Happening @ Michigan https://events.umich.edu/list/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. Collection Ensemble (July 10, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071374@events.umich.edu Event Begins: Friday, July 10, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-10T11:00:00-04:00 2020-07-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 11, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071375@events.umich.edu Event Begins: Saturday, July 11, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-11T11:00:00-04:00 2020-07-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 12, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071376@events.umich.edu Event Begins: Sunday, July 12, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-12T12:00:00-04:00 2020-07-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 14, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071377@events.umich.edu Event Begins: Tuesday, July 14, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-14T11:00:00-04:00 2020-07-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 15, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071378@events.umich.edu Event Begins: Wednesday, July 15, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-15T11:00:00-04:00 2020-07-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 16, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071379@events.umich.edu Event Begins: Thursday, July 16, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-16T11:00:00-04:00 2020-07-16T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 17, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071380@events.umich.edu Event Begins: Friday, July 17, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-17T11:00:00-04:00 2020-07-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 18, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071381@events.umich.edu Event Begins: Saturday, July 18, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-18T11:00:00-04:00 2020-07-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 19, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071382@events.umich.edu Event Begins: Sunday, July 19, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-19T12:00:00-04:00 2020-07-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 21, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071383@events.umich.edu Event Begins: Tuesday, July 21, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-21T11:00:00-04:00 2020-07-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 22, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071384@events.umich.edu Event Begins: Wednesday, July 22, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-22T11:00:00-04:00 2020-07-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 23, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071385@events.umich.edu Event Begins: Thursday, July 23, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-23T11:00:00-04:00 2020-07-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 24, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071386@events.umich.edu Event Begins: Friday, July 24, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-24T11:00:00-04:00 2020-07-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 25, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071387@events.umich.edu Event Begins: Saturday, July 25, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-25T11:00:00-04:00 2020-07-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 26, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071388@events.umich.edu Event Begins: Sunday, July 26, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-26T12:00:00-04:00 2020-07-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 28, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071389@events.umich.edu Event Begins: Tuesday, July 28, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-28T11:00:00-04:00 2020-07-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
The MIRS Advantage: Masters in International and Regional Studies (July 28, 2020 1:00pm) https://events.umich.edu/event/74975 74975-19118433@events.umich.edu Event Begins: Tuesday, July 28, 2020 1:00pm
Location: Off Campus Location
Organized By: International Institute

Join MIRS advisor Charlie Polinko for an informational webinar for the Masters in International and Regional Studies Program. Charlie will present on topics related to the program structure, admissions requirements, funding and financial aid, specialization tracks, and dual-degree opportunities for students interested in applying for the Fall 2021 term. Registration is required at http://myumi.ch/v2jDR.

The Masters in International and Regional Studies combines an interdisciplinary curriculum, deep regional/thematic expertise, rigorous methodological training, and international experiences to enable students to situate global issues and challenges in their cultural, historical, geographical, political, and socioeconomic contexts and to approach them in diverse ways. MIRS is designed to prepare students for global career opportunities, whether in academia, private, or public sectors.

MIRS builds on the strengths of the International Institute’s interdisciplinary centers and programs. Our centers and programs rank among the nation’s finest in their respective fields of study; five have been designated as U.S. Department of Education National Resource Centers. Students have the unique option of pursuing either a regional or thematic track with multiple specializations anchored in one of our centers or programs.

Specializations include:
African Studies
Islamic Studies
Chinese Studies
Japanese Studies
Middle East and North African Studies
Russian, East European, and Eurasian Studies
South Asian Studies
Southeast Asian Studies

For additional information, contact MIRS-Info@umich.edu.

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Livestream / Virtual Wed, 17 Jun 2020 09:49:44 -0400 2020-07-28T13:00:00-04:00 2020-07-28T14:00:00-04:00 Off Campus Location International Institute Livestream / Virtual MIRS Info Session
Collection Ensemble (July 29, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071390@events.umich.edu Event Begins: Wednesday, July 29, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-29T11:00:00-04:00 2020-07-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 30, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071391@events.umich.edu Event Begins: Thursday, July 30, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-30T11:00:00-04:00 2020-07-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (July 31, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071392@events.umich.edu Event Begins: Friday, July 31, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-07-31T11:00:00-04:00 2020-07-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 1, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071393@events.umich.edu Event Begins: Saturday, August 1, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-01T11:00:00-04:00 2020-08-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 2, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071394@events.umich.edu Event Begins: Sunday, August 2, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-02T12:00:00-04:00 2020-08-02T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 4, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071395@events.umich.edu Event Begins: Tuesday, August 4, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-04T11:00:00-04:00 2020-08-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 5, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071396@events.umich.edu Event Begins: Wednesday, August 5, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-05T11:00:00-04:00 2020-08-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 6, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071397@events.umich.edu Event Begins: Thursday, August 6, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-06T11:00:00-04:00 2020-08-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 7, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071398@events.umich.edu Event Begins: Friday, August 7, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-07T11:00:00-04:00 2020-08-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 8, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071399@events.umich.edu Event Begins: Saturday, August 8, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-08T11:00:00-04:00 2020-08-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 9, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071400@events.umich.edu Event Begins: Sunday, August 9, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-09T12:00:00-04:00 2020-08-09T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 11, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071401@events.umich.edu Event Begins: Tuesday, August 11, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-11T11:00:00-04:00 2020-08-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 12, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071402@events.umich.edu Event Begins: Wednesday, August 12, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-12T11:00:00-04:00 2020-08-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 13, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071403@events.umich.edu Event Begins: Thursday, August 13, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-13T11:00:00-04:00 2020-08-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 14, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071404@events.umich.edu Event Begins: Friday, August 14, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-14T11:00:00-04:00 2020-08-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 15, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071405@events.umich.edu Event Begins: Saturday, August 15, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-15T11:00:00-04:00 2020-08-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 16, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071406@events.umich.edu Event Begins: Sunday, August 16, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-16T12:00:00-04:00 2020-08-16T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 18, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071407@events.umich.edu Event Begins: Tuesday, August 18, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-18T11:00:00-04:00 2020-08-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 19, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071408@events.umich.edu Event Begins: Wednesday, August 19, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-19T11:00:00-04:00 2020-08-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 20, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071409@events.umich.edu Event Begins: Thursday, August 20, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-20T11:00:00-04:00 2020-08-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 21, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071410@events.umich.edu Event Begins: Friday, August 21, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-21T11:00:00-04:00 2020-08-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 22, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071411@events.umich.edu Event Begins: Saturday, August 22, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-22T11:00:00-04:00 2020-08-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 23, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071412@events.umich.edu Event Begins: Sunday, August 23, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-23T12:00:00-04:00 2020-08-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 25, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071413@events.umich.edu Event Begins: Tuesday, August 25, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-25T11:00:00-04:00 2020-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 26, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071414@events.umich.edu Event Begins: Wednesday, August 26, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-26T11:00:00-04:00 2020-08-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 27, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071415@events.umich.edu Event Begins: Thursday, August 27, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-27T11:00:00-04:00 2020-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 28, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071416@events.umich.edu Event Begins: Friday, August 28, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-28T11:00:00-04:00 2020-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 29, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071417@events.umich.edu Event Begins: Saturday, August 29, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-29T11:00:00-04:00 2020-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (August 30, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071418@events.umich.edu Event Begins: Sunday, August 30, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-08-30T12:00:00-04:00 2020-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 1, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071419@events.umich.edu Event Begins: Tuesday, September 1, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-01T11:00:00-04:00 2020-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 2, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071420@events.umich.edu Event Begins: Wednesday, September 2, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-02T11:00:00-04:00 2020-09-02T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 3, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071421@events.umich.edu Event Begins: Thursday, September 3, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-03T11:00:00-04:00 2020-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 4, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071422@events.umich.edu Event Begins: Friday, September 4, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-04T11:00:00-04:00 2020-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 5, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071423@events.umich.edu Event Begins: Saturday, September 5, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-05T11:00:00-04:00 2020-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 6, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071424@events.umich.edu Event Begins: Sunday, September 6, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-06T12:00:00-04:00 2020-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 8, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071425@events.umich.edu Event Begins: Tuesday, September 8, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-08T11:00:00-04:00 2020-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 9, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071426@events.umich.edu Event Begins: Wednesday, September 9, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-09T11:00:00-04:00 2020-09-09T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 10, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071427@events.umich.edu Event Begins: Thursday, September 10, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-10T11:00:00-04:00 2020-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 11, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071428@events.umich.edu Event Begins: Friday, September 11, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-11T11:00:00-04:00 2020-09-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 12, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071429@events.umich.edu Event Begins: Saturday, September 12, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-12T11:00:00-04:00 2020-09-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 13, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071430@events.umich.edu Event Begins: Sunday, September 13, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-13T12:00:00-04:00 2020-09-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 15, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071431@events.umich.edu Event Begins: Tuesday, September 15, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-15T11:00:00-04:00 2020-09-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 16, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071432@events.umich.edu Event Begins: Wednesday, September 16, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-16T11:00:00-04:00 2020-09-16T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 17, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071433@events.umich.edu Event Begins: Thursday, September 17, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-17T11:00:00-04:00 2020-09-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 18, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071434@events.umich.edu Event Begins: Friday, September 18, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-18T11:00:00-04:00 2020-09-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 19, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071435@events.umich.edu Event Begins: Saturday, September 19, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-19T11:00:00-04:00 2020-09-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 20, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071436@events.umich.edu Event Begins: Sunday, September 20, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-20T12:00:00-04:00 2020-09-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 22, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071437@events.umich.edu Event Begins: Tuesday, September 22, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-22T11:00:00-04:00 2020-09-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 23, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071438@events.umich.edu Event Begins: Wednesday, September 23, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-23T11:00:00-04:00 2020-09-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 24, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071439@events.umich.edu Event Begins: Thursday, September 24, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-24T11:00:00-04:00 2020-09-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 25, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071440@events.umich.edu Event Begins: Friday, September 25, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-25T11:00:00-04:00 2020-09-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
EIHS Symposium: Practices of Decolonization (September 25, 2020 12:00pm) https://events.umich.edu/event/75587 75587-19542899@events.umich.edu Event Begins: Friday, September 25, 2020 12:00pm
Location: Off Campus Location
Organized By: Eisenberg Institute for Historical Studies

What is decolonization? What does it mean and what does it entail? These questions and more have emerged center-stage in recent years with a spate of new academic scholarship on decolonization as well as from the politically vibrant clamor on the streets. The latter ranges from #RhodesMustFall to Standing Rock and the recent global iterations of #BlackLivesMatter. At stake is a vastly expanded understanding of the histories of colonialism. The effects are, of course, not just out there in the colonies, but also in the erstwhile imperial centers. The consequences were never just political and economic but also social and cultural. And colonialism is not just a matter of the past; it persists well into the present. The resulting push back against colonialism has produced a reanimation of the myriad uses of the term decolonization: as an axial event of the twentieth century; a more long-term and ongoing political process; a metaphor and a method; and as a distinctive project for the repatriation of Indigenous lands.

Our panel of scholars will explore the meaning of decolonization from within their respective fields. Our Q&A format will help to navigate the tensions and contradictions between different uses of the term as well as to reflect on its continued usefulness for scholarly analysis.

Panelists:
Sascha Crasnow (Lecturer, Residential College, University of Michigan)
Andrew Herscher (Associate Professor; Taubman College of Architecture and Urban Planning, History of Art, Slavic Languages and Literatures; University of Michigan)
Derek Peterson (Professor, History and Afroamerican and African Culture, University of Michigan)
Michael Witgen (Professor, History and American Culture, University of Michigan)
Mrinalini Sinha, chair (Alice Freeman Palmer Professor of History, University of Michigan)

Free and open to the public. This is a remote event and will take place online via Zoom. Please register here in advance: https://umich.zoom.us/webinar/register/WN_cjGxgypqT0G-fx6lXEVKzQ

This event is part of the Friday Series of the Eisenberg Institute for Historical Studies. It is made possible by a generous contribution from Kenneth and Frances Aftel Eisenberg.

Image: "Decolonization Is Not A Metaphor," Kyle Goen, 2016. Courtesy The Palestine Poster Project Archives.

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Conference / Symposium Fri, 18 Sep 2020 13:55:47 -0400 2020-09-25T12:00:00-04:00 2020-09-25T13:00:00-04:00 Off Campus Location Eisenberg Institute for Historical Studies Conference / Symposium "Decolonization Is Not A Metaphor," Kyle Goen, 2016.
Collection Ensemble (September 26, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071441@events.umich.edu Event Begins: Saturday, September 26, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-26T11:00:00-04:00 2020-09-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 27, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071442@events.umich.edu Event Begins: Sunday, September 27, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-27T12:00:00-04:00 2020-09-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (September 29, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071443@events.umich.edu Event Begins: Tuesday, September 29, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-29T11:00:00-04:00 2020-09-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Center for Global Health Equity Introductory Seminar (September 29, 2020 5:00pm) https://events.umich.edu/event/77700 77700-19901736@events.umich.edu Event Begins: Tuesday, September 29, 2020 5:00pm
Location: Off Campus Location
Organized By: Center for Global Health Equity

Please join us for the Introductory Seminar for the Center for Global Health Equity, where we will discuss:
What is the purpose of the Center?
What has been our journey to date?
Where are we going?

Speakers Include:
Bhramar Mukherjee, PhD
Nancy Love, PhD
Joseph Kolars, MD
John Ayanian, MD, MPP
Laura Rozek, PhD
Andries Coetzee, PhD

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Workshop / Seminar Thu, 24 Sep 2020 16:32:00 -0400 2020-09-29T17:00:00-04:00 2020-09-29T18:30:00-04:00 Off Campus Location Center for Global Health Equity Workshop / Seminar Event Speakers
Collection Ensemble (September 30, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071444@events.umich.edu Event Begins: Wednesday, September 30, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-09-30T11:00:00-04:00 2020-09-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 1, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909795@events.umich.edu Event Begins: Thursday, October 1, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

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Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-01T00:00:00-04:00 2020-10-01T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 1, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071445@events.umich.edu Event Begins: Thursday, October 1, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-01T11:00:00-04:00 2020-10-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 2, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909796@events.umich.edu Event Begins: Friday, October 2, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

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Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-02T00:00:00-04:00 2020-10-02T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 2, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071446@events.umich.edu Event Begins: Friday, October 2, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-02T11:00:00-04:00 2020-10-02T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Penny Stamps Speaker Series: ​Ken Burns & Isabel Wilkerson, In Conversation (October 2, 2020 8:00pm) https://events.umich.edu/event/77115 77115-19798483@events.umich.edu Event Begins: Friday, October 2, 2020 8:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

the Penny Stamps Series Facebook.

Our lens on history powerfully influences how we envision and shape the future. Join two of our country's most accomplished storytellers, Ken Burns and Isabel Wilkerson, as they discuss the complexities of the American narrative and how grappling with the past might lead us forward. 

Journalist Isabel Wilkerson was awarded the National Humanities Medal by President Barack Obama in 2016 “for championing the stories of an unsung history.” The first African-American woman to win a Pulitzer Prize in journalism, her book The Warmth of Other Suns, a sweeping and intimate examination of the Great Migration, won the National Book Critics Circle Award for Nonfiction. Her new book, Caste: The Origins of Our Discontents, examines the entrenched hierarchies that shape American life. Told through intimate personal narratives and deeply researched history, Wilkerson examines the ties between the American caste system and those in India and Nazi Germany, and points to ways America can move beyond our artificial and destructive human divisions, toward hope in our common humanity.

Ken Burns has been making documentary films for over forty years. Since the Academy Award nominated Brooklyn Bridge in 1981, he has gone on to direct and produce some of the most acclaimed historical documentaries ever made, including The Civil War; Baseball; Jazz; The War; The National Parks: America’s Best Idea; The Roosevelts: An Intimate History; Jackie Robinson; Unforgivable Blackness: The Rise and Fall of Jack Johnson; The Vietnam War; The Central Park Five; and Country Music. His films have been honored with dozens of major awards, including sixteen Emmy Awards, two Grammy Awards, two Oscar nominations; and a Lifetime Achievement Award from the Academy of Television Arts & Sciences. His new website UNUM rearranges clips from his past films into playlists to add historical context to the present.

This conversation will be moderated by Lynette Clemetson, Director of Wallace House, Knight-Wallace Fellowships and the Livingston Awards at the University of Michigan. A longtime journalist, she was a correspondent for Newsweek magazine in the U.S. and Asia, a national correspondent for The New York Times, and senior director of strategy and new initiatives at NPR. Wallace House works to sustain and elevate the careers of journalists, foster civic engagement, and uphold the role of a free press in democratic society. 

This event is part of the Democracy & Debate theme semester with support from Wallace House and UMMA.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

UMMA's Vote2020 initiative is presented in connection with the U-M Democracy & Debate theme semester. Thanks to our partners at the Penny Stamps School of Art & Design, the Ginsberg Center for Community Service & Learning, the Ann Arbor City Clerk's Office, and the Center for World Performance Studies.

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Lecture / Discussion Sat, 03 Oct 2020 00:16:01 -0400 2020-10-02T20:00:00-04:00 2020-10-02T21:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
In-Between the World and Dreams (October 3, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909797@events.umich.edu Event Begins: Saturday, October 3, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

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Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-03T00:00:00-04:00 2020-10-03T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 3, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071447@events.umich.edu Event Begins: Saturday, October 3, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-03T11:00:00-04:00 2020-10-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 4, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909798@events.umich.edu Event Begins: Sunday, October 4, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

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Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-04T00:00:00-04:00 2020-10-04T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 4, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071448@events.umich.edu Event Begins: Sunday, October 4, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-04T12:00:00-04:00 2020-10-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 5, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909799@events.umich.edu Event Begins: Monday, October 5, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

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Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-05T00:00:00-04:00 2020-10-05T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 6, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909800@events.umich.edu Event Begins: Tuesday, October 6, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

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Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-06T00:00:00-04:00 2020-10-06T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 6, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071449@events.umich.edu Event Begins: Tuesday, October 6, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-06T11:00:00-04:00 2020-10-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Political Economy Workshop (PEW) (October 6, 2020 12:00pm) https://events.umich.edu/event/76971 76971-19782533@events.umich.edu Event Begins: Tuesday, October 6, 2020 12:00pm
Location: Off Campus Location
Organized By: Political Economy Workshop (PEW)

Tom O'Mealia studies the relationship between violence, security provision, and the evolution of the post-colonial state. In particular, He asks why civilians in contexts of acute insecurity choose to invest their trust in some security providers and not others, and how those decisions impact state building and political development. His research also explains how and why political elites use the state security apparatus to consolidate control at the local level.

O'Mealia answers these questions using field work and by analyzing original data collected in the Democratic Republic of Congo, Kenya, and South Africa.

Email political-economy-workshop@umich.edu for the meeting link.

PEW provides a unique forum for doctoral students and faculty members to share and develop interdisciplinary research in political economy. Political science and economics are intimately linked in both substance and methodology, and the field of political economy is among the most fertile and enduring areas for cross-disciplinary research in the social sciences. Currently, PEW is the sole interdisciplinary workshop at the University of Michigan wholly dedicated to the exploration of current research in political economy, and thus plays a valuable role in fostering connections among the university’s various departments and schools.

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Livestream / Virtual Wed, 09 Sep 2020 15:32:18 -0400 2020-10-06T12:00:00-04:00 2020-10-06T13:20:00-04:00 Off Campus Location Political Economy Workshop (PEW) Livestream / Virtual Tom O'Mealia
In-Between the World and Dreams (October 7, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909801@events.umich.edu Event Begins: Wednesday, October 7, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-07T00:00:00-04:00 2020-10-07T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 7, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071450@events.umich.edu Event Begins: Wednesday, October 7, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-07T11:00:00-04:00 2020-10-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 8, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909802@events.umich.edu Event Begins: Thursday, October 8, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-08T00:00:00-04:00 2020-10-08T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 8, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071451@events.umich.edu Event Begins: Thursday, October 8, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-08T11:00:00-04:00 2020-10-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
CGIS Virtual Study Abroad Fair (October 8, 2020 12:00pm) https://events.umich.edu/event/77893 77893-19943564@events.umich.edu Event Begins: Thursday, October 8, 2020 12:00pm
Location: Off Campus Location
Organized By: Center for Global and Intercultural Study

Study abroad is not just for juniors. It's not just for language and international studies majors. It's not just for students from certain communities or socioeconomic backgrounds. No matter who you are, where you come from, or what you’re studying, a study abroad experience is available to you during your time at Michigan.

Whether you want to develop the skills you’ll need to compete in a global economy, cultivate your language competencies, or build meaningful connections with people from around the world, this is the best time in your life for a global experience.

Studying abroad often proves to be a pivotal experience, but deciding which program is the best fit can be daunting as you consider questions such as: How will this enhance my course of study? When should I go? For how long? Where? Can I afford it? How do I prepare? Will my credits transfer? The CGIS Study Abroad Virtual Fair is the best time to get all of your questions answered!

During the day of the virtual fair, you'll have instant access to academic advisors, education abroad advisors, Office of Financial Aid & LSA Scholarship Office representatives, and program representatives as well as scheduled events throughout the fair!

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Fair / Festival Tue, 29 Sep 2020 22:20:17 -0400 2020-10-08T12:00:00-04:00 2020-10-08T16:00:00-04:00 Off Campus Location Center for Global and Intercultural Study Fair / Festival Image300
In-Between the World and Dreams (October 9, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909803@events.umich.edu Event Begins: Friday, October 9, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-09T00:00:00-04:00 2020-10-09T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 9, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071452@events.umich.edu Event Begins: Friday, October 9, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-09T11:00:00-04:00 2020-10-09T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 10, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909804@events.umich.edu Event Begins: Saturday, October 10, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-10T00:00:00-04:00 2020-10-10T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 10, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071453@events.umich.edu Event Begins: Saturday, October 10, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-10T11:00:00-04:00 2020-10-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 11, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909805@events.umich.edu Event Begins: Sunday, October 11, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-11T00:00:00-04:00 2020-10-11T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 11, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071454@events.umich.edu Event Begins: Sunday, October 11, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-11T12:00:00-04:00 2020-10-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Ask-a-Docent: Ibrahim Mahama (October 11, 2020 2:00pm) https://events.umich.edu/event/77982 77982-19949609@events.umich.edu Event Begins: Sunday, October 11, 2020 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

.

UMMA is wrapped! In-Between The World and Dreams presents an outdoor, public installation at a time when our indoor spaces and opportunity for collective engagement with the arts are limited. As part of the U-M Institute for Humanities led project, IH, UMMA, and the Charles H. Wright Museum of African American History each presents work from artist Ibrahim Mahama, whose use of decommissioned jute sacks as artistic material celebrates the often-invisible labor of Black and brown people behind global exchange and commerce while acknowledging the troubling histories of colonialism and slavery in the Western world.  

Explore Ibrahim Mahama's outdoor installation with experienced museum docents, who will be standing outside the Frankel Family Wing (weather permitting) to answer questions and provide context for this exciting work. Reminder: Only UM community members (students, staff, and faculty holding an MCard) are allowed inside the museum building during open hours. 

 

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Presentation Sun, 11 Oct 2020 18:15:58 -0400 2020-10-11T14:00:00-04:00 2020-10-11T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
In-Between the World and Dreams (October 12, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909806@events.umich.edu Event Begins: Monday, October 12, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-12T00:00:00-04:00 2020-10-12T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 13, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909807@events.umich.edu Event Begins: Tuesday, October 13, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-13T00:00:00-04:00 2020-10-13T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 13, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071455@events.umich.edu Event Begins: Tuesday, October 13, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-13T11:00:00-04:00 2020-10-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 14, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909808@events.umich.edu Event Begins: Wednesday, October 14, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-14T00:00:00-04:00 2020-10-14T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 14, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071456@events.umich.edu Event Begins: Wednesday, October 14, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-14T11:00:00-04:00 2020-10-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 15, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909809@events.umich.edu Event Begins: Thursday, October 15, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-15T00:00:00-04:00 2020-10-15T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 15, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168498@events.umich.edu Event Begins: Thursday, October 15, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-15T09:00:00-04:00 2020-10-15T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 15, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071457@events.umich.edu Event Begins: Thursday, October 15, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-15T11:00:00-04:00 2020-10-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 16, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909810@events.umich.edu Event Begins: Friday, October 16, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-16T00:00:00-04:00 2020-10-16T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 16, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168499@events.umich.edu Event Begins: Friday, October 16, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-16T09:00:00-04:00 2020-10-16T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 16, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071458@events.umich.edu Event Begins: Friday, October 16, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-16T11:00:00-04:00 2020-10-16T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Ask-a-Student: Ibrahim Mahama (October 16, 2020 2:00pm) https://events.umich.edu/event/78306 78306-20006824@events.umich.edu Event Begins: Friday, October 16, 2020 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

.

UMMA is wrapped! In-Between The World and Dreams presents an outdoor, public installation at a time when our indoor spaces and opportunity for collective engagement with the arts are limited. As part of the U-M Institute for Humanities led project, IH, UMMA, and the Charles H. Wright Museum of African American History each presents work from artist Ibrahim Mahama, whose use of decommissioned jute sacks as artistic material celebrates the often-invisible labor of Black and brown people behind global exchange and commerce while acknowledging the troubling histories of colonialism and slavery in the Western world.  

Explore Ibrahim Mahama's outdoor installation with UMMA Student Engagement Council members. They will be standing outside the Frankel Family Wing (weather permitting) to answer questions and provide context for this exciting work on a drop-in basis. Reminder: Only UM community members (students, staff, and faculty holding an MCard) are allowed inside the museum building during open hours.

]]>
Presentation Fri, 16 Oct 2020 18:16:01 -0400 2020-10-16T14:00:00-04:00 2020-10-16T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
In-Between the World and Dreams (October 17, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909811@events.umich.edu Event Begins: Saturday, October 17, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-17T00:00:00-04:00 2020-10-17T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 17, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168500@events.umich.edu Event Begins: Saturday, October 17, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-17T09:00:00-04:00 2020-10-17T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 17, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071459@events.umich.edu Event Begins: Saturday, October 17, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-17T11:00:00-04:00 2020-10-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 18, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909812@events.umich.edu Event Begins: Sunday, October 18, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-18T00:00:00-04:00 2020-10-18T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 18, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168501@events.umich.edu Event Begins: Sunday, October 18, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-18T09:00:00-04:00 2020-10-18T17:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 18, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071460@events.umich.edu Event Begins: Sunday, October 18, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-18T12:00:00-04:00 2020-10-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Ask-a-Docent: Ibrahim Mahama (October 18, 2020 2:00pm) https://events.umich.edu/event/77997 77997-19951592@events.umich.edu Event Begins: Sunday, October 18, 2020 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

.

UMMA is wrapped! In-Between The World and Dreams presents an outdoor, public installation at a time when our indoor spaces and opportunity for collective engagement with the arts are limited. As part of the U-M Institute for Humanities led project, IH, UMMA, and the Charles H. Wright Museum of African American History each presents work from artist Ibrahim Mahama, whose use of decommissioned jute sacks as artistic material celebrates the often-invisible labor of Black and brown people behind global exchange and commerce while acknowledging the troubling histories of colonialism and slavery in the Western world.  

Explore Ibrahim Mahama's outdoor installation with experienced museum docents, who will be standing outside the Frankel Family Wing (weather permitting) to answer questions and provide context for this exciting work. Reminder: Only UM community members (students, staff, and faculty holding an MCard) are allowed inside the museum building during open hours.

]]>
Presentation Sun, 18 Oct 2020 18:15:56 -0400 2020-10-18T14:00:00-04:00 2020-10-18T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
In-Between the World and Dreams (October 19, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909813@events.umich.edu Event Begins: Monday, October 19, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-19T00:00:00-04:00 2020-10-19T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 20, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909814@events.umich.edu Event Begins: Tuesday, October 20, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-20T00:00:00-04:00 2020-10-20T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 20, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071461@events.umich.edu Event Begins: Tuesday, October 20, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-20T11:00:00-04:00 2020-10-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 21, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909815@events.umich.edu Event Begins: Wednesday, October 21, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-21T00:00:00-04:00 2020-10-21T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
Collection Ensemble (October 21, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071462@events.umich.edu Event Begins: Wednesday, October 21, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-21T11:00:00-04:00 2020-10-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Ask-a-Student: Ibrahim Mahama (October 21, 2020 2:00pm) https://events.umich.edu/event/78307 78307-20006825@events.umich.edu Event Begins: Wednesday, October 21, 2020 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

.

UMMA is wrapped! In-Between The World and Dreams presents an outdoor, public installation at a time when our indoor spaces and opportunity for collective engagement with the arts are limited. As part of the U-M Institute for Humanities led project, IH, UMMA, and the Charles H. Wright Museum of African American History each presents work from artist Ibrahim Mahama, whose use of decommissioned jute sacks as artistic material celebrates the often-invisible labor of Black and brown people behind global exchange and commerce while acknowledging the troubling histories of colonialism and slavery in the Western world.  

Explore Ibrahim Mahama's outdoor installation with UMMA Student Engagement Council members. They will be standing outside the Frankel Family Wing (weather permitting) to answer questions and provide context for this exciting work on a drop-in basis. Reminder: Only UM community members (students, staff, and faculty holding an MCard) are allowed inside the museum building during open hours.

]]>
Presentation Wed, 21 Oct 2020 18:15:53 -0400 2020-10-21T14:00:00-04:00 2020-10-21T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
In-Between the World and Dreams (October 22, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909816@events.umich.edu Event Begins: Thursday, October 22, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

]]>
Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-22T00:00:00-04:00 2020-10-22T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 22, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168505@events.umich.edu Event Begins: Thursday, October 22, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-22T09:00:00-04:00 2020-10-22T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 22, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071463@events.umich.edu Event Begins: Thursday, October 22, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-22T11:00:00-04:00 2020-10-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 23, 2020 12:00am) https://events.umich.edu/event/77738 77738-19909817@events.umich.edu Event Begins: Friday, October 23, 2020 12:00am
Location:
Organized By: Institute for the Humanities

In this 3-part installation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

At the U-M Museum of Art, massive, quilt-like panels cover 4,452 square feet of the exterior of the building, creating one of the spectacular architectural interventions Mahama is known for. A related installation at the U-M Institute for the Humanities Gallery can be viewed (and heard) from a sidewalk window. There will also be an installation inside the Charles H. Wright Museum of African American History in Detroit.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Oct. 1-23: Large-Scale Public Art Installation, U-M Museum of Art, 525 S. State St., Ann Arbor
Oct. 1-23: Sidewalk Gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)
Oct. 12-Dec. 5: Community Gallery Installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

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Exhibition Tue, 20 Oct 2020 13:11:13 -0400 2020-10-23T00:00:00-04:00 2020-10-23T23:59:00-04:00 Institute for the Humanities Exhibition "In-Between the World and Dreams" at UMMA
In-Between the World and Dreams (October 23, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168506@events.umich.edu Event Begins: Friday, October 23, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-23T09:00:00-04:00 2020-10-23T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 23, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071464@events.umich.edu Event Begins: Friday, October 23, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-23T11:00:00-04:00 2020-10-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Penny Stamps Speaker Series & UMMA Present: ​Ibrahim Mahama, In-Between the World and Dreams (October 23, 2020 8:00pm) https://events.umich.edu/event/77116 77116-19798484@events.umich.edu Event Begins: Friday, October 23, 2020 8:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

the Penny Stamps Series Facebook.

This conversation brings together collaborators of the ambitious Institute for the Humanities-led project, In-Between the World and Dreams: Amanda Krugliak, Arts Curator UM Institute for the Humanities and Lead Curator; Ozi Uduma, Assistant Curator for Global Contemporary Art at UMMA; Neil Alan Barclay, President and Chief Executive Officer of the Charles H. Wright Museum of African American History; and Ibrahim Mahama, internationally known Ghanaian artist and Director of the Savannah Center for the Arts in Tamale, Ghana. 

The project presents public facing installations at a time when our indoor spaces and opportunity for engagement with the arts are limited. Mahama's work acknowledges the troubling histories of colonialism and slavery in the Western world, and the labor of Black and brown people behind global exchange. At the same time, the work and overall project speaks to building new worlds out of failed systems, futures out of disappointments, asking the question, What can we do? Mahama addresses this prompt in a statement for the project: “promises of the present can start with ghosts from both the future and past. Ghosts are an embodiment of failed revolutions and unrealized futures, which need to be used as a starting point for new conversations within this century and beyond. Every life form is a gift.” The conversation discusses the critical role art and artists can play in times of crisis, and the significance of public art at a time when we are changing the picture as to who we honor and what we value. 

In-Between the World and Dreams is made possible by a grant from the Andrew W. Mellon Foundation, supporting the Institute for the Humanities commitment to High Stakes Art. In partnership with Institute for the Humanities, Penny W. Stamps School of Art & Design, Charles Wright Museum of African American History, and UMMA. This event is part of the Democracy & Debate theme semester.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

]]>
Lecture / Discussion Sat, 24 Oct 2020 00:15:51 -0400 2020-10-23T20:00:00-04:00 2020-10-23T21:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
In-Between the World and Dreams (October 24, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168507@events.umich.edu Event Begins: Saturday, October 24, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-24T09:00:00-04:00 2020-10-24T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 24, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071465@events.umich.edu Event Begins: Saturday, October 24, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-24T11:00:00-04:00 2020-10-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 25, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168508@events.umich.edu Event Begins: Sunday, October 25, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-25T09:00:00-04:00 2020-10-25T17:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 25, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071466@events.umich.edu Event Begins: Sunday, October 25, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-25T12:00:00-04:00 2020-10-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Ask-a-Docent: Ibrahim Mahama (October 25, 2020 2:00pm) https://events.umich.edu/event/77998 77998-19951593@events.umich.edu Event Begins: Sunday, October 25, 2020 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

.

UMMA is wrapped! In-Between The World and Dreams presents an outdoor, public installation at a time when our indoor spaces and opportunity for collective engagement with the arts are limited. As part of the U-M Institute for Humanities led project, IH, UMMA, and the Charles H. Wright Museum of African American History each presents work from artist Ibrahim Mahama, whose use of decommissioned jute sacks as artistic material celebrates the often-invisible labor of Black and brown people behind global exchange and commerce while acknowledging the troubling histories of colonialism and slavery in the Western world.  

Explore Ibrahim Mahama's outdoor installation with experienced museum docents, who will be standing outside the Frankel Family Wing (weather permitting) to answer questions and provide context for this exciting work. Reminder: Only UM community members (students, staff, and faculty holding an MCard) are allowed inside the museum building during open hours.

]]>
Presentation Sat, 24 Oct 2020 18:15:51 -0400 2020-10-25T14:00:00-04:00 2020-10-25T14:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
Collection Ensemble (October 27, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071467@events.umich.edu Event Begins: Tuesday, October 27, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-27T11:00:00-04:00 2020-10-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Performing the Moment, Performing the Movement (October 27, 2020 6:30pm) https://events.umich.edu/event/78465 78465-20050319@events.umich.edu Event Begins: Tuesday, October 27, 2020 6:30pm
Location: Off Campus Location
Organized By: Center for World Performance Studies

Free & Open to the public
Registration required: http://myumi.ch/PlNqD

T. Ayo Alston teaches and practices a signature theatrical style of West African drum and dance culture that captures the strength and power of women and community. Ayo is the founder, executive director, composer, and choreographer of Ayodele Drum and Dance, a performance training organization created for women to affirm their self-confidence and strength. Through Ayodele, she has performed, educated, fostered interpersonal healing, and created artistic work from a foundation of traditional African cultures fused with contemporary dance styles.

Throughout her career Ayo has taught, choreographed, and performed at schools and universities locally and nationally, as well as in African and Brazilian countries, as an independent artist and as a member of other companies and organizations, such as Dance Africa, Drum Cafe West, Le Bagatae Company of Guinea, Les Ballets Africans, and Muntu Dance Theatre.

In the last two years Ayo has been focused on fine-tuning and sharing her ability to compose music on African instruments, such as the kalimba. This resulted in her accepting a role as a lead actress in and musical composer for Mies Julie at Victory Gardens Theater and as a composer and musician for The Lion King Jr. at the Brooklyn Academy of Music (BAM).

Ayo serves as an adjunct professor at Columbia College Chicago and on the Dance faculty at Chicago High School of the Arts. She also has developed drum and dance programs that are thriving in prestigious schools, such as Jones College Prep and Walter Payton College Prep, where Ayodele has trained dancers to teach and gain professional artistic skills and experience.

In the new virtual series, PERFORMING THE MOVEMENT, PERFORMING THE MOMENT, Center for World Performance Studies invites performers and scholars from diverse disciplines to reflect on how performance is being used to respond to the political, social, health and environmental crises that we face at this moment. Each guest will give a 30 minute presentation, and then engage in 30 minutes of Q&A. Sessions will take place over Zoom and require advance registration. You can read about the panelists, register for these events, find recommended reading and resources and/or request recordings of past events at https://lsa.umich.edu/world-performance.

If you require an accommodation to participate in this event, please contact the Center for World Performance Studies, at 734-936-2777. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.

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Presentation Tue, 13 Oct 2020 07:22:54 -0400 2020-10-27T18:30:00-04:00 2020-10-27T19:30:00-04:00 Off Campus Location Center for World Performance Studies Presentation Ayodele
Collection Ensemble (October 28, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071468@events.umich.edu Event Begins: Wednesday, October 28, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-28T11:00:00-04:00 2020-10-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 29, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168512@events.umich.edu Event Begins: Thursday, October 29, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-29T09:00:00-04:00 2020-10-29T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 29, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071469@events.umich.edu Event Begins: Thursday, October 29, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-29T11:00:00-04:00 2020-10-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
A "Common Spectacle" of the Race: The Visual Politics of Founding in the Age of Garveyism (October 29, 2020 4:00pm) https://events.umich.edu/event/75583 75583-19542895@events.umich.edu Event Begins: Thursday, October 29, 2020 4:00pm
Location: Off Campus Location
Organized By: Eisenberg Institute for Historical Studies

Addressing a crowded Liberty Hall full of members of the New York Division in the summer of 1920, Marcus Garvey declared, “We are a new people, born out of a new day and new circumstance. We are born out of the bloody war of 1914-1918.” This essay is concerned with the constitution of a new people, attending in particular to the role of images, performance, and practices in the project of political founding. Focusing on the 1920 and 1921 convention, I argue that for the United Negro Improvement Association, political founding was a vehicle through which participants came to understand themselves as constituting the figure of Universal Negro—a figure represented through the convention as a transnational and empowered political subject. Political founding was on this view a process of transforming one’s self-perception, of cognizing oneself as a member of a transnational people politically capable of transforming the prevailing conditions of racial domination.

Professor Getachew will present a short introduction to her pre-circulated paper; this will be followed by brief comments by Professor Jesse Hoffnung-Garskof (University of Michigan) and audience questions.

***NOTE: The link to the pre-circulated paper will be supplied in the Zoom registration confirmation email.***

Adom Getachew is Neubauer Family Assistant Professor of Political Science and the College at the University of Chicago. She is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (PUP, 2019).

Free and open to the public. This is a remote event and will take place online via Zoom. Please register in advance here: https://umich.zoom.us/webinar/register/WN_prwS5vb6R2ORRvW9taPevQ

This event is part of the Thursday Series of the Eisenberg Institute for Historical Studies. It is made possible by a generous contribution from Kenneth and Frances Aftel Eisenberg.

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Lecture / Discussion Mon, 26 Oct 2020 10:17:06 -0400 2020-10-29T16:00:00-04:00 2020-10-29T17:00:00-04:00 Off Campus Location Eisenberg Institute for Historical Studies Lecture / Discussion Adom Getachew
Data Science and Global Health Equity Seminar (October 29, 2020 5:00pm) https://events.umich.edu/event/78430 78430-20042434@events.umich.edu Event Begins: Thursday, October 29, 2020 5:00pm
Location: Off Campus Location
Organized By: Center for Global Health Equity

Please join us for the Center for Global Health Equity's seminar on Data Science. Panelists include:
Akbar Waljee (Medicine)
Bhramar Mukherjee (SPH)
Andries Coetzee (LSA)
Massy Mutumba (Nursing)
Gifty Kwakye (Medicine)
Moderated by John Ayanian

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Workshop / Seminar Mon, 12 Oct 2020 11:49:29 -0400 2020-10-29T17:00:00-04:00 2020-10-29T18:30:00-04:00 Off Campus Location Center for Global Health Equity Workshop / Seminar Seminar Panelists
Virtual ​Art & Activism: Printing Totes & Posters for a Cause (October 29, 2020 7:00pm) https://events.umich.edu/event/78627 78627-20077942@events.umich.edu Event Begins: Thursday, October 29, 2020 7:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Please click here to register.

As we all look ahead to the November election, and think about the role artists play in activism, we want to get our creative juices flowing and print our own favorite slogan!

Timnet Gedar, PhD student in History, will share some background on the work of Botswana born artist Meleko Mokgosi, whose installation Pan African Pulp, is currently on view at UMMA and includes posters from Pan-African movements founded in Detroit and Africa in the 1960s as well as a few designed by Mokgosi.

Then Michigan-based artist Shayla Johnson will show you how to create a unique poster (or tote bag) featuring your own personal slogan and design. Shayla Johnson is founder and designer of Scarlet Crane Creations, a dedicated micro-batch textile printing house specializing in hand-printed fabrics for home decor products and lifestyle accessories. Unique surface patterns range from free flowing florals to abstract textures in order to produce stylish and sophisticated collections. Scarlet Crane Creations is housed at POST so you’ll have the opportunity to see Shayla’s work space, printing table, and work in process. Shayla also works for UMMA as a Museum Applications Developer.

This event is part of a collaboration between UMMA, the African Graduate Student Association, the African Student Association, and the African Business Council. All are welcome if there is space, but we will prioritize student participants as supplies are limited.

Lead support is provided by Lizzie and Jonathan Tisch. Additional generous support is provided by the University of Michigan African Studies Center and the Department of Afroamerican and African Studies.

Student programming at UMMA is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Workshop / Seminar Fri, 30 Oct 2020 00:15:45 -0400 2020-10-29T19:00:00-04:00 2020-10-29T21:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Museum of Art
In-Between the World and Dreams (October 30, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168513@events.umich.edu Event Begins: Friday, October 30, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-30T09:00:00-04:00 2020-10-30T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 30, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071470@events.umich.edu Event Begins: Friday, October 30, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-30T11:00:00-04:00 2020-10-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (October 31, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168514@events.umich.edu Event Begins: Saturday, October 31, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-31T09:00:00-04:00 2020-10-31T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (October 31, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071471@events.umich.edu Event Begins: Saturday, October 31, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-10-31T11:00:00-04:00 2020-10-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 1, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168515@events.umich.edu Event Begins: Sunday, November 1, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-01T09:00:00-05:00 2020-11-01T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 1, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071472@events.umich.edu Event Begins: Sunday, November 1, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-01T12:00:00-05:00 2020-11-01T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (November 3, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071473@events.umich.edu Event Begins: Tuesday, November 3, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-03T11:00:00-05:00 2020-11-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (November 4, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071474@events.umich.edu Event Begins: Wednesday, November 4, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-04T11:00:00-05:00 2020-11-04T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 5, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168519@events.umich.edu Event Begins: Thursday, November 5, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-05T09:00:00-05:00 2020-11-05T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 5, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071475@events.umich.edu Event Begins: Thursday, November 5, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-05T11:00:00-05:00 2020-11-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 6, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168520@events.umich.edu Event Begins: Friday, November 6, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-06T09:00:00-05:00 2020-11-06T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 6, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071476@events.umich.edu Event Begins: Friday, November 6, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-06T11:00:00-05:00 2020-11-06T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 7, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168521@events.umich.edu Event Begins: Saturday, November 7, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-07T09:00:00-05:00 2020-11-07T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 7, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071477@events.umich.edu Event Begins: Saturday, November 7, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-07T11:00:00-05:00 2020-11-07T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 8, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168522@events.umich.edu Event Begins: Sunday, November 8, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-08T09:00:00-05:00 2020-11-08T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 8, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071478@events.umich.edu Event Begins: Sunday, November 8, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-08T12:00:00-05:00 2020-11-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (November 10, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071479@events.umich.edu Event Begins: Tuesday, November 10, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-10T11:00:00-05:00 2020-11-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (November 11, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071480@events.umich.edu Event Begins: Wednesday, November 11, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-11T11:00:00-05:00 2020-11-11T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 12, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168526@events.umich.edu Event Begins: Thursday, November 12, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-12T09:00:00-05:00 2020-11-12T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 12, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071481@events.umich.edu Event Begins: Thursday, November 12, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-12T11:00:00-05:00 2020-11-12T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Fascism and Anti-fascism since 1945: Virtual Launching of *Radical History Review 138 * (November 12, 2020 11:30am) https://events.umich.edu/event/76899 76899-19774598@events.umich.edu Event Begins: Thursday, November 12, 2020 11:30am
Location: Off Campus Location
Organized By: International Institute

REGISTRATION REQUIRED: http://myumi.ch/v2Z2Q

The *Radical History Review* Issue 138, “Fascism and Anti-fascism Since 1945” is currently open access (until January 2021) and available to read on the Duke University Press website. (https://read.dukeupress.edu/radical-history-review/issue/2020/138)

Presenters: Co-editors Jessica Namakkal (Duke), Mark Bray (Rutgers), Eric Roubinek (UNC Asheville) and Giulia Riccò (University of Michigan)

Respondents: Federico Finchelstein (The New School); Victoria de Grazia (Columbia University)

Contributors to this special issue of *Radical History Review* study histories of fascism and antifascism after 1945 to show how fascist ideology continues to circulate and be opposed transnationally despite its supposed death at the end of World War II.

The essays cover the use of fascism in the 1970s construction of the Latinx Left, the connection between antifascism and anti-imperialism in 1960s Italian Communist internationalism, post-dictatorship Argentina and the transhistorical alliance between Las Madres and travestí activism, cultures of antifascism in contemporary Japan, and the British radical right's attempted alliance with Qathafi's Libya. The issue also includes a discussion about teaching fascism through fiction in the age of Trump, a reflection on the practices of archiving and displaying antifascist objects to various publics, and reviews of recent works on antifascism, punk music, and the Rock Against Racism movement. Please RSVP for the Zoom link and password (RSVP link can be found below). This event is sponsored by the Democracy and Debate Theme Semester.

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Livestream / Virtual Tue, 10 Nov 2020 10:25:45 -0500 2020-11-12T11:30:00-05:00 2020-11-12T13:00:00-05:00 Off Campus Location International Institute Livestream / Virtual Fascism and Anti-fascism since 1945
Virtual ​Art & Activism: Printing Totes & Posters for a Cause (November 12, 2020 7:00pm) https://events.umich.edu/event/79017 79017-20172568@events.umich.edu Event Begins: Thursday, November 12, 2020 7:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Thank you for your interest, however, this event is fully subscribed..

​As we all look ahead to the November election, and think about the role artists play in activism, we want to get our creative juices flowing and print our own favorite slogan! 

We will share some background on the work of Botswana born artist Meleko Mokgosi, whose installation Pan African Pulp, is currently on view at UMMA and includes posters from Pan-African movements founded in Detroit and Africa in the 1960s as well as a few designed by Mokgosi. 

Then Michigan-based artist Shayla Johnson will show you how to create a unique poster (or tote bag) featuring your own personal slogan and design. Shayla Johnson is founder and designer of Scarlet Crane Creations, a dedicated micro-batch textile printing house specializing in hand-printed fabrics for home decor products and lifestyle accessories. Unique surface patterns range from free flowing florals to abstract textures in order to produce stylish and sophisticated collections. Scarlet Crane Creations is housed at POST so you’ll have the opportunity to see Shayla’s work space, printing table, and work in process. Shayla also works for UMMA as a Museum Applications Developer.  

This event is part of a collaboration between UMMA, the African Graduate Student Association, the African Student Association, and the Ross Africa Business Club. All are welcome if there is space, but we will prioritize student participants as supplies are limited. 

Lead support is provided by Lizzie and Jonathan Tisch. Additional generous support is provided by the University of Michigan African Studies Center and the Department of Afroamerican and African Studies.

Student programming at UMMA is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Workshop / Seminar Fri, 13 Nov 2020 00:15:35 -0500 2020-11-12T19:00:00-05:00 2020-11-12T21:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Museum of Art
In-Between the World and Dreams (November 13, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168527@events.umich.edu Event Begins: Friday, November 13, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-13T09:00:00-05:00 2020-11-13T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 13, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071482@events.umich.edu Event Begins: Friday, November 13, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-13T11:00:00-05:00 2020-11-13T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 14, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168528@events.umich.edu Event Begins: Saturday, November 14, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-14T09:00:00-05:00 2020-11-14T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 14, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071483@events.umich.edu Event Begins: Saturday, November 14, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-14T11:00:00-05:00 2020-11-14T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 15, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168529@events.umich.edu Event Begins: Sunday, November 15, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-15T09:00:00-05:00 2020-11-15T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 15, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071484@events.umich.edu Event Begins: Sunday, November 15, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-15T12:00:00-05:00 2020-11-15T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (November 17, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071485@events.umich.edu Event Begins: Tuesday, November 17, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-17T11:00:00-05:00 2020-11-17T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (November 18, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071486@events.umich.edu Event Begins: Wednesday, November 18, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-18T11:00:00-05:00 2020-11-18T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 19, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168533@events.umich.edu Event Begins: Thursday, November 19, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-19T09:00:00-05:00 2020-11-19T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 19, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071487@events.umich.edu Event Begins: Thursday, November 19, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-19T11:00:00-05:00 2020-11-19T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Empowering Women and Communities and Global Health Equity (November 19, 2020 5:00pm) https://events.umich.edu/event/79254 79254-20241308@events.umich.edu Event Begins: Thursday, November 19, 2020 5:00pm
Location: Off Campus Location
Organized By: Center for Global Health Equity

Please join us for the next seminar in the Center for Global Health's series: Empowering Women and Communities and Global Health Equity.
Panelists include:
Cheryl Moyer, Medicine
Laura Rozek, School of Public Health
Jodi Lori, Nursing
Elizabeth King, School of Public Health
Bridgette Carr, Law

]]>
Workshop / Seminar Fri, 06 Nov 2020 13:09:26 -0500 2020-11-19T17:00:00-05:00 2020-11-19T18:30:00-05:00 Off Campus Location Center for Global Health Equity Workshop / Seminar Event Flyer
In-Between the World and Dreams (November 20, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168534@events.umich.edu Event Begins: Friday, November 20, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-20T09:00:00-05:00 2020-11-20T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 20, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071488@events.umich.edu Event Begins: Friday, November 20, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-20T11:00:00-05:00 2020-11-20T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 21, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168535@events.umich.edu Event Begins: Saturday, November 21, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-21T09:00:00-05:00 2020-11-21T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 21, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071489@events.umich.edu Event Begins: Saturday, November 21, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-21T11:00:00-05:00 2020-11-21T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 22, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168536@events.umich.edu Event Begins: Sunday, November 22, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-22T09:00:00-05:00 2020-11-22T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 22, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071490@events.umich.edu Event Begins: Sunday, November 22, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-22T12:00:00-05:00 2020-11-22T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (November 24, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071491@events.umich.edu Event Begins: Tuesday, November 24, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-24T11:00:00-05:00 2020-11-24T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (November 25, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071492@events.umich.edu Event Begins: Wednesday, November 25, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-25T11:00:00-05:00 2020-11-25T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 26, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168540@events.umich.edu Event Begins: Thursday, November 26, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-26T09:00:00-05:00 2020-11-26T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 26, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071493@events.umich.edu Event Begins: Thursday, November 26, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-26T11:00:00-05:00 2020-11-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 27, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168541@events.umich.edu Event Begins: Friday, November 27, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-27T09:00:00-05:00 2020-11-27T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 27, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071494@events.umich.edu Event Begins: Friday, November 27, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-27T11:00:00-05:00 2020-11-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 28, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168542@events.umich.edu Event Begins: Saturday, November 28, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-28T09:00:00-05:00 2020-11-28T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 28, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071495@events.umich.edu Event Begins: Saturday, November 28, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-28T11:00:00-05:00 2020-11-28T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (November 29, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168543@events.umich.edu Event Begins: Sunday, November 29, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-29T09:00:00-05:00 2020-11-29T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 29, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071496@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-29T12:00:00-05:00 2020-11-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 1, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071497@events.umich.edu Event Begins: Tuesday, December 1, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-01T11:00:00-05:00 2020-12-01T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 2, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071498@events.umich.edu Event Begins: Wednesday, December 2, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-02T11:00:00-05:00 2020-12-02T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
What’s Next for US Foreign Policy? (December 2, 2020 4:00pm) https://events.umich.edu/event/79227 79227-20231468@events.umich.edu Event Begins: Wednesday, December 2, 2020 4:00pm
Location: Off Campus Location
Organized By: Weiser Diplomacy Center

The Weiser Diplomacy Center is partnering with the American Academy of Diplomacy to bring seasoned U.S. diplomats to the Gerald R. Ford School of Public Policy and discuss the future of U.S. foreign policy after the presidential election 2020. We invite students and the community to join Ambassador Ron Neumann in conversation with Ambassador Dawn Liberi, Ambassador Hugo Llorens and Ambassador Alexander Vershbow.

About the speakers:

Ambassador Dawn Liberi is a career member of the Senior Foreign Service, class of Career Minister, who served as U.S. Ambassador to Burundi from 2012 to 2016. Ambassador Liberi started her career in Africa where she served in five posts with USAID over a span of twenty years, focusing on key development issues. Serving as the USAID Mission Director in Nigeria (2002-2005), she managed a $100 million program of assistance and brokered a $20 million public-private sector alliance to fund community development activities. As USAID Mission Director in Uganda (1998-2002), Ambassador Liberi managed one of the largest HIV/AIDS and micro-enterprise programs in sub-Saharan Africa, helping to significantly reduce HIV/AIDS prevalence and assisting Uganda to develop high value exports.

Ambassador Hugo Llorens is a recently retired (December 31, 2017) U.S. Ambassador. He currently makes his home in Marco Island, Florida. On a part-time basis, he does international business and security affairs consulting. Llorens provides advice to U.S. and international firms on political, trade and investment matters pertaining to markets in Latin America, Europe, South Asia and the Western Pacific. He utilizes his 36 years of diplomatic experience and leverages his network of global contacts to enhance his clients’ business prospects. He also does public speaking on leadership and foreign affairs issues, and is currently writing a book about his diplomatic experiences.

Ambassador Alexander Sandy Vershbow is a Distinguished Fellow at the Atlantic Council’s Brent Scowcroft Center on International Security in Washington DC. Ambassador Vershbow was the Deputy Secretary General of NATO from February 2012 to October 2016, the first American to hold that position. He frequently chaired meetings of the North Atlantic Council and other NATO committees. He was directly involved in shaping the Alliance’s political response to Russia’s aggression against Ukraine, in adapting NATO’s strengthened deterrence and defense posture, and in deepening NATO’s partnerships with non-Allies in Europe, the Middle East and Northeast Asia.

Moderator:

Ambassador Ronald Neumann, President, American Academy of Diplomacy

Formerly a Deputy Assistant Secretary of State, Ronald E. Neumann served three times as Ambassador; to Algeria, Bahrain and finally to Afghanistan from July 2005 to April 2007. Before Afghanistan, Mr. Neumann, a career member of the Senior Foreign Service, served in Baghdad from February 2004 with the Coalition Provisional Authority and then as Embassy Baghdad’s liaison with the Multinational Command, where he was deeply involved in coordinating the political part of military actions.

Prior to working in Iraq, he was Ambassador in Manama, Bahrain (2001-2004), Deputy Assistant Secretary in the Bureau of Near East Affairs (1997-2000) with responsibility for North Africa and the Arabian Peninsula, and Ambassador to Algeria (1994 to 1997). He was Director of the Office of Northern Gulf Affairs (Iran and Iraq; 1991 to 1994). Earlier in his career, he was Deputy Chief of Mission in Abu Dhabi, United Arab Emirates, and in Sanaa in Yemen, Principal Officer in Tabriz, Iran and Economic/Commercial Officer in Dakar, Senegal. His previous Washington assignments include service as Jordan Desk officer, Staff Assistant in the Middle East (NEA) Bureau, and Political Officer in the Office of Southern European Affairs.

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Livestream / Virtual Tue, 01 Dec 2020 08:28:32 -0500 2020-12-02T16:00:00-05:00 2020-12-02T17:00:00-05:00 Off Campus Location Weiser Diplomacy Center Livestream / Virtual American Academy of Diplomacy
In-Between the World and Dreams (December 3, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168547@events.umich.edu Event Begins: Thursday, December 3, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-03T09:00:00-05:00 2020-12-03T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (December 3, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071499@events.umich.edu Event Begins: Thursday, December 3, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-03T11:00:00-05:00 2020-12-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
In-Between the World and Dreams (December 4, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168548@events.umich.edu Event Begins: Friday, December 4, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-04T09:00:00-05:00 2020-12-04T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (December 4, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071500@events.umich.edu Event Begins: Friday, December 4, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-04T11:00:00-05:00 2020-12-04T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg