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769726@events.umich.edu Event Begins: Tuesday, September 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

]]>
Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-03T11:00:00-04:00 2019-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 3, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694202@events.umich.edu Event Begins: Tuesday, September 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-03T11:00:00-04:00 2019-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 4, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452882@events.umich.edu Event Begins: Wednesday, September 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-04T11:00:00-04:00 2019-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 4, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511253@events.umich.edu Event Begins: Wednesday, September 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-04T11:00:00-04:00 2019-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 4, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884052@events.umich.edu Event Begins: Wednesday, September 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-04T11:00:00-04:00 2019-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (September 4, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884277@events.umich.edu Event Begins: Wednesday, September 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-09-04T11:00:00-04:00 2019-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (September 4, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694103@events.umich.edu Event Begins: Wednesday, September 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

]]>
Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-04T11:00:00-04:00 2019-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 4, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769727@events.umich.edu Event Begins: Wednesday, September 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

]]>
Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-04T11:00:00-04:00 2019-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 4, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694203@events.umich.edu Event Begins: Wednesday, September 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-04T11:00:00-04:00 2019-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 5, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452935@events.umich.edu Event Begins: Thursday, September 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-05T11:00:00-04:00 2019-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 5, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511254@events.umich.edu Event Begins: Thursday, September 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-05T11:00:00-04:00 2019-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 5, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884053@events.umich.edu Event Begins: Thursday, September 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-05T11:00:00-04:00 2019-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (September 5, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884278@events.umich.edu Event Begins: Thursday, September 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

]]>
Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-09-05T11:00:00-04:00 2019-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (September 5, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694104@events.umich.edu Event Begins: Thursday, September 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

]]>
Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-05T11:00:00-04:00 2019-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 5, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769728@events.umich.edu Event Begins: Thursday, September 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

]]>
Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-05T11:00:00-04:00 2019-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 5, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694204@events.umich.edu Event Begins: Thursday, September 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-05T11:00:00-04:00 2019-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 6, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452988@events.umich.edu Event Begins: Friday, September 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-06T11:00:00-04:00 2019-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 6, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511255@events.umich.edu Event Begins: Friday, September 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-06T11:00:00-04:00 2019-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 6, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884054@events.umich.edu Event Begins: Friday, September 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-06T11:00:00-04:00 2019-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (September 6, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884279@events.umich.edu Event Begins: Friday, September 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

]]>
Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-09-06T11:00:00-04:00 2019-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (September 6, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694105@events.umich.edu Event Begins: Friday, September 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

]]>
Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-06T11:00:00-04:00 2019-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 6, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769729@events.umich.edu Event Begins: Friday, September 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-06T11:00:00-04:00 2019-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 6, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694205@events.umich.edu Event Begins: Friday, September 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-06T11:00:00-04:00 2019-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 7, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452722@events.umich.edu Event Begins: Saturday, September 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-07T11:00:00-04:00 2019-09-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (September 7, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511256@events.umich.edu Event Begins: Saturday, September 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-07T11:00:00-04:00 2019-09-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 7, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884055@events.umich.edu Event Begins: Saturday, September 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-07T11:00:00-04:00 2019-09-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (September 7, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884280@events.umich.edu Event Begins: Saturday, September 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-09-07T11:00:00-04:00 2019-09-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (September 7, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694106@events.umich.edu Event Begins: Saturday, September 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-07T11:00:00-04:00 2019-09-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 7, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769730@events.umich.edu Event Begins: Saturday, September 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-07T11:00:00-04:00 2019-09-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 7, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694206@events.umich.edu Event Begins: Saturday, September 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-07T11:00:00-04:00 2019-09-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 8, 2019 12:00pm) https://events.umich.edu/event/53718 53718-13452776@events.umich.edu Event Begins: Sunday, September 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-08T12:00:00-04:00 2019-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (September 8, 2019 12:00pm) https://events.umich.edu/event/58562 58562-14511257@events.umich.edu Event Begins: Sunday, September 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-08T12:00:00-04:00 2019-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 8, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884056@events.umich.edu Event Begins: Sunday, September 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-08T12:00:00-04:00 2019-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (September 8, 2019 12:00pm) https://events.umich.edu/event/63804 63804-15884281@events.umich.edu Event Begins: Sunday, September 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-09-08T12:00:00-04:00 2019-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (September 8, 2019 12:00pm) https://events.umich.edu/event/63427 63427-15694107@events.umich.edu Event Begins: Sunday, September 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-08T12:00:00-04:00 2019-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 8, 2019 12:00pm) https://events.umich.edu/event/63517 63517-15769731@events.umich.edu Event Begins: Sunday, September 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-08T12:00:00-04:00 2019-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 8, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694207@events.umich.edu Event Begins: Sunday, September 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-08T12:00:00-04:00 2019-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
UMMA Pop Up: Emma Aboukasm & Alex Anest (September 8, 2019 1:00pm) https://events.umich.edu/event/65024 65024-16503315@events.umich.edu Event Begins: Sunday, September 8, 2019 1:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Emma Lee Aboukasm is an award-winning, Detroit-based recording artist, vocalist, pianist, and composer. Educated in classical and jazz music at the University of Michigan, she is now performing in a variety of venues, ranging from intimate venues like the Dirty Dog Jazz Cafe to the Detroit Jazz Festival. Emma Lee is on the vanguard of contemporary music in the heart of metro-Detroit. 

Aboukasm won the Youth Vocal Jazz Competition in Detroit in 2014. In 2015, she made the top five finalists out of 2,000 applications worldwide in the International Sarah Vaughan Vocal Jazz Competition. There, she performed for a panel of judges including Christian McBride and Cyrille Aimée and played tracks from her CD on WBGO radio in Newark, NJ. 

Currently, Emma Lee Aboukasm resides in Southeast Michigan as she completes her bachelor degrees in Jazz Studies and Science in Information Analysis at the University of Michigan. She continues to write and arrange music for a new project to be announced soon. 

Alex Anest has been teaching, performing, and recording music professionally in the Southeast Michigan area since 1996. He founded and leads the Ann Arbor Guitar Trio and is also currently playing with the Alex Anest Trio, the Bluewater Kings, Kat Steih, and Klezmephonic. Alex studied guitar with Miles Okazaki and Chris Buzzelli. He holds a Masters of Music in Improvisation from University of Michigan, where he studied with Benny Green, Mark Kirschenmann, and Ellen Rowe. Alex was a founding member of the electric jazz group Giraffe, the Jericho Guitar Trio, Never Nebula, Secret 7, and Delta 88. He has toured Switzerland, Germany, Austria and Italy with songwriter Kevin Meisel and has played on stages throughout the Midwest and New England. Alex has also appeared on over 30 albums, mostly recorded in Michigan.

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Performance Wed, 07 Aug 2019 18:15:52 -0400 2019-09-08T13:00:00-04:00 2019-09-08T14:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Performance Museum of Art
Boltanski, Monument to the Lycée Chases (September 8, 2019 2:00pm) https://events.umich.edu/event/64115 64115-16163565@events.umich.edu Event Begins: Sunday, September 8, 2019 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Christian Boltanski was born in Paris in the wake of its liberation from Fascist control. Perhaps as a result of his childhood experiences, he has explored themes of memory, death, and mourning in a variety of media—film, paint, photography, and found objects. His evocative, often ephemeral installations archive and memorialize anonymous individual loss. Monument to the Lycée Chases is part of a series of works Boltanski began in 1987, inspired by a found photograph of the 1931 graduating class from a private Jewish high school in Vienna, Austria. His re-photographed images are mere silhouettes or intimations of corporal presences that together comprise a moving meditation on loss and endurance.  

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Presentation Mon, 15 Jul 2019 18:15:43 -0400 2019-09-08T14:00:00-04:00 2019-09-08T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
Abstraction, Color, and Politics in the Early 1970s (September 10, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452830@events.umich.edu Event Begins: Tuesday, September 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-10T11:00:00-04:00 2019-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (September 10, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511258@events.umich.edu Event Begins: Tuesday, September 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-10T11:00:00-04:00 2019-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 10, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884057@events.umich.edu Event Begins: Tuesday, September 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-10T11:00:00-04:00 2019-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bauhaus Architectural Exhibition TEST! (September 10, 2019 11:00am) https://events.umich.edu/event/63804 63804-15884282@events.umich.edu Event Begins: Tuesday, September 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Bauhaus Architectural Exhibition TEST

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Exhibition Wed, 22 May 2019 18:15:34 -0400 2019-09-10T11:00:00-04:00 2019-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Museum of Art
Ceal Floyer: Things (September 10, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694108@events.umich.edu Event Begins: Tuesday, September 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-10T11:00:00-04:00 2019-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 10, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769732@events.umich.edu Event Begins: Tuesday, September 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-10T11:00:00-04:00 2019-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 10, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694208@events.umich.edu Event Begins: Tuesday, September 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-10T11:00:00-04:00 2019-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 11, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452883@events.umich.edu Event Begins: Wednesday, September 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-11T11:00:00-04:00 2019-09-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 11, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511259@events.umich.edu Event Begins: Wednesday, September 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-11T11:00:00-04:00 2019-09-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 11, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884058@events.umich.edu Event Begins: Wednesday, September 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-11T11:00:00-04:00 2019-09-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 11, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694109@events.umich.edu Event Begins: Wednesday, September 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

]]>
Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-11T11:00:00-04:00 2019-09-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 11, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769733@events.umich.edu Event Begins: Wednesday, September 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

]]>
Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-11T11:00:00-04:00 2019-09-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 11, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694209@events.umich.edu Event Begins: Wednesday, September 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-11T11:00:00-04:00 2019-09-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Abstraction, Color, and Politics in the Early 1970s (September 12, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452936@events.umich.edu Event Begins: Thursday, September 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-12T11:00:00-04:00 2019-09-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 12, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511260@events.umich.edu Event Begins: Thursday, September 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-12T11:00:00-04:00 2019-09-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 12, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884059@events.umich.edu Event Begins: Thursday, September 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-12T11:00:00-04:00 2019-09-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 12, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694110@events.umich.edu Event Begins: Thursday, September 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

]]>
Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-12T11:00:00-04:00 2019-09-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 12, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769734@events.umich.edu Event Begins: Thursday, September 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

]]>
Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-12T11:00:00-04:00 2019-09-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 12, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694210@events.umich.edu Event Begins: Thursday, September 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-12T11:00:00-04:00 2019-09-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Open Office Hours with Director Christina Olsen (September 12, 2019 12:00pm) https://events.umich.edu/event/64133 64133-16171622@events.umich.edu Event Begins: Thursday, September 12, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Back by popular demand! UMMA Director Christina Olsen wants to chat with you about the Museum. Come say hello, share your reactions to recent exhibitions and changes, and bring your ideas of what you’d like to see at UMMA. Meet Tina in the new, comfortable UMMA Living Rooms in Alumni Memorial Hall. Dates and times as follows:

Thursday, Sept. 12, 12–1 p.m. Friday, Sept. 13, 3–4 p.m.

Thursday, Sept. 19, 12–1 p.m. Friday, Sept. 20, 3–4 p.m.

Thursday, Sept. 26, 12–1 p.m. Friday, Sept. 27, 3–4 p.m.

Thursday, Oct. 3, 12–1 p.m. Friday, Oct. 4, 3–4 p.m.

Thursday, Oct. 10, 12–1 p.m. Friday, Oct. 11, 3–4 p.m.

Thursday, Oct. 17, 12–1 p.m. Friday, Oct. 18, 3–4 p.m.  

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Other Fri, 06 Sep 2019 12:18:01 -0400 2019-09-12T12:00:00-04:00 2019-09-12T13:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
UMMA Book Club: Art, Ideas, & Politics (September 12, 2019 12:00pm) https://events.umich.edu/event/58557 58557-14510879@events.umich.edu Event Begins: Thursday, September 12, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

UMMA's exploration of abstract art, politics, and identity continues with Abstraction, Color, and Politics: The 1960s and 1970s.  Join UMMA and Literati Bookstore for the Art, Ideas & Politics Book Club which will include texts relevant to abstract art as well as the immense social changes of the period. Surrounded by the artworks by Howardena Pindell, John T. Scott, Richard Hunt, Helen Frankenthaler, and Louise Nevelson, we will read and discuss bold and critical voices—both fiction and nonfiction—guided by Literati Bookstore's Creative Programs Manager, Gina Balibrera Amyx. Books include  (Jan 10),  by Bell Hooks (March 14), , edited by Keeanga-Yamahtta Taylor (Sept 12).

 

Gina Balibrera Amyx is the Creative Program Manager at Literati Bookstore, and a graduate of Zell MFA Program. Her writing has been featured in the Boston Review, Ploughshares, Michigan Quarterly Review, and The Wandering Song, an anthology of the Central American diaspora.

 

The Art, Ideas, & Politics Book Club will meet on the second Thursday of the month, 12-1 p.m. in the exhibition gallery. Pick and choose or come to all of them. Books will be available for sale at Literati Bookstore as well as after book club meetings at UMMA, at a 15% book club discount.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Other Fri, 06 Sep 2019 12:18:01 -0400 2019-09-12T12:00:00-04:00 2019-09-12T13:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Gala Mukomolova Poetry Reading and Book Signing (September 12, 2019 5:30pm) https://events.umich.edu/event/64358 64358-16332357@events.umich.edu Event Begins: Thursday, September 12, 2019 5:30pm
Location: Museum of Art
Organized By: Zell Visiting Writers Series

Gala Mukomolova’s full-length poetry book, Without Protection (Coffee House Press 2019), explores her complex identity―Jewish, post-Soviet, refugee, New Yorker, lesbian― through a Russian fable.

Mukomolova is a Moscow-born, Brooklyn-raised poet and essayist. She is the author of the chapbook One Above One Below: Positions and Lamentations (YesYes Books 2018). She received her MFA from the Helen Zell Writers’ Program at the University of Michigan. Her past residencies include Vermont Studio Center, Six Points Fellowship for Emerging Jewish Artists and The Pink Door. Her poems and essays have appeared in Poetry, PEN American, PANK and elsewhere. She writes articles on astrology for NYLON and is cohost of the podcast Big Dyke Energy.

This event is free and open to the public. Onsite book sales will be provided by Literati Bookstore.

The Zell Visiting Writers Series brings outstanding writers to campus each semester. UMMA is pleased to be the site for most of these events. The Series is made possible through a generous gift from U-M alumna Helen Zell (BA ’64, LLDHon ’13). For more information, please visit the Zell Visiting Writers Program webpage: https://lsa.umich.edu/writers

For any questions about the event or to share accommodation needs, please email asbates@umich.edu-- we are eager to help ensure that this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. Diaper changing tables are available in nearby restrooms. Gender-inclusive restrooms are available on the second floor of the Museum, accessible via the stairs, or in nearby Hatcher Graduate Library (Floors 3, 4, 5, and 6). The Hatcher Library also offers a reflection room (4th Floor South Stacks), and a lactation room (Room 13W, an anteroom to the basement women's staff restroom, or Room 108B, an anteroom of the first floor women's restroom). ASL interpreters and CART services are available upon request; please email asbates@umich.edu at least two weeks prior to the event.

U-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.

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Presentation Thu, 01 Aug 2019 09:16:40 -0400 2019-09-12T17:30:00-04:00 2019-09-12T19:00:00-04:00 Museum of Art Zell Visiting Writers Series Presentation Gala.Mukomolova.headshot
Abstraction, Color, and Politics in the Early 1970s (September 13, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452989@events.umich.edu Event Begins: Friday, September 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-13T11:00:00-04:00 2019-09-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 13, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511261@events.umich.edu Event Begins: Friday, September 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-13T11:00:00-04:00 2019-09-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 13, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884060@events.umich.edu Event Begins: Friday, September 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-13T11:00:00-04:00 2019-09-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 13, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694111@events.umich.edu Event Begins: Friday, September 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-13T11:00:00-04:00 2019-09-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 13, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769735@events.umich.edu Event Begins: Friday, September 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-13T11:00:00-04:00 2019-09-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 13, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694211@events.umich.edu Event Begins: Friday, September 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-13T11:00:00-04:00 2019-09-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Celebration of Excellence (September 13, 2019 2:00pm) https://events.umich.edu/event/61250 61250-15061058@events.umich.edu Event Begins: Friday, September 13, 2019 2:00pm
Location: Museum of Art
Organized By: Department of Political Science

A reception that brings together Department faculty, graduate students, and staff in order to honor the past year's achievements and continue towards a new year of excellence.

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Reception / Open House Thu, 12 Sep 2019 09:29:01 -0400 2019-09-13T14:00:00-04:00 2019-09-13T16:30:00-04:00 Museum of Art Department of Political Science Reception / Open House Museum of Art
Open Office Hours with Director Christina Olsen (September 13, 2019 3:00pm) https://events.umich.edu/event/64134 64134-16171623@events.umich.edu Event Begins: Friday, September 13, 2019 3:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Back by popular demand! UMMA Director Christina Olsen wants to chat with you about the Museum. Come say hello, share your reactions to recent exhibitions and changes, and bring your ideas of what you’d like to see at UMMA. Meet Tina in the new, comfortable UMMA Living Rooms in Alumni Memorial Hall. Dates and times as follows:

Thursday, Sept. 12, 12–1 p.m. Friday, Sept. 13, 3–4 p.m.

Thursday, Sept. 19, 12–1 p.m. Friday, Sept. 20, 3–4 p.m.

Thursday, Sept. 26, 12–1 p.m. Friday, Sept. 27, 3–4 p.m.

Thursday, Oct. 3, 12–1 p.m. Friday, Oct. 4, 3–4 p.m.

Thursday, Oct. 10, 12–1 p.m. Friday, Oct. 11, 3–4 p.m.

Thursday, Oct. 17, 12–1 p.m. Friday, Oct. 18, 3–4 p.m.  

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Other Fri, 06 Sep 2019 12:18:02 -0400 2019-09-13T15:00:00-04:00 2019-09-13T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Abstraction, Color, and Politics in the Early 1970s (September 14, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511262@events.umich.edu Event Begins: Saturday, September 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-14T11:00:00-04:00 2019-09-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics in the Early 1970s (September 14, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452723@events.umich.edu Event Begins: Saturday, September 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-14T11:00:00-04:00 2019-09-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics: (September 14, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884061@events.umich.edu Event Begins: Saturday, September 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-14T11:00:00-04:00 2019-09-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 14, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694112@events.umich.edu Event Begins: Saturday, September 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-14T11:00:00-04:00 2019-09-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 14, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769736@events.umich.edu Event Begins: Saturday, September 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-14T11:00:00-04:00 2019-09-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 14, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694212@events.umich.edu Event Begins: Saturday, September 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-14T11:00:00-04:00 2019-09-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
UMMA Pop Up: The Ann Arbor Guitar Trio (September 14, 2019 1:00pm) https://events.umich.edu/event/65025 65025-16503316@events.umich.edu Event Begins: Saturday, September 14, 2019 1:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

The Ann Arbor Guitar Trio was founded on the idea that more guitar is better. Alex Anest formed the group with Evan Veasey and Adam Kahana in April 2016. All three musicians are talented, creative players who have been performing and recording in the Ann Arbor area for years. With three guitars there are endless possibilities and the A2G3 looks to explore as many of them as they can. For their performance at UMMA, the group has chosen compositions by Abby Clemens, Alex Anest, Janelle Reichman, The Beach Boys, and JS Bach. The repertoire was specifically selected to work with the reverberant nature of the museum's space. For more information and recent recordings, visit https://annarborguitartrio.com/

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Performance Fri, 06 Sep 2019 12:18:05 -0400 2019-09-14T13:00:00-04:00 2019-09-14T14:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Performance Museum of Art
Abstraction, Color, and Politics in the Early 1970s (September 15, 2019 12:00pm) https://events.umich.edu/event/58562 58562-14511263@events.umich.edu Event Begins: Sunday, September 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-15T12:00:00-04:00 2019-09-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics in the Early 1970s (September 15, 2019 12:00pm) https://events.umich.edu/event/53718 53718-13452777@events.umich.edu Event Begins: Sunday, September 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-15T12:00:00-04:00 2019-09-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics: (September 15, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884062@events.umich.edu Event Begins: Sunday, September 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-15T12:00:00-04:00 2019-09-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 15, 2019 12:00pm) https://events.umich.edu/event/63427 63427-15694113@events.umich.edu Event Begins: Sunday, September 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-15T12:00:00-04:00 2019-09-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 15, 2019 12:00pm) https://events.umich.edu/event/63517 63517-15769737@events.umich.edu Event Begins: Sunday, September 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-15T12:00:00-04:00 2019-09-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Egon Schiele (September 15, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694213@events.umich.edu Event Begins: Sunday, September 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

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Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-15T12:00:00-04:00 2019-09-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Collection Ensemble (September 15, 2019 2:00pm) https://events.umich.edu/event/64051 64051-16109195@events.umich.edu Event Begins: Sunday, September 15, 2019 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

The reinstallation of UMMA’s Apse, called “Collection Ensemble” highlights the breadth and variety of the Museum’s collection and juxtaposes works of art from different artists, periods, areas, and media. The installation is organized around a very large photograph of a Baroque church by Candida Höfer. From this centerpiece, the works of art are grouped in scenes or distinctive vignettes comprised of a broad mix of American, European, African, and Asian art from across media. The reinstallation doesn’t adhere to either chronological or geographic boundaries. Curated by Vera Grant, UMMA’s Deputy Director for Curatorial Affairs, Curator of Modern and Contemporary Art. Of this installation, she says: “The exhibition recasts the role of the collection as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation. The arrangements remind us that works of art can change in meaning and affect when placed in new contexts.” Join an docent to explore and interpret this exciting new project.

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Presentation Mon, 15 Jul 2019 18:15:43 -0400 2019-09-15T14:00:00-04:00 2019-09-15T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
In Conversation: Copies and Multiplications in Buddhism (September 15, 2019 3:00pm) https://events.umich.edu/event/64137 64137-16171626@events.umich.edu Event Begins: Sunday, September 15, 2019 3:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

The act of producing copies has a special meaning in Buddhism. From simply reciting and rewriting Buddha’s teachings to creating multiple images of sacred Buddhist figures, objects and texts, or the commissioning of one million pagodas, copying served to increase karmic merit—​guaranteeing a better afterlife and eventually leading to enlightenment. In this conversation, Kevin Carr, Associate Professor of Japanese Art History at University of Michigan and specialist of Buddhist art, and Natsu Oyobe, UMMA Curator of Asian Art, will illuminate the significance of copies in Buddhist religious practices, and guide us through Buddhist art objects featured in the current UMMA exhibition Copies and Invention in East Asia. 

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Lecture / Discussion Fri, 13 Sep 2019 18:16:59 -0400 2019-09-15T15:00:00-04:00 2019-09-15T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
Abstraction, Color, and Politics in the Early 1970s (September 17, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452831@events.umich.edu Event Begins: Tuesday, September 17, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-17T11:00:00-04:00 2019-09-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (September 17, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511264@events.umich.edu Event Begins: Tuesday, September 17, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-17T11:00:00-04:00 2019-09-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 17, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884063@events.umich.edu Event Begins: Tuesday, September 17, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-17T11:00:00-04:00 2019-09-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 17, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694114@events.umich.edu Event Begins: Tuesday, September 17, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-17T11:00:00-04:00 2019-09-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 17, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769738@events.umich.edu Event Begins: Tuesday, September 17, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-17T11:00:00-04:00 2019-09-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Abstraction, Color, and Politics in the Early 1970s (September 18, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452884@events.umich.edu Event Begins: Wednesday, September 18, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-18T11:00:00-04:00 2019-09-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 18, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511265@events.umich.edu Event Begins: Wednesday, September 18, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-18T11:00:00-04:00 2019-09-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 18, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884064@events.umich.edu Event Begins: Wednesday, September 18, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-18T11:00:00-04:00 2019-09-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 18, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694115@events.umich.edu Event Begins: Wednesday, September 18, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-18T11:00:00-04:00 2019-09-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 18, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769739@events.umich.edu Event Begins: Wednesday, September 18, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-18T11:00:00-04:00 2019-09-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Climate Change Action Poster Making (September 18, 2019 5:00pm) https://events.umich.edu/event/66566 66566-16753299@events.umich.edu Event Begins: Wednesday, September 18, 2019 5:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

What are your thoughts about climate change? Join the youth-led Washtenaw Climate Strikers to make posters and t-shirts for the Global Climate Strike and Rally on September 20th.  

We will have some sign making materials and the printing materials, but please bring: - any extra posters, cardboard, markers, and poster-making materials you may have - a plain, light-colored t-shirt to be printed on - fun and creative slogans and poster ideas

This event is open to any and all so, bring friends, family, neighbors, co-workers, and more.  

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Workshop / Seminar Thu, 12 Sep 2019 12:17:04 -0400 2019-09-18T17:00:00-04:00 2019-09-18T19:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Museum of Art
Abstraction, Color, and Politics in the Early 1970s (September 19, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452937@events.umich.edu Event Begins: Thursday, September 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-19T11:00:00-04:00 2019-09-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 19, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511266@events.umich.edu Event Begins: Thursday, September 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-19T11:00:00-04:00 2019-09-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 19, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884065@events.umich.edu Event Begins: Thursday, September 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-19T11:00:00-04:00 2019-09-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 19, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694116@events.umich.edu Event Begins: Thursday, September 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-19T11:00:00-04:00 2019-09-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 19, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769740@events.umich.edu Event Begins: Thursday, September 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-19T11:00:00-04:00 2019-09-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Open Office Hours with Director Christina Olsen (September 19, 2019 12:00pm) https://events.umich.edu/event/64135 64135-16171624@events.umich.edu Event Begins: Thursday, September 19, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Back by popular demand! UMMA Director Christina Olsen wants to chat with you about the Museum. Come say hello, share your reactions to recent exhibitions and changes, and bring your ideas of what you’d like to see at UMMA. Meet Tina in the new, comfortable UMMA Living Rooms in Alumni Memorial Hall. Dates and times as follows:

Thursday, Sept. 12, 12–1 p.m. Friday, Sept. 13, 3–4 p.m.

Thursday, Sept. 19, 12–1 p.m. Friday, Sept. 20, 3–4 p.m.

Thursday, Sept. 26, 12–1 p.m. Friday, Sept. 27, 3–4 p.m. -- CANCELED

Thursday, Oct. 3, 12–1 p.m. Friday, Oct. 4, 3–4 p.m.

Thursday, Oct. 10, 12–1 p.m. Friday, Oct. 11, 3–4 p.m. -- CANCELED

Thursday, Oct. 17, 12–1 p.m. Friday, Oct. 18, 3–4 p.m.  

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Other Wed, 18 Sep 2019 12:17:46 -0400 2019-09-19T12:00:00-04:00 2019-09-19T13:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Wayetu Moore Reading and Book Signing (September 19, 2019 5:30pm) https://events.umich.edu/event/64361 64361-16332360@events.umich.edu Event Begins: Thursday, September 19, 2019 5:30pm
Location: Museum of Art
Organized By: Zell Visiting Writers Series

Wayétu Moore’s debut novel She Would Be King reimagines the dramatic story of Liberia’s early years. It was named a best book of 2018 by Publishers Weekly, Booklist, Entertainment Weekly & BuzzFeed.

Moore is the founder of One Moore Book, a non-profit organization that creates and distributes culturally relevant books for underrepresented readers. Her first bookstore opened in Monrovia, Liberia in 2015. Her writing can be found in The Paris Review, Frieze Magazine, Guernica, The Atlantic Magazine and other publications. She has been featured in The Economist Magazine, NPR, NBC, BET and ABC, among others, for her work in advocacy for diversity in children’s literature.

She is a graduate of Howard University, University of Southern California and Columbia University. Moore is a founding faculty member of Randolph College MFA program and a Distinguished Visiting Writer at Syracuse University.

This event is free and open to the public. Onsite book sales will be provided by Literati Bookstore.

The Zell Visiting Writers Series brings outstanding writers to campus each semester. UMMA is pleased to be the site for most of these events. The Series is made possible through a generous gift from U-M alumna Helen Zell (BA ’64, LLDHon ’13). For more information, please visit the Zell Visiting Writers Program webpage: https://lsa.umich.edu/writers

For any questions about the event or to share accommodation needs, please email asbates@umich.edu-- we are eager to help ensure that this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. Diaper changing tables are available in nearby restrooms. Gender-inclusive restrooms are available on the second floor of the Museum, accessible via the stairs, or in nearby Hatcher Graduate Library (Floors 3, 4, 5, and 6). The Hatcher Library also offers a reflection room (4th Floor South Stacks), and a lactation room (Room 13W, an anteroom to the basement women's staff restroom, or Room 108B, an anteroom of the first floor women's restroom). ASL interpreters and CART services are available upon request; please email asbates@umich.edu at least two weeks prior to the event.

U-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.

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Presentation Wed, 31 Jul 2019 11:08:13 -0400 2019-09-19T17:30:00-04:00 2019-09-19T19:00:00-04:00 Museum of Art Zell Visiting Writers Series Presentation Wayetu.Moore.headshot
Pan-African Pulp Installation (September 20, 2019 8:00am) https://events.umich.edu/event/65730 65730-16631989@events.umich.edu Event Begins: Friday, September 20, 2019 8:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Come watch artist Meleko Mokgosi work on his site-specific installation Pan-African Pulp! 

Mokgosi installed several parts of his commission project in late August. Now, for the final phase of the installation, he will paint a mural September 20–22 on and off during building hours. Stop by the Vertical Gallery to see the project evolve!

Mokgosi will also give a public talk at 7:30 p.m. on September 21 during UMMA After Hours, as part of the Penny Stamps Speaker Series.

Lead support is provided by Lizzie and Jonathan Tisch. Additional generous support is provided by the University of Michigan African Studies Center and the Department of Afroamerican and African Studies.

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Other Tue, 17 Sep 2019 00:17:45 -0400 2019-09-20T08:00:00-04:00 2019-09-20T20:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Abstraction, Color, and Politics in the Early 1970s (September 20, 2019 11:00am) https://events.umich.edu/event/53719 53719-13452990@events.umich.edu Event Begins: Friday, September 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:40:44 -0400 2019-09-20T11:00:00-04:00 2019-09-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam Situation VI—Pisces 4 ca. 1972 Polypropylene painted multiform Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund
Abstraction, Color, and Politics in the Early 1970s (September 20, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511267@events.umich.edu Event Begins: Friday, September 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-20T11:00:00-04:00 2019-09-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 20, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884066@events.umich.edu Event Begins: Friday, September 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-20T11:00:00-04:00 2019-09-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 20, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694117@events.umich.edu Event Begins: Friday, September 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-20T11:00:00-04:00 2019-09-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 20, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769741@events.umich.edu Event Begins: Friday, September 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-20T11:00:00-04:00 2019-09-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
Open Office Hours with Director Christina Olsen (September 20, 2019 3:00pm) https://events.umich.edu/event/64136 64136-16171625@events.umich.edu Event Begins: Friday, September 20, 2019 3:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Back by popular demand! UMMA Director Christina Olsen wants to chat with you about the Museum. Come say hello, share your reactions to recent exhibitions and changes, and bring your ideas of what you’d like to see at UMMA. Meet Tina in the new, comfortable UMMA Living Rooms in Alumni Memorial Hall. Dates and times as follows:

Thursday, Sept. 12, 12–1 p.m. Friday, Sept. 13, 3–4 p.m.

Thursday, Sept. 19, 12–1 p.m. Friday, Sept. 20, 3–4 p.m.

Thursday, Sept. 26, 12–1 p.m. Friday, Sept. 27, 3–4 p.m. -- CANCELED

Thursday, Oct. 3, 12–1 p.m. Friday, Oct. 4, 3–4 p.m.

Thursday, Oct. 10, 12–1 p.m. Friday, Oct. 11, 3–4 p.m. -- CANCELED

Thursday, Oct. 17, 12–1 p.m. Friday, Oct. 18, 3–4 p.m.  

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Other Wed, 18 Sep 2019 12:17:46 -0400 2019-09-20T15:00:00-04:00 2019-09-20T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Abstraction, Color, and Politics in the Early 1970s (September 21, 2019 11:00am) https://events.umich.edu/event/53718 53718-13452724@events.umich.edu Event Begins: Saturday, September 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

]]>
Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-21T11:00:00-04:00 2019-09-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (September 21, 2019 11:00am) https://events.umich.edu/event/58562 58562-14511268@events.umich.edu Event Begins: Saturday, September 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-21T11:00:00-04:00 2019-09-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 21, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884067@events.umich.edu Event Begins: Saturday, September 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-21T11:00:00-04:00 2019-09-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 21, 2019 11:00am) https://events.umich.edu/event/63427 63427-15694118@events.umich.edu Event Begins: Saturday, September 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-21T11:00:00-04:00 2019-09-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg
Copies and Invention in East Asia (September 21, 2019 11:00am) https://events.umich.edu/event/63517 63517-15769742@events.umich.edu Event Begins: Saturday, September 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world.

Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.

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Exhibition Tue, 06 Aug 2019 12:15:49 -0400 2019-09-21T11:00:00-04:00 2019-09-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/1970_2_156.jpg
New at UMMA: Walter Oltmann (September 21, 2019 11:00am) https://events.umich.edu/event/63283 63283-15611986@events.umich.edu Event Begins: Saturday, September 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Infant Skull II, a woven “tapestry” made out of very fine aluminum wire, only reveals its shape when seen from afar. Drawing inspiration from his country’s basketry traditions, the South African artist Walter Oltmann (b. 1960) alternates densely layered sections with open spaces, allowing the underlying surface of the work to show through. The skull that emerges is, in a South African context, evocative of the Cradle of Humankind—a series of caves outside Johannesburg, where some of the oldest hominin fossils in the world have been found.

The work complements UMMA’s renowned and growing collection of historical and contemporary African art and reminds us of the central role of Africa in the history of humankind. The purchase was made possible thanks to the generosity of UMMA Director's Acquisition Committee.

This acquisition was made possible by the generosity of the UMMA Director's Acquisition Committee, 2016.

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Exhibition Thu, 20 Jun 2019 12:15:34 -0400 2019-09-21T11:00:00-04:00 2019-09-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/AP_151005_054%2520%25281%2529.jpg
Storytime at the Museum (September 21, 2019 11:15am) https://events.umich.edu/event/64138 64138-16171627@events.umich.edu Event Begins: Saturday, September 21, 2019 11:15am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Storytime at the Museum promotes art enjoyment for our youngest patrons. Join us as we travel around the world and look at art from different countries. We read a story in the galleries and include a fun, age-appropriate, hands-on activity related to it. Parents must accompany children. Siblings are welcome to join the group. Meet in front of the UMMA Shop.

Storytime is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Social / Informal Gathering Wed, 21 Aug 2019 18:16:13 -0400 2019-09-21T11:15:00-04:00 2019-09-21T12:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Museum of Art
Storytime at the Museum: Central Africa, Congo Region (September 21, 2019 11:15am) https://events.umich.edu/event/67473 67473-16860090@events.umich.edu Event Begins: Saturday, September 21, 2019 11:15am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Storytime at the Museum promotes art enjoyment for our youngest patrons. Join us as we travel around the world and look at art from different countries. We read a story in the galleries and include a fun, age-appropriate, hands-on activity related to it. Parents must accompany children. Siblings are welcome to join the group. Meet in front of the UMMA Shop.

Storytime is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Social / Informal Gathering Thu, 19 Sep 2019 18:17:47 -0400 2019-09-21T11:15:00-04:00 2019-09-21T12:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Museum of Art
Pan-African Pulp Installation (September 21, 2019 11:45am) https://events.umich.edu/event/65731 65731-16631990@events.umich.edu Event Begins: Saturday, September 21, 2019 11:45am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Come watch artist Meleko Mokgosi work on his site-specific installation Pan-African Pulp! 

Mokgosi installed several parts of his commission project in late August. Now, for the final phase of the installation, he will paint a mural September 20–22 on and off during building hours. Stop by the Vertical Gallery to see the project evolve!

Mokgosi will also give a public talk at 7:30 p.m. on September 21 during UMMA After Hours, as part of the Penny Stamps Speaker Series.

Lead support is provided by Lizzie and Jonathan Tisch. Additional generous support is provided by the University of Michigan African Studies Center.

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Other Wed, 11 Sep 2019 18:16:56 -0400 2019-09-21T11:45:00-04:00 2019-09-21T23:45:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
UMMA After Hours: Fall Opening (September 21, 2019 7:00pm) https://events.umich.edu/event/64139 64139-16171628@events.umich.edu Event Begins: Saturday, September 21, 2019 7:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Join us to celebrate an exciting new season at UMMA! Enjoy live music, gallery talks, food, and more at this free community event.

Painter and printmaker Meleko Mokgosi’s newly commissioned work, Pan-African Pulp, transforms UMMA’s Vertical Gallery into a multimedia exploration of the history of global Pan-Africanism, a movement with significant history in Detroit. Mokgosi will give a talk at 7:30 p.m. in the Auditorium.

This fall, UMMA launches a new experimental space, ArtGym, with Take Your Pick: Collecting Found Photographs. Cast your vote and be part of our crowdsourcing experiment to choose the 250 photographs UMMA will add to our permanent collection.

Copies and Invention in East Asia, in our Taubman Gallery, will challenge your understanding of originality and delight you with an exploration of Japanese, Chinese, and Korean art spanning ancient to contemporary times.

We look forward to seeing you there!  

UMMA events are generously sponsored by Fidelity Investments. The media sponsor for UMMA After Hours is the Ann Arbor Observer.

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Lecture / Discussion Sat, 21 Sep 2019 12:17:36 -0400 2019-09-21T19:00:00-04:00 2019-09-21T22:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
Penny Stamps Speaker Series Special Event: ​Meleko Mokgosi, Pan-African Pulp (September 21, 2019 7:30pm) https://events.umich.edu/event/64140 64140-16171629@events.umich.edu Event Begins: Saturday, September 21, 2019 7:30pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

For his UMMA commission, Botswana-born artist Meleko Mokgosi explores the history of Pan-Africanism, the global movement to unite ethnic groups of sub-Saharan African descent. Entitled Pan-African Pulp, the exhibition features large-scale panels inspired by African photo novels of the 1960s and ’70s, a mural examining the complexity of blackness, posters from Pan-African movements founded in Detroit and Africa in the 1960s, and stories from Setswana literature.

Meleko Mokgosi is an artist, and an associate professor in painting and printmaking at The Yale School of Art. By working across history painting, cinematic tropes, psychoanalysis, and post-colonial theory, Mokgosi creates large-scale project-based installations that interrogate narrative tropes and the fundamental models for the inscription and transmission of history. His artwork has been exhibited nationally and internationally at venues including the Botswana National Gallery, The Hudson Valley Center for Contemporary Art Museum, The Studio Museum in Harlem, The Armand Hammer Museum of Art and Culture Center, Yerba Buena Center for the Arts, the Lyon Museum of Contemporary Art, Institute of Contemporary Art Boston, Rochester Contemporary Art Center, The University of Rochester's Memorial Art Gallery, Williams College Museum of Art, The Fowler Museum at UCLA, and the Baltimore Museum of Art.  

Lead support is provided by Lizzie and Jonathan Tisch. Additional generous support is provided by the University of Michigan African Studies Center.

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Lecture / Discussion Wed, 11 Sep 2019 18:16:52 -0400 2019-09-21T19:30:00-04:00 2019-09-21T20:30:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
Pan-African Pulp Installation (September 22, 2019 8:00am) https://events.umich.edu/event/65732 65732-16631991@events.umich.edu Event Begins: Sunday, September 22, 2019 8:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Come watch artist Meleko Mokgosi work on his site-specific installation Pan-African Pulp! 

Mokgosi installed several parts of his commission project in late August. Now, for the final phase of the installation, he will paint a mural September 20–22 on and off during building hours. Stop by the Vertical Gallery to see the project evolve!

Mokgosi will also give a public talk at 7:30 p.m. on September 21 during UMMA After Hours, as part of the Penny Stamps Speaker Series.

Lead support is provided by Lizzie and Jonathan Tisch. Additional generous support is provided by the University of Michigan African Studies Center.

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Other Wed, 11 Sep 2019 18:16:57 -0400 2019-09-22T08:00:00-04:00 2019-09-22T20:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Abstraction, Color, and Politics in the Early 1970s (September 22, 2019 12:00pm) https://events.umich.edu/event/53718 53718-13452778@events.umich.edu Event Begins: Sunday, September 22, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. "Abstraction, Color, and Politics in the Early 1970s" presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

Lead support for "Abstraction, Color, and Politics in the Early 1970s" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.

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Exhibition Wed, 15 Aug 2018 10:39:06 -0400 2019-09-22T12:00:00-04:00 2019-09-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Sam Gilliam, Situation VI—Pisces 4, ca. 1972, polypropylene painted multiform. Williams College Museum of Art Museum purchase, Otis Family Acquisition Trust and Kathryn Hurd Fund. Courtesy of Joseph Goddu Fine Arts, Inc., New York. © Sam Gilliam
Abstraction, Color, and Politics in the Early 1970s (September 22, 2019 12:00pm) https://events.umich.edu/event/58562 58562-14511269@events.umich.edu Event Begins: Sunday, September 22, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-09-22T12:00:00-04:00 2019-09-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (September 22, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884068@events.umich.edu Event Begins: Sunday, September 22, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-09-22T12:00:00-04:00 2019-09-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Ceal Floyer: Things (September 22, 2019 12:00pm) https://events.umich.edu/event/63427 63427-15694119@events.umich.edu Event Begins: Sunday, September 22, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Visitors entering Floyer’s installation Things (2009) in the Irving Stenn, Jr. Family Gallery encounter a collection of identical plinths that would ordinarily be used to display art objects in the Museum, but these platforms are empty. In place of visible objects, each plinth is equipped with a speaker from which we hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is an amusing and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

The installation, like much of Berlin-based artist Ceal Floyer’s art, is characteristically austere, but its visual simplicity masks a more complicated message—often a wry cerebral twist the artist creates through language-based symbols and aesthetic devices. Floyer’s work is rooted in conceptual art, in which the idea, delivered through words or acts that undercut or supersede formal qualities, is the essence of the artwork.

Lead support  for this exhibition is provided by the University of Michigan College of Engineering and the Herbert W. and Susan L. Johe Endowment. Additional generous support is provided by the University of Michigan Penny W. Stamps School of Art and Design, Institute for the Humanities, CEW+ Frances and Sydney Lewis Visiting Leaders Fund, and School of Music, Theatre & Dance.

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Exhibition Thu, 18 Jul 2019 18:15:48 -0400 2019-09-22T12:00:00-04:00 2019-09-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Things%252C%25202009%252C%2520KW%252C%25202009%252C%2520photo%2520Uwe%2520Walter02.jpg