Happening @ Michigan https://events.umich.edu/list/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. Whose King?: Claiming the Man who Died for America's Soul (January 20, 2020 8:00am) https://events.umich.edu/event/71072 71072-17774937@events.umich.edu Event Begins: Monday, January 20, 2020 8:00am
Location: Off Campus Location
Organized By: Center for Social Solutions

The Director of the Center for Social Solutions and Thomas C. Holt Distinguished University Professor of History, Afroamerican and African Studies and Public Policy, Dr. Earl Lewis, is presenting the keynote at the Charles H. Wright Museum of African American History's annual event commemorating the life and times of Reverend Dr. Martin Luther King Jr. The day's events begin with a breakfast at 8 a.m. (museum doors open at 7 a.m.), with an invocation by Rev. Nicholas Hood III, Senior Pastor of Plymouth United Church of Christ. Followed by musical selections from Mr. Ken Boyd and vocalist Ms. Shahida Nurullah. The presentation will begin at 9:00am and be followed by a day of free museum-wide family activities.

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Lecture / Discussion Fri, 17 Jan 2020 14:41:32 -0500 2020-01-20T08:00:00-05:00 2020-01-20T10:00:00-05:00 Off Campus Location Center for Social Solutions Lecture / Discussion
Lessons from Toni Morrison: A Conversation (January 20, 2020 2:00pm) https://events.umich.edu/event/71646 71646-17853464@events.umich.edu Event Begins: Monday, January 20, 2020 2:00pm
Location: Angell Hall
Organized By: Department of English Language and Literature

On August 5, 2019, the world lost a giant. Toni Morrison was not
only an author and essayist, she was an icon who changed the literary
and cultural world through her writing and editing. From confronting
our personal and collective past to imagining a new future, Morrison's
teachings go far beyond the words she wrote. On this MLK Day, we
discuss her legacy.

What did Toni Morrison teach you? Please join us (with your favorite
Morrison book in hand!) as we discuss her writing, her legacy, the
"canon", the state of Black - and American - literature, and the work
that is still left to be done.

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Conference / Symposium Fri, 17 Jan 2020 12:19:00 -0500 2020-01-20T14:00:00-05:00 2020-01-20T16:00:00-05:00 Angell Hall Department of English Language and Literature Conference / Symposium Toni Morrison MLK event 2020
MLK's Legacy for Social and Behavioral Science Research: Perspectives from New Scholars (January 20, 2020 2:30pm) https://events.umich.edu/event/70636 70636-17611219@events.umich.edu Event Begins: Monday, January 20, 2020 2:30pm
Location: Institute For Social Research
Organized By: Institute for Social Research

The Institute for Social Research, the Research Center for Group Dynamics, and the Program for Research on Black Americans present:

MLK's Legacy for Social and Behavioral Science Research:
Perspectives from New Scholars

Jan 20 || 2:30 pm
ISR 1430 Thompson
Reception immediately following panel discussion

SPEAKERS INCLUDE:

Lloyd M. Talley, Ph.D.
University of Michigan School of Social Work

Taylor W. Hargrove, Ph.D.
University of North Carolina at Chapel Hill

DeAnnah R. Byrd, Ph.D.
Wayne State University

MODERATED BY:
David C. Wilson, Ph.D., University of Delaware

If you require accommodations to attend this event or have any questions please contact Anna Massey at abeattie@umich.edu.

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Lecture / Discussion Mon, 13 Jan 2020 13:03:54 -0500 2020-01-20T14:30:00-05:00 2020-01-20T16:00:00-05:00 Institute For Social Research Institute for Social Research Lecture / Discussion event flyer
“MLK Jr.'s Legacy and the Crisis of Racial Capitalism - What's Next?” (January 21, 2020 4:00pm) https://events.umich.edu/event/71080 71080-17774959@events.umich.edu Event Begins: Tuesday, January 21, 2020 4:00pm
Location: Tisch Hall
Organized By: Department of Afroamerican and African Studies

Barbara Ransby is an historian, writer, and longtime political activist. Ransby has published dozens of articles and essays in popular and scholarly venues. She is most notably the author of an award-winning biography of civil rights activist Ella Baker, entitled Ella Baker and the Black Freedom Movement: A Radical Democratic Vision(University of North Carolina, 2003), which won no less than six major awards.
Barbara’s most recent book is "Making All Black Lives Matter: Reimagining Freedom in the 21st Century" (2018). She serves on the editorial boards of The Black Commentator (an online journal); the London-based journal, Race and Class; the Justice, Power and Politics Series at University of North Carolina Press; and the Scholar’s Advisory Committee of Ms. magazine. In the summer of 2012 she became the second Editor-in-Chief of SOULS, a critical journal of Black Politics, Culture and Society published quarterly.
Professor Ransby received a BA in History from Columbia University and an MA and PhD in History from the University of Michigan.

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Lecture / Discussion Thu, 09 Jan 2020 08:23:14 -0500 2020-01-21T16:00:00-05:00 2020-01-21T18:00:00-05:00 Tisch Hall Department of Afroamerican and African Studies Lecture / Discussion Tisch Hall
The 1619 Podcast: Episode 4: How the Bad Blood Started (January 21, 2020 6:00pm) https://events.umich.edu/event/71000 71000-17766500@events.umich.edu Event Begins: Tuesday, January 21, 2020 6:00pm
Location: Haven Hall
Organized By: Department of Afroamerican and African Studies

Black Americans were denied access to doctors and hospitals for decades. From the shadows of this exclusion, they pushed to create the nation’s first federal health care programs. On today’s episode: Jeneen Interlandi, a member of The New York Times’s editorial board and a writer for The Times Magazine, and Yaa Gyasi, the author of “Homegoing.”


“1619” is a New York Times audio series hosted by Nikole Hannah-Jones. You can find more information about it at nytimes.com/1619podcast.

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Lecture / Discussion Thu, 09 Jan 2020 14:34:10 -0500 2020-01-21T18:00:00-05:00 2020-01-21T20:00:00-05:00 Haven Hall Department of Afroamerican and African Studies Lecture / Discussion Haven Hall
Donia Human Rights Center Annual Martin Luther King, Jr. Lecture. The Condemnation of Blackness: Race, Crime, and Modern Urban America (January 22, 2020 4:00pm) https://events.umich.edu/event/69239 69239-17269243@events.umich.edu Event Begins: Wednesday, January 22, 2020 4:00pm
Location: Weiser Hall
Organized By: Donia Human Rights Center

The history of racism in the South is well known—the chain gangs, lynch mobs and views of black southern criminals that defined the Jim Crow period are, for the most part, common knowledge today. But what do we know about the role the urban North played in shaping views on the intersection of race and crime in American society?

In this talk, Khalil Gibran Muhammad reveals how the idea of black criminality was crucial to the making of modern urban America, as were African Americans’ own ideas about race and crime. In the North, crime statistics, immigration trends, and references to America as the “land of opportunity” were woven into a cautionary tale about the threat Black people posed to modern urban society. Excessive arrest rates and overrepresentation in Northern prisons were pointed to by whites—liberals and conservatives alike—as proof of Blacks’ inferiority. The prevailing feeling was that, in the heyday of “separate but equal,” what else but pathology could explain Black people’s challenges in the “land of opportunity”?

Chronicling the beginning of the deeply embedded notion of Black people as a dangerous race of criminals, Muhammed explores a different side of the history of racism, weaving a narrative that is both engaging and educational.

Khalil Gibran Muhammad is author of *The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America*, which won the John Hope Franklin Best Book Award in American Studies. Also the Suzanne Young Murray Professor at the Radcliffe Institute for Advanced Studies. Muhammad is a contributor to a National Research Council study, *The Growth of Incarceration in the United States: Exploring Causes and Consequences*. Recently, he also appeared in several popular documentaries, lending his expertise to Ava DuVernay’s Netflix feature, *13th , Slavery By Another Name* (PBS), and *Forgotten Four: The Integration of Pro Football*.

Muhammad is the former Director of the Schomburg Center for Research in Black Culture, a division of the New York Public Library and the world’s leading library and archive of global black history. Much of his research focuses on racial criminalization in modern U.S. history. His work has been featured in a number of f national print and broadcast media outlets, including *The New York Times*—notably as one of the contributors to its’ viral *1619 Project*, which explores and exposes the true history of slavery in America—*The New Yorker, The Washington Post, NPR*, and *MSNBC*. Muhammad was an associate editor of *The Journal of American History* and prior Andrew W. Mellon fellow at the Vera Institute of Justice. He holds a Ph.D. from Rutgers University, two honorary doctorates, and is on the board of The Museum of Modern Art, The Barnes Foundation, and *The Nation* magazine.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to umichhumanrights@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Tue, 14 Jan 2020 14:55:56 -0500 2020-01-22T16:00:00-05:00 2020-01-22T17:30:00-05:00 Weiser Hall Donia Human Rights Center Lecture / Discussion Khalil Gibran Muhammad
Digitizing Archives of Abolitionists: The Rochester Ladies' Anti-Slavery Society Papers (January 23, 2020 4:00pm) https://events.umich.edu/event/70024 70024-17497480@events.umich.edu Event Begins: Thursday, January 23, 2020 4:00pm
Location: William Clements Library
Organized By: William L. Clements Library

The Rochester (NY) Ladies' Anti-Slavery Society papers (1848-1868) consist of the society's incoming correspondence about slavery, fugitive slaves, the conditions of freemen, and other progressive issues; printed annual reports; and other items. Abolitionists Frederick Douglass, Julia Wilbur, Julia Griffiths, and others are among the collection's writers. The William L. Clements Library selected this collection to be fully digitized and made accessible online in a new digitized manuscripts platform that launched in 2019: https://quod.lib.umich.edu/r/rochester/

In this presentation, Curator of Manuscripts Cheney J. Schopieray will provide an overview of the collection and digitization process, as well as an opportunity to examine some of the materials in person.

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Lecture / Discussion Thu, 05 Dec 2019 11:48:00 -0500 2020-01-23T16:00:00-05:00 2020-01-23T17:00:00-05:00 William Clements Library William L. Clements Library Lecture / Discussion Detail from the Rochester Ladies' Anti-Slavery Society papers
The 1619 Project: Episode 5, part 1 and 2: The Land of our Fathers (January 27, 2020 6:00pm) https://events.umich.edu/event/71001 71001-17766501@events.umich.edu Event Begins: Monday, January 27, 2020 6:00pm
Location: Haven Hall
Organized By: Department of Afroamerican and African Studies

Part 1: More than a century and a half after the promise of 40 acres and a mule, the story of black land ownership in America remains one of loss and dispossession. June and Angie Provost, who trace their family line to the enslaved workers on Louisiana’s sugar-cane plantations, know this story well.

On today’s episode: The Provosts spoke with Adizah Eghan and Annie Brown, producers for “1619.”
Part 2: The Provosts, a family of sugar-cane farmers in Louisiana, had worked the same land for generations. When it became harder and harder to keep hold of that land, June Provost and his wife, Angie, didn’t know why — and then a phone call changed their understanding of everything. In the finale of “1619,” we hear the rest of June and Angie’s story, and its echoes in a past case that led to the largest civil rights settlement in American history.


On today’s episode: June and Angie Provost; Adizah Eghan and Annie Brown, producers for “1619”; and Khalil Gibran Muhammad, a professor of history, race and public policy at Harvard University and the author of “The Condemnation of Blackness.”

“1619” is a New York Times audio series hosted by Nikole Hannah-Jones. You can find more information about it at nytimes.com/1619podcast.

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Lecture / Discussion Thu, 09 Jan 2020 14:31:33 -0500 2020-01-27T18:00:00-05:00 2020-01-27T20:00:00-05:00 Haven Hall Department of Afroamerican and African Studies Lecture / Discussion Haven Hall
Wallace House Presents “The 1619 Project: Examining the Legacy of Slavery and the Building of a Nation” (January 28, 2020 6:00pm) https://events.umich.edu/event/70101 70101-17530518@events.umich.edu Event Begins: Tuesday, January 28, 2020 6:00pm
Location: Rackham Graduate School (Horace H.)
Organized By: Wallace House Center for Journalists

Journalism is often called the first draft of history. But journalism can also be used as a powerful tool for examining history.

Four hundred years ago, in August 1619, a ship carrying enslaved Africans arrived in the English colony of Virginia, establishing the system of slavery on which the United States was built.

With The 1619 Project, The New York Times is prompting conversation and debate about the legacy of slavery and its influence over American society and culture. From mass incarceration to traffic jams, the project seeks to reframe our understanding of American history and the fight to live up to our nation’s central promise.

Wallace House Presents the project’s creator, New York Times Magazine reporter Nikole Hannah-Jones, in conversation with Rochelle Riley, longtime journalist and columnist.

About the Speaker:
Nikole Hannah-Jones is a domestic correspondent for The New York Times Magazine focusing on racial injustice. She has written on federal failures to enforce the Fair Housing Act, the resegregation of American schools and policing in America. Her extensive reporting in both print and radio on the ways segregation in housing and schools is maintained through official action and policy has earned the National Magazine Award, a Peabody and a Polk Award. Her work designing “The 1619 Project” has been met with universal acclaim. The project was released in August 2019 to mark the 400th anniversary of American slavery and re-examines the role it plays in the history of the United States.

Hannah-Jones earned her bachelor’s in history and African-American studies from the University of Notre Dame and her master’s in journalism and mass communication from the University of North Carolina at Chapel Hill.

About the Moderator:
Rochelle Riley was a 2007-2008 Knight-Wallace Fellow and is the Director of Arts and Culture for the City of Detroit. For nineteen years she was a columnist at the Detroit Free Press. Riley is author of “The Burden: African Americans and the Enduring Impact of Slavery” and the upcoming “That They Lived: Twenty African Americans Who Changed The World.” She has won numerous national, state and local honors, including the 2017 Ida B. Wells Award from the National Association of Black Journalists for her outstanding efforts to make newsrooms and news coverage more accurately reflect the diversity of the communities they serve and the 2018 Detroit SPJ Lifetime Achievement Award alongside her longtime friend, Walter Middlebrook. She was a 2016 inductee into the Michigan Journalism Hall of Fame.

This is a 2020 Annual U-M Reverend Dr. Martin Luther King Jr. Symposium event.

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Lecture / Discussion Mon, 06 Jan 2020 11:04:06 -0500 2020-01-28T18:00:00-05:00 2020-01-28T19:30:00-05:00 Rackham Graduate School (Horace H.) Wallace House Center for Journalists Lecture / Discussion Nikole Hannah-Jones
Bioethics Discussion: Michigan (January 28, 2020 7:00pm) https://events.umich.edu/event/52725 52725-12974158@events.umich.edu Event Begins: Tuesday, January 28, 2020 7:00pm
Location: Lurie Biomedical Engineering
Organized By: The Bioethics Discussion Group

A discussion on our state.

Readings to consider:
1. 2019 State of the State
2. Michigan Health Policy for the Incoming 2019 Gubernatorial Administration
3. ACA Exchange Competitiveness in Michigan
4. Flint Water Crisis: What Happened and Why?

For more information and/or to receive a copy of the readings contact Barry Belmont at belmont@umich.edu or visit http://belmont.bme.umich.edu/bioethics-discussion-group/discussions/039-michigan/.

For the ever-present state of things, consider the blog: https://belmont.bme.umich.edu/incidental-art/




...Flint still doesn't have clean drinking water.

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Lecture / Discussion Thu, 09 Jan 2020 09:55:44 -0500 2020-01-28T19:00:00-05:00 2020-01-28T20:30:00-05:00 Lurie Biomedical Engineering The Bioethics Discussion Group Lecture / Discussion Michigan
CANCELED: Undergraduate American Culture Writing Group (January 30, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957421@events.umich.edu Event Begins: Thursday, January 30, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-01-30T17:30:00-05:00 2020-01-30T19:30:00-05:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
Continuing Korematsu: Our Fight in the Trump Era (January 30, 2020 6:00pm) https://events.umich.edu/event/72117 72117-17939981@events.umich.edu Event Begins: Thursday, January 30, 2020 6:00pm
Location: Hutchins Hall
Organized By: Asian Pacific American Law Students Association

January 30th is the Fred Korematsu Day of Civil Liberties and the Constitution. On February 19th, 1942, President Roosevelt signed Executive Order 9066, one of the most blatant forms of racial profiling in US history, which led to the forced removal and incarceration of over 120,000 American citizens and residents on the basis of being ethnically Japanese. Fred T. Korematsu was one of many who refused to be incarcerated, and was arrested. A national civil rights hero, Fred Korematsu appealed his case to the Supreme Court. Although the Supreme Court ruled against him in 1944, in 1983 his conviction was overturned in a coram nobis proceeding where Fred Korematsu addressed the court, saying, “I would like to see the government admit they were wrong, and do something about it so this will never happen again to any American citizen of any race, creed, or color.”

In 2014 and again in 2019, the US government attempted to reopen the Fort Sill camp to incarcerate migrant children from Latin America; Fort Sill was previously used as a concentration camp where Native Americans and Japanese Americans were detained. In June 2017, ICE agents raided and arrested Iraqi families in the Detroit area, leading to the ACLU’s lawsuit, Hamama v. Adducci. Raids on Iraqi families have continued into 2019.

On January 30th, APALSA's Political Action Committee, in partnership with the Michigan Asian Pacific American Affairs Commission and Stop Repeating History would like to invite you to attend a screening of the documentary Alternative Facts: The Lies of Executive Order 9066 by Jon Osaki, followed by a panel discussion and audience Q&A led by University of Michigan Law student Kevin Luong.

This event features incredible guest speakers: Dr. Karen Korematsu, Don Tamaki, Aamina Ahmed, Mary Kamidoi, and Michael Steinberg. Free and open to the public. Food from Curry On will be provided with RSVP: bit.ly/2tfDsnu

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Lecture / Discussion Mon, 27 Jan 2020 12:49:48 -0500 2020-01-30T18:00:00-05:00 2020-01-30T20:00:00-05:00 Hutchins Hall Asian Pacific American Law Students Association Lecture / Discussion Korematsu Day Poster
CANCELED: Undergraduate American Culture Writing Group (February 6, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957422@events.umich.edu Event Begins: Thursday, February 6, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-02-06T17:30:00-05:00 2020-02-06T19:30:00-05:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED: Undergraduate American Culture Writing Group (February 13, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957423@events.umich.edu Event Begins: Thursday, February 13, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-02-13T17:30:00-05:00 2020-02-13T19:30:00-05:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
Lecture: Lesley Lokko (February 17, 2020 6:00pm) https://events.umich.edu/event/70986 70986-17762335@events.umich.edu Event Begins: Monday, February 17, 2020 6:00pm
Location: Art and Architecture Building
Organized By: A. Alfred Taubman College of Architecture + Urban Planning

Lesley Lokko is an architect, academic and the author of eleven best-selling novels. She served as Head of School at the Graduate School of Architecture, University of Johannesburg, South Africa, and as of December 2019, she took up the post of Dean of Architecture at the Spitzer School of Architecture, CCNY, New York. She trained as an architect at the Bartlett School of Architecture from 1989–1995, and gained her PhD in Architecture from the University of London in 2007. She has taught at schools in the US, the UK and South Africa. She is the editor of White Papers, Black Marks: Race, Culture, Architecture (University of Minnesota Press, 2000); editor-in-chief of FOLIO: Journal of Contemporary African Architecture and is on the editorial board of ARQ (Cambridge). She has been an on-going contributor to discourses around identity, race, African urbanism and the speculative nature of African architectural space and practice for nearly thirty years. She is a regular juror at international competitions and symposia, and is a long-term contributor to BBC World. In 2004, she made the successful transition from academic to novelist with the publication of her first novel, Sundowners (Orion 2004), a UK-Guardian top forty best-seller, and has since then followed with ten further best-sellers, which have been translated into fifteen languages.

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Lecture / Discussion Mon, 06 Jan 2020 20:58:40 -0500 2020-02-17T18:00:00-05:00 2020-02-17T20:00:00-05:00 Art and Architecture Building A. Alfred Taubman College of Architecture + Urban Planning Lecture / Discussion Lesley Lokko
‘Something within the silent black man answered No!’ or, Is Bartleby Uncle Tom on Wall Street? (February 19, 2020 4:00pm) https://events.umich.edu/event/71970 71970-17905478@events.umich.edu Event Begins: Wednesday, February 19, 2020 4:00pm
Location: William Clements Library
Organized By: Nineteenth Century Forum

Join the Nineteenth Century Forum (NCF) for a paper workshop with Laura Korobkin, Associate Professor of English at Boston University.

This essay argues that the relationship between Bartleby and the lawyer-narrator in “Bartleby, the Scrivener” is Melville’s adaptive rewriting of the chiasmic trajectory of the Tom-Legree relationship in Stowe’s Uncle Tom’s Cabin. In both, a new, disempowered worker in a dehumanizing workplace quietly and respectfully refuses a series of commands, stunning and enraging the master, who interprets the refusals as a willful challenge to his personal mastery. In both texts, though urging no cause and calling none to disobey, the resistor becomes paradoxically empowered, the master disempowered; though the worker could end the conflict at any time by changing his behavior, he chooses not to, ultimately enabling his death in captivity. Challenging the established assumption that he responded to Stowe only with mocking disdain, the essay argues that Melville creatively engaged the novel’s unsentimental Legree section, giving his lawyer-narrator both Legree’s obsession with his own mastery and Shelby and St. Clare’s self-consoling view of their own benevolence. The essay questions Stowe’s absence from “Bartleby” criticism and argues that Melville extends Stowe’s suggestion of economic continuities between plantation and factory by triangulating the national system to include the white collar office.

Please email Sarah Van Cleve (srvc@umich.edu) to RSVP and receive a copy of the pre-circulated paper. All are welcome!

This workshop will be held in the Clements Library meeting space G060. The room is accessed through the north entrance, glass vestibule facing Hatcher Graduate Library. Registrants will need to check-in at the reception desk before accessing the room.

Co-sponsorship for this event is generously provided by The Clements Library, The Department of American Culture, The American History Workshop, and the American Studies Consortium.

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Workshop / Seminar Thu, 23 Jan 2020 16:14:07 -0500 2020-02-19T16:00:00-05:00 2020-02-19T17:30:00-05:00 William Clements Library Nineteenth Century Forum Workshop / Seminar An 1897 illustration of Uncle Tom and Simon Legree from The Digital Public Library of America
CANCELED: Undergraduate American Culture Writing Group (February 20, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957424@events.umich.edu Event Begins: Thursday, February 20, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-02-20T17:30:00-05:00 2020-02-20T19:30:00-05:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
Emerging Urbanisms Keynote: Lester Spence (February 20, 2020 6:00pm) https://events.umich.edu/event/72077 72077-17933535@events.umich.edu Event Begins: Thursday, February 20, 2020 6:00pm
Location: Art and Architecture Building
Organized By: A. Alfred Taubman College of Architecture + Urban Planning

Lester Spence, Professor of Political Science and Africana Studies, an award winning scholar, author, and teacher, has published two books (Stare in the Darkness: Hip-hop and the Limits of Black Politics winner of the 2012 W. E. B. Du Bois Distinguished Book Award, and Knocking the Hustle: Against the Neoliberal Turn in Black Politics, winner of both the Baltimore City Paper and Baltimore Magazine 2016 Best Nonfiction Book Awards and was named to The Atlantic’s 2016 “Best Books We Missed” list), one co-edited journal, over a dozen academic articles and several dozen essays and think pieces in a range of publications including The American Journal of Political Science, Political Research Quarterly, The New York Times, Jacobin, Salon, and The Boston Review. He is currently at work on two book length projects examining the contemporary AIDS crisis in black communities, and the growing role of police in major American cities.

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Lecture / Discussion Wed, 19 Feb 2020 09:48:24 -0500 2020-02-20T18:00:00-05:00 2020-02-20T19:30:00-05:00 Art and Architecture Building A. Alfred Taubman College of Architecture + Urban Planning Lecture / Discussion Lester Spence
Black History Month and Mid-Year Cancer Survivors Celebration! (February 22, 2020 9:00am) https://events.umich.edu/event/72406 72406-18000388@events.umich.edu Event Begins: Saturday, February 22, 2020 9:00am
Location: Off Campus Location
Organized By: UMHS Rogel Cancer Center Community Outreach Office

You are cordially invited to our Black History Month and Mid-Year Cancer Survivors Celebration! The event will be held on February 22, 2020 at Washtenaw Community College, Morris Lawrence Building. Our featured speaker is Dr. Eddie Connor. We will have resource tables, raffle prizes, and a special optional interactive dance session with Dance With Elegance. This event is free and open to all! The event flyer is attached and details are below. Please help us spread the word!

Date: Saturday, February 22, 2020
Time: 9:00-11:15 (Hot Breakfast served 9:00-9:30am)
Location: Washtenaw Community College, Morris Lawrence Building (4800 E. Huron River Driver, Ann Arbor, 48105)
Registration Options: Catricia@umich.edu or directly at https://www.eventbrite.com_african-american-history-month-and-survivors-celebration
Featured Speaker:
Dr. Eddie Connor, “Finding the ‘CAN’ in Cancer”

Special Event:
Sherry Hawkins, Dance With Elegance Health and Fitness Studio

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Workshop / Seminar Mon, 03 Feb 2020 12:32:34 -0500 2020-02-22T09:00:00-05:00 2020-02-22T11:00:00-05:00 Off Campus Location UMHS Rogel Cancer Center Community Outreach Office Workshop / Seminar flyer
Public-Facing Scholarship on the Trans-Atlantic Slave Trade: Multimedia and Digital Approaches (February 24, 2020 4:00pm) https://events.umich.edu/event/72125 72125-18009360@events.umich.edu Event Begins: Monday, February 24, 2020 4:00pm
Location: Modern Languages Building
Organized By: Department of Afroamerican and African Studies

This lecture and Q&A session will offer an overview LSA Alum Rachel Willis' public-facing humanities project, a multi-media DAAS Gallery exhibit entitled *Il faut se souvenir*, we must not forget: memorializing slavery in Detroit and Martinique. Combining archival research with digital technology, this project allows us to generate new ways of thinking about story-telling and visualizing historical movement to reach audiences outside of the academy.

This presentation is part of the RLL DEI Committee Beyond the Academy Initiative, in conjunction with the Rackham Faculty Diversity Allies program.

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Lecture / Discussion Tue, 04 Feb 2020 12:52:53 -0500 2020-02-24T16:00:00-05:00 2020-02-24T17:30:00-05:00 Modern Languages Building Department of Afroamerican and African Studies Lecture / Discussion Modern Languages Building
Black Art, Politics and Visibility: “Printed” Challenges for the Black Community in Brazil and the US in Times of Totalitarianism (February 25, 2020 4:00pm) https://events.umich.edu/event/72567 72567-18018160@events.umich.edu Event Begins: Tuesday, February 25, 2020 4:00pm
Location: North Quad
Organized By: Institute for Research on Women and Gender

This event is part of the *O Menelick 2Ato*: Art, Culture and Society From the Perspective of Contemporary Brazilian Black Press series.

Luciane Ramos Silva and Nabor Jr, editors of the Afro-Brazilian magazine O Menelick 2Ato, will discuss historical and current relations between Brazilian and American black presses. By discussing the dominant aesthetic and poetic regimes of representation, Luciane and Nabor will propose the black arts as a fundamental channel of critical engagement in contexts of social and political cleavage.

Light refreshments will be served. Free and open to the public.

Co-sponsors: Romance Languages and Literatures Department, UM Hatcher Graduate Library, UM Library Mini Grant, Women’s Studies, Institute for Research on Women and Gender (IRWG), Language Resource Center (LRC), Department of History, African Studies Center, Center for Latin-American and Caribbean Studies – Brazil Initiative, Department of Communication and Media, Department of Afroamerican and African Studies.

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Lecture / Discussion Wed, 05 Feb 2020 15:18:37 -0500 2020-02-25T16:00:00-05:00 2020-02-25T18:00:00-05:00 North Quad Institute for Research on Women and Gender Lecture / Discussion Black Art, Politics and Visibility: “Printed” Challenges for the Black Community in Brazil and the US in Times of Totalitarianism
Black Excellence Gala (February 25, 2020 6:00pm) https://events.umich.edu/event/73215 73215-18175239@events.umich.edu Event Begins: Tuesday, February 25, 2020 6:00pm
Location: Michigan Union
Organized By: Multi Ethnic Student Affairs - MESA

The Black Excellence celebration aims to honor the diversity of blackness within the UM campus and community. This event intends to have different black cultural organizations across campus come and showcase their cultural pride through art, performance, or any form of creative expression. The event will also include a buffet of food from different aspects of the African diaspora, such as soul food, different African dishes, and even dishes from Afro-Latino/Caribbean backgrounds.

At this event, participants and student groups will have an opportunity to celebrate and showcase their artistic talents in many ways, including spoken word, dance, singing, etc. We'll also have local Black vendors at the event.

We are also looking for black art, photographs, and creative pieces to showcase in an art gallery during this event that will take place at the very beginning. There will be an entire section of the union ballroom dedicated to displaying all sorts of black art, Afrocentric collective pieces for anyone who chooses to have art displayed.

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Performance Sun, 23 Feb 2020 23:20:37 -0500 2020-02-25T18:00:00-05:00 2020-02-25T20:00:00-05:00 Michigan Union Multi Ethnic Student Affairs - MESA Performance Black Excellence Gala
Building an Interdisciplinary Science on Cultural & Structural Racism (February 26, 2020 10:00am) https://events.umich.edu/event/70972 70972-17760245@events.umich.edu Event Begins: Wednesday, February 26, 2020 10:00am
Location: Institute For Social Research
Organized By: Institute for Social Research

Interdisciplinary Science on Cultural & Structural Racism
Wednesday, February 26
10am - 6pm
ISR-Thompson 1430

Morning Session
10am - 12:00pm
Creating Diverse, Joyful, and Productive Working Groups

Working Group Lunches
12:30pm - 1:30pm

Afternoon Session
2pm - 4:30pm
Building an Interdisciplinary Science on Racism

Poster Session
4:30pm - 6pm

RacismLab invites you to join in celebrating its five-year anniversary, in conjunction with University-wide MLK 2020 programming, for the 2020 RacismLab Symposium and concurrent Poster Session on Wednesday, February 26.

NETWORKING LUNCH FOR POST-DOCS and FACULTY:
Early-career scholars (i.e., postdocs and assistant professors) are invited to sign up for the networking lunch during the symposium. The networking lunch, led by Dr. Debbie Rivas-Drake, will explore strategies for creating diverse, joyful, and productive research groups. For more information and to sign up for a working lunch roundtable: https://docs.google.com/forms/d/e/1FAIpQLSemIZfoohv6CHmg99EFgXlSEvfSQYmAJ4cvUUaVsy80hBCp7g/viewform

If you have any questions or require an accommodation to participate in this event, please contact Anna Massey at abeattie@umich.edu.

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Conference / Symposium Thu, 20 Feb 2020 15:38:30 -0500 2020-02-26T10:00:00-05:00 2020-02-26T18:00:00-05:00 Institute For Social Research Institute for Social Research Conference / Symposium event flyer
Launch of O Menelick 2 Ato #21 and Opening of “O Menelick 2Ato. Making Black Press in 21st Century Brazil” (February 26, 2020 4:00pm) https://events.umich.edu/event/72569 72569-18018161@events.umich.edu Event Begins: Wednesday, February 26, 2020 4:00pm
Location: Hatcher Graduate Library
Organized By: Institute for Research on Women and Gender

This event is part of the *O Menelick 2Ato*: Art, Culture and Society From the Perspective of Contemporary Brazilian Black Press series.

Launch of the 21st issue of the Afro-Brazilian magazine *O Menelick 2 Ato* and of its curated edition in English. Panel discussion with Q&A featuring the magazine editors, Luciane Ramos Silva, Nabor Jr. and U-M faculty.

Followed by the opening of a digital and print exhibit of selected magazine covers by Afro-Brazilian and Afro-Diasporic artists.

The exhibit will be on display until March 11th at the Hatcher Graduate Library Gallery.

Light reception to follow. Free and open to the public.

Co-sponsors: Romance Languages and Literatures Department, UM Hatcher Graduate Library, UM Library Mini Grant, Women’s Studies, Institute for Research on Women and Gender (IRWG), Language Resource Center (LRC), Department of History, African Studies Center, Center for Latin-American and Caribbean Studies – Brazil Initiative, Department of Communication and Media, Department of Afroamerican and African Studies.

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Exhibition Wed, 05 Feb 2020 15:19:01 -0500 2020-02-26T16:00:00-05:00 2020-02-26T19:00:00-05:00 Hatcher Graduate Library Institute for Research on Women and Gender Exhibition Launch of O Menelick 2 Ato #21 and Opening of “O Menelick 2Ato. Making Black Press in 21st Century Brazil”
CANCELED: Undergraduate American Culture Writing Group (February 27, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957425@events.umich.edu Event Begins: Thursday, February 27, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-02-27T17:30:00-05:00 2020-02-27T19:30:00-05:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED: Undergraduate American Culture Writing Group (March 5, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957426@events.umich.edu Event Begins: Thursday, March 5, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-03-05T17:30:00-05:00 2020-03-05T19:30:00-05:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
Women on a Mission 2.0: Leadership, Citizenship & Advocacy (March 6, 2020 8:30am) https://events.umich.edu/event/73597 73597-18267644@events.umich.edu Event Begins: Friday, March 6, 2020 8:30am
Location: Hill Auditorium
Organized By: CEW+

The free morning keynote will be a conversation with Dr. Joy DeGruy, nationally & internationally renowned researcher, educator, author, & presenter, and Dr. Julianne Malveaux, economist, author, social and political commentator, & businesswoman. They will discuss inclusive citizenship and the role of women as transformative change agents for voting rights, economic policy, prison reform, and access to education.

Please note that the keynote lecture (8:30-10:30am at Hill Auditorium) is open to the general public and no registration is required. However, pre-registration is required to attend the full-day WCTF Career Conference workshops and luncheon.

Click here to view the live stream: https://ummedia01.umnet.umich.edu/cew/cew030620.html

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Lecture / Discussion Thu, 05 Mar 2020 11:45:18 -0500 2020-03-06T08:30:00-05:00 2020-03-06T10:30:00-05:00 Hill Auditorium CEW+ Lecture / Discussion Dr. Joy DeGruy & Dr. Julianne Malveaux
Freedom Writings: Black Abolitionists and the Struggle Against "Race Hatred" in Brazil - 1870-1890 (March 9, 2020 4:00pm) https://events.umich.edu/event/72781 72781-18077119@events.umich.edu Event Begins: Monday, March 9, 2020 4:00pm
Location: Tisch Hall
Organized By: Department of History

How do you think about the experiences of freedom among black people in Brazil before the end of slavery in 1888? Interested in this question, this lecture presents a reflection on the experiences of free and literate black men, who were active in the press, as well as in the political-cultural landscape of the cities of São Paulo and Rio de Janeiro in the second half of the nineteenth century. Ferreira de Menezes, Luiz Gama, Machado de Assis, José do Patrocinio, Ignacio de Araújo Lima, Arthur Carlos and Theophilo Dias de Castro are the central subjects in this narrative, along with so many other “free men of color” who sought in different ways to conquer and maintain their spaces in the public debate about the Brazil’s paths, while relying on the sustainability of their own individual projects. Against the grain of “ race hatred” daily practices, they not only contributed to debates on daily, abolitionist, black and literary newspapers, but also led the creation of resistance, confrontation and dialogue tools and mechanisms.

Ana Flávia Magalhães Pinto is an adjunct professor in the Department of History at the University of Brasília. She received her PhD in History from the State University of Campinas, her MA in History from the University of Brasília, and her BA in Journalism from The University Center of Brasília. Pinto has developed research articulating knowledge in the areas of History, Communication, Literature and Education, with an emphasis on political-cultural performance of black thinkers, black press, abolitionism and experiences of black freedom and citizenship in the slavery period and post-abolition in Brazil and elsewhere in the African Diaspora.

This lecture will take place on Monday, March 9, at 4:00pm in 1014 Tisch Hall.

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Lecture / Discussion Wed, 12 Feb 2020 10:44:25 -0500 2020-03-09T16:00:00-04:00 2020-03-09T18:00:00-04:00 Tisch Hall Department of History Lecture / Discussion Ana Flávia Magalhães Pinto
CANCELED: Undergraduate American Culture Writing Group (March 12, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957427@events.umich.edu Event Begins: Thursday, March 12, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-03-12T17:30:00-04:00 2020-03-12T19:30:00-04:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED: Undergraduate American Culture Writing Group (March 19, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957428@events.umich.edu Event Begins: Thursday, March 19, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-03-19T17:30:00-04:00 2020-03-19T19:30:00-04:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED/POSTPONED -- The Mothers of Gynecology: Examining U.S. Slavery and the Making of a Field (March 24, 2020 4:00pm) https://events.umich.edu/event/71643 71643-17851292@events.umich.edu Event Begins: Tuesday, March 24, 2020 4:00pm
Location: Lane Hall
Organized By: Institute for Research on Women and Gender

This event has been canceled/postponed as of 3/12/2020. Please stay tuned for future updates.

Deirdre Cooper Owens is the Linda and Charles Wilson Professor in the History of Medicine and Director of the Humanities in Medicine program at the University of Nebraska-Lincoln. She is an Organization of American Historians’ (OAH) Distinguished Lecturer and has won a number of prestigious honors that range from the University of Virginia’s Carter G. Woodson Postdoctoral Fellowship in the Woodson Institute for African-American and African Studies to serving as an American Congress of Obstetrics and Gynecology Fellow in Washington, D.C. Cooper Owens earned her Ph.D. from UCLA in History and wrote an award-winning dissertation while there. A popular public speaker, she has published articles, essays, book chapters, and think pieces on a number of issues that concern African American experiences and reproductive justice. Recently, Cooper Owens finished working with Teaching Tolerance and the Southern Poverty Law Center on a podcast series about how to teach U.S. slavery and Time Magazine listed her as an “acclaimed expert” on U.S. history in its annual “The 25 Moments From American History That Matter Right Now.” Her first book, Medical Bondage: Race, Gender and the Origins of American Gynecology (UGA Press, 2017) won the 2018 Darlene Clark Hine Book Award from the OAH as the best book written in African American women’s and gender history.

Professor Cooper Owens is also the Director of the Program in African American History at the Library Company of Philadelphia, the country’s oldest cultural institution founded by Benjamin Franklin in 1731. She is working on a second book project that examines mental illness during the era of United States slavery and is writing a popular biography of Harriet Tubman that examines her through the lens of disability.

This talk is presented by IRWG's program on Black Feminist Health Studies.

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Lecture / Discussion Thu, 12 Mar 2020 12:54:45 -0400 2020-03-24T16:00:00-04:00 2020-03-24T17:30:00-04:00 Lane Hall Institute for Research on Women and Gender Lecture / Discussion photo of Deirdre Cooper-Owens
CANCELLED: CCSW "Contemporary Narratives" Writing Workshop (March 26, 2020 1:00pm) https://events.umich.edu/event/72972 72972-18116563@events.umich.edu Event Begins: Thursday, March 26, 2020 1:00pm
Location: Angell Hall
Organized By: Department of English Language and Literature

The Critical Contemporary Studies Workshop's writing workshop will give graduate students a chance to get feedback in small groups from faculty respondents and graduate student peers on works-in-progress about contemporary literature, art, or culture. The papers will be pre-circulated to the assigned groups. The intention of the workshop is to bring together students in different departments and to spark discourse across traditional generic and/or disciplinary boundaries.

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Workshop / Seminar Thu, 12 Mar 2020 13:56:48 -0400 2020-03-26T13:00:00-04:00 2020-03-26T14:30:00-04:00 Angell Hall Department of English Language and Literature Workshop / Seminar
CANCELED: Undergraduate American Culture Writing Group (March 26, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957429@events.umich.edu Event Begins: Thursday, March 26, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-03-26T17:30:00-04:00 2020-03-26T19:30:00-04:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED No Space Hidden (Under Heaven) (April 1, 2020 9:00am) https://events.umich.edu/event/70225 70225-17549995@events.umich.edu Event Begins: Wednesday, April 1, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-01T09:00:00-04:00 2020-04-01T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 2, 2020 9:00am) https://events.umich.edu/event/70225 70225-17549996@events.umich.edu Event Begins: Thursday, April 2, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-02T09:00:00-04:00 2020-04-02T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED: Undergraduate American Culture Writing Group (April 2, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957430@events.umich.edu Event Begins: Thursday, April 2, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-04-02T17:30:00-04:00 2020-04-02T19:30:00-04:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED No Space Hidden (Under Heaven) (April 3, 2020 9:00am) https://events.umich.edu/event/70225 70225-17549997@events.umich.edu Event Begins: Friday, April 3, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-03T09:00:00-04:00 2020-04-03T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 6, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550000@events.umich.edu Event Begins: Monday, April 6, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-06T09:00:00-04:00 2020-04-06T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 7, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550001@events.umich.edu Event Begins: Tuesday, April 7, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-07T09:00:00-04:00 2020-04-07T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 8, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550002@events.umich.edu Event Begins: Wednesday, April 8, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-08T09:00:00-04:00 2020-04-08T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 9, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550003@events.umich.edu Event Begins: Thursday, April 9, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-09T09:00:00-04:00 2020-04-09T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
POSTPONED to SPRING 2021. Behind Walls, Beyond Discipline: STS and the Carceral State (April 9, 2020 2:00pm) https://events.umich.edu/event/71887 71887-17896724@events.umich.edu Event Begins: Thursday, April 9, 2020 2:00pm
Location: Michigan League
Organized By: Science, Technology & Society

Science and technology lie at the heart of the carceral state. Matters of modern law and order rely on state-of-the-art technoscience as ideological and practical resources. Scientific theories about human behavior influence legal interpretations of guilt, sanity, violence, and innocence. Biometric sensors, cameras, tasers, and electronic ankle bracelets surveil, discipline, control, punish, and contain populations. This conference brings together an international group of science and technology studies (STS) scholars—humanists and social scientists who have developed analytic tools and perspectives for systematically understanding the reciprocal relationships between science, technology, politics, and society—to rigorously address one of the major social justice and human rights issues of our times.

This is a two-day conference co-organized by the Program in Science, Technology & Society and the Science, Technology & Public Policy program. Keynote is cosponsored by the African Studies Center.

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Conference / Symposium Sat, 14 Mar 2020 20:06:06 -0400 2020-04-09T14:00:00-04:00 2020-04-09T18:00:00-04:00 Michigan League Science, Technology & Society Conference / Symposium Panopticon
CANCELED: Undergraduate American Culture Writing Group (April 9, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957431@events.umich.edu Event Begins: Thursday, April 9, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-04-09T17:30:00-04:00 2020-04-09T19:30:00-04:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED No Space Hidden (Under Heaven) (April 10, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550004@events.umich.edu Event Begins: Friday, April 10, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-10T09:00:00-04:00 2020-04-10T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
POSTPONED to SPRING 2021. Behind Walls, Beyond Discipline: STS and the Carceral State (April 10, 2020 9:00am) https://events.umich.edu/event/71887 71887-17896725@events.umich.edu Event Begins: Friday, April 10, 2020 9:00am
Location: Michigan League
Organized By: Science, Technology & Society

Science and technology lie at the heart of the carceral state. Matters of modern law and order rely on state-of-the-art technoscience as ideological and practical resources. Scientific theories about human behavior influence legal interpretations of guilt, sanity, violence, and innocence. Biometric sensors, cameras, tasers, and electronic ankle bracelets surveil, discipline, control, punish, and contain populations. This conference brings together an international group of science and technology studies (STS) scholars—humanists and social scientists who have developed analytic tools and perspectives for systematically understanding the reciprocal relationships between science, technology, politics, and society—to rigorously address one of the major social justice and human rights issues of our times.

This is a two-day conference co-organized by the Program in Science, Technology & Society and the Science, Technology & Public Policy program. Keynote is cosponsored by the African Studies Center.

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Conference / Symposium Sat, 14 Mar 2020 20:06:06 -0400 2020-04-10T09:00:00-04:00 2020-04-10T15:30:00-04:00 Michigan League Science, Technology & Society Conference / Symposium Panopticon
CANCELED No Space Hidden (Under Heaven) (April 13, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550007@events.umich.edu Event Begins: Monday, April 13, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-13T09:00:00-04:00 2020-04-13T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 14, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550008@events.umich.edu Event Begins: Tuesday, April 14, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-14T09:00:00-04:00 2020-04-14T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 15, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550009@events.umich.edu Event Begins: Wednesday, April 15, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-15T09:00:00-04:00 2020-04-15T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 16, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550010@events.umich.edu Event Begins: Thursday, April 16, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-16T09:00:00-04:00 2020-04-16T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED: Undergraduate American Culture Writing Group (April 16, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957432@events.umich.edu Event Begins: Thursday, April 16, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-04-16T17:30:00-04:00 2020-04-16T19:30:00-04:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED No Space Hidden (Under Heaven) (April 17, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550011@events.umich.edu Event Begins: Friday, April 17, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-17T09:00:00-04:00 2020-04-17T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 20, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550014@events.umich.edu Event Begins: Monday, April 20, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-20T09:00:00-04:00 2020-04-20T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 21, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550015@events.umich.edu Event Begins: Tuesday, April 21, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-21T09:00:00-04:00 2020-04-21T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 22, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550016@events.umich.edu Event Begins: Wednesday, April 22, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-22T09:00:00-04:00 2020-04-22T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 23, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550017@events.umich.edu Event Begins: Thursday, April 23, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-23T09:00:00-04:00 2020-04-23T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED: Undergraduate American Culture Writing Group (April 23, 2020 5:30pm) https://events.umich.edu/event/72214 72214-17957433@events.umich.edu Event Begins: Thursday, April 23, 2020 5:30pm
Location: Haven Hall
Organized By: Department of American Culture

Taking an upper-level writing course?

Writing an honors thesis?

Or just writing a paper for an AMCULT or Ethnic Studies class?

Join us, Thursdays in Ethnic Studies Lounge on the 3rd floor of Haven Hall!

Questions? Email arabelle@umich.edu

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Lecture / Discussion Thu, 12 Mar 2020 12:31:57 -0400 2020-04-23T17:30:00-04:00 2020-04-23T19:30:00-04:00 Haven Hall Department of American Culture Lecture / Discussion Undergraduate American Culture Writing Group
CANCELED No Space Hidden (Under Heaven) (April 24, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550018@events.umich.edu Event Begins: Friday, April 24, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-24T09:00:00-04:00 2020-04-24T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 26, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550020@events.umich.edu Event Begins: Sunday, April 26, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-26T09:00:00-04:00 2020-04-26T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 27, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550021@events.umich.edu Event Begins: Monday, April 27, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-27T09:00:00-04:00 2020-04-27T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 28, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550022@events.umich.edu Event Begins: Tuesday, April 28, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-28T09:00:00-04:00 2020-04-28T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 29, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550023@events.umich.edu Event Begins: Wednesday, April 29, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-29T09:00:00-04:00 2020-04-29T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (April 30, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550024@events.umich.edu Event Begins: Thursday, April 30, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-04-30T09:00:00-04:00 2020-04-30T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (May 1, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550025@events.umich.edu Event Begins: Friday, May 1, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-05-01T09:00:00-04:00 2020-05-01T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (May 4, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550028@events.umich.edu Event Begins: Monday, May 4, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-05-04T09:00:00-04:00 2020-05-04T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (May 5, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550029@events.umich.edu Event Begins: Tuesday, May 5, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-05-05T09:00:00-04:00 2020-05-05T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (May 6, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550030@events.umich.edu Event Begins: Wednesday, May 6, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-05-06T09:00:00-04:00 2020-05-06T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
CANCELED No Space Hidden (Under Heaven) (May 7, 2020 9:00am) https://events.umich.edu/event/70225 70225-17550031@events.umich.edu Event Begins: Thursday, May 7, 2020 9:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

New work by Abigial DeVille. Born in 1981 in New York, where she lives and works, DeVille has maintained a long-standing interest in marginalized people and places. She creates site-specific, immersive installations designed to bring attention to these forgotten stories, such as with the sculpture she built on the site of a former African American burial ground in Harlem.

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Exhibition Wed, 11 Mar 2020 13:03:50 -0400 2020-05-07T09:00:00-04:00 2020-05-07T17:00:00-04:00 202 S. Thayer Institute for the Humanities Exhibition Abigal DeVille
Filming the Future of Detroit: Museums and Publics 2020 Premiere Screening Live! (May 28, 2020 8:00pm) https://events.umich.edu/event/74727 74727-18952537@events.umich.edu Event Begins: Thursday, May 28, 2020 8:00pm
Location: Off Campus Location
Organized By: Department of Anthropology

Filming the Future of Detroit: Museums and Publics
2020 Premiere Screening Live!

Who decides the Future of the City? What does it mean to “engage” the public? What would it mean to collaborate? Are these “White” spaces in a “Black” city?

Thursday

May 28

8 PM

vimeo.com/showcase/7066290

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Film Screening Wed, 27 May 2020 10:17:15 -0400 2020-05-28T20:00:00-04:00 2020-05-28T21:00:00-04:00 Off Campus Location Department of Anthropology Film Screening
Motor City at a Standstill: Measuring the Impact of COVID-19 on Detroit (June 3, 2020 11:00am) https://events.umich.edu/event/74752 74752-18962487@events.umich.edu Event Begins: Wednesday, June 3, 2020 11:00am
Location: Off Campus Location
Organized By: Institute for Social Research

Wednesday, June 3, 2020
11:00am EST
Zoom: https://bit.ly/2Afy5YH

Since the outbreak of the COVID-19 pandemic, Detroit has emerged as an epicenter of the crisis. To date, more than 1300 Detroiters have died from a coronavirus infection and 43 percent of city residents have lost their jobs. In this ISR Insights talk, Jeffrey Morenoff (Professor, Sociology and Public Policy; Director, Population Studies Center) and Lydia Wileden (PhD Candidate, Sociology and Public Policy; Population Studies Center trainee) will discuss efforts by the Detroit Metro Area Communities Study -- a panel study of more than 1100 Detroiters -- to capture the real-time experiences of Detroiters and share insights from two survey waves on the dramatic financial precarity facing many Detroit households and the behavioral and economic changes residents are making to get by.

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Lecture / Discussion Thu, 28 May 2020 21:12:24 -0400 2020-06-03T11:00:00-04:00 2020-06-03T12:00:00-04:00 Off Campus Location Institute for Social Research Lecture / Discussion event flyer
Online Discussion of the Current Contention in the U.S. (June 9, 2020 3:00pm) https://events.umich.edu/event/74863 74863-19026109@events.umich.edu Event Begins: Tuesday, June 9, 2020 3:00pm
Location:
Organized By: Conflict & Peace, Research & Development (CPRD)

Essentially, CPRD is interested in political conflict and violence broadly conceived. This includes war, civil war, genocide, state repression/human rights violation, revolution/counter-revolution, terrorism/counter-terrorism, protest/protest policing and everyday resistance/domination. Additionally, we are also interested in peace - again broadly conceived to include peace talks/negotiation, humanitarian intervention and naming/shaming. The orientation of the group is open to geographic locale, method and theory. We thus involve individuals from world/ir, comparative, american, theory and public policy. We have had on occasion individuals join us from sociology, social work and law.

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Livestream / Virtual Fri, 05 Jun 2020 17:42:05 -0400 2020-06-09T15:00:00-04:00 2020-06-09T16:30:00-04:00 Conflict & Peace, Research & Development (CPRD) Livestream / Virtual CPRD
UPRISING NATION (June 10, 2020 4:00pm) https://events.umich.edu/event/74872 74872-19047772@events.umich.edu Event Begins: Wednesday, June 10, 2020 4:00pm
Location: Off Campus Location
Organized By: Residential College

A teach-in for U-M students, faculty, and staff on the historical precedents and contemporary contexts of urban uprisings, challenges to police violence, and black protest movements.

Featuring:

- Stephen Ward, Faculty Director of Semester in Detroit and Associate Professor in Social Theory and Practice in the Residential College and in Afroamerican and African Studies

- Heather Ann Thompson, Pulitzer Prize-winning Collegiate Professor of History and African American Studies and in the Residential College

- Dr. Harvey Slaughter, RC/LSA alum '72 English, PhD in in Leadership and Change Management, who as an activist in the early Black Action Movement I at U-M in the early 1970s

Open to all U-M students, faculty, and staff. Please make sure you are logged into your umich account to access the zoom meeting link here: http://myumi.ch/qgqEw

This event is part of the RC Summer Forum: a series of virtual events to keep the RC Community connected during COVID-19.

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Livestream / Virtual Mon, 08 Jun 2020 13:39:30 -0400 2020-06-10T16:00:00-04:00 2020-06-10T17:30:00-04:00 Off Campus Location Residential College Livestream / Virtual Uprising Nation
Wealth and the Persistence of Racial Inequality (June 17, 2020 11:00am) https://events.umich.edu/event/74898 74898-19065440@events.umich.edu Event Begins: Wednesday, June 17, 2020 11:00am
Location: Off Campus Location
Organized By: Institute for Social Research

Wednesday, June 17, 2020
11am EST
https://umich.zoom.us/j/98604209689

As the country grapples with its persistent problem of racial injustice, this ISR Insights talk will focus on one aspect of long-standing racial inequality — gaps in family wealth. Featuring new findings on the depth and persistence of racial wealth gaps, Fabian Pfeffer (Associate Professor, Sociology; Research Associate Professor, Population Studies Center, ISR) will also clarify why rising levels of wealth inequality present a major challenge to the economic prosperity and opportunity of most families in this country.

This webinar is the third in a continuing series focusing on the research happening at ISR.  If there is a topic you would like to see featured or have an idea for a future presentation, please email abeattie@umich.edu.  This talk is being recorded and will be shared widely.

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Lecture / Discussion Wed, 10 Jun 2020 15:35:19 -0400 2020-06-17T11:00:00-04:00 2020-06-17T12:00:00-04:00 Off Campus Location Institute for Social Research Lecture / Discussion flyer
19 Historical Black Figures: “Celebrating Black Joy on JuneTeenth” (June 19, 2020 9:00am) https://events.umich.edu/event/74992 74992-19128258@events.umich.edu Event Begins: Friday, June 19, 2020 9:00am
Location:
Organized By: Multi Ethnic Student Affairs - MESA

In honor of Juneteenth, The Office of Multi-Ethnic Students Affairs, Trotter Multicultural Center and The Department Of Afro-American and African Studies have joined together in an effort to recognize and pay tribute to 19 historical Black figures and symbolically commemorate the date of Juneteenth. Every hour beginning at 9:00am we will be celebrating #Blackjoy on our social media pages throughout the day by posting images and short bios of the selected individuals from a curated list gathered by MESA, Trotter and the DAAS Staff. Nineteen different folks who were civil rights leaders, freedom rights fighters, abolitionists and activists etc., will be acknowledged and celebrated publicly as we pay homage to those who supported and contributed to freedom, equal rights, and justice etc., for all black people from all different decades throughout history. We encourage university administration, faculty, and staff to repost, share or join in on this day as we celebrate and pay tribute to a small sample of our African American freedom fighters. Please feel free to reach out with any questions about participating if interested.

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Other Thu, 18 Jun 2020 17:04:10 -0400 2020-06-19T09:00:00-04:00 2020-06-19T18:00:00-04:00 Multi Ethnic Student Affairs - MESA Other Juneteenth Tribute
Survey Research and African Americans: The National Survey of American Life (July 15, 2020 7:30pm) https://events.umich.edu/event/75197 75197-19324451@events.umich.edu Event Begins: Wednesday, July 15, 2020 7:30pm
Location: Off Campus Location
Organized By: Institute for Social Research

The Blalock Lecture Series and the Getting To Know ISR series are pleased to co-present Dr. Robert Taylor and David Thomas in a talk on ISR's Program for Research on Black Americans and the associated data archived at ICPSR.

Robert Joseph Taylor, MSW, Ph.D., is the Sheila Feld Collegiate Professor and the Harold Johnson Endowed Professor of Social Work at the University of Michigan. He is the Director of the Program for Research on Black Americans at the Institute for Social Research. He is currently on the editorial board of Society and Mental Health and Race and Social Problems and has served on the editorial boards of Journals of Gerontology: Social Sciences, the Journal of Marriage and Family, and Family Relations. Professor Taylor has published 3 books and over 175 journal articles in two major areas—African American family social support networks and African American religious participation. He has been Principal Investigator of several grants from the National Institute on Aging which examine the role of religion in the lives of Black and White elderly adults. He has been Co-Principal Investigator with James Jackson on several grants from the National Institute of Mental Health on the correlates of mental health and mental illness among Black Americans including the only major national probability surveys of Black Americans (The National Survey of Black Americans and the National Survey of American Life). He has been selected as one of the 250 Highly Cited researchers in the General Social Science Category by ISIHighlyCited.com (Creators of the Citation Index and Current Contents). The selection of a researcher is based on the total number of citations received by that individual as recorded in the ISI database between 1981-1999.

David Thomas supervises staff in both the General Archive and Resource Center for Minority Data (RCMD). He began his ICPSR career by processing ABC News/Washington Post and CBS News/New York Times polls. Now, his team is responsible for processing public opinion polls for ICPSR. In addition to polling data, his team processes the National Election Pool data, the American National Election Survey data, American Community Survey, and the Latino National Survey for ICPSR.


Join this virtual event at:
https://umich.zoom.us/j/99256074056?pwd=RitrT1RwS000SE0xYmh1UGZVUHQ3UT09


Blalock Lectures are an integral part of the ICPSR Summer Program in Quantitative Methods of Social Research. The lecture series is held in honor of Tad Blalock, a distinguished statistician and sociologist who was an Official Representative to the Consortium and a member of its Executive Council.

Co-sponsored with ISR's Perspectives Committee as part of the Getting to Know ISR series.

These lectures are all FREE to join and open to the public.

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Lecture / Discussion Tue, 14 Jul 2020 10:18:29 -0400 2020-07-15T19:30:00-04:00 2020-07-15T21:00:00-04:00 Off Campus Location Institute for Social Research Lecture / Discussion ICPSR Summer Program and ISR Perspectives' logos
PENNY STAMPS SPEAKER SERIES + DPTV HONOR CONGRESSMAN JOHN LEWIS (July 24, 2020 8:00pm) https://events.umich.edu/event/75265 75265-19393164@events.umich.edu Event Begins: Friday, July 24, 2020 8:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

On Friday, July 24 at 8:00 pm ET, tune in at dptv.org or join us on the Penny Stamps Series Facebook page to view a presentation in honor of John Lewis.

This week the nation is mourning the loss of Congressman John Lewis, who passed away last Friday after a battle with cancer. John Lewis was a civil rights leader and an American politician, serving Georgia’s 5th district since 1987. A member of the Democratic party leadership, Lewis served as Senior Chief Deputy Whip since 2003. Born the son of Alabama sharecroppers, Lewis’s childhood was filled with deeply inspirational moments, including the Montgomery Bus Boycott and the words of the Rev. Martin Luther King Jr. heard on radio broadcasts. As a college student, Lewis’s inspiration fueled his commitment to end legalized racial segregation; he was chairman of the Student Nonviolent Coordinating Committee (SNCC) and was one of the “Big Six” leaders of groups who organized the 1963 March on Washington. His dedication to the highest ethical standards and moral principles won Lewis the admiration of his colleagues on both sides of the aisle in the United States Congress. Lewis dedicated his life to protecting human rights, securing civil liberties, and building what he called “The Beloved Community” in America. Lewis co-wrote his story with his then-Congressional Aid, later Digital Director and Policy Advisor, Andrew Aydin, in the form of the graphic novel trilogy, MARCH (2013). The collaborative work was illustrated by New York Times best-selling graphic novelist Nate Powell. In 2017, Lewis, Aydin, and Powell visited the University of Michigan campus to discuss MARCH in this special Stamps Speaker Series presentation at Hill Auditorium.

https://www.facebook.com/PennyStampsSeries/

https://www.dptv.org/programs/arts-culture/penny-stamps-series/

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Livestream / Virtual Wed, 22 Jul 2020 11:29:40 -0400 2020-07-24T20:00:00-04:00 2020-07-24T21:00:00-04:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual John Lewis answers questions during his 2017 Penny Stamps Speaker Series talk
Policing and Protest 2020 (July 28, 2020 4:00pm) https://events.umich.edu/event/75046 75046-19183194@events.umich.edu Event Begins: Tuesday, July 28, 2020 4:00pm
Location: Off Campus Location
Organized By: Eisenberg Institute for Historical Studies

Note: The webinar has a Q&A format. We welcome your questions before via email (eihswebinar@umich.edu) and during the webinar via Zoom Q&A. This event will be recorded and available for future viewing online.

***Please register in advance here: https://umich.zoom.us/webinar/register/WN_qVR5E3VGRG2x_xJ4AK47AA

The killing of George Floyd, in the wake of the horrific and obscene history of the killings of unarmed black people by the police, has focused attention like never before on the systemic anti-black racism of the criminal-legal system in the United States. To be sure, the massive expansion and militarization of policing and incarceration are in some ways of comparatively recent origin. Yet they also have a much deeper origin in, and are inextricably connected to, a longer history of the judicial and extra-judicial violence against black people in the continent. The racist inequities of the criminal-legal system, indeed, are not a bug, but a feature.

Our panel of experts, scholars of the United States at the University of Michigan, will help us explore, beyond the headlines, the reach of the long arm of the carceral state in society as well as the challenges and opportunities that have been thrown up by the contemporary protests against the systemic violence of the state. The stakes for understanding the working of the carceral state are documented by the Documenting Criminalization and Confinement project of the University of Michigan’s Carceral State Project. However, the momentous protests against anti-Black racism as well as the broad public support they have received both within the United States and across the world—the clamor heard round the world—have also created a novel opportunity for implementing and imagining futures beyond a blatantly rigged carceral framework.

Panelists:
• Melissa Burch, Anthropology, University of Michigan
• Matthew Countryman, Afroamerican and African History, American Culture, History, University of Michigan
• Matthew Lassiter, History, Urban and Regional Planning, University of Michigan
• William D. Lopez, Health Behavior and Health Education, University of Michigan

Moderator:
• Mrinalini Sinha, History, University of Michigan

This event is part of the Thursday Series of the Eisenberg Institute for Historical Studies. It is made possible by a generous contribution from Kenneth and Frances Aftel Eisenberg.

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Lecture / Discussion Tue, 21 Jul 2020 13:07:31 -0400 2020-07-28T16:00:00-04:00 2020-07-28T17:30:00-04:00 Off Campus Location Eisenberg Institute for Historical Studies Lecture / Discussion Daniel Lobo, "Brionna Taylor" (public domain)
Welcome Week: Clements Library digital primary sources from American history (August 31, 2020 5:00pm) https://events.umich.edu/event/76400 76400-19711179@events.umich.edu Event Begins: Monday, August 31, 2020 5:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Watch this quick video tour through online resources and digitized collections from the William L. Clements Library at the University of Michigan: myumi.ch/1pvnZ

Learn more and explore primary sources from American history at clements.umich.edu.

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Livestream / Virtual Mon, 31 Aug 2020 15:17:48 -0400 2020-08-31T17:00:00-04:00 2020-08-31T17:10:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual The Clements Library on South University Ave
Welcome Week: Clements Library digital primary sources from American history (September 1, 2020 5:00pm) https://events.umich.edu/event/76400 76400-19711187@events.umich.edu Event Begins: Tuesday, September 1, 2020 5:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Watch this quick video tour through online resources and digitized collections from the William L. Clements Library at the University of Michigan: myumi.ch/1pvnZ

Learn more and explore primary sources from American history at clements.umich.edu.

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Livestream / Virtual Mon, 31 Aug 2020 15:17:48 -0400 2020-09-01T17:00:00-04:00 2020-09-01T17:10:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual The Clements Library on South University Ave
Welcome Week: Clements Library digital primary sources from American history (September 2, 2020 5:00pm) https://events.umich.edu/event/76400 76400-19711188@events.umich.edu Event Begins: Wednesday, September 2, 2020 5:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Watch this quick video tour through online resources and digitized collections from the William L. Clements Library at the University of Michigan: myumi.ch/1pvnZ

Learn more and explore primary sources from American history at clements.umich.edu.

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Livestream / Virtual Mon, 31 Aug 2020 15:17:48 -0400 2020-09-02T17:00:00-04:00 2020-09-02T17:10:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual The Clements Library on South University Ave
Welcome Week: Clements Library digital primary sources from American history (September 3, 2020 5:00pm) https://events.umich.edu/event/76400 76400-19711189@events.umich.edu Event Begins: Thursday, September 3, 2020 5:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Watch this quick video tour through online resources and digitized collections from the William L. Clements Library at the University of Michigan: myumi.ch/1pvnZ

Learn more and explore primary sources from American history at clements.umich.edu.

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Livestream / Virtual Mon, 31 Aug 2020 15:17:48 -0400 2020-09-03T17:00:00-04:00 2020-09-03T17:10:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual The Clements Library on South University Ave
Welcome Week: Clements Library digital primary sources from American history (September 4, 2020 5:00pm) https://events.umich.edu/event/76400 76400-19711190@events.umich.edu Event Begins: Friday, September 4, 2020 5:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Watch this quick video tour through online resources and digitized collections from the William L. Clements Library at the University of Michigan: myumi.ch/1pvnZ

Learn more and explore primary sources from American history at clements.umich.edu.

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Livestream / Virtual Mon, 31 Aug 2020 15:17:48 -0400 2020-09-04T17:00:00-04:00 2020-09-04T17:10:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual The Clements Library on South University Ave
Welcome Week: Clements Library digital primary sources from American history (September 5, 2020 5:00pm) https://events.umich.edu/event/76400 76400-19711191@events.umich.edu Event Begins: Saturday, September 5, 2020 5:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Watch this quick video tour through online resources and digitized collections from the William L. Clements Library at the University of Michigan: myumi.ch/1pvnZ

Learn more and explore primary sources from American history at clements.umich.edu.

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Livestream / Virtual Mon, 31 Aug 2020 15:17:48 -0400 2020-09-05T17:00:00-04:00 2020-09-05T17:10:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual The Clements Library on South University Ave
Welcome Week: Clements Library digital primary sources from American history (September 6, 2020 5:00pm) https://events.umich.edu/event/76400 76400-19711192@events.umich.edu Event Begins: Sunday, September 6, 2020 5:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Watch this quick video tour through online resources and digitized collections from the William L. Clements Library at the University of Michigan: myumi.ch/1pvnZ

Learn more and explore primary sources from American history at clements.umich.edu.

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Livestream / Virtual Mon, 31 Aug 2020 15:17:48 -0400 2020-09-06T17:00:00-04:00 2020-09-06T17:10:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual The Clements Library on South University Ave
Water Warriors from Flint to Detroit (September 10, 2020 12:00pm) https://events.umich.edu/event/76869 76869-19772602@events.umich.edu Event Begins: Thursday, September 10, 2020 12:00pm
Location: Off Campus Location
Organized By: School of Social Work

Join the ENGAGE team for a discussion featuring prominent water justice activists Monica Lewis Patrick and Bryce Detroit to discuss their work, how water injustice is tied to historic and systemic discrimination, and how lack of access to clean, safe water has exacerbated our current public health crises

Monica Lewis Patrick is Chief Executive Officer of We the People Detroit and a long-time water justice advocate.

Bryce Detroit is CEO and Founder of Detroit Recordings LLC and a long-time water justice advocate.

Attending this session provides field credits. Please document your attendance and contact your field faculty supervisor for information.

This session is approved for CE Contact Hours. RSVP at the link to the right to receive Zoom link.

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Lecture / Discussion Tue, 08 Sep 2020 09:24:16 -0400 2020-09-10T12:00:00-04:00 2020-09-10T13:30:00-04:00 Off Campus Location School of Social Work Lecture / Discussion Water Warriors from Flint to Detroit
Water Warriors from Flint to Detroit (September 11, 2020 12:00pm) https://events.umich.edu/event/76870 76870-19772604@events.umich.edu Event Begins: Friday, September 11, 2020 12:00pm
Location: Off Campus Location
Organized By: School of Social Work

With our power, resources, and knowledge - what can we do about water injustice as a school? All discussions and ideas are welcome - whether it be proposing new field placements that focus on water and environmental justice, integrating more course content on how water injustice is tied to systemic and historic discrimination, or current advocacy efforts demanding access to safe, clean, water is a human right.

Attending this session provides field credits. Please document your attendance and contact your field faculty supervisor for information. RSVP at the link to the right to receive Zoom link.

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Lecture / Discussion Tue, 08 Sep 2020 09:23:06 -0400 2020-09-11T12:00:00-04:00 2020-09-11T13:30:00-04:00 Off Campus Location School of Social Work Lecture / Discussion Water Warriors from Flint to Detroit
Identifying Emergency Funds and How to Advocate for Making Room in Your Financial Aid Package (September 11, 2020 2:00pm) https://events.umich.edu/event/75507 75507-19513173@events.umich.edu Event Begins: Friday, September 11, 2020 2:00pm
Location: Off Campus Location
Organized By: CEW+

Advance registration is required; look for the Zoom link at the bottom of your confirmation email after registering.

This session will provide information about how you can seek emergency funds should you experience an emergency situation or one-time, unusual, unforeseen expense while in school. Information about the types of situations that qualify for emergency funds and where to seek funding will be covered during this presentation.

RSVP HERE: http://www.cew.umich.edu/events/identifying-emergency-funds-and-how-to-advocate-for-making-room-in-your-financial-aid-package

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Livestream / Virtual Tue, 18 Aug 2020 14:02:34 -0400 2020-09-11T14:00:00-04:00 2020-09-11T15:00:00-04:00 Off Campus Location CEW+ Livestream / Virtual A jar of spilled change
Performing the Moment, Performing the Movement (September 15, 2020 6:30pm) https://events.umich.edu/event/76335 76335-19687528@events.umich.edu Event Begins: Tuesday, September 15, 2020 6:30pm
Location: Off Campus Location
Organized By: Center for World Performance Studies

Tuesdays from 6:30pm-7:30pm EST
Register here: http://myumi.ch/ZQNdq

In this workshop, participants will explore the relationship between their passions and their life choices. Participants will receive a video to be viewed prior to the workshop, which will serve as the initial prompt for the work. Using writing and movement, participants are invited to develop their own strategies for responding to the New Now.

Omi Osun Joni L. Jones’ work is committed to exploring strategies for promoting healthy communities through personal Joy. She is an artist/scholar/facilitator who employs Black Feminist aesthetics in her performance work, her pedagogy, and her consulting. She has performed at The New Black Fest (NYC), Yerba Buena Center for the Arts (San Francisco), and Links Hall (Chicago), and has served as a workplace facilitator with Thousand Currents (Oakland), NoVo Foundation (NYC), and Soladaire (Bay Area). Her dramaturgical work includes August Wilson’s Gem of the Ocean and Shay Youngblood’s Shakin’ the Mess Outta Misery—both under the direction of Daniel Alexander Jones, as well as Sharon Bridgforth’s conflama under the direction of Laurie Carlos. Her scholarship has appeared in The Drama Review, Obsidian, and Theatre Journal as well as solo/black/woman and Blacktino Queer Performance. Her most recent book is Theatrical Jazz: Performance, Àṣẹ, and the Power for the Present Moment (Ohio State University Press). She is Professor Emerita from the African and African Diaspora Studies Department at the University of Texas at Austin.

In this new virtual series, performers and scholars reflect on how performance is being used to respond to the political, social, health and environmental crises that we face in this moment. Each guest will give a 30 minute presentation, and then engage in 30 minutes of Q&A.

If you require an accommodation to participate in this event, please contact the Center for World Performance Studies, at 734-936-2777. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.

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Livestream / Virtual Mon, 31 Aug 2020 08:53:10 -0400 2020-09-15T18:30:00-04:00 2020-09-15T19:30:00-04:00 Off Campus Location Center for World Performance Studies Livestream / Virtual
Radio Broadcast: Willis Patterson in song (September 18, 2020 2:00pm) https://events.umich.edu/event/76705 76705-19737039@events.umich.edu Event Begins: Friday, September 18, 2020 2:00pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

Afternoon Classics on WGTE with Brad Cresswell – featuring the jazz and classical performances of Willis Patterson

African American Music Conference

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Presentation Thu, 03 Sep 2020 18:15:06 -0400 2020-09-18T14:00:00-04:00 2020-09-18T16:00:00-04:00 Off Campus Location School of Music, Theatre & Dance Presentation
Introducting the Willis Patterson Collection at the Bentley Library (September 18, 2020 5:30pm) https://events.umich.edu/event/76706 76706-19737040@events.umich.edu Event Begins: Friday, September 18, 2020 5:30pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

Conversation with Dr. Willis Patterson,
Terrence McDonald, Professor of History and Director of the Bentley,
with greetings from President Mark Schlissel, Vice Provost Robert Sellers, and SMTD Dean Dave Gier
host for the conference/celebration, Louise Toppin

African American Music Conference

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Other Thu, 03 Sep 2020 18:15:06 -0400 2020-09-18T17:30:00-04:00 2020-09-18T19:00:00-04:00 Off Campus Location School of Music, Theatre & Dance Other
Sounding New: Black Art Song in the Twenty-First Century (September 19, 2020 12:00pm) https://events.umich.edu/event/76707 76707-19737041@events.umich.edu Event Begins: Saturday, September 19, 2020 12:00pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

Panel Discussion
This session explores how contemporary artists continue to build on this dynamic legacy through musical works that extend the techniques, themes, and concerns of the Black art song into the twenty-first century.

Introduction: Stephen Michael Newby, Seattle Pacific University
Moderator: Uzee Brown, Morehouse College
Panelists: Britney Boykin, Spelman College; Adolphus Hailstork, Old Dominion University; Dave Ragland, and Darryl Taylor, University of California - Irvine

In 1916, concert artist, arranger, music editor, and composer, Harry T. Burleigh (1866-1949), published Jubilee Songs of the United States. Arranged for piano and voice, the songs represented a landmark as it established the solo Black art song as a distinct genre. Willis Patterson’s landmark collection, Anthology of Art Songs by Black American Composers was published in 1977. Its influence on the post-Civil Rights era pedagogy and performance of Black concert music has been inestimable. By building on Burleigh’s legacy, Patterson’s anthology has been central to establishing Black art songs as an important tradition of practice in American concert life on par with German Lieder and French Chanson.

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Performance Thu, 03 Sep 2020 18:15:06 -0400 2020-09-19T12:00:00-04:00 2020-09-19T13:30:00-04:00 Off Campus Location School of Music, Theatre & Dance Performance
New Frontiers in Black Music Studies - Panel Discussion (September 19, 2020 2:00pm) https://events.umich.edu/event/76876 76876-19774576@events.umich.edu Event Begins: Saturday, September 19, 2020 2:00pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

Introduction: Christi-Anne Castro, Chair, Musicology Department, University of Michigan
Moderator: Kyra Gaunt, University of Albany
Panel: Tammy Kernodle, Miami University of Ohio
Alisha L. Jones, Indiana University
Christopher Brooks, Virginia Commonwealth University
Guthrie P. Ramsey, Jr., University of Pennsylvania

Since the first African American Symposium of 1985, Black music research has surged with no sign of waning. What at one time represented a niche interest in the academy is now recognized as one of the most energized, rigorous, and popular fields of inquiry in the millennium. The studies on this panel showcase new and on-going scholarship on Black musicians who have made an indelible mark on the American musical landscape from the nineteenth century to the present.

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Lecture / Discussion Tue, 08 Sep 2020 12:15:06 -0400 2020-09-19T14:00:00-04:00 2020-09-19T15:30:00-04:00 Off Campus Location School of Music, Theatre & Dance Lecture / Discussion
Panel Discussion: 1963 NBC broadcast of Ahmal and the Night Visitors (September 19, 2020 4:00pm) https://events.umich.edu/event/76708 76708-19737042@events.umich.edu Event Begins: Saturday, September 19, 2020 4:00pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

The cast of the NBC 1963 broadcast of Amahl and the Night Visitors, Richard Cross, and Kurt Yaghjian reunite for a conversation with Willis Patterson about this historic production. Moderated by Arthur White, Michigan Opera Theater’s Director of External Affairs.
Introduction: Scott Piper, Chair, Voice Department, University of Michigan

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Lecture / Discussion Thu, 03 Sep 2020 18:15:06 -0400 2020-09-19T16:00:00-04:00 2020-09-19T17:00:00-04:00 Off Campus Location School of Music, Theatre & Dance Lecture / Discussion
Tales from the Briar Patch - Facebook watch party (September 19, 2020 7:00pm) https://events.umich.edu/event/76709 76709-19737043@events.umich.edu Event Begins: Saturday, September 19, 2020 7:00pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

Tales from the Briar Patch by Nkeiru Okoye and Carman Moore (librettist)
On February 27, 2020 SMTD presented a public workshop reading of “Bre’r Rabbit and the Tar Baby,” the first of three stories in Nkeiru Okoye and Carman Moore’s Tales from the Briar Patch, a new opera in development that is both family-friendly and fun. In this updated reboot of the traditional Bre’r Rabbit stories, Sister Sparrow, Sister Robin, and Madame Partridge retell the antics of Bre’r Rabbit and his nemesis Bre’r Fox. This public reading was the culmination of a workshop with SMTD singers and the composer. The FaceBook watch party will include commentary by the composer and cast members.

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Performance Thu, 03 Sep 2020 18:15:06 -0400 2020-09-19T19:00:00-04:00 Off Campus Location School of Music, Theatre & Dance Performance
"I Am Not Your Negro" Viewing and Panel Discussion (October 2, 2020 6:00pm) https://events.umich.edu/event/77803 77803-19931628@events.umich.edu Event Begins: Friday, October 2, 2020 6:00pm
Location: Off Campus Location
Organized By: Black Students in Aerospace

The Black Students in Aerospace (BSA), a new student organization within the Department of Aerospace engineering, would like to invite you to attend our upcoming movie night event.

Over the course of this summer, there has been a resurgence of support, activism, and protests for Black Lives Matter and other human rights issues that have cast a spotlight on the systemic racism present in society. Our organization felt it was important to tie these issues back to campus in order to continue the discourse as well as to bring visibility to the ways their peers are affected.

Because of this, we decided to host of a viewing the documentary I Am Not Your Negro by James Baldwin. The movie will be followed by a guided discussion with a panel of Black engineering students, alumni, and professors from UM.

See the attached poster for more details (also listed here)

Friday October 2nd
Movie: 6:00pm - 7:30pm (Eastern Time)
Panel: 7:30pm - 8:30pm (Eastern Time)

Please RSVP at
https://tinyurl.com/bsa-movie-night

It is important to note that the film includes brief moments of graphic images, specifically images of lynchings and police brutality.

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Lecture / Discussion Mon, 28 Sep 2020 10:52:07 -0400 2020-10-02T18:00:00-04:00 2020-10-02T20:30:00-04:00 Off Campus Location Black Students in Aerospace Lecture / Discussion Event details and panelists
Penny Stamps Speaker Series: ​Ken Burns & Isabel Wilkerson, In Conversation (October 2, 2020 8:00pm) https://events.umich.edu/event/77115 77115-19798483@events.umich.edu Event Begins: Friday, October 2, 2020 8:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

the Penny Stamps Series Facebook.

Our lens on history powerfully influences how we envision and shape the future. Join two of our country's most accomplished storytellers, Ken Burns and Isabel Wilkerson, as they discuss the complexities of the American narrative and how grappling with the past might lead us forward. 

Journalist Isabel Wilkerson was awarded the National Humanities Medal by President Barack Obama in 2016 “for championing the stories of an unsung history.” The first African-American woman to win a Pulitzer Prize in journalism, her book The Warmth of Other Suns, a sweeping and intimate examination of the Great Migration, won the National Book Critics Circle Award for Nonfiction. Her new book, Caste: The Origins of Our Discontents, examines the entrenched hierarchies that shape American life. Told through intimate personal narratives and deeply researched history, Wilkerson examines the ties between the American caste system and those in India and Nazi Germany, and points to ways America can move beyond our artificial and destructive human divisions, toward hope in our common humanity.

Ken Burns has been making documentary films for over forty years. Since the Academy Award nominated Brooklyn Bridge in 1981, he has gone on to direct and produce some of the most acclaimed historical documentaries ever made, including The Civil War; Baseball; Jazz; The War; The National Parks: America’s Best Idea; The Roosevelts: An Intimate History; Jackie Robinson; Unforgivable Blackness: The Rise and Fall of Jack Johnson; The Vietnam War; The Central Park Five; and Country Music. His films have been honored with dozens of major awards, including sixteen Emmy Awards, two Grammy Awards, two Oscar nominations; and a Lifetime Achievement Award from the Academy of Television Arts & Sciences. His new website UNUM rearranges clips from his past films into playlists to add historical context to the present.

This conversation will be moderated by Lynette Clemetson, Director of Wallace House, Knight-Wallace Fellowships and the Livingston Awards at the University of Michigan. A longtime journalist, she was a correspondent for Newsweek magazine in the U.S. and Asia, a national correspondent for The New York Times, and senior director of strategy and new initiatives at NPR. Wallace House works to sustain and elevate the careers of journalists, foster civic engagement, and uphold the role of a free press in democratic society. 

This event is part of the Democracy & Debate theme semester with support from Wallace House and UMMA.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

UMMA's Vote2020 initiative is presented in connection with the U-M Democracy & Debate theme semester. Thanks to our partners at the Penny Stamps School of Art & Design, the Ginsberg Center for Community Service & Learning, the Ann Arbor City Clerk's Office, and the Center for World Performance Studies.

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Lecture / Discussion Sat, 03 Oct 2020 00:16:01 -0400 2020-10-02T20:00:00-04:00 2020-10-02T21:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
Isabel Wilkerson’s Caste (October 5, 2020 5:30pm) https://events.umich.edu/event/77774 77774-19919781@events.umich.edu Event Begins: Monday, October 5, 2020 5:30pm
Location: 1027 E. Huron Building
Organized By: Department of Afroamerican and African Studies

Registration Required: myumi.ch/O4P30

Join members of the Department of Afroamerican and African Studies (DAAS) community as they explore the meanings and implications of Wilkerson's work.

Moderator
Earl Lewis
Thomas C. Holt Distinguished University Professor of History, Afroamerican and African Studies, and Public Policy; Director, Center for Social Solutions

Panelists
Aliyah Khan
Associate Professor of English and
Afroamerican and African Studies

Karyn Lacy
Associate Professor of Sociology

Magdalena Zaborowska
Professor of American Culture and
Afroamerican and African Studies

Damani Partridge
Associate Professor of Anthropology and Afroamerican and African Studies

Renée Pitter
DAAS Alum, Research Program Manager for the Center for Sexuality and Health Disparities, U-M School of Nursing

This live, virtual conversation will occur as a community engagement opportunity following the Penny Stamps Speakers Series Event Ken Burns & Isabel Wilkerson: In Conversation on Friday, October 2 at 8:00 p.m. More information: pennystampsevents.org.

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Lecture / Discussion Sat, 26 Sep 2020 18:03:09 -0400 2020-10-05T17:30:00-04:00 2020-10-05T19:00:00-04:00 1027 E. Huron Building Department of Afroamerican and African Studies Lecture / Discussion
Undermining Racial Justice: How One University Embraced Inclusion and Inequality (October 6, 2020 4:00pm) https://events.umich.edu/event/75663 75663-19558810@events.umich.edu Event Begins: Tuesday, October 6, 2020 4:00pm
Location: Off Campus Location
Organized By: Eisenberg Institute for Historical Studies

In Undermining Racial Justice, Matthew Johnson (Texas Tech University) contends that over the last sixty years, administrators on college campuses nationwide have responded to black campus activists by making racial inclusion and inequality compatible.

Focusing on the University of Michigan, Johnson argues that U-M leaders incorporated black student dissent selectively into the institution's policies, practices, and values. This strategy was used to prevent activism from disrupting the institutional priorities that campus leaders deemed more important than racial justice. As Johnson illustrates, inclusion has always been a secondary priority, and, as a result, the policies of the late 1970s and 1980s ushered in a new and enduring era of racial retrenchment on campuses nationwide.

Join the author for a discussion of Undermining Racial Justice: How One University Embraced Inclusion and Inequality. Angela Dillard (University of Michigan) will serve as interlocutor.

Matthew Johnson is associate professor of history at Texas Tech University. He is currently an American Council of Learned Societies Fellow working on a book about the impact of urban campus police forces on Black communities and students.

Angela Dillard is the Richard A. Meisler Collegiate Professor of Afroamerican and African Studies, History, and in the Residential College. She specializes in American and African American intellectual history, particularly around issues of race, religion, and politics—on both the Left and the Right sides of the political spectrum—and maintains an active interest in urban studies.

Free and open to the public. This is a remote event and will take place online via Zoom. Please register in advance here: https://umich.zoom.us/webinar/register/WN_a90DMOeVRZy18VWjsPyc_A

This event is presented by the Eisenberg Institute for Historical Studies. It is made possible by a generous contribution from Kenneth and Frances Aftel Eisenberg.

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Lecture / Discussion Wed, 30 Sep 2020 16:17:02 -0400 2020-10-06T16:00:00-04:00 2020-10-06T17:00:00-04:00 Off Campus Location Eisenberg Institute for Historical Studies Lecture / Discussion Undermining Racial Justice cover
QTBIPOC Mixer (October 7, 2020 5:30pm) https://events.umich.edu/event/78003 78003-19951599@events.umich.edu Event Begins: Wednesday, October 7, 2020 5:30pm
Location: Off Campus Location
Organized By: Spectrum Center

Registration: https://bit.ly/LGBTQ-UM-Events
All National Coming Out Week events: https://bit.ly/SC-NCOW

This QTBIPOC Mixer is a social for Queer & Trans Black, Indigenous, and People of Color during National Coming Out Week. Anyone who identifies as a Person of Color and within the LGBTQ+ community (or questioning) is invited to this community-building event! We'll be holding a main room for everyone to meet and get to know us and our student organization co-hosts, then split off into affinity breakout rooms to create community and discuss LGBTQ+ topics in smaller groups.

We want to thank our student organization co-hosts for making this event possible: The Coalition for Queer and Trans People of Color, the Black Student Union (BSU), La Casa, the Native American Student Association (NASA), Mixed@Michigan, and the United Asian American Organizations (UAAO).

Spectrum Center Event Accessibility Statement:
The Spectrum Center is dedicated to working towards offering equitable access to all of the events we organize. If you have an accessibility need you feel may not be automatically met at this event, fill out our Event Accessibility Form, found at http://bit.ly/SCaccess. You do not need to have a registered disability with the Office of Services for Students with Disabilities (SSD) or identify as disabled to submit. Advance notice is necessary for some accommodations to be fully implemented, and we will always attempt to dismantle barriers as they are brought up to us. Any questions about accessibility at Spectrum Center events can be directed to spectrumcenter@umich.edu.

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Social / Informal Gathering Fri, 02 Oct 2020 15:19:14 -0400 2020-10-07T17:30:00-04:00 2020-10-07T18:30:00-04:00 Off Campus Location Spectrum Center Social / Informal Gathering Information about the event and logos of co-sponsors surrounding a rainbow flag partially divided by a triangle on its left side showing black, brown, and transgender flag stripes.
CGIS Virtual Study Abroad Fair (October 8, 2020 12:00pm) https://events.umich.edu/event/77893 77893-19943564@events.umich.edu Event Begins: Thursday, October 8, 2020 12:00pm
Location: Off Campus Location
Organized By: Center for Global and Intercultural Study

Study abroad is not just for juniors. It's not just for language and international studies majors. It's not just for students from certain communities or socioeconomic backgrounds. No matter who you are, where you come from, or what you’re studying, a study abroad experience is available to you during your time at Michigan.

Whether you want to develop the skills you’ll need to compete in a global economy, cultivate your language competencies, or build meaningful connections with people from around the world, this is the best time in your life for a global experience.

Studying abroad often proves to be a pivotal experience, but deciding which program is the best fit can be daunting as you consider questions such as: How will this enhance my course of study? When should I go? For how long? Where? Can I afford it? How do I prepare? Will my credits transfer? The CGIS Study Abroad Virtual Fair is the best time to get all of your questions answered!

During the day of the virtual fair, you'll have instant access to academic advisors, education abroad advisors, Office of Financial Aid & LSA Scholarship Office representatives, and program representatives as well as scheduled events throughout the fair!

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Fair / Festival Tue, 29 Sep 2020 22:20:17 -0400 2020-10-08T12:00:00-04:00 2020-10-08T16:00:00-04:00 Off Campus Location Center for Global and Intercultural Study Fair / Festival Image300
Critical Conversations: #Politics (October 14, 2020 12:30pm) https://events.umich.edu/event/76730 76730-19741036@events.umich.edu Event Begins: Wednesday, October 14, 2020 12:30pm
Location: Off Campus Location
Organized By: Department of English Language and Literature

"Critical Conversations" is a monthly lunch series organized by the English Department for 2020-21. In each session, a panel of four faculty members give flash talks about their current research as related to a broad theme. Presentations are followed by lively, cross-disciplinary conversation with the audience.

This semester's series will be entirely online -- please RSVP to receive the Zoom link (see "Related Links" for RSVP form).

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Lecture / Discussion Mon, 21 Sep 2020 15:37:52 -0400 2020-10-14T12:30:00-04:00 2020-10-14T14:00:00-04:00 Off Campus Location Department of English Language and Literature Lecture / Discussion
In-Between the World and Dreams (October 15, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168498@events.umich.edu Event Begins: Thursday, October 15, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-15T09:00:00-04:00 2020-10-15T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
From the Edge of the Ghetto: The Quest of Small City African-Americans to Survive Post-Industrialism (October 15, 2020 10:00am) https://events.umich.edu/event/75676 75676-19560798@events.umich.edu Event Begins: Thursday, October 15, 2020 10:00am
Location: Off Campus Location
Organized By: Osher Lifelong Learning Institute (50+)

This presentation uncovers perspectives about work and work opportunity held by socio-economically disadvantaged African Americans residing in Ypsilanti, Michigan, a declining “single-industry” town. In exploring their worldviews, this presentation elucidates how their thinking results from being caught between a traditional industrialism that is in decline and a proliferating post-industrialism exemplified by the neighboring city of Ann Arbor. It concludes with an illustration of how race, class, and gender factor into their thinking.

Professor Alford Young Jr., Ph.D. is the Arthur F. Thurnau Professor of Sociology, Afroamerican and African Studies, and Public Policy, attended Wesleyan University (BA) and the University of Chicago (MA and Ph.D.). His research generally focuses on low-income African American men. He is a former Chair of Michigan’s Sociology Department, and he serves as Associate Director of Michigan’s Center for Social Solutions and Faculty Director of Scholar Engagement and Leadership at Michigan’s National Center for Institutional Diversity. He has published The Minds of Marginalized Black Men and Are Black Men Doomed?

This is the last of a six-lecture series. The subject of the series is: Poverty, Inequity and Disparity. The next lecture series will start October 22, 2020. The subject of the series is: 1619-Present.The many Consequences of Slavery. The Cost of Historical Injustices.

Pre-registration is required via the OLLI website or phone. A link to access the lecture will be e-mailed to you approximately one week prior to the event.

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Lecture / Discussion Fri, 14 Aug 2020 10:05:59 -0400 2020-10-15T10:00:00-04:00 2020-10-15T11:30:00-04:00 Off Campus Location Osher Lifelong Learning Institute (50+) Lecture / Discussion Thursday Lectures
Radical Roots, Contested Place: African American and African Studies at U-M (October 15, 2020 7:00pm) https://events.umich.edu/event/78057 78057-19957547@events.umich.edu Event Begins: Thursday, October 15, 2020 7:00pm
Location: Off Campus Location
Organized By: Bentley Historical Library

Join the Bentley Historical Library for this "Making Michigan" webinar with U-M Professor Stephen Ward, who will discuss the impact of the Black Power movement and struggles around race, nationally and locally, at U-M during the 1960s and 1970s. You'll learn about the Black Action Movement (BAM I), an important moment in U-M's history of student activism. He'll also discuss the motivations and rationale for Black Studies as an academic discipline, and the origins of U-M's Department of Afroamerican and African Studies (DAAS). The session will be moderated by Gary Krenz of the Bentley Historical Library.

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Lecture / Discussion Fri, 09 Oct 2020 17:51:06 -0400 2020-10-15T19:00:00-04:00 2020-10-15T20:30:00-04:00 Off Campus Location Bentley Historical Library Lecture / Discussion Image of event poster, with title and picture of Stephen Ward
In-Between the World and Dreams (October 16, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168499@events.umich.edu Event Begins: Friday, October 16, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-16T09:00:00-04:00 2020-10-16T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
In-Between the World and Dreams (October 17, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168500@events.umich.edu Event Begins: Saturday, October 17, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-17T09:00:00-04:00 2020-10-17T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Flint First Day of Action: Literature Drop Campaign (October 17, 2020 10:00am) https://events.umich.edu/event/78496 78496-20079924@events.umich.edu Event Begins: Saturday, October 17, 2020 10:00am
Location:
Organized By: Students of Michigan (CSG)

Event Sponsors: ACLU, UM Flint, Latinx Technology Center

A day of action is a city-wide literature drop campaign to inform Flint residents on their voting rights for the 2020 general election. Organized volunteers will be spread throughout the community to address historic voter suppression and intimidation tactics. Due to Flint’s historically low voter turnout rate, it is important that we are active in encouraging ALL people to exercise their constitutional responsibility and vote.

Saturday, October 17th
10 am to 2 pm

We have four sites volunteers will be assigned to:
Latinx Technology and Community Center ​- *2101 Lewis St. Flint, MI 48506*
Boys and Girls Club of Greater Flint - *​3701 N Averill Ave, Flint, MI 48506*
Flint Development Center - ​ ​*4121 Martin Luther King Ave, Flint, MI 48505*
Sylvester Broom Empowerment Village - ​*4119 N. Saginaw Flint, MI 48505*

The Flint First Initiative ​was created to extend a strong student leadership presence in the community beyond The University of Michigan-Flint campus. The goal of the Initiative is to register and inform a historically disenfranchised community affected by voter suppression and systemic racism.

For our second phase of the initiative, we are mobilizing 300 volunteers to participate in a door-to-door literature drop campaign to inform residents of their voting rights, on ​Saturday, October 17, 2020.​ The target goal for this day is 21,000 households. There will be guest speakers who are elected officials from local, state and federal governments.

Make sure to register at bit.ly/flintfirst

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Community Service Sat, 17 Oct 2020 01:50:20 -0400 2020-10-17T10:00:00-04:00 2020-10-17T14:00:00-04:00 Students of Michigan (CSG) Community Service Event flyer - Event occurs on October 17, 2020 and will feature Gary Peters, Dan Kildee, and Sheldon Neeley (whose pictures are included)
In-Between the World and Dreams (October 18, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168501@events.umich.edu Event Begins: Sunday, October 18, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-18T09:00:00-04:00 2020-10-18T17:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Race, Gender, and Rights: Histories of the Practice of Democratic Citizenship (October 19, 2020 7:00pm) https://events.umich.edu/event/77555 77555-19883827@events.umich.edu Event Begins: Monday, October 19, 2020 7:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

A panel discussion presented in partnership with the American Academy of Arts & Sciences

What does it mean to be a citizen of the United States? The Constitution does not define who gets to be a citizen, or what citizenship means. Rather, citizenship has been defined over time, often through struggle and activism by people who were denied the full rights of citizenship. The Clements Library at the University of Michigan in partnership with the American Academy of Arts & Sciences will host a virtual panel discussion featuring Derrick Spires of Cornell University (author of *The Practice of Citizenship: Black Politics and Print Culture in the Early United States*) and Martha Jones of Johns Hopkins University (author of *Birthright Citizens: A History of Race and Rights in Antebellum America* and *Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All*). The conversation will be moderated by Ben Vinson III, Provost of Case Western Reserve University.

In anticipation of the discussion, Clements Library Director Paul Erickson highlights recent work by Spires, Jones and AAA&S in this blog post: myumi.ch/2DlAZ

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Livestream / Virtual Fri, 16 Oct 2020 14:30:16 -0400 2020-10-19T19:00:00-04:00 2020-10-19T20:30:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual Burning the Mortgage of the Phyllis Wheatley Home, Detroit, 1915. https://quod.lib.umich.edu/w/wcl1ic/x-1887/wcl001978
In-Between the World and Dreams (October 22, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168505@events.umich.edu Event Begins: Thursday, October 22, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-22T09:00:00-04:00 2020-10-22T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
In-Between the World and Dreams (October 23, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168506@events.umich.edu Event Begins: Friday, October 23, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-23T09:00:00-04:00 2020-10-23T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
In-Between the World and Dreams (October 24, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168507@events.umich.edu Event Begins: Saturday, October 24, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-24T09:00:00-04:00 2020-10-24T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
2020 Building Power Against White Supremacy Conference (October 24, 2020 12:00pm) https://events.umich.edu/event/78661 78661-20099529@events.umich.edu Event Begins: Saturday, October 24, 2020 12:00pm
Location: Off Campus Location
Organized By: Black Radical Healing Pathways

The 2020 Building Power Against White Supremacy Conference: Beyond Voting is this Saturday, October 24, 2020, from 12 PM to 4:30 PM ET!

Register today at https://buildingpower20.wixsite.com/bpaws2020.

With the U.S. general election days away, we’ll have rich conversations all afternoon about how we might reimagine our current democracy. While the theme speaks to a crucial election year where our votes are an explicit argument against white supremacy and anti-blackness, we also know that voting is not the only tool we wield to transform the injustices we are immersed in.

Come! Join in community to learn about what other tools we have. Build relationships, care for ourselves and one another, and dig into how we abolish the systems that bind us to the settler colonial project of white supremacy.

We invite you to visit our website to browse the conference schedule, explore this year’s Beyond Voting theme, and register for the conference at https://buildingpower20.wixsite.com/bpaws2020.

Sponsors:
The Carceral State Project
Faculty Allies for Diversity Committee, SSW​
LGBTQ+ Advocates & Speakers Grant, Spectrum Center
Prison Creative Arts Project (PCAP)
Rackham Student Government (RSG)
School of Social Work (SSW)

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Conference / Symposium Fri, 23 Oct 2020 21:46:29 -0400 2020-10-24T12:00:00-04:00 2020-10-24T17:00:00-04:00 Off Campus Location Black Radical Healing Pathways Conference / Symposium Multicolored text on a yellow background with a black, red, and green raised fist on the far left. Text reads from top to bottom, centered down the page: (in black) Building Power Against White Supremacy 2020, (in kelly green) Beyond Voting!, (in red) Saturday, October 24 at 12 PM - 4:30 PM EDT, (in green) Register + More Info: (in black) https://tinyurl.com/BPAWS20, Keynote Speaker Danielle Atkinson, Founder & Executive Director, Mothering Justice. Danielle’s headshot shows a smiling brown-skinned black woman with locs that reach just past her shoulders. She is wearing a gold necklace with a lattice-chain pattern, with a black shirt underneath white floral sweater featuring large-scale blooming flowers of blood red, cloud white, and blush pink peppering her sweater.
In-Between the World and Dreams (October 25, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168508@events.umich.edu Event Begins: Sunday, October 25, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-25T09:00:00-04:00 2020-10-25T17:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Stolen: Five Free Boys Kidnapped into Slavery and Their Astonishing Odyssey Home (October 26, 2020 7:00pm) https://events.umich.edu/event/76545 76545-19830116@events.umich.edu Event Begins: Monday, October 26, 2020 7:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Join us for a talk with Dr. Richard Bell, who will share the incredible story of five boys whose courage forever changed the fight against slavery in America.

Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they are instead met with blindfolds, ropes, and knives. Over four long months, their kidnappers drive them overland into the Cotton Kingdom to be sold as slaves. Determined to resist, the boys form a tight brotherhood as they struggle to free themselves and find their way home.

Their ordeal—an odyssey that takes them from the Philadelphia waterfront to the marshes of Mississippi and then onward still—shines a glaring spotlight on the Reverse Underground Railroad, a black market network of human traffickers and slave traders who stole away thousands of legally free African Americans from their families in order to fuel slavery’s rapid expansion in the decades before the Civil War.

Dr. Richard Bell is a Professor of History at the University of Maryland. He is the author of the new book *Stolen: Five Free Boys Kidnapped into Slavery and their Astonishing Odyssey Home* which is shortlisted for the George Washington Prize and the Harriet Tubman Prize. He has won more than a dozen teaching awards, including the University System of Maryland Board of Regents Faculty Award for Excellence in Teaching, the highest honor for teaching faculty in the Maryland state system. Rick has held major research fellowships at Yale, Cambridge, and the Library of Congress and is the recipient of the National Endowment of the Humanities Public Scholar award. He serves as a Trustee of the Maryland Historical Society, as an elected member of the Colonial Society of Massachusetts, and as a fellow of the Royal Historical Society.

To order a signed copy of STOLEN directly from the author, send an email to rjbell(at)umd.edu with your shipping address. Payment options include Venmo, PayPal, Amazon gift card, cash, or check. Signed copies of STOLEN are $20, including delivery.

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Livestream / Virtual Tue, 13 Oct 2020 17:57:03 -0400 2020-10-26T19:00:00-04:00 2020-10-26T20:30:00-04:00 Off Campus Location William L. Clements Library Livestream / Virtual Dr. Richard Bell, Historian
Performing the Moment, Performing the Movement (October 27, 2020 6:30pm) https://events.umich.edu/event/78465 78465-20050319@events.umich.edu Event Begins: Tuesday, October 27, 2020 6:30pm
Location: Off Campus Location
Organized By: Center for World Performance Studies

Free & Open to the public
Registration required: http://myumi.ch/PlNqD

T. Ayo Alston teaches and practices a signature theatrical style of West African drum and dance culture that captures the strength and power of women and community. Ayo is the founder, executive director, composer, and choreographer of Ayodele Drum and Dance, a performance training organization created for women to affirm their self-confidence and strength. Through Ayodele, she has performed, educated, fostered interpersonal healing, and created artistic work from a foundation of traditional African cultures fused with contemporary dance styles.

Throughout her career Ayo has taught, choreographed, and performed at schools and universities locally and nationally, as well as in African and Brazilian countries, as an independent artist and as a member of other companies and organizations, such as Dance Africa, Drum Cafe West, Le Bagatae Company of Guinea, Les Ballets Africans, and Muntu Dance Theatre.

In the last two years Ayo has been focused on fine-tuning and sharing her ability to compose music on African instruments, such as the kalimba. This resulted in her accepting a role as a lead actress in and musical composer for Mies Julie at Victory Gardens Theater and as a composer and musician for The Lion King Jr. at the Brooklyn Academy of Music (BAM).

Ayo serves as an adjunct professor at Columbia College Chicago and on the Dance faculty at Chicago High School of the Arts. She also has developed drum and dance programs that are thriving in prestigious schools, such as Jones College Prep and Walter Payton College Prep, where Ayodele has trained dancers to teach and gain professional artistic skills and experience.

In the new virtual series, PERFORMING THE MOVEMENT, PERFORMING THE MOMENT, Center for World Performance Studies invites performers and scholars from diverse disciplines to reflect on how performance is being used to respond to the political, social, health and environmental crises that we face at this moment. Each guest will give a 30 minute presentation, and then engage in 30 minutes of Q&A. Sessions will take place over Zoom and require advance registration. You can read about the panelists, register for these events, find recommended reading and resources and/or request recordings of past events at https://lsa.umich.edu/world-performance.

If you require an accommodation to participate in this event, please contact the Center for World Performance Studies, at 734-936-2777. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.

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Presentation Tue, 13 Oct 2020 07:22:54 -0400 2020-10-27T18:30:00-04:00 2020-10-27T19:30:00-04:00 Off Campus Location Center for World Performance Studies Presentation Ayodele
Detroiters Speak Fall 2020: Policing Black Power - From Watts to Detroit (October 28, 2020 6:00pm) https://events.umich.edu/event/78829 78829-20131189@events.umich.edu Event Begins: Wednesday, October 28, 2020 6:00pm
Location: Off Campus Location
Organized By: Semester in Detroit

Note: This is the first class in a 4-part series. For more information on the series, please visit our website: tinyurl.com/wattstodetroit

The first class will frame the trajectory of our four-week course before moving on to address the impact of the Watts rebellion on state violence. It situates the Watts rebellion as a key turning point that led to increasingly militant Black activism as well as the militarization of police, expanded surveillance, and the promulgation of “copaganda” that built off of growing calls for “law and order” and reinforced and expanded hyper-policing and the criminalization Black urban communities, residents, and politics in the 60s, including in Detroit.

SPEAKERS:

- Facilitator: David Goldberg (Associate Professor of African American Studies at Wayne State University. His work deals with the intersection of Black labor, urban and social movement history, with a particular focus on Detroit (where he is from). He is currently writing a biography of General Baker and is on the board of the General Baker Institute.)
- Max Felkner-Kantor
- Baba Charles Simmons
- Will McClendon

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Livestream / Virtual Fri, 23 Oct 2020 13:40:08 -0400 2020-10-28T18:00:00-04:00 2020-10-28T20:00:00-04:00 Off Campus Location Semester in Detroit Livestream / Virtual Black background with yellow text box gives details of series titles. Three images of uprisings appear in circles.
In-Between the World and Dreams (October 29, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168512@events.umich.edu Event Begins: Thursday, October 29, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-29T09:00:00-04:00 2020-10-29T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
A "Common Spectacle" of the Race: The Visual Politics of Founding in the Age of Garveyism (October 29, 2020 4:00pm) https://events.umich.edu/event/75583 75583-19542895@events.umich.edu Event Begins: Thursday, October 29, 2020 4:00pm
Location: Off Campus Location
Organized By: Eisenberg Institute for Historical Studies

Addressing a crowded Liberty Hall full of members of the New York Division in the summer of 1920, Marcus Garvey declared, “We are a new people, born out of a new day and new circumstance. We are born out of the bloody war of 1914-1918.” This essay is concerned with the constitution of a new people, attending in particular to the role of images, performance, and practices in the project of political founding. Focusing on the 1920 and 1921 convention, I argue that for the United Negro Improvement Association, political founding was a vehicle through which participants came to understand themselves as constituting the figure of Universal Negro—a figure represented through the convention as a transnational and empowered political subject. Political founding was on this view a process of transforming one’s self-perception, of cognizing oneself as a member of a transnational people politically capable of transforming the prevailing conditions of racial domination.

Professor Getachew will present a short introduction to her pre-circulated paper; this will be followed by brief comments by Professor Jesse Hoffnung-Garskof (University of Michigan) and audience questions.

***NOTE: The link to the pre-circulated paper will be supplied in the Zoom registration confirmation email.***

Adom Getachew is Neubauer Family Assistant Professor of Political Science and the College at the University of Chicago. She is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (PUP, 2019).

Free and open to the public. This is a remote event and will take place online via Zoom. Please register in advance here: https://umich.zoom.us/webinar/register/WN_prwS5vb6R2ORRvW9taPevQ

This event is part of the Thursday Series of the Eisenberg Institute for Historical Studies. It is made possible by a generous contribution from Kenneth and Frances Aftel Eisenberg.

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Lecture / Discussion Mon, 26 Oct 2020 10:17:06 -0400 2020-10-29T16:00:00-04:00 2020-10-29T17:00:00-04:00 Off Campus Location Eisenberg Institute for Historical Studies Lecture / Discussion Adom Getachew
A Grand Night For Singing (October 29, 2020 8:00pm) https://events.umich.edu/event/77365 77365-19846039@events.umich.edu Event Begins: Thursday, October 29, 2020 8:00pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

Presented online, this year’s Grand Night for Singing will focus on the themes of community and connection, with repertoire including traditional songs that speak to our need for communal singing such as “I Was Glad” by Sir Charles Hubert Parry and “How Can I Keep from Singing” arranged by Karen Thomas. It will also feature new social justice songs such as Alysia Lee’s “Say Her Name” and Melanie Demore’s “Lead with Love.” This music seeks to raise awareness about police brutality and anti-racism in the United States, and all four pieces will be presented as new virtual choir pieces.

This year’s Grand Night for Singing program will be the largest in the concert’s history. Nine of U-M’s choral ensembles will participate including singers in SMTD’s Michigan Youth Chamber Ensemble and the University Musical Society Choral Union. The event will be held virtually via livestream on SMTD’s Facebook and YouTube and will include live commentary with Grand Night performers.

Digital version of the printed program available at http://myumi.ch/9o9Ve

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Performance Thu, 29 Oct 2020 18:15:03 -0400 2020-10-29T20:00:00-04:00 Off Campus Location School of Music, Theatre & Dance Performance
In-Between the World and Dreams (October 30, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168513@events.umich.edu Event Begins: Friday, October 30, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-30T09:00:00-04:00 2020-10-30T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
In-Between the World and Dreams (October 31, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168514@events.umich.edu Event Begins: Saturday, October 31, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-10-31T09:00:00-04:00 2020-10-31T16:00:00-04:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
In-Between the World and Dreams (November 1, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168515@events.umich.edu Event Begins: Sunday, November 1, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-01T09:00:00-05:00 2020-11-01T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Detroiters Speak Fall 2020: Policing Black Power - From Watts to Detroit (November 4, 2020 6:00pm) https://events.umich.edu/event/78832 78832-20131196@events.umich.edu Event Begins: Wednesday, November 4, 2020 6:00pm
Location: Off Campus Location
Organized By: Semester in Detroit

Note: This is the second class in a 4-part series. For more information on the series, please visit our website: tinyurl.com/wattstodetroit

This class addresses grassroots efforts to organize against police crimes and abuses during the 1970s. In particular, we will examine Detroit’s anti-STRESS movement, the rise of “community policing” during the Young and Bradley administrations in Detroit and L.A., and the relationship between the violence of deindustrialization, austerity, and globalization, community policing, and the rise of the carceral state.

(Speakers TBA - please check our website for further information)

]]>
Livestream / Virtual Fri, 23 Oct 2020 13:46:20 -0400 2020-11-04T18:00:00-05:00 2020-11-04T20:00:00-05:00 Off Campus Location Semester in Detroit Livestream / Virtual Black background with yellow text box gives details of series titles. Three images of uprisings appear in circles.
In-Between the World and Dreams (November 5, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168519@events.umich.edu Event Begins: Thursday, November 5, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-05T09:00:00-05:00 2020-11-05T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
In-Between the World and Dreams (November 6, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168520@events.umich.edu Event Begins: Friday, November 6, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-06T09:00:00-05:00 2020-11-06T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
In-Between the World and Dreams (November 7, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168521@events.umich.edu Event Begins: Saturday, November 7, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-07T09:00:00-05:00 2020-11-07T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
In-Between the World and Dreams (November 8, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168522@events.umich.edu Event Begins: Sunday, November 8, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-08T09:00:00-05:00 2020-11-08T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 9, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241266@events.umich.edu Event Begins: Monday, November 9, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-09T00:00:00-05:00 2020-11-09T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (November 10, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241267@events.umich.edu Event Begins: Tuesday, November 10, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-10T00:00:00-05:00 2020-11-10T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Antonio Disla - A Performing Afro-Dominican-American in New York City (November 10, 2020 6:30pm) https://events.umich.edu/event/79251 79251-20241265@events.umich.edu Event Begins: Tuesday, November 10, 2020 6:30pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

registration required http://myumi.ch/BoVkl

"The fire raced along the fuse line and incensed;
We rose to burn it all down."

"Across the nation and the globe, we all-knowing and all-conquering human beings find ourselves - for lack of a better way to phrase it - in a corner. In the corner, on a universally ordered timeout like misbehaving children. We were sent from schools, workplaces, nightclubs, bars, and places to eat to our homes to wait, like Didi and Gogo in Becketts' Waiting for Godot— awaiting the arrival of Godot, who never arrives. We were sent home to wait for a safer moment in time for our collective existence, which has yet to come. Sent home to sit in timeout to reflect, reevaluate, and heal as a people and a nation. Dumbfoundedly, we watched the drafted news reports of lives lost to COVID-19 awe-struck by our leaders' indifference to the severity of the moment. Yet, with all those pots boiling over, we heard of a woman who lost her life when startled from slumber in Louisville, we watched one human-being gunned down while jogging in Georgia, and yet another human-being deliberately robbed of breath for 8m46sec in Minnesota. As if the death of all those individual lives lost to COVID-19 thus far were not enough, we return to extinguishing Black lives.

As an Afro-Dominican American, it is interesting to exist in a world designed to erase your existence. As a brown-skinned actor, it is devastating to come to terms with my role in that process of self-erasure. I have navigated between theatrical parts that reinforce negative stereotypes and those that made me question if my performance training would be enough to overcome the cultural discrepancy between myself and the character. It is a question that most often comes up when assuming non-white character roles, which underscores my complicity in my self-erasure. When the color of one's skin and the racially discriminatory experiences lived is drowned by the loud narratives that support– despite evidence— that racism does not exist. What does one do? When one's cultural background is not enough to garner a role or bring authenticity and truth to a character of perhaps African American descent, what does the actor do? When does Black equate to one's culture, and when does it not? Why am I at first glance considered black and then by some not black enough? This presentation aims to address performing one's culture within the context of racial consciousness. Performing an Afro-Dominican-American in New York City."

Antonio Disla, aka Antonio Garcia, is an Afro-Caribbean Dominican-American theatre practitioner, born and raised in New York City. He holds an M.F.A. in Performance from The Ohio State University. Since 2012, Antonio has taught at State University of New York (SUNY) at New Paltz, in both the Department of Theatre Arts and the Department of Communication. As a Solo Artist, he has written and devised both site-specific and staged works dealing with identity and race. Of his works, the notables to date are Nobody, a solo piece about race, and Travel, which deals with identity and destiny. As a performing company member of The Shakespeare Forum, he has led workshops in the New York City Public Schools and co-taught Shakespeare for their Youth Forum program. Antonio has proudly worked with The Black Lady Theater, an African American community theatre company based in Brooklyn, in such productions as From the Brought of Brooklyn and Bone Soup.

In the new virtual series, PERFORMING THE MOVEMENT, PERFORMING THE MOMENT, Center for World Performance Studies invites performers and scholars from diverse disciplines to reflect on how performance is being used to respond to the political, social, health and environmental crises that we face at this moment. Each guest will give a 30 minute presentation, and then engage in 30 minutes of Q&A. Sessions will take place over Zoom and require advance registration. You can read about the panelists, register for these events, find recommended reading and resources and/or request recordings of past events at https://lsa.umich.edu/world-performance.

If you require an accommodation to participate in this event, please contact the Center for World Performance Studies, at 734-936-2777. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.

presented by the Center for World Performance Studies

]]>
Livestream / Virtual Fri, 06 Nov 2020 12:15:05 -0500 2020-11-10T18:30:00-05:00 2020-11-10T19:30:00-05:00 Off Campus Location School of Music, Theatre & Dance Livestream / Virtual
Performing the Moment, Performing the Movement (November 10, 2020 6:30pm) https://events.umich.edu/event/78470 78470-20050324@events.umich.edu Event Begins: Tuesday, November 10, 2020 6:30pm
Location: Off Campus Location
Organized By: Center for World Performance Studies

Free & Open to the public
Registration required: http://myumi.ch/BoVkl

"The fire raced along the fuse line and incensed;
We rose to burn it all down."

Across the nation and the globe, we all-knowing and all-conquering human beings find ourselves - for lack of a better way to phrase it - in a corner. In the corner, on a universally ordered timeout like misbehaving children. We were sent from schools, workplaces, nightclubs, bars, and places to eat to our homes to wait, like Didi and Gogo in Becketts' Waiting for Godot— awaiting the arrival of Godot, who never arrives. We were sent home to wait for a safer moment in time for our collective existence, which has yet to come. Sent home to sit in timeout to reflect, reevaluate, and heal as a people and a nation. Dumbfoundedly, we watched the drafted news reports of lives lost to COVID-19 awe-struck by our leaders' indifference to the severity of the moment. Yet, with all those pots boiling over, we heard of a woman who lost her life when startled from slumber in Louisville, we watched one human-being gunned down while jogging in Georgia, and yet another human-being deliberately robbed of breath for 8m46sec in Minnesota. As if the death of all those individual lives lost to COVID-19 thus far were not enough, we return to extinguishing Black lives.

"As an Afro-Dominican American, it is interesting to exist in a world designed to erase your existence. As a brown-skinned actor, it is devastating to come to terms with my role in that process of self-erasure. I have navigated between theatrical parts that reinforce negative stereotypes and those that made me question if my performance training would be enough to overcome the cultural discrepancy between myself and the character. It is a question that most often comes up when assuming non-white character roles, which underscores my complicity in my self-erasure. When the color of one's skin and the racially discriminatory experiences lived is drowned by the loud narratives that support– despite evidence— that racism does not exist. What does one do? When one's cultural background is not enough to garner a role or bring authenticity and truth to a character of perhaps African American descent, what does the actor do? When does Black equate to one's culture, and when does it not? Why am I at first glance considered black and then by some not black enough? This presentation aims to address performing one's culture within the context of racial consciousness. Performing an Afro-Dominican-American in New York City."

Antonio Disla, aka Antonio Garcia, is an Afro-Caribbean Dominican-American theatre practitioner, born and raised in New York City. He holds an M.F.A. in Performance from The Ohio State University. Since 2012, Antonio has taught at State University of New York (SUNY) at New Paltz, in both the Department of Theatre Arts and the Department of Communication. As a Solo Artist, he has written and devised both site-specific and staged works dealing with identity and race. Of his works, the notables to date are Nobody, a solo piece about race, and Travel, which deals with identity and destiny. As a performing company member of The Shakespeare Forum, he has lead workshops in the New York City Public Schools and co-taught Shakespeare for their Youth Forum program. Antonio has proudly worked with The Black Lady Theater, an African American community theatre company based in Brooklyn, in such productions as From the Brought of Brooklyn and Bone Soup.

In the new virtual series, PERFORMING THE MOVEMENT, PERFORMING THE MOMENT, Center for World Performance Studies invites performers and scholars from diverse disciplines to reflect on how performance is being used to respond to the political, social, health and environmental crises that we face at this moment. Each guest will give a 30 minute presentation, and then engage in 30 minutes of Q&A. Sessions will take place over Zoom and require advance registration. You can read about the panelists, register for these events, find recommended reading and resources and/or request recordings of past events at https://lsa.umich.edu/world-performance.

If you require an accommodation to participate in this event, please contact the Center for World Performance Studies, at 734-936-2777. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.

]]>
Presentation Tue, 13 Oct 2020 09:43:08 -0400 2020-11-10T18:30:00-05:00 2020-11-10T19:30:00-05:00 Off Campus Location Center for World Performance Studies Presentation Disla
"Watch Me Work — Portraits of Self" (November 11, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241268@events.umich.edu Event Begins: Wednesday, November 11, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-11T00:00:00-05:00 2020-11-11T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Detroiters Speak Fall 2020: Policing Black Power - From Watts to Detroit (November 11, 2020 6:00pm) https://events.umich.edu/event/78833 78833-20131197@events.umich.edu Event Begins: Wednesday, November 11, 2020 6:00pm
Location: Off Campus Location
Organized By: Semester in Detroit

Note: This is the third class in a 4-part series. For more information on the series, please visit our website: tinyurl.com/wattstodetroit

This session discusses the War on Drugs, federally funded gang initiatives, and the expansion of the prison-industrial complex. We will explore the cost of the War on Drugs, grassroots efforts against violence in Black communities, and the relationship between police escalation, anti-Blackness, and drug criminalization and the Los Angeles rebellion and the DPD’s murder of Malice Green in 1993.

SPEAKERS:

- Facilitator: David Goldberg
- Yusef Shakur
- Additional speakers TBA

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Livestream / Virtual Fri, 23 Oct 2020 13:50:05 -0400 2020-11-11T18:00:00-05:00 2020-11-11T20:00:00-05:00 Off Campus Location Semester in Detroit Livestream / Virtual Black background with yellow text box gives details of series titles. Three images of uprisings appear in circles.
"Watch Me Work — Portraits of Self" (November 12, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241269@events.umich.edu Event Begins: Thursday, November 12, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-12T00:00:00-05:00 2020-11-12T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 12, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168526@events.umich.edu Event Begins: Thursday, November 12, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-12T09:00:00-05:00 2020-11-12T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Veterans Week: DEI in the military (November 12, 2020 3:00pm) https://events.umich.edu/event/78620 78620-20075974@events.umich.edu Event Begins: Thursday, November 12, 2020 3:00pm
Location: Off Campus Location
Organized By: Veteran and Military Services

Sponsored by the University of Michigan, Dearborn - Student Veterans of America chapter!
The diversity, equality, and inclusion lecture/discussion will focus on racial equality in the military and the induction of the first all African American Marine unit, the Montford Point Marines. The Montford Point Marines were established in 1942, their valor and performance at Peleliu, Iwo Jima, the Chosen Reservoir, Vietnam, and more paved the way for our present integrated armed forces. The keynote speaker of the lecture will be retired Sergeant Major Eugene Owens form the Montford Point Marines Detachment of the Marine Corps League. We will discuss racial issues in the military of the past and present.

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Workshop / Seminar Tue, 27 Oct 2020 13:15:27 -0400 2020-11-12T15:00:00-05:00 2020-11-12T16:00:00-05:00 Off Campus Location Veteran and Military Services Workshop / Seminar Montford Point Marine recruits at parade rest - 1943
"Watch Me Work — Portraits of Self" Virtual Reception & Film Premiere (November 12, 2020 6:00pm) https://events.umich.edu/event/79247 79247-20239308@events.umich.edu Event Begins: Thursday, November 12, 2020 6:00pm
Location: Off Campus Location
Organized By: Institute for the Humanities

Attend the opening reception at youtube.com/umhumanitiesinst

Join us as we celebrate our latest exhibition, *Watch Me Work — Portraits of Self* by Sydney G. James, with introductions by curator Amanda Krugliak, an artist talk with Sydney James in conversation with writer Scheherazade Washington Parrish, views of the exhibition, the unveiling of Sydney’s new mural on campus, and the premiere of the short documentary The Girl With the D Earring.

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

]]>
Livestream / Virtual Fri, 06 Nov 2020 16:18:03 -0500 2020-11-12T18:00:00-05:00 2020-11-12T19:30:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Watch Me Work
City on the Edge: Ypsilanti, African Americans and the World of Work (November 12, 2020 6:00pm) https://events.umich.edu/event/71756 71756-20178449@events.umich.edu Event Begins: Thursday, November 12, 2020 6:00pm
Location: Off Campus Location
Organized By: Center for Social Solutions

Join us as Dr. Alford A. Young, Jr. explores the themes of his research captured in his latest book, From the Edge of the Ghetto: African Americans and the World of Work. His extensive interviews with the low-income African American community in Ypsilanti bring new insights about perceptions of and preparation for the future of work outside of the major cities and middle to upper-class society.

This event will include a brief interview with Dr. Young conducted by Dr. Earl Lewis (University of Michigan), and a panel discussion with Dr. H. Luke Shaefer (University of Michigan) and Derrick Jackson (Director of Community Engagement, Washtenaw County), moderated by Dr. Carla O'Connor (University of Michigan).

Dr. Young is the Edgar G. Epps Collegiate Professor of Sociology, Afroamerican and African Studies, and the Gerald R. Ford School of Public Policy [by courtesy] at the University of Michigan.

Dr. Lewis is the Thomas C. Holt Distinguished University Professor of History, Afroamerican and African Studies and Public Policy & Director of the Center for Social Solutions, University of Michigan.

Dr. Shaefer is the the Hermann and Amalie Kohn Professor of Social Justice and Social Policy, Associate Dean for Research and Policy Engagement at the Gerald R. Ford School of Public Policy at the University of Michigan, and Director of Poverty Solutions, University of Michigan.

Derrick Jackson, MSW, is the Washtenaw County Sheriff's Director of Community Engagement.

Dr. O'Connor is the Arthur F Thurnau Professor of Education, University Diversity and Social Transformation Professor, and Director, Wolverine Pathways.

We encourage you to purchase a copy of the book if interested through Barnes & Noble or Amazon.

This event is co-sponsored by the Center for Social Solutions, the Department of Sociology, the Department of Afroamerican and African Studies, the National Center for Institutional Diversity, and the Ann Arbor YMCA.

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Lecture / Discussion Thu, 12 Nov 2020 10:07:53 -0500 2020-11-12T18:00:00-05:00 2020-11-12T19:00:00-05:00 Off Campus Location Center for Social Solutions Lecture / Discussion City on the Edge: Ypsilanti, African Americans, and the World of Work. Featuring Dr. Alford A. Young, Jr.
"Watch Me Work — Portraits of Self" (November 13, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241270@events.umich.edu Event Begins: Friday, November 13, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-13T00:00:00-05:00 2020-11-13T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 13, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168527@events.umich.edu Event Begins: Friday, November 13, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-13T09:00:00-05:00 2020-11-13T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 14, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241271@events.umich.edu Event Begins: Saturday, November 14, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-14T00:00:00-05:00 2020-11-14T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 14, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168528@events.umich.edu Event Begins: Saturday, November 14, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-14T09:00:00-05:00 2020-11-14T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 15, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241272@events.umich.edu Event Begins: Sunday, November 15, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-15T00:00:00-05:00 2020-11-15T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 15, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168529@events.umich.edu Event Begins: Sunday, November 15, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-15T09:00:00-05:00 2020-11-15T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 16, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241273@events.umich.edu Event Begins: Monday, November 16, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-16T00:00:00-05:00 2020-11-16T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (November 17, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241274@events.umich.edu Event Begins: Tuesday, November 17, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-17T00:00:00-05:00 2020-11-17T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Performing the Moment, Performing the Movement (November 17, 2020 6:30pm) https://events.umich.edu/event/78476 78476-20050333@events.umich.edu Event Begins: Tuesday, November 17, 2020 6:30pm
Location: Off Campus Location
Organized By: Center for World Performance Studies

Free & Open to the public
Registration required: http://myumi.ch/mnblz

Salakastar will be performing selections from ALL BLUE: PART ONE (MAJORELLE!) , her debut experimental R+B album and performance series. It consists of poetic healing rituals in the form of vibrant sounds, visuals, and mantras. AB: P1(M!) is a response to the urgent needs of people of color for recording and sharing untold narratives of self, land, and belonging.

Salakastar channels her ancestral spirit Majorelle to expand the African-American tradition of rhythm+blues and its lineage in relation to the generational depression experienced by descendants of the survivors of the Middle Passage and the souls that still exist in the deep blue of the Atlantic Ocean. She extends the healing quality of the color blue as it relates to the 5th chakra at the throat associated with Truth, voice, communication, and purification.

Salakastar is a Detroit born and based actor, singer-songwriter, poet, and teaching artist working in theatre, television, film, and music. She earned her BFA and completed her classical acting training at the State University of New York at Purchase College. She is an artist-in-residence at Poetic Societies, a member of the touring company of I, Too, Sing America at the Michigan Opera Theatre and a founding member of iii Sisters, a Detroit-based feminist writing ensemble. She is a 2018 Gilda Award Winner and a 2020 Kresge Artist Fellow in Live Arts awarded by the Kresge foundation.

In the new virtual series, PERFORMING THE MOVEMENT, PERFORMING THE MOMENT, Center for World Performance Studies invites performers and scholars from diverse disciplines to reflect on how performance is being used to respond to the political, social, health and environmental crises that we face at this moment. Each guest will give a 30 minute presentation, and then engage in 30 minutes of Q&A. Sessions will take place over Zoom and require advance registration. You can read about the panelists, register for these events, find recommended reading and resources and/or request recordings of past events at https://lsa.umich.edu/world-performance.

If you require an accommodation to participate in this event, please contact the Center for World Performance Studies, at 734-936-2777. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.

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Presentation Tue, 13 Oct 2020 10:34:44 -0400 2020-11-17T18:30:00-05:00 2020-11-17T19:30:00-05:00 Off Campus Location Center for World Performance Studies Presentation Salakastar
"Watch Me Work — Portraits of Self" (November 18, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241275@events.umich.edu Event Begins: Wednesday, November 18, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-18T00:00:00-05:00 2020-11-18T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Detroiters Speak Fall 2020: Policing Black Power - From Watts to Detroit (November 18, 2020 6:00pm) https://events.umich.edu/event/78834 78834-20131198@events.umich.edu Event Begins: Wednesday, November 18, 2020 6:00pm
Location: Off Campus Location
Organized By: Semester in Detroit

Note: This is the last class in a 4-part series. For more information on the series, please visit our website: tinyurl.com/wattstodetroit

The last session will recap the previous three courses before expanding our definition of state violence and violence beyond formal “policing.” Using local examples, our speakers will address how the elite elide democracy as a means to profit off of Black people while punitively blaming them for conditions externally imposed upon them. These containment and policing schemes endanger Black lives and futures, and force the poorest urban residents to subsidize the cost of welfare capitalism and gentrification.

SPEAKERS:

- Facilitator: David Goldberg
- Claire McClinton (Squeeky)
- Additional speakers TBA

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Livestream / Virtual Fri, 23 Oct 2020 13:54:36 -0400 2020-11-18T18:00:00-05:00 2020-11-18T20:00:00-05:00 Off Campus Location Semester in Detroit Livestream / Virtual Black background with yellow text box gives details of series titles. Three images of uprisings appear in circles.
The History and Future of Black Studies and BLM: DAAS at 50 (November 18, 2020 7:00pm) https://events.umich.edu/event/79360 79360-20282623@events.umich.edu Event Begins: Wednesday, November 18, 2020 7:00pm
Location: Off Campus Location
Organized By: Department of Afroamerican and African Studies

Join local and university community panelists PG Watkins, Omolade Adunbi, Eshe Shirley and Stephen Ward in a discussion about Black Studies and its connection to BLM as the Department of Afroamerican and African Studies commemorates its 50th anniversary and looks to what lies ahead.

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Lecture / Discussion Wed, 11 Nov 2020 18:37:04 -0500 2020-11-18T19:00:00-05:00 2020-11-18T21:00:00-05:00 Off Campus Location Department of Afroamerican and African Studies Lecture / Discussion Flyer
"Watch Me Work — Portraits of Self" (November 19, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241276@events.umich.edu Event Begins: Thursday, November 19, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-19T00:00:00-05:00 2020-11-19T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 19, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168533@events.umich.edu Event Begins: Thursday, November 19, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-19T09:00:00-05:00 2020-11-19T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 20, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241277@events.umich.edu Event Begins: Friday, November 20, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-20T00:00:00-05:00 2020-11-20T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 20, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168534@events.umich.edu Event Begins: Friday, November 20, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-20T09:00:00-05:00 2020-11-20T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 21, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241278@events.umich.edu Event Begins: Saturday, November 21, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-21T00:00:00-05:00 2020-11-21T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 21, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168535@events.umich.edu Event Begins: Saturday, November 21, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-21T09:00:00-05:00 2020-11-21T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 22, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241279@events.umich.edu Event Begins: Sunday, November 22, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-22T00:00:00-05:00 2020-11-22T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 22, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168536@events.umich.edu Event Begins: Sunday, November 22, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-22T09:00:00-05:00 2020-11-22T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 23, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241280@events.umich.edu Event Begins: Monday, November 23, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-23T00:00:00-05:00 2020-11-23T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (November 24, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241281@events.umich.edu Event Begins: Tuesday, November 24, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-24T00:00:00-05:00 2020-11-24T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Bioethics Discussion: The Coming Administration (November 24, 2020 7:00pm) https://events.umich.edu/event/58832 58832-14563724@events.umich.edu Event Begins: Tuesday, November 24, 2020 7:00pm
Location: Lurie Biomedical Engineering
Organized By: The Bioethics Discussion Group

A discussion on our (new?) government.

A few readings to consider:
––Three Ways to Politicize Bioethics
––Affording Obamacare
––Confronting Deep Moral Disagreement: The President’s Council on Bioethics, Moral Status, and Human Embryos
––The role of party politics in medical malpractice tort reforms

For more information and/or to receive a copy of the readings visit http://belmont.bme.umich.edu/bioethics-discussion-group/discussions/051-the-coming-administration/.

Please also swing by the blog: https://belmont.bme.umich.edu/incidental-art/

––
[OUR FIRST PLANNED REMOTE DISCUSSION]
While people are still allowed on campus, discussions will be held on the front lawn of Lurie Biomedical Engineering building. Participants will be asked to enter the area via a “welcome desk” where there will be hand sanitizer, wipes, etc. Participants will be masked, at least 12 feet from one another, and speaking through megaphones with one another. In accordance with public health mandates and guidance, participation will be limited to 20 individuals who sign up to participate ahead of time.

Sign up here: https://belmont.bme.umich.edu/ask-your-questions-to-ponder/

]]>
Lecture / Discussion Tue, 25 Aug 2020 11:13:08 -0400 2020-11-24T19:00:00-05:00 2020-11-24T20:30:00-05:00 Lurie Biomedical Engineering The Bioethics Discussion Group Lecture / Discussion The Coming Administration
Bioethics Discussion: The Coming Administration (November 24, 2020 7:00pm) https://events.umich.edu/event/58832 58832-20382972@events.umich.edu Event Begins: Tuesday, November 24, 2020 7:00pm
Location: Off Campus Location
Organized By: The Bioethics Discussion Group

A discussion on our (new?) government.

A few readings to consider:
––Three Ways to Politicize Bioethics
––Affording Obamacare
––Confronting Deep Moral Disagreement: The President’s Council on Bioethics, Moral Status, and Human Embryos
––The role of party politics in medical malpractice tort reforms

For more information and/or to receive a copy of the readings visit http://belmont.bme.umich.edu/bioethics-discussion-group/discussions/051-the-coming-administration/.

Please also swing by the blog: https://belmont.bme.umich.edu/incidental-art/

––
[OUR FIRST PLANNED REMOTE DISCUSSION]
While people are still allowed on campus, discussions will be held on the front lawn of Lurie Biomedical Engineering building. Participants will be asked to enter the area via a “welcome desk” where there will be hand sanitizer, wipes, etc. Participants will be masked, at least 12 feet from one another, and speaking through megaphones with one another. In accordance with public health mandates and guidance, participation will be limited to 20 individuals who sign up to participate ahead of time.

Sign up here: https://belmont.bme.umich.edu/ask-your-questions-to-ponder/

]]>
Lecture / Discussion Tue, 25 Aug 2020 11:13:08 -0400 2020-11-24T19:00:00-05:00 2020-11-24T20:30:00-05:00 Off Campus Location The Bioethics Discussion Group Lecture / Discussion The Coming Administration
"Watch Me Work — Portraits of Self" (November 25, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241282@events.umich.edu Event Begins: Wednesday, November 25, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-25T00:00:00-05:00 2020-11-25T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (November 26, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241283@events.umich.edu Event Begins: Thursday, November 26, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-26T00:00:00-05:00 2020-11-26T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 26, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168540@events.umich.edu Event Begins: Thursday, November 26, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-26T09:00:00-05:00 2020-11-26T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 27, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241284@events.umich.edu Event Begins: Friday, November 27, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-27T00:00:00-05:00 2020-11-27T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 27, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168541@events.umich.edu Event Begins: Friday, November 27, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-27T09:00:00-05:00 2020-11-27T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 28, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241285@events.umich.edu Event Begins: Saturday, November 28, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-28T00:00:00-05:00 2020-11-28T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 28, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168542@events.umich.edu Event Begins: Saturday, November 28, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-28T09:00:00-05:00 2020-11-28T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 29, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241286@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-29T00:00:00-05:00 2020-11-29T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (November 29, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168543@events.umich.edu Event Begins: Sunday, November 29, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-29T09:00:00-05:00 2020-11-29T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (November 30, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241287@events.umich.edu Event Begins: Monday, November 30, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-30T00:00:00-05:00 2020-11-30T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 1, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241288@events.umich.edu Event Begins: Tuesday, December 1, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-01T00:00:00-05:00 2020-12-01T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 2, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241289@events.umich.edu Event Begins: Wednesday, December 2, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-02T00:00:00-05:00 2020-12-02T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 3, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241290@events.umich.edu Event Begins: Thursday, December 3, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-03T00:00:00-05:00 2020-12-03T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (December 3, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168547@events.umich.edu Event Begins: Thursday, December 3, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-03T09:00:00-05:00 2020-12-03T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (December 4, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241291@events.umich.edu Event Begins: Friday, December 4, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-04T00:00:00-05:00 2020-12-04T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (December 4, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168548@events.umich.edu Event Begins: Friday, December 4, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-04T09:00:00-05:00 2020-12-04T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (December 5, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241292@events.umich.edu Event Begins: Saturday, December 5, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-05T00:00:00-05:00 2020-12-05T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
In-Between the World and Dreams (December 5, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168549@events.umich.edu Event Begins: Saturday, December 5, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-05T09:00:00-05:00 2020-12-05T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
"Watch Me Work — Portraits of Self" (December 6, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241293@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-06T00:00:00-05:00 2020-12-06T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 7, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241294@events.umich.edu Event Begins: Monday, December 7, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-07T00:00:00-05:00 2020-12-07T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 8, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241295@events.umich.edu Event Begins: Tuesday, December 8, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-08T00:00:00-05:00 2020-12-08T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 9, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241296@events.umich.edu Event Begins: Wednesday, December 9, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-09T00:00:00-05:00 2020-12-09T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 10, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241297@events.umich.edu Event Begins: Thursday, December 10, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-10T00:00:00-05:00 2020-12-10T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 11, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241298@events.umich.edu Event Begins: Friday, December 11, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-11T00:00:00-05:00 2020-12-11T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 12, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241299@events.umich.edu Event Begins: Saturday, December 12, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-12T00:00:00-05:00 2020-12-12T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 13, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241300@events.umich.edu Event Begins: Sunday, December 13, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-13T00:00:00-05:00 2020-12-13T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 14, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241301@events.umich.edu Event Begins: Monday, December 14, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-14T00:00:00-05:00 2020-12-14T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 15, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241302@events.umich.edu Event Begins: Tuesday, December 15, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-15T00:00:00-05:00 2020-12-15T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 16, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241303@events.umich.edu Event Begins: Wednesday, December 16, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-16T00:00:00-05:00 2020-12-16T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 17, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241304@events.umich.edu Event Begins: Thursday, December 17, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-17T00:00:00-05:00 2020-12-17T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
"Watch Me Work — Portraits of Self" (December 18, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241305@events.umich.edu Event Begins: Friday, December 18, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-18T00:00:00-05:00 2020-12-18T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
2021 MaryFran Sowers Memorial Lecture "Discriminatory Stressors and Cardiovascular Risk in Midlife Women: Implications for African-American Women's Health" (January 14, 2021 12:00pm) https://events.umich.edu/event/80500 80500-20730280@events.umich.edu Event Begins: Thursday, January 14, 2021 12:00pm
Location: Off Campus Location
Organized By: Center for Midlife Science

This special lecture honors Dr. Sower’s extraordinary scientific contributions to the field of women’s health and to inspire young scholars to transcend the boundaries between varying fields of research to advance women’s health. Dr. Sower’s unique insights into the breadth and depth of underlying physiological processes common to multiple diseases as well as her efforts to understand the linkages between ovarian and chronological aging has contributed substantially to the advancement of science. As a result of her contributions, women’s health grew from a peripheral field of study to a major discipline and we honor her legacy by inviting a groundbreaking researcher to present a lecture in her name.

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Lecture / Discussion Thu, 07 Jan 2021 15:42:51 -0500 2021-01-14T12:00:00-05:00 2021-01-14T13:00:00-05:00 Off Campus Location Center for Midlife Science Lecture / Discussion Tene Lewis presents 2021 MaryFran Sowers Memorial Lecture
COVID-19 and the African American Community (January 16, 2021 1:00pm) https://events.umich.edu/event/80498 80498-20730283@events.umich.edu Event Begins: Saturday, January 16, 2021 1:00pm
Location: Off Campus Location
Organized By: Michigan Medicine

This virtual discussion about COVID-19, the vaccine, and health disparities will feature several local experts. Panelists will provide science-based facts to help you make an informed choice about your health.

The panel includes:
Keila Samuels, PharmD, a clinical pharmacist in the Division of Allergy and Immunology at Michigan Medicine
Jessie Kimbrough Marshall, M.D., MPH, an adjunct assistant professor in the Division of Hospital Medicine at Michigan Medicine
Bishop Harry S. Grayson, pastor of Messias Temple Church

The moderator is Othelia Pryor, Ph.D., senior project manager at the Office for Health Equity & Inclusion at Michigan Medicine

The panelists will share facts based on science, acknowledge the lack of trust of healthcare by African Americans, discuss steps toward equitable and ethical healthcare, and share their personal stories about COVID-19, vaccines and health disparities.
To receive the link to watch the event, and to submit a question for consideration, visit https://michmed.org/6dzbK
A phone option is also available.

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Livestream / Virtual Thu, 07 Jan 2021 15:48:52 -0500 2021-01-16T13:00:00-05:00 2021-01-16T14:30:00-05:00 Off Campus Location Michigan Medicine Livestream / Virtual Panelists for COVID-19 and the African-American Community
MLK Day Circle of Unity (January 18, 2021 3:00pm) https://events.umich.edu/event/80484 80484-20728302@events.umich.edu Event Begins: Monday, January 18, 2021 3:00pm
Location: Off Campus Location
Organized By: Michigan Community Scholars Program

The Michigan Community Scholars Program will celebrate MLK and his legacy with the community at our 15th Annual Circle of Unity. Join hundreds of University and community participants via Zoom for this virtual event celebrating the life of Dr. King and his legacy of racial justice, nonviolence, and unity. All are welcome: students, staff, faculty, families, and children, as the audience is encouraged to participate as we honor Martin Luther King Jr. through song, dance, and spoken word. We will be joined by local musician favorites, Joe Reilly and Julie Beutel, in addition to performances by student musicians and spoken word artists. The event will also be streamed live to our Facebook page: https://www.facebook.com/umichmcsp/

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Livestream / Virtual Mon, 18 Jan 2021 14:10:47 -0500 2021-01-18T15:00:00-05:00 2021-01-18T16:00:00-05:00 Off Campus Location Michigan Community Scholars Program Livestream / Virtual Flier for event, with a photograph of a multiracial group of students clustered around a large image of Martin Luther King.
A Conversation about The Common Wind: Afro-American Currents in the Age of the Haitian Revolution (January 18, 2021 4:00pm) https://events.umich.edu/event/79654 79654-20438372@events.umich.edu Event Begins: Monday, January 18, 2021 4:00pm
Location: Off Campus Location
Organized By: Department of History

Please join us for a discussion of Julius S. Scott's seminal book, The Common Wind: Afro-American Currents in the Age of the Haitian Revolution. Winner of the 2019 Stone Book Award from the Museum of African American History, the work presents a remarkable intellectual history of the slave revolts that made the modern revolutionary era. The Common Wind is a gripping and colorful account of the intercontinental networks that tied together the free and enslaved masses of the New World.

Featuring remarks by Julius S. Scott (University of Michigan), Laurent Dubois (Duke University), Rebecca J. Scott (University of Michigan), and Stephen Ward (University of Michigan). Chaired by Matthew J. Countryman (University of Michigan).

Free and open to the public.

Presented by the Department of History, Department of Afroamerican and African Studies (DAAS), and Eisenberg Institute for Historical Studies. Additional support from the Kalt Fund for African American and African History.

Speakers

Julius S. Scott
Lecturer, Afroamerican and African Studies, University of Michigan

Professor Scott is author of The Common Wind: Afro-American Currents in the Age of the Haitian Revolution (2018). Based on his influential but previously unpublished 1986 Duke University doctoral dissertation, The Common Wind has earned numerous accolades, including the MAAH Stone Book Award and the Special Achievement Award from the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition.

Laurent Dubois
Marcello Lotti Professor of Romance Studies and History, Duke University

Professor Dubois specializes in the history and culture of the Atlantic world, with a focus on the Caribbean and particularly Haiti. Recent books include Haiti: The Aftershocks of History (2012) and The Banjo: America’s African Instrument (2016). In 2009 he edited, with Julius S. Scott, Origins of the Black Atlantic. Professor Dubois is faculty director of the Forum for Scholars and Publics at Duke University.

Rebecca J. Scott
Charles Gibson Distinguished University Professor of History and Professor of Law, University of Michigan

Professor Scott's research centers on the intersection of law and slavery, both in the United States and the Caribbean. Her books include Degrees of Freedom: Louisiana and Cuba after Slavery (2008) and Beyond Slavery: Explorations of Race, Labor, and Citizenship in Postemancipation Societies (with Frederick Cooper and Thomas C. Holt; 2014). Professor Scott is the recipient of a MacArthur Prize Fellowship and a Guggenheim Fellowship.

Stephen Ward
Associate Professor, Afroamerican & African Studies and the Residential College, University of Michigan

Professor Ward's teaching and writing focus on African American political thought and social movements, particularly the Black Power movement, and the evolution of cities since World War II, with an emphasis on grassroots activism and community-based approaches to urban redevelopment. He is the author of In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs (2016). Professor Ward is faculty director of the U-M Semester in Detroit Program.

Matthew J. Countryman (chair)
Associate Professor of History, American Culture, University of Michigan

Professor Countryman's work centers on twentieth-century African American social movements. He is the author of Up South: Civil Rights and Black Power in Philadelphia (2007). Professor Countryman is chair of the Department of Afroamerican and African Studies.

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Conference / Symposium Mon, 11 Jan 2021 12:49:45 -0500 2021-01-18T16:00:00-05:00 2021-01-18T17:30:00-05:00 Off Campus Location Department of History Conference / Symposium The Common Wind
Stearns Collection Lecture - River City Drumbeat - Film Screening and Q&A (January 19, 2021 7:00pm) https://events.umich.edu/event/80506 80506-20732240@events.umich.edu Event Begins: Tuesday, January 19, 2021 7:00pm
Location: Off Campus Location
Organized By: School of Music, Theatre & Dance

A free screening (zoom webinar) of the critically acclaimed documentary film,
RIVER CITY DRUMBEAT, followed by Q&A with director Marlon Johnson.


Wednesday, January 19, 2021 via Zoom Webinar (EDT, US and Canada):
     7:00pm - Introduction with Stearns Collection director Joseph Gascho and Marlon Johnson
     7:10pm - Screening begins
     8:45pm - Live Q&A with film director Marlon Johnson

RIVER CITY DRUMBEAT is a powerful story of music, love, and legacies set in the American South. Edward "Nardie" White devoted his life to leading the African-American drum corps he co-founded with Zambia Nkrumah in Louisville, Kentucky three decades ago. Together they inspired youth from their West Louisville neighborhood to thrive by connecting them with the art and cultural traditions of their African ancestors. Now Albert Shumake, whose destiny was shaped by the drumline, must take up the mantle for the next generation. Meanwhile, student drummers Imani, Jailen, and Emily navigate adolescence and life changes. RIVER CITY DRUMBEAT follows this creative community of mentors, parents, and youth making their way in a world where systemic forces raise obstacles to fulfilling their dreams.
Register at https://myumi.ch/4pj47

This is the inaugural event for the Stearns Collection Winter 2021 Virginia Martin Howard Lecture Series.  The film screening will be held through Zoom Webinar Video Conferencing. All Zoom webinar registrants will receive a video streaming link for independent viewing of the film from January 18 through January 30, 2021.  We recommended viewing the filming during the webinar, but one may view the film before or after the webinar and still join in the Q&A at 8:45pm on Jan. 19. The streaming link is for the personal use of the webinar attendees and may not be shared with others. This film is protected by copyright law.
Inquiries may be directed to stearnsoutreach@umich.edu

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Livestream / Virtual Thu, 07 Jan 2021 18:15:03 -0500 2021-01-19T19:00:00-05:00 Off Campus Location School of Music, Theatre & Dance Livestream / Virtual
Michigan in Washington Application Deadline-Feb. 15th (January 20, 2021 12:00pm) https://events.umich.edu/event/81007 81007-20832767@events.umich.edu Event Begins: Wednesday, January 20, 2021 12:00pm
Location:
Organized By: Michigan in Washington Program

The Michigan in Washington Program is accepting applications for Fall 2021 and early admission Winter 2022. The application is available on M-Compass. Deadline is February 15th at midnight.

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Meeting Fri, 22 Jan 2021 12:06:38 -0500 2021-01-20T12:00:00-05:00 2021-01-20T12:00:00-05:00 Michigan in Washington Program Meeting
Michigan in Washington Application Deadline-Feb. 15th (January 20, 2021 2:00pm) https://events.umich.edu/event/81007 81007-20832794@events.umich.edu Event Begins: Wednesday, January 20, 2021 2:00pm
Location:
Organized By: Michigan in Washington Program

The Michigan in Washington Program is accepting applications for Fall 2021 and early admission Winter 2022. The application is available on M-Compass. Deadline is February 15th at midnight.

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Meeting Fri, 22 Jan 2021 12:06:38 -0500 2021-01-20T14:00:00-05:00 2021-01-20T15:00:00-05:00 Michigan in Washington Program Meeting