Happening @ Michigan https://events.umich.edu/list/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. Real and Imagined: Fabric Works and Video Animations by Heidi Kumao (November 17, 2020 2:00pm) https://events.umich.edu/event/77532 77532-19879845@events.umich.edu Event Begins: Tuesday, November 17, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Stamps Gallery is pleased to present Real and Imagined: Fabric Works and Video Animations, a solo exhibition of narrative fabric works and experimental animations by Stamps Professor Heidi Kumao.

Using fabric cutouts and machine and hand stitching on industrial felt, Kumao gives physical form to the intangible dynamics underlying ordinary conversations and relationships from a feminist perspective. Intentionally minimal, each image distills an interaction, traumatic incident, or power imbalance into an accessible visual narrative. Recognizable objects such as chairs, roots, ladders, or spotlights set the stage for the story to unfold. Events are captured midstream, suspended in time like a felt film still.

The exhibition is inspired, in part, by the courage, testimony, and experiences of women (like Christine Blasey Ford) who publicly report assault, harassment, or misconduct. The #MeToo movement gave voice to thousands of women to tell their personal stories, but also exposed a hostile backlash meant to silence them. The title, “Real and Imagined,” is a deliberate contradiction; if one is true, the other must not be. In practice, however, both terms are used to reference a woman’s testimony and determine how it is publicly interpreted. Her account is accepted as truthful by many and simultaneously dismissed as imaginary by the court of public opinion: “her memory is wrong,” “she imagined it.”

The works in “Real and Imagined: Fabric Works and Video Animations” make difficult conversations and relationships tangible by stripping them down to their essentials.

Wordless physical gestures highlight the psychological and emotional forces at play behind even the smallest of interactions.

Biography
Heidi Kumao has created award-winning experimental films, video installations, cinema machines, electronic clothing, and kinetic sculptures. She has exhibited her work in solo and group exhibitions nationally and internationally including shows at Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, Fundació Joan Miró (Barcelona), and Museu da Imagem e do Som (São Paulo). She has received fellowships from the Creative Capital Foundation, the Guggenheim Foundation, and the New York Foundation for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Mon, 21 Sep 2020 18:15:10 -0400 2020-11-17T14:00:00-05:00 2020-11-17T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/HK-Real-and-Imagined-email-header-01.jpg
"Watch Me Work — Portraits of Self" (November 18, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241275@events.umich.edu Event Begins: Wednesday, November 18, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-18T00:00:00-05:00 2020-11-18T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 18, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168577@events.umich.edu Event Begins: Wednesday, November 18, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

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Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-18T00:00:00-05:00 2020-11-18T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (November 18, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071486@events.umich.edu Event Begins: Wednesday, November 18, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-18T11:00:00-05:00 2020-11-18T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Explore the arts in Downtown Ann Arbor! (November 18, 2020 12:00pm) https://events.umich.edu/event/76129 76129-19663679@events.umich.edu Event Begins: Wednesday, November 18, 2020 12:00pm
Location: Off Campus Location
Organized By: Arts at Michigan

The downtown Ann Arbor area is full of vibrant arts organizations, businesses, and public art. This self-guided art tour will welcome you to the rich arts culture that the downtown area has to offer. Enjoy this tour from the comfort of your own space or follow along on foot by following the Google map! We have highlighted the places we think students should know about, listed the free or low-cost resources they offer, and gave you some hints for fun things to spot along the way!

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Other Tue, 25 Aug 2020 16:53:55 -0400 2020-11-18T12:00:00-05:00 2020-11-18T13:00:00-05:00 Off Campus Location Arts at Michigan Other Art Around Town
"Watch Me Work — Portraits of Self" (November 19, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241276@events.umich.edu Event Begins: Thursday, November 19, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-19T00:00:00-05:00 2020-11-19T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 19, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168578@events.umich.edu Event Begins: Thursday, November 19, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-19T00:00:00-05:00 2020-11-19T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (November 19, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168533@events.umich.edu Event Begins: Thursday, November 19, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-19T09:00:00-05:00 2020-11-19T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 19, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071487@events.umich.edu Event Begins: Thursday, November 19, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-19T11:00:00-05:00 2020-11-19T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Explore the arts in Downtown Ann Arbor! (November 19, 2020 12:00pm) https://events.umich.edu/event/76129 76129-19663680@events.umich.edu Event Begins: Thursday, November 19, 2020 12:00pm
Location: Off Campus Location
Organized By: Arts at Michigan

The downtown Ann Arbor area is full of vibrant arts organizations, businesses, and public art. This self-guided art tour will welcome you to the rich arts culture that the downtown area has to offer. Enjoy this tour from the comfort of your own space or follow along on foot by following the Google map! We have highlighted the places we think students should know about, listed the free or low-cost resources they offer, and gave you some hints for fun things to spot along the way!

]]>
Other Tue, 25 Aug 2020 16:53:55 -0400 2020-11-19T12:00:00-05:00 2020-11-19T13:00:00-05:00 Off Campus Location Arts at Michigan Other Art Around Town
"Watch Me Work — Portraits of Self" (November 20, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241277@events.umich.edu Event Begins: Friday, November 20, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-20T00:00:00-05:00 2020-11-20T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 20, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168579@events.umich.edu Event Begins: Friday, November 20, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-20T00:00:00-05:00 2020-11-20T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (November 20, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168534@events.umich.edu Event Begins: Friday, November 20, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-20T09:00:00-05:00 2020-11-20T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 20, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071488@events.umich.edu Event Begins: Friday, November 20, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-20T11:00:00-05:00 2020-11-20T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Explore the arts in Downtown Ann Arbor! (November 20, 2020 12:00pm) https://events.umich.edu/event/76129 76129-19663681@events.umich.edu Event Begins: Friday, November 20, 2020 12:00pm
Location: Off Campus Location
Organized By: Arts at Michigan

The downtown Ann Arbor area is full of vibrant arts organizations, businesses, and public art. This self-guided art tour will welcome you to the rich arts culture that the downtown area has to offer. Enjoy this tour from the comfort of your own space or follow along on foot by following the Google map! We have highlighted the places we think students should know about, listed the free or low-cost resources they offer, and gave you some hints for fun things to spot along the way!

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Other Tue, 25 Aug 2020 16:53:55 -0400 2020-11-20T12:00:00-05:00 2020-11-20T13:00:00-05:00 Off Campus Location Arts at Michigan Other Art Around Town
Get Out the Vote: Empowering the Women's Vote (November 20, 2020 2:00pm) https://events.umich.edu/event/77531 77531-19879823@events.umich.edu Event Begins: Friday, November 20, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Organized by AIGA in partnership with League of Women Voters

2020 marks the centennial of the ratification of the 19th Amendment, granting women the right to vote in 1920. It was the first legislation for women’s voting rights. Not until the passage of the Voting Rights Act in 1965 were voting rights of ALL women protected and enforced, and intimidation tactics progressively eliminated.  The Get Out the Vote: Empowering the Women’s Vote poster campaign, organized by AIGA in partnership with the League of Women Voters, commemorates this milestone. A core group of invited women of design submitted the first 65 non-partisan posters, to launch the initiative with their vision and voices. Through the posters, these women joined forces to collectively contribute to dialogue in design and society. This moment in history is an incredible opportunity to catalyze women in design, voting rights, citizenship, community, and diversity. The collection aspires to not only support present day voter participation, but to also serve as a backdrop for discourse and examination of the history of voting rights and women’s fight for equality.  The poster initiative continues at aiga.org/vote, where AIGA members can contribute posters to motivate the American public to register and turn out to vote in the 2020 general election, as well as local elections to come. Posters are available for free download online.

The Get Out the Vote: Empowering the Women’s Vote exhibition at Stamps Gallery includes a selection of the 65 posters chosen by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery. The exhibition includes posters by Audrey Bennett, Johanna Björk, Karen Cheng, Emily Comfort, Jenny El-Shamy, Dinah Fried, Karin Fong, Anne M. Giangiulio, Annabelle Gould, Brockett Horne, Meena Khalili, nicole killian + shawné michaelain holloway, Karen Kurycki, Marty Maxwell Lane, Zuzana Licko, Ana Llorente, Beatriz Lozano, Kelly Salchow MacArthur, Rebeca Mendez, Lana Rigsby, Kaleena Sales, Renee Seward, Laurel Shoemaker, Nancy Sklolos,  Hannah Smotrich, Shanti Sparrow, Jennifer Sterling, Fearn de Vicq, Cymone Wilder, and Lynne Yun.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Tue, 27 Oct 2020 14:52:24 -0400 2020-11-20T14:00:00-05:00 2020-11-20T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/2020_gotv_header-02.jpg
Real and Imagined: Fabric Works and Video Animations by Heidi Kumao (November 20, 2020 2:00pm) https://events.umich.edu/event/77532 77532-19879846@events.umich.edu Event Begins: Friday, November 20, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Stamps Gallery is pleased to present Real and Imagined: Fabric Works and Video Animations, a solo exhibition of narrative fabric works and experimental animations by Stamps Professor Heidi Kumao.

Using fabric cutouts and machine and hand stitching on industrial felt, Kumao gives physical form to the intangible dynamics underlying ordinary conversations and relationships from a feminist perspective. Intentionally minimal, each image distills an interaction, traumatic incident, or power imbalance into an accessible visual narrative. Recognizable objects such as chairs, roots, ladders, or spotlights set the stage for the story to unfold. Events are captured midstream, suspended in time like a felt film still.

The exhibition is inspired, in part, by the courage, testimony, and experiences of women (like Christine Blasey Ford) who publicly report assault, harassment, or misconduct. The #MeToo movement gave voice to thousands of women to tell their personal stories, but also exposed a hostile backlash meant to silence them. The title, “Real and Imagined,” is a deliberate contradiction; if one is true, the other must not be. In practice, however, both terms are used to reference a woman’s testimony and determine how it is publicly interpreted. Her account is accepted as truthful by many and simultaneously dismissed as imaginary by the court of public opinion: “her memory is wrong,” “she imagined it.”

The works in “Real and Imagined: Fabric Works and Video Animations” make difficult conversations and relationships tangible by stripping them down to their essentials.

Wordless physical gestures highlight the psychological and emotional forces at play behind even the smallest of interactions.

Biography
Heidi Kumao has created award-winning experimental films, video installations, cinema machines, electronic clothing, and kinetic sculptures. She has exhibited her work in solo and group exhibitions nationally and internationally including shows at Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, Fundació Joan Miró (Barcelona), and Museu da Imagem e do Som (São Paulo). She has received fellowships from the Creative Capital Foundation, the Guggenheim Foundation, and the New York Foundation for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Mon, 21 Sep 2020 18:15:10 -0400 2020-11-20T14:00:00-05:00 2020-11-20T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/HK-Real-and-Imagined-email-header-01.jpg
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition (November 20, 2020 2:00pm) https://events.umich.edu/event/77530 77530-19879799@events.umich.edu Event Begins: Friday, November 20, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.

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Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
September 15, 2020 – December 4, 2020

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.


Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Auditions Mon, 21 Sep 2020 18:15:10 -0400 2020-11-20T14:00:00-05:00 2020-11-20T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Auditions https://stamps.umich.edu/images/uploads/exhibitions/Respond.jpg
​The Virtual Mark Webster Reading Series (November 20, 2020 7:00pm) https://events.umich.edu/event/75952 75952-19627787@events.umich.edu Event Begins: Friday, November 20, 2020 7:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. Tune in to enjoy work from the next generation of authors.

This week's reading features Catalina Bode [Fiction] and Chris Crowder [Poetry]. 

Organized by the MFA in Creative Writing Program and presented in partnership with the University of Michigan Museum of Art. For questions or accommodation needs, contact co-hosts David Freeman (dfrman@umich.edu) or Lauren Morrow (lmmorrow@umich.edu).

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Presentation Sat, 21 Nov 2020 00:15:28 -0500 2020-11-20T19:00:00-05:00 2020-11-20T20:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
Raqs Media Collective: Kinetic Contemplations (November 20, 2020 8:00pm) https://events.umich.edu/event/77327 77327-19840082@events.umich.edu Event Begins: Friday, November 20, 2020 8:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Raqs Media Collective, formed in 1992 by Monica Narula, Jeebesh Bagchi, and Shuddhabrata Sengupta, argues for a mode of “kinetic contemplation” that rides a restless entanglement with the world. This translates into working with moving images to unsettle ways of ordering space and time through timelines, life-lines, latitudes, and longitudes. Raqs practices across several media, including installation, sculpture, video, performance, text, and lexica. In the video 31 Days (2020), Raqs takes the predicament of quarantine and seclusion caused by the COVID-19 pandemic to offer a meditation on a restless world in a quiet time. Raqs takes traces of materials in order to breach the boundaries and limits of historical time by intensifying the experience of a sensory encounter with the immeasurability of life forms. In the video The Blood of Stars (2018), blood, meteorites older than the earth, and iron mines in the arctic circle combine to offer a way of thinking concretely and materially about the intimacy of life, death, mining, war, and the pulse of the cosmos.

From 2000–2013, Raqs spent time at Sarai, which they co-founded at the Centre for the Study of Developing Societies in North Delhi, and where they were members of the Editorial Collegiate of the Sarai Reader Series. Raqs’ work has been shown in museums and exhibitions across the world, including Documenta 11, Venice, Istanbul, Sydney, Shanghai, and Sao Paulo Biennales, and in solo exhibitions at the National Gallery of Modern Art, New Delhi; Tate Modern, London; Museo Universitario Arte Contemporáneo (MUAC), México City; Fundación PROA, Buenos Aires; Whitworth Art Gallery, Manchester; K21 Ständehaus, Düsseldorf; and Mathaf: Arab Museum of Modern Art, Doha, Qatar, among others. Curatorial projects by Raqs include The Rest of Now, Manifesta 8, Murcia, Spain, 2011; Sarai Reader 09, Devi Art Foundation, Gurugram, India, 2012; Insert2014, IGNCA, Delhi, 2014; Why Not Ask Again, Shanghai Biennale, 2016; Five Million Incidents, Goethe-Institut, Delhi & Kolkata, 2019–2021; and Afterglow, Yokohama Triennale, 2020.

This Penny Stamps Speaker Series event includes a presentation by Raqs Media Collective followed by a Q&A with Srimoyee Mitra, director of the Stamps Gallery at Stamps School of Art and Design.

Stamps Gallery Online ExhibitionRaqs Media Collective is also featured in The Pandemic Circle by Raqs Media Collective, an online Stamps Gallery exhibition and screening of new videos. Commissioned by Stamps Gallery and presented in partnership with EXPO CHICAGO, twentyfourbyseven (6 mins, video, calligraphy, text, animation), 2020 and Why do they call the answer to a question, a solution? (12 minutes, video, spoken word), 2020 complete the Pandemic Circle that they embarked upon with their recent video 31 Days. Together, this suite of poignant and poetic videos grapple with the pervasive and dispersed impact on daily routines and relationships with one another, and beyond, in the age of the Coronavirus.

The exhibition can be viewed online from Dec. 1, 2020 - Jan 31, 2021.  Learn More →


Co-produced with the School of the Art Institute of Chicago Visiting Artists Program and the UM Stamps Gallery.

How to Watch

All speaker series events will be webcast on Fridays at 8 pm EST at http://pennystampsevents.org and at https://www.dptv.org/programs/arts-culture/penny-stamps-series/ starting Friday, September 18. You can also watch the talks and join the conversation on the Penny Stamps Series Facebook page: https://www.facebook.com/PennyStampsSeries/.

Notice of uncensored content

In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

 

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Livestream / Virtual Wed, 18 Nov 2020 12:15:07 -0500 2020-11-20T20:00:00-05:00 2020-11-20T21:30:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/lectures/RAQS.jpg
"Watch Me Work — Portraits of Self" (November 21, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241278@events.umich.edu Event Begins: Saturday, November 21, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-21T00:00:00-05:00 2020-11-21T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 21, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168580@events.umich.edu Event Begins: Saturday, November 21, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

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Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-21T00:00:00-05:00 2020-11-21T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 21, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546892@events.umich.edu Event Begins: Saturday, November 21, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

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Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-21T00:00:00-05:00 2020-11-21T23:59:00-05:00 Prison Creative Arts Project, The Other
In-Between the World and Dreams (November 21, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168535@events.umich.edu Event Begins: Saturday, November 21, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-21T09:00:00-05:00 2020-11-21T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 21, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071489@events.umich.edu Event Begins: Saturday, November 21, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-21T11:00:00-05:00 2020-11-21T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 22, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241279@events.umich.edu Event Begins: Sunday, November 22, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-22T00:00:00-05:00 2020-11-22T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 22, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168581@events.umich.edu Event Begins: Sunday, November 22, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-22T00:00:00-05:00 2020-11-22T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 22, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546893@events.umich.edu Event Begins: Sunday, November 22, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

]]>
Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-22T00:00:00-05:00 2020-11-22T23:59:00-05:00 Prison Creative Arts Project, The Other
In-Between the World and Dreams (November 22, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168536@events.umich.edu Event Begins: Sunday, November 22, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-22T09:00:00-05:00 2020-11-22T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 22, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071490@events.umich.edu Event Begins: Sunday, November 22, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-22T12:00:00-05:00 2020-11-22T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 23, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241280@events.umich.edu Event Begins: Monday, November 23, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-23T00:00:00-05:00 2020-11-23T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 23, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168582@events.umich.edu Event Begins: Monday, November 23, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-23T00:00:00-05:00 2020-11-23T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 23, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546894@events.umich.edu Event Begins: Monday, November 23, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

]]>
Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-23T00:00:00-05:00 2020-11-23T23:59:00-05:00 Prison Creative Arts Project, The Other
Get Out the Vote: Empowering the Women's Vote (November 23, 2020 2:00pm) https://events.umich.edu/event/77531 77531-19879824@events.umich.edu Event Begins: Monday, November 23, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Organized by AIGA in partnership with League of Women Voters

2020 marks the centennial of the ratification of the 19th Amendment, granting women the right to vote in 1920. It was the first legislation for women’s voting rights. Not until the passage of the Voting Rights Act in 1965 were voting rights of ALL women protected and enforced, and intimidation tactics progressively eliminated.  The Get Out the Vote: Empowering the Women’s Vote poster campaign, organized by AIGA in partnership with the League of Women Voters, commemorates this milestone. A core group of invited women of design submitted the first 65 non-partisan posters, to launch the initiative with their vision and voices. Through the posters, these women joined forces to collectively contribute to dialogue in design and society. This moment in history is an incredible opportunity to catalyze women in design, voting rights, citizenship, community, and diversity. The collection aspires to not only support present day voter participation, but to also serve as a backdrop for discourse and examination of the history of voting rights and women’s fight for equality.  The poster initiative continues at aiga.org/vote, where AIGA members can contribute posters to motivate the American public to register and turn out to vote in the 2020 general election, as well as local elections to come. Posters are available for free download online.

The Get Out the Vote: Empowering the Women’s Vote exhibition at Stamps Gallery includes a selection of the 65 posters chosen by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery. The exhibition includes posters by Audrey Bennett, Johanna Björk, Karen Cheng, Emily Comfort, Jenny El-Shamy, Dinah Fried, Karin Fong, Anne M. Giangiulio, Annabelle Gould, Brockett Horne, Meena Khalili, nicole killian + shawné michaelain holloway, Karen Kurycki, Marty Maxwell Lane, Zuzana Licko, Ana Llorente, Beatriz Lozano, Kelly Salchow MacArthur, Rebeca Mendez, Lana Rigsby, Kaleena Sales, Renee Seward, Laurel Shoemaker, Nancy Sklolos,  Hannah Smotrich, Shanti Sparrow, Jennifer Sterling, Fearn de Vicq, Cymone Wilder, and Lynne Yun.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

]]>
Exhibition Tue, 27 Oct 2020 14:52:24 -0400 2020-11-23T14:00:00-05:00 2020-11-23T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/2020_gotv_header-02.jpg
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition (November 23, 2020 2:00pm) https://events.umich.edu/event/77530 77530-19879800@events.umich.edu Event Begins: Monday, November 23, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.

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Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
September 15, 2020 – December 4, 2020

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.


Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

]]>
Auditions Mon, 21 Sep 2020 18:15:10 -0400 2020-11-23T14:00:00-05:00 2020-11-23T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Auditions https://stamps.umich.edu/images/uploads/exhibitions/Respond.jpg
"Watch Me Work — Portraits of Self" (November 24, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241281@events.umich.edu Event Begins: Tuesday, November 24, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-24T00:00:00-05:00 2020-11-24T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 24, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168583@events.umich.edu Event Begins: Tuesday, November 24, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-24T00:00:00-05:00 2020-11-24T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 24, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546895@events.umich.edu Event Begins: Tuesday, November 24, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

]]>
Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-24T00:00:00-05:00 2020-11-24T23:59:00-05:00 Prison Creative Arts Project, The Other
Collection Ensemble (November 24, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071491@events.umich.edu Event Begins: Tuesday, November 24, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-24T11:00:00-05:00 2020-11-24T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Real and Imagined: Fabric Works and Video Animations by Heidi Kumao (November 24, 2020 2:00pm) https://events.umich.edu/event/77532 77532-19879847@events.umich.edu Event Begins: Tuesday, November 24, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Stamps Gallery is pleased to present Real and Imagined: Fabric Works and Video Animations, a solo exhibition of narrative fabric works and experimental animations by Stamps Professor Heidi Kumao.

Using fabric cutouts and machine and hand stitching on industrial felt, Kumao gives physical form to the intangible dynamics underlying ordinary conversations and relationships from a feminist perspective. Intentionally minimal, each image distills an interaction, traumatic incident, or power imbalance into an accessible visual narrative. Recognizable objects such as chairs, roots, ladders, or spotlights set the stage for the story to unfold. Events are captured midstream, suspended in time like a felt film still.

The exhibition is inspired, in part, by the courage, testimony, and experiences of women (like Christine Blasey Ford) who publicly report assault, harassment, or misconduct. The #MeToo movement gave voice to thousands of women to tell their personal stories, but also exposed a hostile backlash meant to silence them. The title, “Real and Imagined,” is a deliberate contradiction; if one is true, the other must not be. In practice, however, both terms are used to reference a woman’s testimony and determine how it is publicly interpreted. Her account is accepted as truthful by many and simultaneously dismissed as imaginary by the court of public opinion: “her memory is wrong,” “she imagined it.”

The works in “Real and Imagined: Fabric Works and Video Animations” make difficult conversations and relationships tangible by stripping them down to their essentials.

Wordless physical gestures highlight the psychological and emotional forces at play behind even the smallest of interactions.

Biography
Heidi Kumao has created award-winning experimental films, video installations, cinema machines, electronic clothing, and kinetic sculptures. She has exhibited her work in solo and group exhibitions nationally and internationally including shows at Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, Fundació Joan Miró (Barcelona), and Museu da Imagem e do Som (São Paulo). She has received fellowships from the Creative Capital Foundation, the Guggenheim Foundation, and the New York Foundation for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

]]>
Exhibition Mon, 21 Sep 2020 18:15:10 -0400 2020-11-24T14:00:00-05:00 2020-11-24T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/HK-Real-and-Imagined-email-header-01.jpg
"Watch Me Work — Portraits of Self" (November 25, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241282@events.umich.edu Event Begins: Wednesday, November 25, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-25T00:00:00-05:00 2020-11-25T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 25, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168584@events.umich.edu Event Begins: Wednesday, November 25, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-25T00:00:00-05:00 2020-11-25T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 25, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546896@events.umich.edu Event Begins: Wednesday, November 25, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

]]>
Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-25T00:00:00-05:00 2020-11-25T23:59:00-05:00 Prison Creative Arts Project, The Other
Collection Ensemble (November 25, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071492@events.umich.edu Event Begins: Wednesday, November 25, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-25T11:00:00-05:00 2020-11-25T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 26, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241283@events.umich.edu Event Begins: Thursday, November 26, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-26T00:00:00-05:00 2020-11-26T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 26, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168585@events.umich.edu Event Begins: Thursday, November 26, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-26T00:00:00-05:00 2020-11-26T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 26, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546897@events.umich.edu Event Begins: Thursday, November 26, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

]]>
Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-26T00:00:00-05:00 2020-11-26T23:59:00-05:00 Prison Creative Arts Project, The Other
In-Between the World and Dreams (November 26, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168540@events.umich.edu Event Begins: Thursday, November 26, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-26T09:00:00-05:00 2020-11-26T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 26, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071493@events.umich.edu Event Begins: Thursday, November 26, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-26T11:00:00-05:00 2020-11-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 27, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241284@events.umich.edu Event Begins: Friday, November 27, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-27T00:00:00-05:00 2020-11-27T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 27, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168586@events.umich.edu Event Begins: Friday, November 27, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-27T00:00:00-05:00 2020-11-27T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 27, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546898@events.umich.edu Event Begins: Friday, November 27, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

]]>
Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-27T00:00:00-05:00 2020-11-27T23:59:00-05:00 Prison Creative Arts Project, The Other
In-Between the World and Dreams (November 27, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168541@events.umich.edu Event Begins: Friday, November 27, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-27T09:00:00-05:00 2020-11-27T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 27, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071494@events.umich.edu Event Begins: Friday, November 27, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-27T11:00:00-05:00 2020-11-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 28, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241285@events.umich.edu Event Begins: Saturday, November 28, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-28T00:00:00-05:00 2020-11-28T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 28, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168587@events.umich.edu Event Begins: Saturday, November 28, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-28T00:00:00-05:00 2020-11-28T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 28, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546899@events.umich.edu Event Begins: Saturday, November 28, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

]]>
Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-28T00:00:00-05:00 2020-11-28T23:59:00-05:00 Prison Creative Arts Project, The Other
In-Between the World and Dreams (November 28, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168542@events.umich.edu Event Begins: Saturday, November 28, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-28T09:00:00-05:00 2020-11-28T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 28, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071495@events.umich.edu Event Begins: Saturday, November 28, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-28T11:00:00-05:00 2020-11-28T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 29, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241286@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-29T00:00:00-05:00 2020-11-29T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 29, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168588@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-29T00:00:00-05:00 2020-11-29T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Thanksgiving Recess (November 29, 2020 12:00am) https://events.umich.edu/event/75617 75617-19546900@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Thanksgiving Recess

]]>
Other Mon, 10 Aug 2020 19:45:19 -0400 2020-11-29T00:00:00-05:00 2020-11-29T23:59:00-05:00 Prison Creative Arts Project, The Other
In-Between the World and Dreams (November 29, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168543@events.umich.edu Event Begins: Sunday, November 29, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-29T09:00:00-05:00 2020-11-29T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 29, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071496@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-29T12:00:00-05:00 2020-11-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 30, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241287@events.umich.edu Event Begins: Monday, November 30, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-30T00:00:00-05:00 2020-11-30T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 30, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168589@events.umich.edu Event Begins: Monday, November 30, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-30T00:00:00-05:00 2020-11-30T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition (November 30, 2020 2:00pm) https://events.umich.edu/event/77530 77530-19879801@events.umich.edu Event Begins: Monday, November 30, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.

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Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
September 15, 2020 – December 4, 2020

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.


Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

]]>
Auditions Mon, 21 Sep 2020 18:15:10 -0400 2020-11-30T14:00:00-05:00 2020-11-30T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Auditions https://stamps.umich.edu/images/uploads/exhibitions/Respond.jpg
Visual Aids Day With(out) Art 2020: TRANSMISSIONS, Live Screening (November 30, 2020 6:00pm) https://events.umich.edu/event/79625 79625-20432423@events.umich.edu Event Begins: Monday, November 30, 2020 6:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

.

December 1 marks World AIDS Day, as well as Day With(out) Art 2020, a yearly event presented by Visual AIDS marking the global impact of HIV/AIDS. Visual AIDS is a New York-based non-profit that utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy, because AIDS is not over. This year, Visual AIDS is presenting a series of short films titled TRANSMISSIONS, which will premiere on November 30 at 6pm EST as part of a special online screening event hosted by Visual AIDS. A live Q&A with the commissioned artists will follow the screening. Beginning December 1, the video program will be available to view online at visualaids.org/transmissions.

RSVP here to receive updates about the live event   ​ Then, consider submitting your own art to the SEC blog! You can relate your work to the topic of HIV/AIDS awareness in any way you see fit, but some prompts that you can use:
How does HIV/AIDS awareness and other public health issues affect various groups differently? How does the HIV/AIDS crisis continue internationally today or relate to other current public health issues? How has viewing the films in the TRANSMISSIONS series changed my personal view of HIV/AIDS? How do people reconcile with the stigma surrounding HIV/AIDS diagnoses?
Your work can be in any artistic medium — painting, poetry, dance, collage, music, film, creative writing, sculpture, photography and more are all welcome. HOW TO SUBMIT:
Put your work together in an accessible digital file format — .pdf, .jpg, .png, .mov, .mp4, a website or Google Drive link. Send your submissions to ummastudentcouncil@umich.edu with your name and the title of the piece. (Optional) Include a short description of your piece as it relates to HIV/AIDS awareness or the films of TRANSMISSIONS series.
You can submit at any time beforehand, but please have all submissions in by Thursday, December 10th, at 5 pm EST. Any questions? Ask ummastudentcouncil@umich.edu!

Student programming at UMMA is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Other Tue, 01 Dec 2020 00:15:25 -0500 2020-11-30T18:00:00-05:00 2020-11-30T20:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
"Watch Me Work — Portraits of Self" (December 1, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241288@events.umich.edu Event Begins: Tuesday, December 1, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-01T00:00:00-05:00 2020-12-01T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
CALL FOR ART IN RESPONSE: DAY WITH(OUT) ART FILM SCREENING (December 1, 2020 12:00am) https://events.umich.edu/event/79626 79626-20432424@events.umich.edu Event Begins: Tuesday, December 1, 2020 12:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

.

December 1 marks World AIDS Day, as well as Day With(out) Art 2020, a yearly event presented by Visual AIDS marking the global impact of HIV/AIDS. Visual AIDS is a New York-based non-profit that utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy, because AIDS is not over. This year, Visual AIDS is presenting a series of short films titled TRANSMISSIONS, which, beginning on December 1, is available to view online at visualaids.org/transmissions.

After you watch the films, consider submitting your own art to the SEC blog! You can relate your work to the topic of HIV/AIDS awareness in any way you see fit, but some prompts that you can use:
How does HIV/AIDS awareness and other public health issues affect various groups differently? How does the HIV/AIDS crisis continue internationally today or relate to other current public health issues? How has viewing the films in the TRANSMISSIONS series changed my personal view of HIV/AIDS? How do people reconcile with the stigma surrounding HIV/AIDS diagnoses?
Your work can be in any artistic medium — painting, poetry, dance, collage, music, film, creative writing, sculpture, photography and more are all welcome. HOW TO SUBMIT:
Put your work together in an accessible digital file format — .pdf, .jpg, .png, .mov, .mp4, a website or Google Drive link. Send your submissions to ummastudentcouncil@umich.edu with your name and the title of the piece. (Optional) Include a short description of your piece as it relates to HIV/AIDS awareness or the films of TRANSMISSIONS series.
Please have all submissions in by Thursday, December 10th, at 5 pm EST. Any questions? Ask ummastudentcouncil@umich.edu!

Student programming at UMMA is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

]]>
Other Thu, 10 Dec 2020 18:15:33 -0500 2020-12-01T00:00:00-05:00 2020-12-01T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Results or Roses: New and Assorted Works (December 1, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168590@events.umich.edu Event Begins: Tuesday, December 1, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-01T00:00:00-05:00 2020-12-01T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 1, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071497@events.umich.edu Event Begins: Tuesday, December 1, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-01T11:00:00-05:00 2020-12-01T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Get Out the Vote: Empowering the Women's Vote (December 1, 2020 2:00pm) https://events.umich.edu/event/77531 77531-19879825@events.umich.edu Event Begins: Tuesday, December 1, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Organized by AIGA in partnership with League of Women Voters

2020 marks the centennial of the ratification of the 19th Amendment, granting women the right to vote in 1920. It was the first legislation for women’s voting rights. Not until the passage of the Voting Rights Act in 1965 were voting rights of ALL women protected and enforced, and intimidation tactics progressively eliminated.  The Get Out the Vote: Empowering the Women’s Vote poster campaign, organized by AIGA in partnership with the League of Women Voters, commemorates this milestone. A core group of invited women of design submitted the first 65 non-partisan posters, to launch the initiative with their vision and voices. Through the posters, these women joined forces to collectively contribute to dialogue in design and society. This moment in history is an incredible opportunity to catalyze women in design, voting rights, citizenship, community, and diversity. The collection aspires to not only support present day voter participation, but to also serve as a backdrop for discourse and examination of the history of voting rights and women’s fight for equality.  The poster initiative continues at aiga.org/vote, where AIGA members can contribute posters to motivate the American public to register and turn out to vote in the 2020 general election, as well as local elections to come. Posters are available for free download online.

The Get Out the Vote: Empowering the Women’s Vote exhibition at Stamps Gallery includes a selection of the 65 posters chosen by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery. The exhibition includes posters by Audrey Bennett, Johanna Björk, Karen Cheng, Emily Comfort, Jenny El-Shamy, Dinah Fried, Karin Fong, Anne M. Giangiulio, Annabelle Gould, Brockett Horne, Meena Khalili, nicole killian + shawné michaelain holloway, Karen Kurycki, Marty Maxwell Lane, Zuzana Licko, Ana Llorente, Beatriz Lozano, Kelly Salchow MacArthur, Rebeca Mendez, Lana Rigsby, Kaleena Sales, Renee Seward, Laurel Shoemaker, Nancy Sklolos,  Hannah Smotrich, Shanti Sparrow, Jennifer Sterling, Fearn de Vicq, Cymone Wilder, and Lynne Yun.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Tue, 27 Oct 2020 14:52:24 -0400 2020-12-01T14:00:00-05:00 2020-12-01T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/2020_gotv_header-02.jpg
Real and Imagined: Fabric Works and Video Animations by Heidi Kumao (December 1, 2020 2:00pm) https://events.umich.edu/event/77532 77532-19879848@events.umich.edu Event Begins: Tuesday, December 1, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Stamps Gallery is pleased to present Real and Imagined: Fabric Works and Video Animations, a solo exhibition of narrative fabric works and experimental animations by Stamps Professor Heidi Kumao.

Using fabric cutouts and machine and hand stitching on industrial felt, Kumao gives physical form to the intangible dynamics underlying ordinary conversations and relationships from a feminist perspective. Intentionally minimal, each image distills an interaction, traumatic incident, or power imbalance into an accessible visual narrative. Recognizable objects such as chairs, roots, ladders, or spotlights set the stage for the story to unfold. Events are captured midstream, suspended in time like a felt film still.

The exhibition is inspired, in part, by the courage, testimony, and experiences of women (like Christine Blasey Ford) who publicly report assault, harassment, or misconduct. The #MeToo movement gave voice to thousands of women to tell their personal stories, but also exposed a hostile backlash meant to silence them. The title, “Real and Imagined,” is a deliberate contradiction; if one is true, the other must not be. In practice, however, both terms are used to reference a woman’s testimony and determine how it is publicly interpreted. Her account is accepted as truthful by many and simultaneously dismissed as imaginary by the court of public opinion: “her memory is wrong,” “she imagined it.”

The works in “Real and Imagined: Fabric Works and Video Animations” make difficult conversations and relationships tangible by stripping them down to their essentials.

Wordless physical gestures highlight the psychological and emotional forces at play behind even the smallest of interactions.

Biography
Heidi Kumao has created award-winning experimental films, video installations, cinema machines, electronic clothing, and kinetic sculptures. She has exhibited her work in solo and group exhibitions nationally and internationally including shows at Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, Fundació Joan Miró (Barcelona), and Museu da Imagem e do Som (São Paulo). She has received fellowships from the Creative Capital Foundation, the Guggenheim Foundation, and the New York Foundation for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Mon, 21 Sep 2020 18:15:10 -0400 2020-12-01T14:00:00-05:00 2020-12-01T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/HK-Real-and-Imagined-email-header-01.jpg
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition (December 1, 2020 2:00pm) https://events.umich.edu/event/77530 77530-19879802@events.umich.edu Event Begins: Tuesday, December 1, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.

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Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
September 15, 2020 – December 4, 2020

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.


Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

]]>
Auditions Mon, 21 Sep 2020 18:15:10 -0400 2020-12-01T14:00:00-05:00 2020-12-01T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Auditions https://stamps.umich.edu/images/uploads/exhibitions/Respond.jpg
"Watch Me Work — Portraits of Self" (December 2, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241289@events.umich.edu Event Begins: Wednesday, December 2, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-02T00:00:00-05:00 2020-12-02T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 2, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444312@events.umich.edu Event Begins: Wednesday, December 2, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

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Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-02T00:00:00-05:00 2020-12-02T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 2, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168591@events.umich.edu Event Begins: Wednesday, December 2, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-02T00:00:00-05:00 2020-12-02T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 2, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071498@events.umich.edu Event Begins: Wednesday, December 2, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-02T11:00:00-05:00 2020-12-02T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
CREES Noon Lecture. Curating Covid: Material and Visual Cultures of the Pandemic (December 2, 2020 12:00pm) https://events.umich.edu/event/79257 79257-20241311@events.umich.edu Event Begins: Wednesday, December 2, 2020 12:00pm
Location: Off Campus Location
Organized By: Center for Russian, East European, and Eurasian Studies

While there is so far no known cure for Covid and the disease continues to kill thousands daily around the globe, humanity has spent the better part of this year attempting to make do – some by doing their best to protect themselves and their loved ones as they continue to perform the work essential to their survival or deemed essential by society; others, by sheltering in place, reducing the radius of our daily activities, developing new routines. How will we know and remember all this? Who is the chronicler of Covid, who are its curators? What will be the sources, not of the political histories and for future medical research, but for narrating the pandemic as experience, for explaining its everyday reality to future generations?

This panel of brief presentations aims to prompt our collective thinking about a Covid archive, and how it will be constructed. Presenters from different disciplines and national backgrounds will be asked to share images or objects that bring our pandemic present into focus and allow us to explore together questions for the future: who is collecting what? What are the objects in which our daily experience materializes, and which might speak to the future? Where and how does the pandemic leave its traces in our visual cultures, and (how) do these differ depending on national contexts? The virus itself knows no borders, but can we discern transnational and global patterns in our responses in an increasingly fractured world?

SPEAKERS

Alexandra Arkhipova is senior research fellow and head of the Contemporary Folklore Monitoring Research Group at the School of Advanced Studies in the Humanities, Presidential Academy of National Economy and Public Administration in Moscow, Russia. She is also a professor at the Russian State University for the Humanities and the Russian School of Economics. She is a leading expert on political jokes, rumors, and legends, on the concept of money in traditional society, and on the folklore of protest. Her research group is currently engaged in a multi-year study of “infodemia,” the World Health Organization’s term for the spate of false and potentially dangerous misinformation that flows through and infects the public discourse much like a viral pandemic. Dr. Arkhipova’s book *Dangerous Soviet Things: Urban Legends and Fear in the USSR,* written with Anna Kirzyuk, won the Liberal Mission Foundation’s 2020 Prize for the best analysis of current events.

Sara Blair is Patricia S. Yaeger Collegiate Professor of English at the University of Michigan. Her publications include *How the Other Half Looks: The Lower East Side and the Afterlives of Images*; *Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century*; *Remaking Reality: U.S. Documentary Culture after 1945*, co-edited with Joseph Entin and Franny Nudelman; and *Trauma and Documentary Photography of the FSA*, co-authored with Eric Rosenberg. She has collaborated with curators at the DIA, the International Center of Photography, and the Addison Gallery of American Art, served as consultant to a range of photographic projects and exhibitions, and curated exhibitions at U-M’s Institute for the Humanities and the Middlebury Art Museum. Her current work focuses on the lives of the image as material object and aesthetic form from the advent of photography through the digital era.

Sarah Gensburger is a research professor in social sciences at the French National Center for Scientific Research (CNRS). Working at the intersection of memory studies, public policies analysis and micro-history of the Holocaust, she is the author of eight books. The most recent ones are *Memory on my doorstep. Chronicles of the Bataclan Beighborhood (Paris, 2015-2016)*; and *Beyond Memory. Can we really learn from the past?* (co-written with S. Lefranc). For some time now, she has also been developing public history and sociology projects such as the podcast collection "It Happened Here." Starting in April 2020, Gensburger developed the collaborative project "#Windows in Lockdown" in collaboration with Marta Severo, professor of media studies, University Paris Nanterre.

Alexandra M. Lord is chair of the Medicine and Science Division at the National Museum of American History and a curator of the history of medicine. She received her A.B. from Vassar College and her Ph.D. from the University of Wisconsin, Madison. She is the recipient of various fellowships, including most recently a Fulbright Fellowship, as well as awards for her book, *Condom Nation: The US Government’s Sex Education Campaign from World War I to the Internet*. She has spoken on the history of medicine in venues ranging from the History Channel to academic conferences, Planned Parenthood, and The PBS Newshour. Between 2016 and 2018, she was president of the National Council on Public History, the nation’s largest public history organization. Currently, she serves on the executive committee of the American Council of Learned Societies and the Landmarks Committee of the National Park Service.

Registration is required for this Zoom webinar at http://myumi.ch/yK555.

If there is anything we can do to make this event accessible to you, please contact us at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Thu, 19 Nov 2020 14:51:03 -0500 2020-12-02T12:00:00-05:00 2020-12-02T13:20:00-05:00 Off Campus Location Center for Russian, East European, and Eurasian Studies Lecture / Discussion Curating COVID
Membership Meeting (December 2, 2020 6:00pm) https://events.umich.edu/event/75618 75618-19546902@events.umich.edu Event Begins: Wednesday, December 2, 2020 6:00pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Membership Meeting, Secular Wingding Celebration

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Other Mon, 10 Aug 2020 19:49:24 -0400 2020-12-02T18:00:00-05:00 2020-12-02T19:30:00-05:00 Off Campus Location Prison Creative Arts Project, The Other
"Watch Me Work — Portraits of Self" (December 3, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241290@events.umich.edu Event Begins: Thursday, December 3, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-03T00:00:00-05:00 2020-12-03T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 3, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444313@events.umich.edu Event Begins: Thursday, December 3, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-03T00:00:00-05:00 2020-12-03T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 3, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168592@events.umich.edu Event Begins: Thursday, December 3, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-03T00:00:00-05:00 2020-12-03T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (December 3, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168547@events.umich.edu Event Begins: Thursday, December 3, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-03T09:00:00-05:00 2020-12-03T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (December 3, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071499@events.umich.edu Event Begins: Thursday, December 3, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-03T11:00:00-05:00 2020-12-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Raqs Media Collective in Conversation with Gunalan Nadarajan (December 3, 2020 11:00am) https://events.umich.edu/event/79397 79397-20296431@events.umich.edu Event Begins: Thursday, December 3, 2020 11:00am
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Raqs Media Collective in Conversation with Gunalan Nadarajan, Dean, Stamps School of Art & Design
Co-presented with Expo Chicago

December 3, 2020 - 11am EST/10am CST/ 7.30pm IST

Following the world premiere of two new videos commissioned by Stamps Gallery, twentyfourbyseven*(6 mins , video, calligraphy, text, animation), 2020 and Why do they call the answer to a question, a solution?*(12 mins, video, spoken word), 2020, Raqs Media Collective reflect on the process of creating The Pandemic Circle after the predicament of quarantine and seclusion caused by the Covid-19 pandemic gripped contemporary life across the globe. The Pandemic Circle includes 31 Days(18 minutes, video, calligraphy, text), 2020, the first video in the series that was released in the summer of 2020. 

The renowned collective will be in conversation with Gunalan Nadarajan, curator and Dean of Penny W. Stamps School of Art & Design.

Description of NEW Films in the Pandemic Circle  

twentyfourbyseven(6 mins , video, calligraphy, text, animation), 2020

Walking a tightrope between knowing and feeling in elongated pandemic days and nights. There is an awareness of the awareness of how the nervous system responds to the nervousness of this time. There is now the out-of-body sensation of looking back on each moment as it passes, twentyfourbyseven.

Why do they call the answer to a question, a solution?(12 mins, video, spoken word), 2020

The third video in this Pandemic Circle turns into an enquiry into the very form of thinking. It moves between lesions, joys, epiphanies, and terror. The image and voice rewire spaces left unattended by various 20th century impasses. The film reflects on exhaustion and inventiveness, love and dignity, deep pasts and faint futures, and the ruptures that modulate the share of “overcoming” and “overturning” in our individual selves, and collective life. The video enters troubled waters to search for news way to look at horizons.

For more information, please contact:
Jennifer Junkermeier-Khan, Outreach & Public engagement Coordinator, Stamps Gallery
Kate Sierzputowski, Strategic Initiatives & Programming Coordinator, Expo Chicago

 

Please RSVP to reserve your place for this free event: https://program.expochicago.com

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Livestream / Virtual Thu, 03 Dec 2020 18:15:07 -0500 2020-12-03T11:00:00-05:00 2020-12-03T12:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/exhibitions/RAQS-Wide.jpg
CultureSource presents "Beyond Images: Representational Justice in the Arts" (December 3, 2020 1:00pm) https://events.umich.edu/event/79563 79563-20382965@events.umich.edu Event Begins: Thursday, December 3, 2020 1:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

egister here to participate. .

A conversation with Simone Eccleston, Director of Hip Hop and Contemporary Music at the John F. Kennedy Center for the Performing Arts

What does it take to work toward representational justice? And how do artists and arts workers carry forward this work? Inspired by the Vision & Justice volume of Aperture magazine, join us for an hour-long conversation with Simone Eccleston as we hear her insights and perspective on her role bringing hip hop and contemporary music to one of the largest arts institutions in the nation, and how investment in representation requires infrastructure and imagination for justice.

With responses from Yuval Sharon, Michigan Opera Theatre, Christina Olsen, UMMA (University of Michigan Museum of Art).

Moderated by: Omari Rush, CultureSource

This program is presented by CultureSource of Southeast Michigan with support from MASCO. For information about the online residency "Representational Justice and Hip Hop Culture with Simon Eccleston," please visit www.culturesource.org.

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Lecture / Discussion Thu, 03 Dec 2020 18:15:24 -0500 2020-12-03T13:00:00-05:00 2020-12-03T14:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
History of Color Printing (December 3, 2020 7:00pm) https://events.umich.edu/event/79353 79353-20280661@events.umich.edu Event Begins: Thursday, December 3, 2020 7:00pm
Location: Off Campus Location
Organized By: University Library

Our lives are lived mainly on screen now. Many of us spend upwards of 10 hours a day staring at fields of RGB pixels that look like hand-held versions of giant, flat cornfields. Hours and hours of driving through flat, monotonous, tall, green corn stalks is not that different from hours and hours of Zoom meetings.

Artist Clifton Meador presents some of the history of color printing — since media archeology is a useful way of reframing current technology — and offers some practical approaches to making color for hand printmaking processes, such as risography.

Of course, the irony of delivering this content via the screen is acute, but Meador also offers participants a PDF of a booklet that delivers similar content.

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Lecture / Discussion Wed, 11 Nov 2020 16:55:01 -0500 2020-12-03T19:00:00-05:00 2020-12-03T20:00:00-05:00 Off Campus Location University Library Lecture / Discussion Detail from a page spread in Acheiropoeita, an Artist’s Book by Clifton Meador, forthcoming
"Watch Me Work — Portraits of Self" (December 4, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241291@events.umich.edu Event Begins: Friday, December 4, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-04T00:00:00-05:00 2020-12-04T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 4, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444314@events.umich.edu Event Begins: Friday, December 4, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-04T00:00:00-05:00 2020-12-04T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 4, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168593@events.umich.edu Event Begins: Friday, December 4, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-04T00:00:00-05:00 2020-12-04T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (December 4, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168548@events.umich.edu Event Begins: Friday, December 4, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-04T09:00:00-05:00 2020-12-04T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (December 4, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071500@events.umich.edu Event Begins: Friday, December 4, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-04T11:00:00-05:00 2020-12-04T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Get Out the Vote: Empowering the Women's Vote (December 4, 2020 2:00pm) https://events.umich.edu/event/77531 77531-19879826@events.umich.edu Event Begins: Friday, December 4, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Organized by AIGA in partnership with League of Women Voters

2020 marks the centennial of the ratification of the 19th Amendment, granting women the right to vote in 1920. It was the first legislation for women’s voting rights. Not until the passage of the Voting Rights Act in 1965 were voting rights of ALL women protected and enforced, and intimidation tactics progressively eliminated.  The Get Out the Vote: Empowering the Women’s Vote poster campaign, organized by AIGA in partnership with the League of Women Voters, commemorates this milestone. A core group of invited women of design submitted the first 65 non-partisan posters, to launch the initiative with their vision and voices. Through the posters, these women joined forces to collectively contribute to dialogue in design and society. This moment in history is an incredible opportunity to catalyze women in design, voting rights, citizenship, community, and diversity. The collection aspires to not only support present day voter participation, but to also serve as a backdrop for discourse and examination of the history of voting rights and women’s fight for equality.  The poster initiative continues at aiga.org/vote, where AIGA members can contribute posters to motivate the American public to register and turn out to vote in the 2020 general election, as well as local elections to come. Posters are available for free download online.

The Get Out the Vote: Empowering the Women’s Vote exhibition at Stamps Gallery includes a selection of the 65 posters chosen by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery. The exhibition includes posters by Audrey Bennett, Johanna Björk, Karen Cheng, Emily Comfort, Jenny El-Shamy, Dinah Fried, Karin Fong, Anne M. Giangiulio, Annabelle Gould, Brockett Horne, Meena Khalili, nicole killian + shawné michaelain holloway, Karen Kurycki, Marty Maxwell Lane, Zuzana Licko, Ana Llorente, Beatriz Lozano, Kelly Salchow MacArthur, Rebeca Mendez, Lana Rigsby, Kaleena Sales, Renee Seward, Laurel Shoemaker, Nancy Sklolos,  Hannah Smotrich, Shanti Sparrow, Jennifer Sterling, Fearn de Vicq, Cymone Wilder, and Lynne Yun.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Tue, 27 Oct 2020 14:52:24 -0400 2020-12-04T14:00:00-05:00 2020-12-04T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/2020_gotv_header-02.jpg
Real and Imagined: Fabric Works and Video Animations by Heidi Kumao (December 4, 2020 2:00pm) https://events.umich.edu/event/77532 77532-19879849@events.umich.edu Event Begins: Friday, December 4, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Stamps Gallery is pleased to present Real and Imagined: Fabric Works and Video Animations, a solo exhibition of narrative fabric works and experimental animations by Stamps Professor Heidi Kumao.

Using fabric cutouts and machine and hand stitching on industrial felt, Kumao gives physical form to the intangible dynamics underlying ordinary conversations and relationships from a feminist perspective. Intentionally minimal, each image distills an interaction, traumatic incident, or power imbalance into an accessible visual narrative. Recognizable objects such as chairs, roots, ladders, or spotlights set the stage for the story to unfold. Events are captured midstream, suspended in time like a felt film still.

The exhibition is inspired, in part, by the courage, testimony, and experiences of women (like Christine Blasey Ford) who publicly report assault, harassment, or misconduct. The #MeToo movement gave voice to thousands of women to tell their personal stories, but also exposed a hostile backlash meant to silence them. The title, “Real and Imagined,” is a deliberate contradiction; if one is true, the other must not be. In practice, however, both terms are used to reference a woman’s testimony and determine how it is publicly interpreted. Her account is accepted as truthful by many and simultaneously dismissed as imaginary by the court of public opinion: “her memory is wrong,” “she imagined it.”

The works in “Real and Imagined: Fabric Works and Video Animations” make difficult conversations and relationships tangible by stripping them down to their essentials.

Wordless physical gestures highlight the psychological and emotional forces at play behind even the smallest of interactions.

Biography
Heidi Kumao has created award-winning experimental films, video installations, cinema machines, electronic clothing, and kinetic sculptures. She has exhibited her work in solo and group exhibitions nationally and internationally including shows at Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, Fundació Joan Miró (Barcelona), and Museu da Imagem e do Som (São Paulo). She has received fellowships from the Creative Capital Foundation, the Guggenheim Foundation, and the New York Foundation for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Mon, 21 Sep 2020 18:15:10 -0400 2020-12-04T14:00:00-05:00 2020-12-04T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/HK-Real-and-Imagined-email-header-01.jpg
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition (December 4, 2020 2:00pm) https://events.umich.edu/event/77530 77530-19879803@events.umich.edu Event Begins: Friday, December 4, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.

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Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
September 15, 2020 – December 4, 2020

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.


Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Auditions Mon, 21 Sep 2020 18:15:10 -0400 2020-12-04T14:00:00-05:00 2020-12-04T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Auditions https://stamps.umich.edu/images/uploads/exhibitions/Respond.jpg
(December 4, 2020 5:00pm) https://events.umich.edu/event/78973 78973-20164570@events.umich.edu Event Begins: Friday, December 4, 2020 5:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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Lead support for this exhibition is provided by the University of Michigan Office of the Provost, the Michigan Council for Arts and Cultural Affairs, and the African Studies Center.

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Other Thu, 05 Nov 2020 12:15:42 -0500 2020-12-04T17:00:00-05:00 2020-12-04T22:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Amy Cutler: Telling Stories (December 4, 2020 8:00pm) https://events.umich.edu/event/77328 77328-19840083@events.umich.edu Event Begins: Friday, December 4, 2020 8:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Amy Cutler is an internationally acclaimed artist best known for her enigmatic depictions of women performing strange, cryptic tasks: carrying goats on their backs in Above the Fjord, sewing tigers in Tiger Mending, dancing with chairs on their heads in Dinner Party. Rendered simply, though with exquisite detail, Cutler’s style is reminiscent of European folk art; however, the narratives are left unexplained and the white backgrounds of her drawings provide little context or clues to the meanings. The fantasy world she creates is sometimes humorous and other times ominous.

Cutler is known for exquisitely detailed narrative works of art created through a pastiche of personal memories, political observations, and cultural insights. One-person exhibitions of works by the artist have taken place at SITE Santa Fe; the Indianapolis Museum of Art; the Museo Nacional Centro de Arte Reina Sofía, Madrid; the Institute of Contemporary Art, Philadelphia; the Kemper Museum of Contemporary Art, Kansas City; the Weatherspoon Art Museum, Greensboro, North Carolina; and many other galleries and museums in the U.S. and Europe.

Works by Amy Cutler are featured in distinguished private and public collections, including, among others, The Museum of Modern Art, New York; the Museo Nacional Centro de Arte Reina Sofía, Madrid; the Whitney Museum of American Art, New York; the Walker Art Center, Minneapolis; the Metropolitan Museum of Art, New York; the Hammer Museum, Los Angeles, the Morgan Library and Museum, and the Museum of Fine Arts, Boston.

In conjunction with the Toledo Museum of Art’s exhibition, Telling Stories: Resilience and Struggle in Contemporary Narrative Drawing, on view from November 21, 2020 - February 14, 2021.

How to Watch

All speaker series events will be webcast on Fridays at 8 pm EST at http://pennystampsevents.org and at https://www.dptv.org/programs/arts-culture/penny-stamps-series/ starting Friday, September 18. You can also watch the talks and join the conversation on the Penny Stamps Series Facebook page: https://www.facebook.com/PennyStampsSeries/.

Notice of uncensored content

In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

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Livestream / Virtual Wed, 21 Oct 2020 12:15:10 -0400 2020-12-04T20:00:00-05:00 2020-12-04T21:30:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/exhibitions/UndergradJuriedExhibition2019.jpg
"Watch Me Work — Portraits of Self" (December 5, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241292@events.umich.edu Event Begins: Saturday, December 5, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-05T00:00:00-05:00 2020-12-05T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 5, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444315@events.umich.edu Event Begins: Saturday, December 5, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

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Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-05T00:00:00-05:00 2020-12-05T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 5, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168594@events.umich.edu Event Begins: Saturday, December 5, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

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Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-05T00:00:00-05:00 2020-12-05T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (December 5, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168549@events.umich.edu Event Begins: Saturday, December 5, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-05T09:00:00-05:00 2020-12-05T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (December 5, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071501@events.umich.edu Event Begins: Saturday, December 5, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-05T11:00:00-05:00 2020-12-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 6, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241293@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-06T00:00:00-05:00 2020-12-06T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 6, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444316@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-06T00:00:00-05:00 2020-12-06T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 6, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168595@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-06T00:00:00-05:00 2020-12-06T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 6, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071502@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-06T12:00:00-05:00 2020-12-06T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 7, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241294@events.umich.edu Event Begins: Monday, December 7, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-07T00:00:00-05:00 2020-12-07T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 7, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444317@events.umich.edu Event Begins: Monday, December 7, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-07T00:00:00-05:00 2020-12-07T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 7, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168596@events.umich.edu Event Begins: Monday, December 7, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-07T00:00:00-05:00 2020-12-07T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
"Watch Me Work — Portraits of Self" (December 8, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241295@events.umich.edu Event Begins: Tuesday, December 8, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-08T00:00:00-05:00 2020-12-08T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Classes End (December 8, 2020 12:00am) https://events.umich.edu/event/75619 75619-19546903@events.umich.edu Event Begins: Tuesday, December 8, 2020 12:00am
Location:
Organized By: Prison Creative Arts Project, The

Classes End

]]>
Other Mon, 10 Aug 2020 19:51:28 -0400 2020-12-08T00:00:00-05:00 2020-12-08T23:59:00-05:00 Prison Creative Arts Project, The Other
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 8, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444318@events.umich.edu Event Begins: Tuesday, December 8, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-08T00:00:00-05:00 2020-12-08T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 8, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168597@events.umich.edu Event Begins: Tuesday, December 8, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-08T00:00:00-05:00 2020-12-08T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 8, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071503@events.umich.edu Event Begins: Tuesday, December 8, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-08T11:00:00-05:00 2020-12-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 9, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241296@events.umich.edu Event Begins: Wednesday, December 9, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-09T00:00:00-05:00 2020-12-09T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 9, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168598@events.umich.edu Event Begins: Wednesday, December 9, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-09T00:00:00-05:00 2020-12-09T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 9, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071504@events.umich.edu Event Begins: Wednesday, December 9, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-09T11:00:00-05:00 2020-12-09T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 10, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241297@events.umich.edu Event Begins: Thursday, December 10, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-10T00:00:00-05:00 2020-12-10T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 10, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168599@events.umich.edu Event Begins: Thursday, December 10, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-10T00:00:00-05:00 2020-12-10T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 10, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071505@events.umich.edu Event Begins: Thursday, December 10, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-10T11:00:00-05:00 2020-12-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 11, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241298@events.umich.edu Event Begins: Friday, December 11, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-11T00:00:00-05:00 2020-12-11T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 11, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168600@events.umich.edu Event Begins: Friday, December 11, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-11T00:00:00-05:00 2020-12-11T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 11, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071506@events.umich.edu Event Begins: Friday, December 11, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-11T11:00:00-05:00 2020-12-11T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 12, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241299@events.umich.edu Event Begins: Saturday, December 12, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-12T00:00:00-05:00 2020-12-12T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 12, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168601@events.umich.edu Event Begins: Saturday, December 12, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-12T00:00:00-05:00 2020-12-12T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 12, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071507@events.umich.edu Event Begins: Saturday, December 12, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-12T11:00:00-05:00 2020-12-12T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Virtual Art Studio: Winter Watercolors (December 12, 2020 11:00am) https://events.umich.edu/event/78959 78959-20162587@events.umich.edu Event Begins: Saturday, December 12, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

: http://events.constantcontact.com/register/event?llr=uhlrs88ab&oeidk=a07ehd3wexfde06755a.

For families and students looking to take a break from final exams, join UMMA Programs Assistant and U-M Stamps School of Art & Design Student Emily Considine for a virtual art studio about watercolor, painting winter, and seasonal moods. Learn new painting techniques, take a virtual tour of some of the watercolor pieces in the UMMA collection, and create your own winter-themed watercolor works to show off at home.

Materials needed:
2 sheets of watercolor paper (alternatively, construction or another thick-weight paper) Assorted paint brushes (alternatively, sponges, Q-tips, toothpicks, or a toothbrush) A watercolor palette (you can also make your own at home in advance) Water and a container to hold it, like Tupperware, an empty jar, or a paper plate
Optional materials:
Paper towels Scissors or an X-acto knife Scotch or painter’s tape

Family Art Studio is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.  

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Workshop / Seminar Sat, 12 Dec 2020 12:15:25 -0500 2020-12-12T11:00:00-05:00 2020-12-12T13:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Museum of Art
"Watch Me Work — Portraits of Self" (December 13, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241300@events.umich.edu Event Begins: Sunday, December 13, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-13T00:00:00-05:00 2020-12-13T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 13, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168602@events.umich.edu Event Begins: Sunday, December 13, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-13T00:00:00-05:00 2020-12-13T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 13, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071508@events.umich.edu Event Begins: Sunday, December 13, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-13T12:00:00-05:00 2020-12-13T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 14, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241301@events.umich.edu Event Begins: Monday, December 14, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-14T00:00:00-05:00 2020-12-14T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 14, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168603@events.umich.edu Event Begins: Monday, December 14, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-14T00:00:00-05:00 2020-12-14T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Negotiating Offense of Rhodesian Proportion (December 14, 2020 10:00am) https://events.umich.edu/event/79755 79755-20484061@events.umich.edu Event Begins: Monday, December 14, 2020 10:00am
Location: Off Campus Location
Organized By: History of Art

The essay on which this talk is based explores the multiple positions of offense across
racial and artistic lines in Cape Town's Rhodes Must Fall Campaign of 2015, raising questions about how offense might best be negotiated.

Email rachelsu@umich.edu for Zoom link info.

]]>
Livestream / Virtual Mon, 07 Dec 2020 15:06:20 -0500 2020-12-14T10:00:00-05:00 2020-12-14T11:00:00-05:00 Off Campus Location History of Art Livestream / Virtual Negotiating Offense of Rhodesian Proportion
"Watch Me Work — Portraits of Self" (December 15, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241302@events.umich.edu Event Begins: Tuesday, December 15, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-15T00:00:00-05:00 2020-12-15T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 15, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168604@events.umich.edu Event Begins: Tuesday, December 15, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-15T00:00:00-05:00 2020-12-15T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 15, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071509@events.umich.edu Event Begins: Tuesday, December 15, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-15T11:00:00-05:00 2020-12-15T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 16, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241303@events.umich.edu Event Begins: Wednesday, December 16, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-16T00:00:00-05:00 2020-12-16T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 16, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168605@events.umich.edu Event Begins: Wednesday, December 16, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-16T00:00:00-05:00 2020-12-16T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 16, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071510@events.umich.edu Event Begins: Wednesday, December 16, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-16T11:00:00-05:00 2020-12-16T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 17, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241304@events.umich.edu Event Begins: Thursday, December 17, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-17T00:00:00-05:00 2020-12-17T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 17, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168606@events.umich.edu Event Begins: Thursday, December 17, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

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Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-17T00:00:00-05:00 2020-12-17T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 17, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071511@events.umich.edu Event Begins: Thursday, December 17, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-17T11:00:00-05:00 2020-12-17T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 18, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241305@events.umich.edu Event Begins: Friday, December 18, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-18T00:00:00-05:00 2020-12-18T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 18, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168607@events.umich.edu Event Begins: Friday, December 18, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

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Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-18T00:00:00-05:00 2020-12-18T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
The Clements Bookworm: American Women Illustrators and Cartoonists (December 18, 2020 10:00am) https://events.umich.edu/event/78709 78709-20107418@events.umich.edu Event Begins: Friday, December 18, 2020 10:00am
Location: Off Campus Location
Organized By: William L. Clements Library

Join us for a virtual conversation with Martha Kennedy, author of *Drawn to Purpose: American Women Illustrators and Cartoonists* (2018), winner of the 2019 Eisner Award for the Best Comics-Related Book. She is curator of popular and applied graphic art in the Prints and Photographs Division at the Library of Congress.

Kennedy will be in conversation with Phoebe Gloeckner, Associate Professor in the U-M Stamps School of Art & Design.

This episode was generously sponsored by Robert and Jean Julier.

*The Clements Bookworm is a webinar series in which panelists discuss history topics. Recommended books, articles, and other resources are provided in each session. Inspired by the traditional Clements Library researcher tea time, we invite you to pull up a chair at our [virtual] table. Live attendees are encouraged to post comments and questions, respond to polls, and add to our conversation and camaraderie.*

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Livestream / Virtual Mon, 14 Dec 2020 17:15:02 -0500 2020-12-18T10:00:00-05:00 2020-12-18T11:00:00-05:00 Off Campus Location William L. Clements Library Livestream / Virtual Bookshelves at the Clements Library
Collection Ensemble (December 18, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071512@events.umich.edu Event Begins: Friday, December 18, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-18T11:00:00-05:00 2020-12-18T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 19, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071513@events.umich.edu Event Begins: Saturday, December 19, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-19T11:00:00-05:00 2020-12-19T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 20, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071514@events.umich.edu Event Begins: Sunday, December 20, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-20T12:00:00-05:00 2020-12-20T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 22, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071515@events.umich.edu Event Begins: Tuesday, December 22, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-22T11:00:00-05:00 2020-12-22T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 23, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071516@events.umich.edu Event Begins: Wednesday, December 23, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-23T11:00:00-05:00 2020-12-23T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 24, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071517@events.umich.edu Event Begins: Thursday, December 24, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-24T11:00:00-05:00 2020-12-24T15:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 26, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071518@events.umich.edu Event Begins: Saturday, December 26, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-26T11:00:00-05:00 2020-12-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 27, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071519@events.umich.edu Event Begins: Sunday, December 27, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-27T12:00:00-05:00 2020-12-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 29, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071520@events.umich.edu Event Begins: Tuesday, December 29, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-29T11:00:00-05:00 2020-12-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 30, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071521@events.umich.edu Event Begins: Wednesday, December 30, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-30T11:00:00-05:00 2020-12-30T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 31, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071522@events.umich.edu Event Begins: Thursday, December 31, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-31T11:00:00-05:00 2020-12-31T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Monday Painters (January 11, 2021 2:00pm) https://events.umich.edu/event/79820 79820-20501765@events.umich.edu Event Begins: Monday, January 11, 2021 2:00pm
Location: Off Campus Location
Organized By: Osher Lifelong Learning Institute (50+)

Monday Painters is a flexible art group. Each week a DVD is shown about art that lasts half an hour. This group has become like family and all are welcome to join in for fun, learning, growing, and gentle critiquing.

Barb Anderson, instructor, has studied art for over thirty years and prior to that taught special education. She hopes to welcome new members to Monday Painters.

This study group will meet Mondays beginning January 11 through August 30. There is NO CLASS on January 4, January 18, May 31, and July 5.
Preregistration is required via the OLLI website or phone. A link to access the study group will be e-mailed to you approximately one week prior to the first session.

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Class / Instruction Tue, 29 Dec 2020 09:30:02 -0500 2021-01-11T14:00:00-05:00 2021-01-11T16:00:00-05:00 Off Campus Location Osher Lifelong Learning Institute (50+) Class / Instruction Study Group
Finding Funding: Identifying Opportunities & Scoping the Grants Landscape (January 13, 2021 12:00pm) https://events.umich.edu/event/79630 79630-20436378@events.umich.edu Event Begins: Wednesday, January 13, 2021 12:00pm
Location: Off Campus Location
Organized By: OVPR Office of Research Development

This workshop will help investigators at all levels to be proactive in using tools to identify federal, state, and foundation research funding. Topics covered will include efficient searching of funding databases and setting up funding alerts through examining the special features of Foundation Directory Online and Pivot. The workshop will also direct researchers to units at the University of Michigan that will support their grantseeking endeavors.

Speakers: Judy Smith, Informationist, Taubman Health Sciences Library; Paul Barrow, Librarian, U-M Library.

This event is open to anyone in the U-M research community.

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Workshop / Seminar Tue, 01 Dec 2020 09:05:07 -0500 2021-01-13T12:00:00-05:00 2021-01-13T13:00:00-05:00 Off Campus Location OVPR Office of Research Development Workshop / Seminar RD
The Clements Bookworm: Art, Food, and the Politics of Race in the Age of American Expansion (January 15, 2021 10:00am) https://events.umich.edu/event/80391 80391-20713708@events.umich.edu Event Begins: Friday, January 15, 2021 10:00am
Location: Off Campus Location
Organized By: William L. Clements Library

Still-life paintings of food look innocent at first sight, but were depictions of food merely delicious and pretty pictures to admire? Shana Klein's new book, "The Fruits of Empire," argues otherwise. This book talk will address Klein's research on representations of food to understand how they reflected and shaped conversations about race and national expansion in the United States. She will discuss the paintings, photographs, and silverware objects in the book and ask: Who do images of food serve? And at whose expense? The results are not always delicious.

Dr. Klein, Assistant Professor of Art History at Kent State University, is trained in the history of American art, with sub-specialties in African-American and Native-American art.

This episode was generously sponsored by Duane and Marilyn Kirking.

*The Clements Bookworm is a webinar series in which panelists discuss history topics. Recommended books, articles, and other resources are provided in each session. Inspired by the traditional Clements Library researcher tea time, we invite you to pull up a chair at our [virtual] table. Live attendees are encouraged to post comments and questions, respond to polls, and add to our conversation and camaraderie.*

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Livestream / Virtual Tue, 05 Jan 2021 15:05:33 -0500 2021-01-15T10:00:00-05:00 2021-01-15T11:00:00-05:00 Off Campus Location William L. Clements Library Livestream / Virtual "The Fruits of Empire" Book Cover
Public Monuments and Our Histories: Reframing the Memories of Our Nation (January 18, 2021 1:00pm) https://events.umich.edu/event/80466 80466-20724373@events.umich.edu Event Begins: Monday, January 18, 2021 1:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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Public monuments, public spaces, and museums shape the shared understanding of our nation’s history. From the removal of Jim Crow-era statues of Confederate leaders in cities across the country to the opening of the Legacy Museum and the National Memorial for Peace and Justice in Montgomery, AL, a dramatic shift in our perceptions and ideas about the complex heritage of our monuments and museums has occurred over the last five years. More recently, the country has considered the role of monuments and the narratives they perpetuate with much greater focus and intensity in light of the protest movements for social justice and against systemic racism that swept the nation in the summer of 2020. In honor of the Rev. Dr. Martin Luther King Jr, join us for an important discussion with four national experts on the power that monuments and public spaces assert in creating our nation’s stories. Mitch Landrieu, former Mayor of New Orleans; Earl Lewis, founding director of University of Michigan’s Center for Social Solutions; and Kristin Hass, Associate Professor of American Culture, will discuss the crucial role practice and policy play today in shaping our nation’s legacies, in a conversation moderated by Christina Olsen, director of the University of Michigan’s Museum of Art.

From the speakers' bios:

Kristin Ann Hass is an Associate Professor in the Department of American Culture and the Faculty Coordinator of the Humanities Collaboratory at the University of Michigan. She has written two books, Sacrificing Soldiers on the National Mall, a study of militarism, race, war memorials and U.S. nationalism and Carried to the Wall: American Memory and the Vietnam Veterans Memorial, an exploration of public memorial practices and the legacies of the Vietnam War. She is at work on her next book, Blunt Instruments: A short field guide to a long history of everyday racist infrastructure in the United States. She lectures, teaches, and writes about nationalism, memory, publics, memorialization, militarization, visual culture and material culture studies. She holds a Ph.D. in American studies and has worked in a number of historical museums, including the National Museum of American History. She was also the co-founder and Associate Director of Imagining America: Artists and Scholars in Public Life, a national consortium of educators and activists dedicated to campus-community collaborations.

Mitch Landrieu was the 61st Mayor of New Orleans (2010-2018). When he took office, the city was still recovering from Hurricane Katrina and in the midst of the BP Oil Spill.  Under Landrieu's leadership, New Orleans is widely recognized as one of the nation’s great comeback stories.

In 2015, Landrieu was named “Public Official of the Year” by Governing, and in 2016 was voted “America’s top turnaround mayor” in a Politico survey of mayors. He gained national prominence for his powerful decision to take down four Confederate monuments in New Orleans, which also earned him the prestigious John F. Kennedy Profile in Courage Award. In his New York Times best-selling book, In the Shadow of Statues: A White Southerner Confronts History, Landrieu recounts his personal journey confronting racism, and tackles the broader history of slavery, race relations, and institutional inequalities that still plague America.

He recently launched the E Pluribus Unum Fund, which will work to bring people together across the South around the issues of race, equity, economic opportunity and violence. Prior to serving as Mayor, Landrieu served two terms as lieutenant governor and 16 years in the state legislature. He also served as President of the U.S. Conference of Mayors.

Noted social historian, award-winning author, and educational leader, Earl Lewis, is the founding director of the University of Michigan Center for Social Solutions. Also the Thomas C. Holt Distinguished University Professor of History, Afroamerican and African Studies, and public policy, Lewis is president emeritus of The Andrew W. Mellon Foundation (2013-18), one of the premier philanthropies supporting the arts, humanities, and higher education. At Michigan, Lewis and colleagues in the center are addressing four core areas of social concern: diversity and race, slavery and its aftermath, water and security, and the dignity of labor in an automated world. Prior to returning to Michigan and before leading the Mellon Foundation, he served as the Executive Vice President for Academic Affairs and Provost at Emory University as well as the Asa Griggs Candler Professor of History and African American Studies (2004-2012). Lewis was previously on the faculty at the University of Michigan (1989-2004) and the University of California at Berkeley (1984-1989). In addition to professorial roles and titles (Robin D.G. Kelley and Elsa Barkley Brown Collegiate Professor), he served Michigan as Vice Provost and Dean of the Rackham School of Graduate Studies (1998-2004).

As a scholar and leader in higher education and philanthropy, he has examined and addressed critical questions for our society including the role of race in American history, diversity, equity and inclusion, graduate education, humanities scholarship, and universities and their larger communities. A frequent lecturer, he has authored or edited nine books, scores of essays, articles and comments, and along with Robin D.G. Kelley served as general editor of the eleven-volume Young Oxford History of African Americans. He currently partners with Nancy Cantor in editing the Our Compelling Interests book series. That effort, published in partnership with Princeton University Press, investigates how diversity pairs with democracy to enhance the likelihood of shared prosperity. A member of numerous boards of directors or trustees, he was an Obama administration appointee to the National Advisory Committee on Institutional Quality and Integrity, and is outgoing chair of the board of regents at Concordia College-Moorhead, vice chair of the board of the Educational Testing Service, and a past president of the Organization of American Historians.

Christina Olsen is the director of the University of Michigan’s Museum of Art and co-director of the University of Michigan Arts Initiative. Before coming to Michigan she served as the Class of 1956 Director at the Williams College Museum of Art. Olsen has more than 25 years of leadership experience in museums and foundations, including the San Francisco Museum of Modern Art, the J. Paul Getty Museum and Getty Foundation, and the Portland Art Museum. She is a national leader in debates about the changing role of campus art museums and their relationships with the public and campus, and has lectured frequently on the topic. Olsen has curated and produced many exhibitions and programs, including most recently Abstraction, Color, and Politics in the Early 1970s, at the University of Michigan’s Museum of Art. Olsen is on the board of the Association of Art Museum Directors and has taught at the University of Pennsylvania and Williams College. She received a BA in history of art, with honors, from the University of Chicago, and an MA and PhD in art history from the University of Pennsylvania.  

This event is a collaboration of UMMA, the Gerald R. Ford School of Public Policy, and the Democracy & Debate Theme Semester.

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Other Mon, 18 Jan 2021 18:15:44 -0500 2021-01-18T13:00:00-05:00 2021-01-18T14:20:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
Story, Word, Sound, Sway (January 19, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785423@events.umich.edu Event Begins: Tuesday, January 19, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-01-19T14:00:00-05:00 2021-01-19T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Perspectives on Water: Land Rights, Accessibility, and Histories (January 21, 2021 12:00pm) https://events.umich.edu/event/80980 80980-20826873@events.umich.edu Event Begins: Thursday, January 21, 2021 12:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Stamps Gallery Director Srimoyee Mitra will moderate Perspectives on Water: Land Rights, Accessibility & Histories on January 21, 2021 at noon EST. This free, virtual panel discussion is part of the Alternate Assembly: Environmental Impact in the Era of Pandemic, organized by EXPO CHICAGO.

Panelists include Oscar Tuazon, Carolina Caycedo, and Shuddhabrata Sengupta.

This panel invites artists who have initiated further investigations into the histories of water in terms of land rights and clean water accessibility in lakes, rivers, and oceans, to explore the cultural ways in which water bridges communities both locally and globally. Highlighting the often-unseen political history that water and its major infrastructures has, this discussion will question how different sociopolitical backgrounds affect one’s relationship to sustainability. The conversation, moderated by past Curatorial Forum participant Srimoyee Mitra, will address the long lineage art has played within narratives surrounding environmental activism.

Dialogues | Perspectives on Water: Land Rights, Accessibility, and Histories | program.expochicago.com

Please RSVP to reserve your place for this free event: https://program.expochicago.com/perspectives-on-water-land-rights-accessibility-and-histories/

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Livestream / Virtual Tue, 19 Jan 2021 18:15:08 -0500 2021-01-21T12:00:00-05:00 2021-01-21T14:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/calendar/AltAssembly.png
Story, Word, Sound, Sway (January 22, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785424@events.umich.edu Event Begins: Friday, January 22, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-01-22T14:00:00-05:00 2021-01-22T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Extending Apologies: Memorializing the World War II Japanese American Incarceration at the Tanforan Assembly Center (January 22, 2021 2:30pm) https://events.umich.edu/event/80716 80716-20777530@events.umich.edu Event Begins: Friday, January 22, 2021 2:30pm
Location: Off Campus Location
Organized By: History of Art

Abstract: “Extending Apologies”, focuses on the future memorial for the Tanforan Assembly Center –a former Japanese American Incarceration Camp in San Francisco, California– and the demand of victims and their families to extend the official apology, the Civil Liberties Act of 1988, beyond mere words. A series of on-site historic plaques and an exhibition of Dorothea Lange’s incarceration photographs at a nearby train station serve as background to study the development of the new memorial. The design and iconography of the future Tanforan memorial –a figurative bronze surrounded by a landscaped memorial plaza– are analyzed alongside the motivations of the main actors that have shaped it: a group of memory activists, a transit agency, and a shopping mall developer. “Extending Apologies” argues that these past and future commemorative interventions reveal the tensions between an unsettled memorial landscape and the Japanese American community’s ongoing demands for apology.

Bio: Valentina Rozas-Krause received her Ph.D. in Architecture (History, Theory & Society) from the University of California, Berkeley. She is an architect with a Master’s Degree in Urban Planning from the Pontificia Universidad Católica de Chile. Her field of study encompasses architecture, urbanism, and landscape from the nineteenth century to the present, with particular research and teaching interests in memory, postcolonialism, preservation, public space, social justice, and gender. Valentina has published two books. The first, Ni Tan Elefante, Ni Tan Blanco (Ril, 2014), is an urban, architectural, and political history of the National Stadium in Chile. The second is the co-edited volume Disputar la Ciudad (Bifurcaciones, 2018) which deals with spatial strategies of oppression, resistance, memory and reparation within varying urban contexts. These join peer-reviewed articles in History & Memory, e-flux, Latin American Perspectives, Anos 90, ARQ, Revista 180, Cuadernos de Antropología Social, and Bifurcaciones alongside a chapter in the edited volume Neocolonialism and Built Heritage (Routledge, 2020). Her research has been supported by numerous fellowships and grants, including a Mellon/ACLS Dissertation Completion Fellowship, a Townsend Center for the Humanities Dissertation Fellowship, a John L. Simpson Research Fellowship in International and Comparative Studies from UC Berkeley, a DAAD Dissertation Research Grant, and a Becas Chile Grant. Valentina is currently working on a book project titled Memorials and the Cult of Apology, which examines how contemporary memorials aim to atone for past injustices. In effect, apologies are being materialized into memorials, a phenomenon of global importance, which presents a major shift in national self-representation.

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Lecture / Discussion Wed, 13 Jan 2021 14:03:18 -0500 2021-01-22T14:30:00-05:00 2021-01-22T16:00:00-05:00 Off Campus Location History of Art Lecture / Discussion Members of the Tanforan Assembly Center Memorial Committee and artist Sandra Shaw posing with the clay model of the Tanforan Memorial at the American Fine Arts Foundry in Burbank, CA, 2018. Source: Valentina Rozas-Krause
The Virtual Mark Webster Reading Series (January 22, 2021 7:00pm) https://events.umich.edu/event/75953 75953-19627788@events.umich.edu Event Begins: Friday, January 22, 2021 7:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. Tune in to enjoy work from the next generation of authors.

This week's reading features Kashona Notah [Fiction] and Nathan Kweku John [Poetry]. 

Organized by the MFA in Creative Writing Program and presented in partnership with the University of Michigan Museum of Art. For questions or accommodation needs, contact co-hosts David Freeman (dfrman@umich.edu) or Lauren Morrow (lmmorrow@umich.edu).

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Presentation Sat, 23 Jan 2021 00:15:41 -0500 2021-01-22T19:00:00-05:00 2021-01-22T20:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
Ayana Evans, Stamps Distinguished Speaker Series: Persona as Social Justice (January 22, 2021 8:00pm) https://events.umich.edu/event/81000 81000-20832756@events.umich.edu Event Begins: Friday, January 22, 2021 8:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Facebook page.

Ayana Evans will talk about her trajectory of her work, including her new work of performance art for video "You Better Be Good to Me” (with performances by students from SMTD, the UM Cheer Team, and Detroit artists, and costumes by Dressing Up and Down students). "You Better Be Good to Me” will premiere as part of the program.

Ayana Evans is a NYC based performance artist who grew up on the south side of Chicago. The sensibilities of both locations heavily influence her work with the body, race relations, and gender bias.  Roberta Fallon, co-founder of Artblog, describes Ms. Evans as, “one part Wonder Woman, one part agent provocateur.” And writer Seph Rodney of Hyperallergic and the New York Times wrote: “I have seen [this] artist actually stop traffic on the Bowery in downtown Manhattan in 2016, where, in a floor-length lace gown, a dollar-store tiara and full makeup, she placed a chair in the street to do chair dips.”

Evans began her career as a painter earning her MFA from Tyler School of Art at Temple University and her BA in Visual Arts from Brown University. During the summer of 2016 Evans completed her installment of the residency, "Back in Five Minutes" at El Museo Del Barrio in NYC. The next year she completed a endurance-based 10-hour, citywide performance and 100-person performative dinner party at the Barnes Foundation in 2017 for "A Person of the Crowd,” a major performance art survey featuring artists such as, Marina Abramovic, Tania Bruguera, and William Pope L. in Philadelphia, PA. Her international work includes participation in: FIAP performance festival in Martinique, The Pineapple Show at Tiwani Contemporary in London, and Ghana's Chale Wote festival, which drew 30,000 people. Evans has received numerous fellowships and awards including: Studio Immersion Fellowship Program at EFA’s Robert Blackburn Printmaking Workshop (2018); Artists Alliance Inc (2018); Franklin Furnace Fund for performance art (2017-2018); New York Foundation of the Arts Fellow for Interdisciplinary Arts (2018); and an artist in resident for Art on the Vine at Martha's Vineyard (2019). In addition to her numerous guerilla street performances, Evans has performed at the Queens Museum, Crystal Bridges Museum, Newark Museum, and the Bronx Museum. During 2018 and 2019 Evans had three solo exhibitions with Medium Tings Gallery (Brooklyn), Cuchifritos Gallery (NYC) and the EFA Robert Blackburn Printmaking Workshop with New Art Dealers Alliance (NADA) at Governors Island, NY. She has been featured in The New York Times, Bomb Magazine, ArtNet, The Cut, Hyperallergic, and CNN. Evans is currently an adjunct professor at Brown University.

During the Fall 2020 semester, Evans created a new work of performance art for video as part of the Stamps School’s Witt Visiting Artist program. A video of the performance "You Better Be Good to Me,” will premiere as part of the program.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

 

Supported by the U-M Arts Initiative. This talk is part of the 2021 U-M Reverend Martin Luther King Junior Symposium. The Penny Stamps 2020-2021 Distinguished Speaker Series is brought to you with the support of our streaming partners, Detroit Public Television and PBS Books.

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Performance Sat, 23 Jan 2021 00:15:43 -0500 2021-01-22T20:00:00-05:00 2021-01-22T21:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Performance Museum of Art
Ayana Evans: Persona as Social Justice (January 22, 2021 8:00pm) https://events.umich.edu/event/80895 80895-20818971@events.umich.edu Event Begins: Friday, January 22, 2021 8:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Ayana Evans is a NYC based performance artist who grew up on the south side of Chicago. The sensibilities of both locations heavily influence her work with the body, race relations, and gender bias. 

Roberta Fallon, co-founder of Artblog, describes Ms. Evans as, “one part Wonder Woman, one part agent provocateur.” And writer Seph Rodney of Hyperallergic and the New York Times wrote: “I have seen [this] artist actually stop traffic on the Bowery in downtown Manhattan in 2016, where, in a floor-length lace gown, a dollar-store tiara and full makeup, she placed a chair in the street to do chair dips.”

Evans began her career as a painter earning her MFA from Tyler School of Art at Temple University and her BA in Visual Arts from Brown University. During the summer of 2016 Evans completed her installment of the residency, "Back in Five Minutes" at El Museo Del Barrio in NYC. The next year she completed a endurance-based 10-hour, citywide performance and 100-person performative dinner party at the Barnes Foundation in 2017 for "A Person of the Crowd,” a major performance art survey featuring artists such as, Marina Abramovic, Tania Bruguera, and William Pope L. in Philadelphia, PA. Her international work includes participation in: FIAP performance festival in Martinique, The Pineapple Show at Tiwani Contemporary in London, and Ghana's Chale Wote festival, which drew 30,000 people. Evans has received numerous fellowships and awards including: Studio Immersion Fellowship Program at EFA’s Robert Blackburn Printmaking Workshop (2018); Artists Alliance Inc (2018); Franklin Furnace Fund for performance art (2017-2018); New York Foundation of the Arts Fellow for Interdisciplinary Arts (2018); and an artist in resident for Art on the Vine at Martha's Vineyard (2019). In addition to her numerous guerilla street performances, Evans has performed at the Queens Museum, Crystal Bridges Museum, Newark Museum, and the Bronx Museum. During 2018 and 2019 Evans had three solo exhibitions with Medium Tings Gallery (Brooklyn), Cuchifritos Gallery (NYC) and the EFA Robert Blackburn Printmaking Workshop with New Art Dealers Alliance (NADA) at Governors Island, NY. She has been featured in The New York Times, Bomb Magazine, ArtNet, The Cut, Hyperallergic, and CNN. Evans is currently an adjunct professor at Brown University.

During the Fall 2020 semester, Evans created a new work of performance art for video as part of the Stamps School’s Witt Visiting Artist program. A video of the performance "You Better Be Good to Me,” will premiere as part of the program.

Supported by the U-M Arts Initiative. This talk is part of the 2021 U-M Reverend Martin Luther King Junior Symposium.

Related EventIs Acceptance the Future of Art?
Monday, January 25, 5:30 pm

Join Ayana Evans for a live, virtual discussion with Reginald Jackson, Director of the Center for Japanese Studies at the University of Michigan and scholar of critical race theory’s relationship to gender. This program is part of the U-M Arts Initiative series, The Future of Art: Register here to receive information on how to join: https://umich.formstack.com/forms/jan25_futureofart

How to WatchAll events will be webcast on Fridays at 8pm (ET) at http://pennystampsevents.org and https://dptv.org/pennystamps. Join the conversation on the Penny Stamps Series Facebook page.

Subscribe to receive weekly email reminders for Penny Stamps Speaker Series events.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

 

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Livestream / Virtual Mon, 18 Jan 2021 18:15:07 -0500 2021-01-22T20:00:00-05:00 2021-01-22T21:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/lectures/Evans-Ayana.jpg
Facilitator Training (January 24, 2021 10:00am) https://events.umich.edu/event/79743 79743-20483903@events.umich.edu Event Begins: Sunday, January 24, 2021 10:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Members are trained on January 24, 2021, then attend membership meetings bi weekly as follows

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Meeting Mon, 07 Dec 2020 08:52:03 -0500 2021-01-24T10:00:00-05:00 2021-01-24T12:30:00-05:00 Off Campus Location Prison Creative Arts Project, The Meeting
Ayana Evans, Live discussion and Q&A: Is Acceptance the Future of Art? (January 25, 2021 5:30pm) https://events.umich.edu/event/81001 81001-20832757@events.umich.edu Event Begins: Monday, January 25, 2021 5:30pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

egister here to receive Zoom information.

Join Ayana Evans, described as “one part Wonder Woman, one part agent provocateur” (Roberta Fallon, co-founder of Artblog) for a live, virtual discussion with Reginald Jackson, Director of the Center for Japanese Studies at the University of Michigan and scholar of critical race theory’s relationship to gender.

In conjunction with her presentation as part of the Penny Stamps Speaker Series premiering January 22, Ayana Evans will talk with Reginald Jackson about her work, a body of performances that comments on the effort she must put in to be taken seriously as a Black woman – often with humor and impromptu community-creation. They will also discuss issues facing art-makers today: her mid-career shift to performance, and the potential for art to promote self acceptance and wider acceptance of all selves.

 

The Future of Art Series is hosted by the U-M Arts Initiative as part of a two-year startup phase. 
 






 

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Performance Mon, 25 Jan 2021 18:15:46 -0500 2021-01-25T17:30:00-05:00 2021-01-25T18:30:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Performance Museum of Art
Is Acceptance the Future of Art? (January 25, 2021 5:30pm) https://events.umich.edu/event/80550 80550-20738205@events.umich.edu Event Begins: Monday, January 25, 2021 5:30pm
Location: Off Campus Location
Organized By: Arts Initiative

Join Ayana Evans, described as “one part Wonder Woman, one part agent provocateur” (Roberta Fallon, co-founder of Artblog) for a live, virtual discussion with Reginald Jackson, Director of the Center for Japanese Studies at the University of Michigan and scholar of critical race theory’s relationship to gender.

In conjunction with her presentation as part of the Penny Stamps Speaker Series premiering January 22, Ayana Evans will talk with Reginald Jackson about her work, a body of performances that comments on the effort she must put in to be taken seriously as a Black woman – often with humor and impromptu community-creation. They will also discuss issues facing art-makers today: her mid-career shift to performance, and the potential for art to promote self acceptance and wider acceptance of all selves.

Monday, January 25, 5:30-6:30 pm EST

Register here to receive Zoom information:
https://umich.formstack.com/forms/jan25_futureofart

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Lecture / Discussion Wed, 13 Jan 2021 11:36:32 -0500 2021-01-25T17:30:00-05:00 2021-01-25T18:30:00-05:00 Off Campus Location Arts Initiative Lecture / Discussion Ayana Evans and Reginald Jackson
Story, Word, Sound, Sway (January 26, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785425@events.umich.edu Event Begins: Tuesday, January 26, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-01-26T14:00:00-05:00 2021-01-26T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
African Diasporic Modernism: Tropicality in the Works of Wifredo Lam and Josephine Baker (January 27, 2021 4:30pm) https://events.umich.edu/event/80706 80706-20775568@events.umich.edu Event Begins: Wednesday, January 27, 2021 4:30pm
Location: Off Campus Location
Organized By: History of Art

In honor of Martin Luther King Jr. day 2021.

Summary: This talk explores aspects of my book, Tropical Aesthetics of Black Modernism (Duke University Press, February 2021). It offers an investigation of how Caribbean and American artists of the early twentieth century were responding to the colonial and hegemonic regimes through visual and performative tropicalist representation. It privileges the land and how a sense of place is critical in the identity formation of early twentieth-century artists as well as their creative processes. By proposing an alternative understanding of the tropics, this talk demonstrates how Wifredo Lam and Josephine Baker effectively contributed to the development of Black modernity, and even Black sonic modernity. They employed what I call “tropical aesthetics” in an effort to enact the naming of place. Tropical aesthetics allows for a critical imaging and reclaiming of space and proves how through art one can reify social geographies in order to have a sense of place, a rootedness that is desired in order to attain some semblance of sovereignty.

Bio: Samantha A. Noël is an Associate Professor of Art History at Wayne State University. She received her B.A. in Fine Art from Brooklyn College, C.U.N.Y., and her M.A. and Ph.D. in Art History from Duke University. Her research interests revolve around the history of art, visual culture and performance of the Black Diaspora. She has published on black modern and contemporary art and performance in journals such as Small Axe, Third Text, and Art Journal. Noël’s book, Tropical Aesthetics of Black Modernism (Duke University Press, forthcoming 2021), offers a thorough investigation of how Caribbean and American artists of the early twentieth century were responding to colonial and hegemonic regimes through visual and performative tropicalist representation. It privileges the land and how a sense of place is critical in the identity formation of early twentieth-century artists as well as their creative processes. Noël is working on a new book tentatively titled Diasporic Art in the Age of Black Power. This book seeks to examine the impact of the Black Power Movement on visual art as it emerged in the political, historical, and social contexts of the United States of America and the Anglophone Caribbean in the 1960s and 1970s. Currently, Noël is the 2020-2021 Leonard A. Lauder Visiting Senior Fellow at The Center for Advanced Study in the Visual Arts at the National Gallery of Art. Her research has also been supported by the Andrew W. Mellon Foundation and the Moreau Postdoctoral Fellowship at the University of Notre Dame. Noël has also received a number of grants and fellowships from Wayne State University.

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Lecture / Discussion Tue, 26 Jan 2021 10:33:09 -0500 2021-01-27T16:30:00-05:00 2021-01-27T18:00:00-05:00 Off Campus Location History of Art Lecture / Discussion Josephine Baker
Membership meeting (January 27, 2021 6:00pm) https://events.umich.edu/event/79744 79744-20483904@events.umich.edu Event Begins: Wednesday, January 27, 2021 6:00pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Members meet to plan and facilitate correspondence workshops and PCAP events

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Meeting Mon, 07 Dec 2020 08:55:08 -0500 2021-01-27T18:00:00-05:00 2021-01-27T19:30:00-05:00 Off Campus Location Prison Creative Arts Project, The Meeting
Story, Word, Sound, Sway: In Performance & Conversation with Carisa Bledsoe & Schroeder Cherry (January 28, 2021 1:00pm) https://events.umich.edu/event/80398 80398-20715668@events.umich.edu Event Begins: Thursday, January 28, 2021 1:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Join Stamps Gallery for back-to-back virtual performances by artists and Stamps School of Art & Design alumni Carisa Bledsoe (BFA Interarts ‘14) and Schroeder Cherry (BFA ‘76). The performances are part of the exhibition Story, Word, Sound, Sway, featuring artists using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo.

Bledsoe (she/her/they) will present a new iteration of their performance “What the Tide Brought In,’’ first performed at the Yellow Barn in Ann Arbor in 2014 shortly before Bledsoe graduated from U-M. Since its inception, “What the Tide Brought In” has been performed at venues across the US and France, morphing each time to address the site specificity of the venue and moment in time.

Cherry (he/him/his) will be in performance with his handmade puppets that have made appearances at the Studio Museum of Harlem, Baltimore Museum of Art, and Smithsonian Institution’s Anacostia Museum amongst other notable venues. Cherry’s performances have been enchanting and educating audiences of all ages since the 1970s when Cherry first started performing while an apprentice to a puppet master in Chicago during college. Performances will be followed by a conversation with the artists in dialogue with exhibition curators Jennifer Junkermeier-Khan and Moteniola Ogundipe, a current Stamps student. The conversation will be accompanied by a live Q&A.

Story, Word, Sound, Sway is on view at Stamps Gallery from January 18 - February 28, 2021. For more information, visit: Story, Word, Sound, Sway, or contact Jennifer Junkermeier-Khan at jenjkhan@umich.edu.

Accessibility

Stamps events are free and open to the public, and we are committed to making them accessible to all attendees. This event will be online using the Zoom platform with an auto-generated Live Transcript available. If you anticipate needing any additional accommodations to participate, please email jenjkhan@umich.edu at least one week in advance of the scheduled event so we can arrange for your accommodation or an effective alternative. After receiving your request, our team will follow up with you directly.

Image: Carisa Bledsoe (left), Schroeder Cherry (right). Photos courtesy of the artists.

Please RSVP to reserve your place for this free event: https://umich.zoom.us/meeting/register/tJUkcO-orTorHtXCEJjZ0JrjHcPZXPqiGiJ3

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Performance Thu, 14 Jan 2021 18:15:10 -0500 2021-01-28T13:00:00-05:00 2021-01-28T14:30:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Performance https://stamps.umich.edu/images/uploads/calendar/Bledsoe_and_Cherry_Stamps_Gallery_Performance.jpg
EEB Virtual Seminar: The art and design of biological illustration: reflections of an EEB artist (January 28, 2021 3:00pm) https://events.umich.edu/event/80438 80438-20721835@events.umich.edu Event Begins: Thursday, January 28, 2021 3:00pm
Location: Off Campus Location
Organized By: Ecology and Evolutionary Biology

John presents a talk about his experiences as the artist for the University of Michigan Museum of Zoology and Herbarium

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Livestream / Virtual Fri, 15 Jan 2021 13:15:22 -0500 2021-01-28T15:00:00-05:00 2021-01-28T16:00:00-05:00 Off Campus Location Ecology and Evolutionary Biology Livestream / Virtual An illustration by John Megahan that he created for the Green Life Sciences Symposium featuring grassy hills, flowers, bees, mushrooms, deer, cityscape in the background, a crop dusting airplane over a farm field, weeds and more
Performing the Moment | Performing the Movement (January 28, 2021 6:30pm) https://events.umich.edu/event/80072 80072-20554879@events.umich.edu Event Begins: Thursday, January 28, 2021 6:30pm
Location: Off Campus Location
Organized By: Center for World Performance Studies

Free & Open to the public
Registration required: http://myumi.ch/0WyWG

Damon Locks will perform and speak about his work with Prison and Neighborhood Arts Project (PNAP) and the Black Monument Ensemble. The Prison and Neighborhood Art Project provides arts and humanities courses to men at the Stateville Maximum Security Prison, where Damon Locks works as an artist educator. In the Black Monument Ensemble, Damon Locks uses music and sound to connect the past and future of the civil rights movement.

Damon Locks is a Chicago-based visual artist, educator, vocalist/musician. He attended the Art Institute of Chicago where he received his BFA in fine arts. Since 2014 he has been working with Prisons and Neighborhood Arts Project at Stateville Correctional Center teaching art. He is a recipient of the Helen Coburn Meier and Tim Meier Achievement Award in the Arts and the 2016 MAKER Grant. He operated as an Artist Mentor in the Chicago Artist Coalition program FIELD/WORK. In 2017 he became a Soros Justice Media Fellow. In 2019, he became a 3Arts Awardee. Currently, he works as an artist in residence as a part of the Museum of Contemporary Arts' SPACE Program, introducing civically engaged art into the curriculum at the high school, Sarah E. Goode STEM Academy.

In this new virtual series, Center for World Performance Studies invites performers and scholars from diverse disciplines to reflect on how performance is being used to respond to the political, social, health and environmental crises that we face at this moment. Sessions will take place over Zoom and require advance registration. You can read about the panelists, register for these events, find recommended reading and resources and/or request recordings of past events at https://lsa.umich.edu/world-performance.

If you require an accommodation to participate in this event, please contact the Center for World Performance Studies, at 734-936-2777. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.

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Presentation Wed, 16 Dec 2020 08:18:25 -0500 2021-01-28T18:30:00-05:00 2021-01-28T19:30:00-05:00 Off Campus Location Center for World Performance Studies Presentation Damon Locks
Story, Word, Sound, Sway (January 29, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785426@events.umich.edu Event Begins: Friday, January 29, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-01-29T14:00:00-05:00 2021-01-29T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Henry Louis Gates, Jr. and Eric Foner: In Conversation (January 29, 2021 8:00pm) https://events.umich.edu/event/80896 80896-20818972@events.umich.edu Event Begins: Friday, January 29, 2021 8:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Pausing for a moment of post inaugural reflection, following one of our nation’s most contentious presidential elections, this conversation brings together filmmaker, scholar, journalist and cultural critic, Henry Louis Gates, Jr. with prominent historian Eric Foner to contemplate how a divided nation comes together. The two will discuss Reconstruction, the all-too-brief period following the Civil War when the United States made its first effort to become an interracial democracy. The period saw the Constitution rewritten to incorporate the ideal of racial equality, but ended as a result of a violent backlash that erased many of the gains that had been made, with consequences we still confront as a nation. The program will also preview Gates' most recent project, The Black Church, which will premiere on PBS in February.

Henry Louis Gates, Jr. is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African & African American Research at Harvard University. Professor Gates is an author and filmmaker whose work includes Reconstruction: America after the Civil War, winner of the Alfred I. duPont-Columbia University Award, and the related books, Dark Sky Rising: Reconstruction and the Dawn of Jim Crow, with Tonya Bolden, and 2019 New York Times Notable Book, Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow. Gates’ groundbreaking genealogy series, Finding Your Roots, is now in its sixth season on PBS and has been called “one of the deepest and wisest series ever on television,” leveraging “the inherent entertainment capacity of the medium to educate millions of Americans about the histories and cultures of our nation and the world.” Gates is the recipient of an Emmy Award, a Peabody Award, an NAACP image award, an MacArthur Foundation “genius award,” and in 1998 he was the first African American to receive the National Humanities Medal. Gates was named to Time’s 25 Most Influential Americans list in 1997, to Ebony’s Power 150 list in 2009, and to Ebony’s Power 100 list in 2010 and 2012.

Eric Foner, DeWitt Clinton Professor Emeritus of History at Columbia University, is one of this country's most prominent historians. Professor Foner's publications have concentrated on the intersections of intellectual, political and social history, and the history of American race relations. One of his best-known books includes Reconstruction: America's Unfinished Revolution, 1863-1877, winner of the Bancroft Prize, Parkman Prize, and the Los Angeles Times Book Award. His latest book is The Second Founding: How the Civil War and Reconstruction Remade the Constitution . Foner has also been the co-curator, with Olivia Mahoney, of two prize-winning exhibitions on American history: A House Divided: America in the Age of Lincoln, which opened at the Chicago Historical Society in 1990, and America's Reconstruction: People and Politics After the Civil War, which opened at the Virginia Historical Society in 1995 and traveled to several other locations.

Lynette Clemetson is the Director of Wallace House, Knight-Wallace Fellowships and the Livingston Awards at the University of Michigan. A longtime journalist, she was a correspondent for Newsweek magazine in the U.S. and Asia, a national correspondent for The New York Times, and senior director of strategy and new initiatives at NPR. Wallace House works to sustain and elevate the careers of journalists, foster civic engagement, and uphold the role of a free press in democratic society.

This event is part of the Democracy & Debate theme semester with support from Wallace House and the Ford School of Public Policy. It is also part of the 2021 U-M Reverend Martin Luther King Junior Symposium. Our 2020-2021 Series is brought to you with the support of our streaming partners, Detroit Public Television and PBS Books.

How to WatchAll events will be webcast on Fridays at 8pm (ET) at http://pennystampsevents.org and https://dptv.org/pennystamps. Join the conversation on the Penny Stamps Series Facebook page.

Subscribe to receive weekly email reminders for Penny Stamps Speaker Series events.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

 

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Livestream / Virtual Wed, 27 Jan 2021 10:04:10 -0500 2021-01-29T20:00:00-05:00 2021-01-29T21:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/lectures/Gates-Henry-Louis.jpg
Story, Word, Sound, Sway (February 2, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785427@events.umich.edu Event Begins: Tuesday, February 2, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-02T14:00:00-05:00 2021-02-02T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Student Q&A with Jaume Plensa (February 5, 2021 12:00pm) https://events.umich.edu/event/81002 81002-20832758@events.umich.edu Event Begins: Friday, February 5, 2021 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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Internationally celebrated Spanish artist Jaume Plensa is one of the world’s foremost sculptors in the public realm. His monumental sculpture Behind the Walls was recently installed outside the front doors of the University of Michigan Museum of Art. Register to join this conversation with Mr. Plensa, Christina Olsen, Director of UMMA, and a Q&A with U-M students.

This program is for U-M students. Students who register will receive a link and password see the as-yet-unreleased documentary Jaume Plensa: Can You Hear Me? in advance of the February 5 Q&A. 

This program will be recorded and shared via webcast following public screening of the new documentary, Jaume Plensa: Can You Hear Me?, on Friday, February 19, at 8 p.m.

 

Programs featuring Jaume Plensa are presented in partnership with the Penny Stamps Distinguished Speaker Series. Behind the Walls is a Museum purchase made possible by the J. Ira and Nicki Harris Family. 

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Lecture / Discussion Fri, 05 Feb 2021 12:15:58 -0500 2021-02-05T12:00:00-05:00 2021-02-05T13:15:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
Story, Word, Sound, Sway (February 5, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785428@events.umich.edu Event Begins: Friday, February 5, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-05T14:00:00-05:00 2021-02-05T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
The Virtual Mark Webster Reading Series (February 5, 2021 7:00pm) https://events.umich.edu/event/75954 75954-19627789@events.umich.edu Event Begins: Friday, February 5, 2021 7:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. Tune in to enjoy work from the next generation of authors.

This week's reading features Laurie Thomas [Fiction] and Ayokunle Falomo [Poetry]. 

Organized by the MFA in Creative Writing Program and presented in partnership with the University of Michigan Museum of Art. For questions or accommodation needs, contact co-hosts David Freeman (dfrman@umich.edu) or Lauren Morrow (lmmorrow@umich.edu).

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Presentation Sat, 06 Feb 2021 00:15:57 -0500 2021-02-05T19:00:00-05:00 2021-02-05T20:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
Pedro Reyes: At Home in Coyoacán (February 5, 2021 8:00pm) https://events.umich.edu/event/80897 80897-20818973@events.umich.edu Event Begins: Friday, February 5, 2021 8:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Mexican artist Pedro Reyes has won international attention for large-scale projects that address current social and political issues. Through a varied practice utilizing sculpture, performance, video, and activism, Reyes explores the power of individual and collective organization to incite change through communication, creativity, happiness, and humor. He designs ongoing projects that propose playful solutions to social problems. From turning guns into musical instruments, to hosting a People’s United Nations to address pressing concerns, to offering ecologically-friendly grasshopper burgers from a food cart, Reyes transforms existing problems into ideas for a better world. In the artist’s hands, complex subjects like political and economic philosophies are reframed in ways that are easy to understand, such as a puppet play featuring Karl Marx and Adam Smith fighting over how to share cookies.

In 2008, Reyes initiated the ongoing Palas por Pistolas where 1,527 guns were collected in Mexico through a voluntary donation campaign to produce the same number of shovels to plant 1,527 trees. This led to Disarm (2012), where 6,700 destroyed weapons were transformed into a series of musical instruments. In 2011, Reyes initiated Sanatorium, a transient clinic that provides short unexpected treatments mixing art and psychology. Originally commissioned by the Guggenheim Museum in New York City, Sanatorium went on to many international iterations. In 2013, he presented the first edition of pUN: The People’s United Nations at Queens Museum in New York City. pUN is an experimental conference in which regular citizens act as delegates for each of the countries in the UN and seek to apply techniques and resources from social psychology, theater, art, and conflict resolution to geopolitics. In 2015, he received the U.S. State Department Medal for the Arts and the Ford Foundation Fellowship.

Reyes has had solo exhibitions at the Institute of Contemporary Art, Miami (2014); The Power Plant, Toronto (2014); the Jumex Museum, Mexico City (2014); the Queens Museum of Art, Queens, New York (2013); Labor, Mexico City (2012, 2010); Walker Art Center, Minneapolis (2011); Solomon R. Guggenheim Museum, New York (2011); CCA Kitakyushu, Kitakyushu, Japan (2009); Bass Museum, Miami (2008); and San Francisco Art Institute (2008). He has also participated in Sharjah Biennial 11, Sharjah, United Arab Emirates; In the Spirit of Utopia, Whitechapel Gallery, London; and The Carnegie International, Pittsburgh.

Our 2020-2021 Series is brought to you with the support of our streaming partners, Detroit Public Television and PBS Books.

How to WatchAll events will be webcast on Fridays at 8pm (ET) at http://pennystampsevents.org and https://dptv.org/pennystamps. Join the conversation on the Penny Stamps Series Facebook page.

Subscribe to receive weekly email reminders for Penny Stamps Speaker Series events.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

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Livestream / Virtual Wed, 27 Jan 2021 10:06:59 -0500 2021-02-05T20:00:00-05:00 2021-02-05T21:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/lectures/Pedro-Reyes.jpg
Beastly Badges: the art of adaptive political cultures in nomadic regimes" (February 8, 2021 2:00pm) https://events.umich.edu/event/81756 81756-20951377@events.umich.edu Event Begins: Monday, February 8, 2021 2:00pm
Location: Off Campus Location
Organized By: History of Art

Summary: Nomadic polities are conventionally treated as loose and fragile regimes, adept at far-reaching conquests yet inept at managing the resulting large realms or extensive constituencies. In order to provide a more constructive and robust narrative of nomadic regimes, this talk elucidates strategies of political culture developed by the Xiongnu Empire of Inner Asia (ca. 200 bce- 100 ce), as manifested in the array of belt ornaments that served as badges of personal prestige and emblems of political participation in the steppe empire. Just as adaptations of long-standing traditions of steppe art in the early era served to bolster claims of legitimacy over the entirety of Inner Asia, so did significant alterations that emphasized exotic components allow the imperial nomads of the later era to adapt their political culture not only in response to challenges of interior politics but also to capitalize on the expanding resources of cross-continental exchanges via the Silk Roads.

About: Bryan Miller is a Lecturer in the Department of the History of Art at the University of Michigan. He specializes in the archaeology of empires in East Asia, with particular focus on nomadic regimes of Inner Asia. His research includes investigations of hybrid art and practices in the course of culture contact, as well as the interface between local elites and ruling factions, and he is currently completing a book on the Xiongnu nomadic empire.

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Livestream / Virtual Thu, 04 Feb 2021 13:10:07 -0500 2021-02-08T14:00:00-05:00 2021-02-08T15:00:00-05:00 Off Campus Location History of Art Livestream / Virtual Xiongu bronze belt plate
The Future of Art "Art and Activism: Designing the Memorial to Enslaved Laborers at the University of Virginia" (February 8, 2021 4:00pm) https://events.umich.edu/event/81591 81591-20929543@events.umich.edu Event Begins: Monday, February 8, 2021 4:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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The University of Virginia—designed by Thomas Jefferson and now recognized as a UNESCO World Heritage Site—was built and maintained by 4,000 or more enslaved men, women, and children. UVA’s powerful new Memorial to Enslaved Laborers honors the lives, labors, and resistance of the enslaved people who lived and worked at UVA at some point between 1817 and 1865.

This interview with members of the memorial’s design team will explore the history, form, and process behind the creation of the memorial. Panelists: Mabel Wilson, Meejin Yoon, Eric Höweler, and Eto Otitigbe, with U-M's Kristin Hass as interviewer. 

~   Eric Höweler, AIA, LEED AP,  is an associate professor in architecture at the Harvard University Graduate School of Design, where he teaches lecture courses and design studios with a focus on building technologies/integration. He is a co-founding principal of  Höweler + Yoon Architecture LLP, a research-driven, multidisciplinary design studio working between architecture, art, and media. HYA has a reputation for work that is technologically and formally innovative, and deeply informed by human experience, and a sensitivity to tectonics. 

Eto Otitigbe is a polymedia artist whose interdisciplinary practice investigates the intersections of race, power, and technology. With history as the foundation for exploration, Otitigbe sets alternative narratives into motion; creating spaces for people to experience a unique mixture of concepts. Otitigbe lives and works in Brooklyn, NY where is an Assistant Professor and Head of Sculpture in the Art Department of Brooklyn College.

Mabel O. Wilson is the Nancy and George Rupp Professor of Architecture, Planning and Preservation, a professor in African American and African diasporic studies, director of the Institute for Research in African American Studies, and co-director of the Global Africa Lab at Columbia University. She is trained in architecture and American studies, two fields that inform her work. Through her transdisciplinary practice Studio &, Wilson makes visible and legible the ways that anti-black racism shapes the built environment along with the ways that blackness creates spaces of imagination, refusal, and desire. 

J. Meejin Yoon, AIA FAAR, is an architect, designer, and educator, whose projects and research investigate the intersections between architecture, technology, and the public realm. Prior to joining the faculty at AAP, Yoon was at MIT for 17 years and served as the head of the Department of Architecture from 2014–18. Yoon is cofounding principal of Höweler and Yoon Architecture. 

Kristin Hass is associate professor of American culture and faculty coordinator for the Humanities Collaboratory at the University of Michigan. She is the author of Carried to the Wall: American Memory and the Vietnam Veterans Memorial (1998) and Sacrificing Soldiers on the National Mall (2013). Her fields of study include visual culture, material culture, museum studies, memory, and 20th-century cultural history.

This is the first in a series of annual Art and Activism lectures as part of High Stakes Art, a project designed to enhance exhibitions and programming at the Institute for the Humanities Gallery. High Stakes Art and this lecture are made possible by a generous grant from The Andrew W. Mellon Foundation.

Presented by the Institute for the Humanities and the U-M Arts Initiative.

The Future of Art Series is hosted by the U-M Arts Initiative as part of a two-year startup phase. 

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Lecture / Discussion Mon, 08 Feb 2021 18:16:07 -0500 2021-02-08T16:00:00-05:00 2021-02-08T17:30:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
The Future of Art: "Art and Activism: Designing the Memorial to Enslaved Laborers at the University of Virginia" (February 8, 2021 4:00pm) https://events.umich.edu/event/80887 80887-20816995@events.umich.edu Event Begins: Monday, February 8, 2021 4:00pm
Location: Off Campus Location
Organized By: Institute for the Humanities

The University of Virginia—designed by Thomas Jefferson and now recognized as a UNESCO World Heritage Site—was built and maintained by 4000 or more enslaved men, women, and children. UVA’s powerful new Memorial to Enslaved Laborers honors the lives, labors, and resistance of the enslaved people who lived and worked at UVA at some point between 1817 and 1865. This interview with members of the memorial’s design team will explore the history, form, and process behind the creation of the memorial. Panelists: Mabel Wilson, Meejin Yoon, Eric Höweler, and Eto Otitigbe, with U-M's Kristin Hass as the interviewer.

This virtual event takes place Monday, February 8, 2021 4-5:30pm E.S.T. (Click at the bottom of this page where it says "Event Link" to register.)

About the Participants

*Eric Höweler*, AIA, LEED AP, is an Associate Professor in Architecture at the Harvard University Graduate School of Design, where he teaches lecture courses and design studios with a focus on building technologies/integration since 2008. Höweler has published essays and articles in Perspecta, Archis, Thresholds, The Architect’s Newspaper, Architectural Lighting, and Praxis.

Höweler is Co-founding Principal of Höweler + Yoon Architecture LLP, a research-driven, multidisciplinary design studio working between architecture, art, and media. HYA has a reputation for work that is technologically and formally innovative, and deeply informed by human experience and a sensitivity to tectonics. Höweler + Yoon’s work has been exhibited at the Los Angeles Museum of Contemporary Art, the Museum of Modern Art in New York, the Museum of Contemporary Art in Chicago, the 2006 Design Triennial at the Cooper Hewitt in New York, The Institute of Contemporary Art in Boston, and has been published and reviewed in publications including Architect, Architectural Record, Metropolitan, Domus, Interior Design magazine, Architectural Lighting, and I.D. Magazine, The New York Times, The Boston Globe, and The Financial Times.

*Eto Otitigbe* is a polymedia artist whose interdisciplinary practice investigates the intersections of race, power, and technology. With history as the foundation for exploration, Otitigbe sets alternative narratives into motion; creating spaces for people to experience a unique mixture of concepts. He is the Director of the Turnbull Townhouse Gallery in New York. Otitigbe lives and works in Brooklyn, NY where is an Assistant Professor and Head of Sculpture in the Art Department of Brooklyn College.

Otitigbe's work has been in national and international exhibitions such as Topophilia, as part of the Meetings Festival in Denmark; Bronx Calling: The Second AIM Biennial, organized by the Bronx Museum and Wave Hill. He has participated in residencies at the Massachusetts Museum of Contemporary Art, The John L. Warfield Center for African and African American Studies, Austin, TX; 701 CCA, Columbia, SC; Center for Book Arts, New York, NY; and Luminary Center for the Arts, St. Louis, MO. Otitigbe received public commissions for FLOW at Randall’s Island Park and the Emerging Artist Fellowship at Socrates Sculpture Park. In 2015 Otitigbe was awarded a CEC Artslink Project Award for travel to Egypt.

*Mabel O. Wilson* is the Nancy and George Rupp Professor of Architecture, Planning and Preservation, a professor in African American and African diasporic studies, director of the Institute for Research in African American Studies, and co-director of the Global Africa Lab at Columbia University. She is trained in architecture and American studies, two fields that inform her work. Through her transdisciplinary practice Studio &, Wilson makes visible and legible the ways that anti-black racism shapes the built environment along with the ways that blackness creates spaces of imagination, refusal, and desire.

Wilson is the author of Begin with the Past: Building the National Museum of African American History and Culture (2016) and Negro Building: Black Americans in the World of Fairs and Museums (2012), co-editor of Race and Modern Architecture, and currently at work on a book entitled Building Race and Nation: Slavery and Dispossessions Influence on American Civic Architecture. Her scholarly essays have appeared in numerous journals and books on art and architecture, black studies, critical geography, urbanism, memory studies.

*J. Meejin Yoon*, AIA FAAR, is dean of AAP/Architecture, Art, Planning at Cornell University. She is co-founding principle of Höweler and Yoon Architecture; her projects and research investigate the intersections between architecture, technology, and the public realm. Prior to joining the faculty at AAP, Yoon was at MIT for 17 years and served as the head of the Department of Architecture from 2014–18.

Yoon's work has been exhibited at the Museum of Modern Art in New York, the Los Angeles Museum of Contemporary Art, the Smithsonian Cooper-Hewitt National Design Museum in New York, the Vitra Design Museum in Germany, and the National Art Center in Japan. Publications by Yoon include Expanded Practice (Princeton Architectural Press, 2009), Public Works (MAP Book Publishers, 2008), and Absence (Printed Matter and the Whitney Museum of Art, 2003).

*Kristin Hass* is Associate Professor of American culture and faculty coordinator for the Humanities Collaboratory at the University of Michigan. She is the author of Carried to the Wall: American Memory and the Vietnam Veterans Memorial (1998) and Sacrificing Soldiers on the National Mall (2013). Her fields of study include visual culture, material culture, museum studies, memory, and 20th-century cultural history.

*This is the first in a series of annual Art and Activism lectures as part of High Stakes Art, a project designed to enhance exhibitions and programming at the Institute for the Humanities Gallery. High Stakes Art is made possible by a generous grant from The Andrew W. Mellon Foundation.

Presented by the Institute for the Humanities and the U-M Arts Initiative.*

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Livestream / Virtual Mon, 08 Feb 2021 14:29:45 -0500 2021-02-08T16:00:00-05:00 2021-02-08T17:30:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Memorial to Enslaved Laborers
Story, Word, Sound, Sway (February 9, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785429@events.umich.edu Event Begins: Tuesday, February 9, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-09T14:00:00-05:00 2021-02-09T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Membership meeting (February 10, 2021 6:00pm) https://events.umich.edu/event/79744 79744-20483905@events.umich.edu Event Begins: Wednesday, February 10, 2021 6:00pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Members meet to plan and facilitate correspondence workshops and PCAP events

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Meeting Mon, 07 Dec 2020 08:55:08 -0500 2021-02-10T18:00:00-05:00 2021-02-10T19:30:00-05:00 Off Campus Location Prison Creative Arts Project, The Meeting
Make a Pop-up Valentine Card (February 10, 2021 7:00pm) https://events.umich.edu/event/81583 81583-20927571@events.umich.edu Event Begins: Wednesday, February 10, 2021 7:00pm
Location: Off Campus Location
Organized By: University Library

This workshop is simple enough for a beginner, and you should be able to create a card with supplies you already have at home! We'll watch a demo of how to create the card, and then you'll have a chance to practice on your own with support from the instructor. No experience is required, and we welcome children and adults.

Supplies needed: Basic computer paper or card stock, old magazines or pretty paper, a glue stick, and a pair of scissors. The project will be easier if you also have a ruler and a bone folder, and a knife for cutting paper would also be useful. You can draw your own heart for the project, but a heart shaped cookie cutter or other heart shaped object to use as a stencil would be helpful.

Presented by the University of Michigan Library as part of a Book Arts Studio series.

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Workshop / Seminar Mon, 01 Feb 2021 16:31:29 -0500 2021-02-10T19:00:00-05:00 2021-02-10T20:00:00-05:00 Off Campus Location University Library Workshop / Seminar Valentine card with a pop-up heart in the center
How We Do, a discussion & workshop with artist Chitra Ganesh (February 12, 2021 12:00pm) https://events.umich.edu/event/80789 80789-20793300@events.umich.edu Event Begins: Friday, February 12, 2021 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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Chitra Ganesh, a Brooklyn-based contemporary artist of South Asian origin, creates installations, comics, animation, sculpture, and mixed media works on paper. Her process often engages historical and mythic texts as inspiration and points of departure to create new representations of culture, femininity, sexuality, and power, and to bring queer femme perspectives typically absent from canons of literature and art. 

How does Ganesh employ research to approach these large ideas, identities, and histories in her research and creative process? Join this discussion + workshop to learn directly from Ganesh about her artistic practice, and to apply a little of her approach to your own creative projects (whether they be artistic, conceptual, entrepreneurial, or otherwise). Browse her website and Instagram.

During the workshop

Participants are invited to think of something that inspires them and/or they have questions about:

- a film - a book, poem, comic or graphic novel, or other form of writing - a common historical narrative - a person (past or present) - something from Tik Tok - a meme - a video

Through discussion, writing, doodling, drawing, and other exercises, this workshop will offer the space to explore and expand the ways in which creative projects can offer critiques of society, ideas about history and identity, and new imaginings of what is possible.

Sultana’s Dream and recent work

Recently acquired by UMMA and featured in the upcoming exhibition Oh honey...A queer reading of the collection, Ganesh’s series of prints Sultana’s Dream takes its inspiration from a 1905 text by the same name written by Rokeya Sakhawat Hossain, a trailblazer for women's rights in South Asia. In Ganesh's words, Sultana’s Dream is a moving blueprint for an urban utopia that centers concepts such as collective knowledge production, fair governance, radical farming, scientific inquiry, safe space for refugees, and a work-life balance that includes down time and dreaming, all with women--as thinkers, leaders, rebels, and visionaries--at the helm. A video installation titled How We Do accompanied two exhibitions of Sultana’s Dream in New York and Bangladesh. In the installation, Ganesh mixed how-to videos and media reports found online with clips she solicited from friends and members of her broader queer and trans communities, seeking to build a body of collective knowledge and skill-sharing techniques, which she proposes are an essential aspect of an equitable future.

In her most recent work, A city will tell you her secrets if you ask, this year’s QUEERPOWER public art installation at the Leslie Lohman Museum of Art in NYC, Ganesh celebrates queer, trans, and BIPOC histories of downtown Manhattan while commemorating the deaths of trans people murdered in 2020 and LGBTQ activists lost to COVID. 

Related events

Chitra Ganesh: On Utopia and Dissent. Friday, March 12, 8 p.m.  presented by UMMA and the Penny Stamps Speaker Series

Chitra Ganesh programs are organized in partnership with the Penny Stamps Speaker Series and the Spectrum Center in conjunction with the upcoming UMMA exhibition Oh honey...a queer reading of the collection. 

Student programming at UMMA is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Workshop / Seminar Fri, 12 Feb 2021 18:16:06 -0500 2021-02-12T12:00:00-05:00 2021-02-12T13:30:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Museum of Art
NCF 'Keywords' Discussion (February 12, 2021 1:00pm) https://events.umich.edu/event/81348 81348-20887817@events.umich.edu Event Begins: Friday, February 12, 2021 1:00pm
Location: Off Campus Location
Organized By: Department of English Language and Literature

This open-ended discussion forum will center around various “keywords” of your choosing. We invite you all to contribute a keyword or theme that you are currently thinking about in relation to your own research. Our goal with this virtual event is to think collectively, form connections, and inspire creative directions.

You do not need to come prepared with a presentation, but merely an idea, thought, or question centered around your chosen word. Equally, there is no requirement that you come prepared to discuss a specific keyword if you would prefer to attend as a listener/respondent.

For inspiration, you might turn to the Victorian Literature and Culture 'Keywords' double-issue containing hundreds of mini-essays on keywords.

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Lecture / Discussion Wed, 27 Jan 2021 13:24:22 -0500 2021-02-12T13:00:00-05:00 2021-02-12T14:00:00-05:00 Off Campus Location Department of English Language and Literature Lecture / Discussion Typesetting in wood
Story, Word, Sound, Sway (February 12, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785430@events.umich.edu Event Begins: Friday, February 12, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-12T14:00:00-05:00 2021-02-12T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Candy Chang: Transforming Our Cities (February 12, 2021 8:00pm) https://events.umich.edu/event/80898 80898-20818974@events.umich.edu Event Begins: Friday, February 12, 2021 8:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Through the activation of public spaces around the world, Taiwanese-American artist Candy Chang creates work that examines the dynamics between society and the psyche, the threshold between isolation and community, and the ways shared places can cultivate reflection, perspective, and kinship. She is interested in the relationship between public space and mental health, the tension between individual liberty and social cohesion, and a city that exposes and fosters the complexity of the individual and collective psyche. With a background in urban planning, Chang worked with communities in Nairobi, New York, Helsinki, New Orleans, Vancouver, and Johannesburg, where she observed universal challenges of the democratic commons. She created interactive experiments in the public realm to explore more inclusive forms of community dialogue. After struggling with grief and depression, she channeled her emotional questions into her public work. Thanks to passionate people around the world, her participatory public art project Before I Die has been created in over 2,000 cities and over 70 countries, including China, Iraq, Argentina, Russia, Haiti, Kazakhstan, and South Africa. Her work has been exhibited in the Venice Architecture Biennale, New Museum, Tate Modern, San Francisco Museum of Modern Art, Ogden Museum of Southern Art, and the Cooper-Hewitt National Design Museum. She is a recipient of the TED Senior Fellowship, Tulane University Urban Innovation Fellowship, Tony Goldman Visionary Artist Award, and Art Production Fund Artist Residency. She was named one of the Top 100 Leaders in Public Interest Design by Impact Design Hub, a “Live Your Best Life” Local Hero by Oprah Magazine, and a World Economic Forum Young Global Leader. She has been the keynote speaker at events including the Creativity World Forum, American Planning Association National Conference, and the Global Health Summit. She received a Master’s degree in Urban Planning from Columbia University, as well as a BS in Architecture and a BFA in Graphic Design from the Stamps School of Art & Design at the University of Michigan.

This Speaker Series event is an online premiere of a live event from our archives, which the artist has graciously granted permission for in light of the ongoing circumstances of isolation. The event took place in 2014 with support from Taubman College of Architecture and Urban Planning, Arts Engine, and the Institute for the Humanities. Our 2020-2021 Series is brought to you with the support of our streaming partners, Detroit Public Television and PBS Books.

How to WatchAll events will be webcast on Fridays at 8pm (ET) at http://pennystampsevents.org and https://dptv.org/pennystamps. Join the conversation on the Penny Stamps Series Facebook page.

Subscribe to receive weekly email reminders for Penny Stamps Speaker Series events.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.

 

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Livestream / Virtual Mon, 18 Jan 2021 18:15:08 -0500 2021-02-12T20:00:00-05:00 2021-02-12T21:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/lectures/Chang-Candy.jpg
To/From: UMMA Love Poems (February 14, 2021 12:00am) https://events.umich.edu/event/81525 81525-20905717@events.umich.edu Event Begins: Sunday, February 14, 2021 12:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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During the week of Feb 14, if you write UMMA a love poem and send it to our Instagram DM's; we'll respond with a custom love poem about you. Whether it's a haiku, a sonnet, or a piece of freeverse prose that bucks the rules of language, write whatever your heart desires and feel that love in return when our curators and staff draft a poem inspired by you!    Follow @UMMAMuseum on Instagram and send your poem to us as a message to enter: https://www.instagram.com/ummamuseum/   xoxo, UMMA   p.s. We believe in spreading the love, so we may share all of or a portion of your submitted poem publicly.  

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Other Sun, 21 Feb 2021 00:16:27 -0500 2021-02-14T00:00:00-05:00 2021-02-14T00:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
UMMA Jukebox (February 15, 2021 12:00am) https://events.umich.edu/event/81337 81337-20887794@events.umich.edu Event Begins: Monday, February 15, 2021 12:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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Welcome to UMMA Jukebox! A community collaborative playlist in conjunction with our two newest works on display!

Do you listen to music while you study? When you go about your chores? Does certain music help you focus more while others help you relax? Dig into these two new works, Sophie/Elsie and Behind the Walls, with some accompanying music contributed by UMMA staff and the greater UM community. You can listen to the Spotify playlists to help you reflect on these art works and perhaps view them in a different perspective. For example, how do you feel about Sophie/Elsie when listening to classical music, say Stravinsky, versus "Like a Girl" by Lizzo? 

If looking at these works makes you think of a song, contribute to our growing playlist by following this link.

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Social / Informal Gathering Tue, 02 Mar 2021 00:15:49 -0500 2021-02-15T00:00:00-05:00 2021-02-15T23:55:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Museum of Art
For Your Eyes Only (February 15, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014780@events.umich.edu Event Begins: Monday, February 15, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-15T08:00:00-05:00 2021-02-15T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
Group Chat: Who Run the World? (Girls) (February 15, 2021 6:00pm) https://events.umich.edu/event/81449 81449-20895778@events.umich.edu Event Begins: Monday, February 15, 2021 6:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

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In honor of the first woman Vice President, Kamala Harris, join curator Laura De Becker for a tour of three works in UMMA's collection that depict and celebrate strong women.

This is one of five themed tours offered as part of UMMA + Chill during the month of February. Each theme will be accompanied by a customized beverage suggestion created by local mixologists. Availability is first-come first serve and may be full. Click here to see all of the Group Chat events.

Registration opens on February 3 at 9am. You may invite as many friends and family members to join as you'd like, but please have your list of guests ready to provide upon registration. We need their names and email addresses to send them their private log-in information. 

A list of beverage ingredients for each tour will be provided in advance so you can acquire items prior to your scheduled tour. 

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Presentation Tue, 16 Feb 2021 00:16:23 -0500 2021-02-15T18:00:00-05:00 2021-02-15T19:30:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
For Your Eyes Only (February 16, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014781@events.umich.edu Event Begins: Tuesday, February 16, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-16T08:00:00-05:00 2021-02-16T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only