Happening @ Michigan https://events.umich.edu/list/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. "Watch Me Work — Portraits of Self" (November 26, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241283@events.umich.edu Event Begins: Thursday, November 26, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-26T00:00:00-05:00 2020-11-26T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 26, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168585@events.umich.edu Event Begins: Thursday, November 26, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-26T00:00:00-05:00 2020-11-26T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (November 26, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168540@events.umich.edu Event Begins: Thursday, November 26, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-26T09:00:00-05:00 2020-11-26T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 26, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071493@events.umich.edu Event Begins: Thursday, November 26, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-26T11:00:00-05:00 2020-11-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 27, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241284@events.umich.edu Event Begins: Friday, November 27, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-27T00:00:00-05:00 2020-11-27T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 27, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168586@events.umich.edu Event Begins: Friday, November 27, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-27T00:00:00-05:00 2020-11-27T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (November 27, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168541@events.umich.edu Event Begins: Friday, November 27, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-27T09:00:00-05:00 2020-11-27T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 27, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071494@events.umich.edu Event Begins: Friday, November 27, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-27T11:00:00-05:00 2020-11-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 28, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241285@events.umich.edu Event Begins: Saturday, November 28, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-28T00:00:00-05:00 2020-11-28T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 28, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168587@events.umich.edu Event Begins: Saturday, November 28, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-28T00:00:00-05:00 2020-11-28T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (November 28, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168542@events.umich.edu Event Begins: Saturday, November 28, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

]]>
Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-28T09:00:00-05:00 2020-11-28T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 28, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071495@events.umich.edu Event Begins: Saturday, November 28, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-28T11:00:00-05:00 2020-11-28T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 29, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241286@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-29T00:00:00-05:00 2020-11-29T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 29, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168588@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-29T00:00:00-05:00 2020-11-29T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (November 29, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168543@events.umich.edu Event Begins: Sunday, November 29, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-11-29T09:00:00-05:00 2020-11-29T17:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (November 29, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071496@events.umich.edu Event Begins: Sunday, November 29, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-11-29T12:00:00-05:00 2020-11-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (November 30, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241287@events.umich.edu Event Begins: Monday, November 30, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-11-30T00:00:00-05:00 2020-11-30T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (November 30, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168589@events.umich.edu Event Begins: Monday, November 30, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-11-30T00:00:00-05:00 2020-11-30T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition (November 30, 2020 2:00pm) https://events.umich.edu/event/77530 77530-19879801@events.umich.edu Event Begins: Monday, November 30, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.

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Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
September 15, 2020 – December 4, 2020

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.


Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Auditions Mon, 21 Sep 2020 18:15:10 -0400 2020-11-30T14:00:00-05:00 2020-11-30T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Auditions https://stamps.umich.edu/images/uploads/exhibitions/Respond.jpg
"Watch Me Work — Portraits of Self" (December 1, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241288@events.umich.edu Event Begins: Tuesday, December 1, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-01T00:00:00-05:00 2020-12-01T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 1, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168590@events.umich.edu Event Begins: Tuesday, December 1, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-01T00:00:00-05:00 2020-12-01T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 1, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071497@events.umich.edu Event Begins: Tuesday, December 1, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-01T11:00:00-05:00 2020-12-01T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Get Out the Vote: Empowering the Women's Vote (December 1, 2020 2:00pm) https://events.umich.edu/event/77531 77531-19879825@events.umich.edu Event Begins: Tuesday, December 1, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Organized by AIGA in partnership with League of Women Voters

2020 marks the centennial of the ratification of the 19th Amendment, granting women the right to vote in 1920. It was the first legislation for women’s voting rights. Not until the passage of the Voting Rights Act in 1965 were voting rights of ALL women protected and enforced, and intimidation tactics progressively eliminated.  The Get Out the Vote: Empowering the Women’s Vote poster campaign, organized by AIGA in partnership with the League of Women Voters, commemorates this milestone. A core group of invited women of design submitted the first 65 non-partisan posters, to launch the initiative with their vision and voices. Through the posters, these women joined forces to collectively contribute to dialogue in design and society. This moment in history is an incredible opportunity to catalyze women in design, voting rights, citizenship, community, and diversity. The collection aspires to not only support present day voter participation, but to also serve as a backdrop for discourse and examination of the history of voting rights and women’s fight for equality.  The poster initiative continues at aiga.org/vote, where AIGA members can contribute posters to motivate the American public to register and turn out to vote in the 2020 general election, as well as local elections to come. Posters are available for free download online.

The Get Out the Vote: Empowering the Women’s Vote exhibition at Stamps Gallery includes a selection of the 65 posters chosen by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery. The exhibition includes posters by Audrey Bennett, Johanna Björk, Karen Cheng, Emily Comfort, Jenny El-Shamy, Dinah Fried, Karin Fong, Anne M. Giangiulio, Annabelle Gould, Brockett Horne, Meena Khalili, nicole killian + shawné michaelain holloway, Karen Kurycki, Marty Maxwell Lane, Zuzana Licko, Ana Llorente, Beatriz Lozano, Kelly Salchow MacArthur, Rebeca Mendez, Lana Rigsby, Kaleena Sales, Renee Seward, Laurel Shoemaker, Nancy Sklolos,  Hannah Smotrich, Shanti Sparrow, Jennifer Sterling, Fearn de Vicq, Cymone Wilder, and Lynne Yun.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

]]>
Exhibition Tue, 27 Oct 2020 14:52:24 -0400 2020-12-01T14:00:00-05:00 2020-12-01T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/2020_gotv_header-02.jpg
Real and Imagined: Fabric Works and Video Animations by Heidi Kumao (December 1, 2020 2:00pm) https://events.umich.edu/event/77532 77532-19879848@events.umich.edu Event Begins: Tuesday, December 1, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Stamps Gallery is pleased to present Real and Imagined: Fabric Works and Video Animations, a solo exhibition of narrative fabric works and experimental animations by Stamps Professor Heidi Kumao.

Using fabric cutouts and machine and hand stitching on industrial felt, Kumao gives physical form to the intangible dynamics underlying ordinary conversations and relationships from a feminist perspective. Intentionally minimal, each image distills an interaction, traumatic incident, or power imbalance into an accessible visual narrative. Recognizable objects such as chairs, roots, ladders, or spotlights set the stage for the story to unfold. Events are captured midstream, suspended in time like a felt film still.

The exhibition is inspired, in part, by the courage, testimony, and experiences of women (like Christine Blasey Ford) who publicly report assault, harassment, or misconduct. The #MeToo movement gave voice to thousands of women to tell their personal stories, but also exposed a hostile backlash meant to silence them. The title, “Real and Imagined,” is a deliberate contradiction; if one is true, the other must not be. In practice, however, both terms are used to reference a woman’s testimony and determine how it is publicly interpreted. Her account is accepted as truthful by many and simultaneously dismissed as imaginary by the court of public opinion: “her memory is wrong,” “she imagined it.”

The works in “Real and Imagined: Fabric Works and Video Animations” make difficult conversations and relationships tangible by stripping them down to their essentials.

Wordless physical gestures highlight the psychological and emotional forces at play behind even the smallest of interactions.

Biography
Heidi Kumao has created award-winning experimental films, video installations, cinema machines, electronic clothing, and kinetic sculptures. She has exhibited her work in solo and group exhibitions nationally and internationally including shows at Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, Fundació Joan Miró (Barcelona), and Museu da Imagem e do Som (São Paulo). She has received fellowships from the Creative Capital Foundation, the Guggenheim Foundation, and the New York Foundation for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Mon, 21 Sep 2020 18:15:10 -0400 2020-12-01T14:00:00-05:00 2020-12-01T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/HK-Real-and-Imagined-email-header-01.jpg
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition (December 1, 2020 2:00pm) https://events.umich.edu/event/77530 77530-19879802@events.umich.edu Event Begins: Tuesday, December 1, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.

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Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
September 15, 2020 – December 4, 2020

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.


Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Auditions Mon, 21 Sep 2020 18:15:10 -0400 2020-12-01T14:00:00-05:00 2020-12-01T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Auditions https://stamps.umich.edu/images/uploads/exhibitions/Respond.jpg
"Watch Me Work — Portraits of Self" (December 2, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241289@events.umich.edu Event Begins: Wednesday, December 2, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-02T00:00:00-05:00 2020-12-02T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 2, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444312@events.umich.edu Event Begins: Wednesday, December 2, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-02T00:00:00-05:00 2020-12-02T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 2, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168591@events.umich.edu Event Begins: Wednesday, December 2, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-02T00:00:00-05:00 2020-12-02T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 2, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071498@events.umich.edu Event Begins: Wednesday, December 2, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-02T11:00:00-05:00 2020-12-02T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 3, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241290@events.umich.edu Event Begins: Thursday, December 3, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-03T00:00:00-05:00 2020-12-03T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 3, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444313@events.umich.edu Event Begins: Thursday, December 3, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-03T00:00:00-05:00 2020-12-03T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 3, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168592@events.umich.edu Event Begins: Thursday, December 3, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-03T00:00:00-05:00 2020-12-03T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (December 3, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168547@events.umich.edu Event Begins: Thursday, December 3, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-03T09:00:00-05:00 2020-12-03T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (December 3, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071499@events.umich.edu Event Begins: Thursday, December 3, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-03T11:00:00-05:00 2020-12-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 4, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241291@events.umich.edu Event Begins: Friday, December 4, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-04T00:00:00-05:00 2020-12-04T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 4, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444314@events.umich.edu Event Begins: Friday, December 4, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-04T00:00:00-05:00 2020-12-04T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 4, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168593@events.umich.edu Event Begins: Friday, December 4, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-04T00:00:00-05:00 2020-12-04T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (December 4, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168548@events.umich.edu Event Begins: Friday, December 4, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-04T09:00:00-05:00 2020-12-04T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (December 4, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071500@events.umich.edu Event Begins: Friday, December 4, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-04T11:00:00-05:00 2020-12-04T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Get Out the Vote: Empowering the Women's Vote (December 4, 2020 2:00pm) https://events.umich.edu/event/77531 77531-19879826@events.umich.edu Event Begins: Friday, December 4, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Organized by AIGA in partnership with League of Women Voters

2020 marks the centennial of the ratification of the 19th Amendment, granting women the right to vote in 1920. It was the first legislation for women’s voting rights. Not until the passage of the Voting Rights Act in 1965 were voting rights of ALL women protected and enforced, and intimidation tactics progressively eliminated.  The Get Out the Vote: Empowering the Women’s Vote poster campaign, organized by AIGA in partnership with the League of Women Voters, commemorates this milestone. A core group of invited women of design submitted the first 65 non-partisan posters, to launch the initiative with their vision and voices. Through the posters, these women joined forces to collectively contribute to dialogue in design and society. This moment in history is an incredible opportunity to catalyze women in design, voting rights, citizenship, community, and diversity. The collection aspires to not only support present day voter participation, but to also serve as a backdrop for discourse and examination of the history of voting rights and women’s fight for equality.  The poster initiative continues at aiga.org/vote, where AIGA members can contribute posters to motivate the American public to register and turn out to vote in the 2020 general election, as well as local elections to come. Posters are available for free download online.

The Get Out the Vote: Empowering the Women’s Vote exhibition at Stamps Gallery includes a selection of the 65 posters chosen by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery. The exhibition includes posters by Audrey Bennett, Johanna Björk, Karen Cheng, Emily Comfort, Jenny El-Shamy, Dinah Fried, Karin Fong, Anne M. Giangiulio, Annabelle Gould, Brockett Horne, Meena Khalili, nicole killian + shawné michaelain holloway, Karen Kurycki, Marty Maxwell Lane, Zuzana Licko, Ana Llorente, Beatriz Lozano, Kelly Salchow MacArthur, Rebeca Mendez, Lana Rigsby, Kaleena Sales, Renee Seward, Laurel Shoemaker, Nancy Sklolos,  Hannah Smotrich, Shanti Sparrow, Jennifer Sterling, Fearn de Vicq, Cymone Wilder, and Lynne Yun.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Tue, 27 Oct 2020 14:52:24 -0400 2020-12-04T14:00:00-05:00 2020-12-04T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/2020_gotv_header-02.jpg
Real and Imagined: Fabric Works and Video Animations by Heidi Kumao (December 4, 2020 2:00pm) https://events.umich.edu/event/77532 77532-19879849@events.umich.edu Event Begins: Friday, December 4, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Stamps Gallery is pleased to present Real and Imagined: Fabric Works and Video Animations, a solo exhibition of narrative fabric works and experimental animations by Stamps Professor Heidi Kumao.

Using fabric cutouts and machine and hand stitching on industrial felt, Kumao gives physical form to the intangible dynamics underlying ordinary conversations and relationships from a feminist perspective. Intentionally minimal, each image distills an interaction, traumatic incident, or power imbalance into an accessible visual narrative. Recognizable objects such as chairs, roots, ladders, or spotlights set the stage for the story to unfold. Events are captured midstream, suspended in time like a felt film still.

The exhibition is inspired, in part, by the courage, testimony, and experiences of women (like Christine Blasey Ford) who publicly report assault, harassment, or misconduct. The #MeToo movement gave voice to thousands of women to tell their personal stories, but also exposed a hostile backlash meant to silence them. The title, “Real and Imagined,” is a deliberate contradiction; if one is true, the other must not be. In practice, however, both terms are used to reference a woman’s testimony and determine how it is publicly interpreted. Her account is accepted as truthful by many and simultaneously dismissed as imaginary by the court of public opinion: “her memory is wrong,” “she imagined it.”

The works in “Real and Imagined: Fabric Works and Video Animations” make difficult conversations and relationships tangible by stripping them down to their essentials.

Wordless physical gestures highlight the psychological and emotional forces at play behind even the smallest of interactions.

Biography
Heidi Kumao has created award-winning experimental films, video installations, cinema machines, electronic clothing, and kinetic sculptures. She has exhibited her work in solo and group exhibitions nationally and internationally including shows at Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, Fundació Joan Miró (Barcelona), and Museu da Imagem e do Som (São Paulo). She has received fellowships from the Creative Capital Foundation, the Guggenheim Foundation, and the New York Foundation for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan.

Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

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Exhibition Mon, 21 Sep 2020 18:15:10 -0400 2020-12-04T14:00:00-05:00 2020-12-04T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/HK-Real-and-Imagined-email-header-01.jpg
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition (December 4, 2020 2:00pm) https://events.umich.edu/event/77530 77530-19879803@events.umich.edu Event Begins: Friday, December 4, 2020 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.

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Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
Respond / Resist / Rethink: A Stamps Poster & Video Exhibition
September 15, 2020 – December 4, 2020

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition

Stamps Gallery is proud to kick-off the fall semester with Respond/ Resist/ Rethink: A Student Poster & Video Exhibition, which brings together powerful posters and playful videos made by the students of Penny W. Stamps School of Art & Design.

Stamps Gallery is an incubator and lab for contemporary artists and designers to explore ideas and projects that catalyze positive social change. As the pandemic grips our nation it has exposed the social, political, and economic disparities that have disproportionately impacted Black, Indigenous, and People of Color. The world witnessed in horror and sadness the meaningless loss of African American lives with George Floyd, Breonna Taylor, Ahmaud Arbery, among many others that we will never know. National and international outcries brought people together from multiple races, genders, and generations - on social media and in the streets - to publicly demand an end to police brutality, structural racism, and emphasizing that Black Lives Matter. What is the role of a university gallery in this time of crisis? How can we foster an inclusive platform for the stakeholders in our community to voice their ideas and foster a community based on equality, belonging, respect? We found inspiration in the thoughtful words of renowned civil rights leader and Congressman John Lewis (1940-2020) who wrote, “My fellow Americans, this is a special moment in our history. Just as people of all faiths and no faiths, and all backgrounds, creeds, and colors banded together decades ago to fight for equality and justice in a peaceful, orderly, non-violent fashion, we must do so again.” His powerful words are a reminder for all of us - present and future generations to stay hopeful, proactive, and resilient in our collective efforts to end racial discrimination and foster a true democracy.

In this spirit, Stamps Gallery invited the undergraduate and graduate students at Penny W. Stamps School of Art & Design, to design posters and make videos to respond and contemplate what each of us can do to build a stronger community, one that is based on the values of racial equality, justice and belonging. How can we acknowledge our own biases, learn from each other, and listen to the voices of those that have been silenced? We are at a pivotal moment in our history as the pandemic radically transforms everyday life. Through this exhibition Stamps Gallery asks the UM community to come together as artists and audiences and envision models for inclusion that are grounded in equality, belonging and empathy.

Respond/ Resist/ Rethink: A Stamps Student Poster & Video Exhibition includes work by Emily Albright, Adriana Alcala, Nathan Byrne, David Forsee, Eloise Jansenn, Rey Jeong, Sohyun Lim, Anika Love, Maggie McConnell, Willian Minzer, Judah Premble, Casey Rheault, Natalia Rocafuerte, Jenna Scheen, Ellie Schmidt, Abigail Seguin, LaKyla Thomas, Elijah Thompson, Benjamin Winans, and Molly Wu.

Artwork was selected through an open call by a committee of Stamps faculty, students, and staff including Nicholas Dowgwillo, Eloise Janssen, Keesa V. Johnson, Francis Nunoo-Quarcoo, Endi Poskovic, Destini Riley, and Stamps Gallery.


Fall 2020 Hours and Policies
Beginning September 15, 2020, Stamps Gallery will be open to University of Michigan faculty, staff, and students on Tuesdays and Fridays from 2-7 pm.
All visitors must have a valid M-Card to enter Stamps Gallery. We are unable to welcome the general public to this space at this time.

]]>
Auditions Mon, 21 Sep 2020 18:15:10 -0400 2020-12-04T14:00:00-05:00 2020-12-04T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Auditions https://stamps.umich.edu/images/uploads/exhibitions/Respond.jpg
"Watch Me Work — Portraits of Self" (December 5, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241292@events.umich.edu Event Begins: Saturday, December 5, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-05T00:00:00-05:00 2020-12-05T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 5, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444315@events.umich.edu Event Begins: Saturday, December 5, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-05T00:00:00-05:00 2020-12-05T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 5, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168594@events.umich.edu Event Begins: Saturday, December 5, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-05T00:00:00-05:00 2020-12-05T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
In-Between the World and Dreams (December 5, 2020 9:00am) https://events.umich.edu/event/78990 78990-20168549@events.umich.edu Event Begins: Saturday, December 5, 2020 9:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

In this multi-venue project led by the Institute for the Humanities, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art, with funding from The Andrew W. Mellon Foundation, Ghanaian artist Ibrahim Mahama explores global exchange, commerce and the troubling histories of colonialism and slavery in the Western world.

Mahama's artistic practice illustrates, as he explains, how art education, art and cultural opportunities "allow for people to find new ways to acquire knowledge, not only of themselves, but their histories and the places and spaces in which they find themselves."

Enveloping the contours of a museum building or wall, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover, becoming remnants and traces that reference the hands of laborers, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.

The project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.

Curator's Statement:

Ghanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning, mending, and recycling. Things fall apart, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending, begging the question, “What can we do?”

Mahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations, he incorporates materials from his previous seminal works over the last decade as a retrospective.

The markings, stitching, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism, commodification, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade, British rule till 1957, and a future de-railed by military coups post-independence.

Rather than grand gestures, Mahama’s installations are humble acts of endurance. They are covert art take-overs, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses.

Mahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice, the centre brings Mahama’s many visionary sketches to life, creating classrooms in old airplanes, a swimming pool for children’s play, and public spaces for gatherings and the exchange of ideas.

In this pivotal year defined by Covid-19, worldwide protests in support of Black Lives Matter, climate change, and our U.S. Presidential election in the balance, Ibrahim Mahama’s work acknowledges failures and false promises, but also the opportunities that can reveal themselves in times of crisis.

Perhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems, not motivated by profit or self-interest, but by a deep commitment to the hard work ahead, our willingness to do it, and to the mutual space for dreams.

–Amanda Krugliak, arts curator, Institute for the Humanities and curator of In Between the World and Dreams

In-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery, in partnership with UMMA and the Charles H. Wright Museum of African American History, Detroit.

In-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.

Oct. 1-23; large-scale public art installation, U-M Museum of Art building facade, 525 S. State St., Ann Arbor

Oct. 1-23: sidewalk gallery, Institute for the Humanities Gallery, 202 S. Thayer St., Ann Arbor (viewing from the gallery window only)

Oct. 12-Dec. 5: Community Gallery installation, Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit

Penny Stamps Speaker Series with Ibrahim Mahama

Oct. 23, 8pm, webcast at http://pennystampsevents.org/

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Exhibition Wed, 28 Oct 2020 11:17:27 -0400 2020-12-05T09:00:00-05:00 2020-12-05T16:00:00-05:00 Off Campus Location Institute for the Humanities Exhibition In-Between the World and Dreams
Collection Ensemble (December 5, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071501@events.umich.edu Event Begins: Saturday, December 5, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-05T11:00:00-05:00 2020-12-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 6, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241293@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-06T00:00:00-05:00 2020-12-06T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 6, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444316@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-06T00:00:00-05:00 2020-12-06T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 6, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168595@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

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Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-06T00:00:00-05:00 2020-12-06T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 6, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071502@events.umich.edu Event Begins: Sunday, December 6, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-06T12:00:00-05:00 2020-12-06T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 7, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241294@events.umich.edu Event Begins: Monday, December 7, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-07T00:00:00-05:00 2020-12-07T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 7, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444317@events.umich.edu Event Begins: Monday, December 7, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-07T00:00:00-05:00 2020-12-07T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 7, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168596@events.umich.edu Event Begins: Monday, December 7, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-07T00:00:00-05:00 2020-12-07T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
"Watch Me Work — Portraits of Self" (December 8, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241295@events.umich.edu Event Begins: Tuesday, December 8, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-08T00:00:00-05:00 2020-12-08T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
IPD Online Trade Show: Reduce Isolation, Enhance Social Engagement in Pandemic (December 8, 2020 12:00am) https://events.umich.edu/event/79668 79668-20444318@events.umich.edu Event Begins: Tuesday, December 8, 2020 12:00am
Location: Off Campus Location
Organized By: Tauber Institute for Global Operations

Cast your vote December 1-8 for the top products that enable meaningful increases in social engagement while maintaining health and safety.

Take part in this nationally renowned course by reviewing the products developed by 6 teams of students from the University of Michigan's STAMPS School of Art & Design, Ross School of Business, College of Engineering, and School of Information.

Catch the competitive buzz!

View the products online. Then cast your vote!

VOTE ONLINE:
http://myumi.ch/0W2N4

]]>
Exhibition Wed, 02 Dec 2020 10:24:30 -0500 2020-12-08T00:00:00-05:00 2020-12-08T23:00:00-05:00 Off Campus Location Tauber Institute for Global Operations Exhibition IPD ONLINE TRADE SHOW
Results or Roses: New and Assorted Works (December 8, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168597@events.umich.edu Event Begins: Tuesday, December 8, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-08T00:00:00-05:00 2020-12-08T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 8, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071503@events.umich.edu Event Begins: Tuesday, December 8, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-08T11:00:00-05:00 2020-12-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Student-Made Video Games Virtual Showcase (December 8, 2020 6:45pm) https://events.umich.edu/event/79332 79332-20272795@events.umich.edu Event Begins: Tuesday, December 8, 2020 6:45pm
Location: Off Campus Location
Organized By: EECS 494: Introduction to Game Development

Experience 20+ new student-made video games at the EECS 494 + EMU Games Virtual Showcase! Interact with the developers, learn more about Michigan and EMU's game development programs, and vote for your favorite games!

Visit https://494showcase.com at 7pm EST on 12/08 to participate!

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Exhibition Tue, 10 Nov 2020 16:45:21 -0500 2020-12-08T18:45:00-05:00 2020-12-08T22:00:00-05:00 Off Campus Location EECS 494: Introduction to Game Development Exhibition EECS 494 Virtual Showcase
"Watch Me Work — Portraits of Self" (December 9, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241296@events.umich.edu Event Begins: Wednesday, December 9, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-09T00:00:00-05:00 2020-12-09T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 9, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168598@events.umich.edu Event Begins: Wednesday, December 9, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-09T00:00:00-05:00 2020-12-09T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 9, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071504@events.umich.edu Event Begins: Wednesday, December 9, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-09T11:00:00-05:00 2020-12-09T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 10, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241297@events.umich.edu Event Begins: Thursday, December 10, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-10T00:00:00-05:00 2020-12-10T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 10, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168599@events.umich.edu Event Begins: Thursday, December 10, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-10T00:00:00-05:00 2020-12-10T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 10, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071505@events.umich.edu Event Begins: Thursday, December 10, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-10T11:00:00-05:00 2020-12-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 11, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241298@events.umich.edu Event Begins: Friday, December 11, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-11T00:00:00-05:00 2020-12-11T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 11, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168600@events.umich.edu Event Begins: Friday, December 11, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-11T00:00:00-05:00 2020-12-11T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 11, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071506@events.umich.edu Event Begins: Friday, December 11, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-11T11:00:00-05:00 2020-12-11T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 12, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241299@events.umich.edu Event Begins: Saturday, December 12, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-12T00:00:00-05:00 2020-12-12T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 12, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168601@events.umich.edu Event Begins: Saturday, December 12, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-12T00:00:00-05:00 2020-12-12T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 12, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071507@events.umich.edu Event Begins: Saturday, December 12, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-12T11:00:00-05:00 2020-12-12T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 13, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241300@events.umich.edu Event Begins: Sunday, December 13, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-13T00:00:00-05:00 2020-12-13T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 13, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168602@events.umich.edu Event Begins: Sunday, December 13, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-13T00:00:00-05:00 2020-12-13T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 13, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071508@events.umich.edu Event Begins: Sunday, December 13, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-13T12:00:00-05:00 2020-12-13T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 14, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241301@events.umich.edu Event Begins: Monday, December 14, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-14T00:00:00-05:00 2020-12-14T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 14, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168603@events.umich.edu Event Begins: Monday, December 14, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-14T00:00:00-05:00 2020-12-14T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
"Watch Me Work — Portraits of Self" (December 15, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241302@events.umich.edu Event Begins: Tuesday, December 15, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-15T00:00:00-05:00 2020-12-15T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 15, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168604@events.umich.edu Event Begins: Tuesday, December 15, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-15T00:00:00-05:00 2020-12-15T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 15, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071509@events.umich.edu Event Begins: Tuesday, December 15, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-15T11:00:00-05:00 2020-12-15T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 16, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241303@events.umich.edu Event Begins: Wednesday, December 16, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-16T00:00:00-05:00 2020-12-16T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 16, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168605@events.umich.edu Event Begins: Wednesday, December 16, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-16T00:00:00-05:00 2020-12-16T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 16, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071510@events.umich.edu Event Begins: Wednesday, December 16, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

]]>
Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-16T11:00:00-05:00 2020-12-16T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 17, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241304@events.umich.edu Event Begins: Thursday, December 17, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

]]>
Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-17T00:00:00-05:00 2020-12-17T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 17, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168606@events.umich.edu Event Begins: Thursday, December 17, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

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Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-17T00:00:00-05:00 2020-12-17T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 17, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071511@events.umich.edu Event Begins: Thursday, December 17, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-17T11:00:00-05:00 2020-12-17T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
"Watch Me Work — Portraits of Self" (December 18, 2020 12:00am) https://events.umich.edu/event/79248 79248-20241305@events.umich.edu Event Begins: Friday, December 18, 2020 12:00am
Location: 202 S. Thayer
Organized By: Institute for the Humanities

In *Watch Me Work — Portraits of Self*, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker, the artist, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women, persistent through the pandemics, through police violence, and whether seen or unseen.

With the Gallery closed to the public due to COVID, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.

This exhibition was made possible by a grant from The Andrew W. Mellon Foundation.

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Exhibition Fri, 06 Nov 2020 12:17:13 -0500 2020-12-18T00:00:00-05:00 2020-12-18T23:59:00-05:00 202 S. Thayer Institute for the Humanities Exhibition Watch Me Work
Results or Roses: New and Assorted Works (December 18, 2020 12:00am) https://events.umich.edu/event/78997 78997-20168607@events.umich.edu Event Begins: Friday, December 18, 2020 12:00am
Location: Off Campus Location
Organized By: Institute for the Humanities

View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/

Results or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded "High Stakes Art" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that, as she explains, "forms a discourse that is physical rather than textual."

Thanks to the grant from The Andrew W. Mellon Foundation, we supported Sharp's work on Results and Roses during the summer of 2020, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security, it's not open to the general public, but we are thrilled to present the work online as a virtual exhibition.

About the Artist
Sarah Rose Sharp is a Detroit-based writer, activist, photographer, and multimedia artist. She writes about art and culture for Art in America, Hyperallergic, Flash Art, Sculpture Magazine, ArtSlant, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College, PA), Scarab Club (Detroit, MI), The Terhune Gallery (Toledo, OH), and The Ann Arbor Art Center (Ann Arbor, MI). Sarah has shown her own work in New York, Seattle, Columbus & Toledo, OH, Covington, KY, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research into the state of contemporary art in redeveloping cities, with special focus and regard for Detroit.

]]>
Livestream / Virtual Wed, 28 Oct 2020 11:58:02 -0400 2020-12-18T00:00:00-05:00 2020-12-18T23:59:00-05:00 Off Campus Location Institute for the Humanities Livestream / Virtual Results or Roses
Collection Ensemble (December 18, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071512@events.umich.edu Event Begins: Friday, December 18, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-18T11:00:00-05:00 2020-12-18T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 19, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071513@events.umich.edu Event Begins: Saturday, December 19, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-19T11:00:00-05:00 2020-12-19T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 20, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071514@events.umich.edu Event Begins: Sunday, December 20, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-20T12:00:00-05:00 2020-12-20T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 22, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071515@events.umich.edu Event Begins: Tuesday, December 22, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-22T11:00:00-05:00 2020-12-22T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 23, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071516@events.umich.edu Event Begins: Wednesday, December 23, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-23T11:00:00-05:00 2020-12-23T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 24, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071517@events.umich.edu Event Begins: Thursday, December 24, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-24T11:00:00-05:00 2020-12-24T15:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 26, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071518@events.umich.edu Event Begins: Saturday, December 26, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-26T11:00:00-05:00 2020-12-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 27, 2020 12:00pm) https://events.umich.edu/event/61790 61790-17071519@events.umich.edu Event Begins: Sunday, December 27, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-27T12:00:00-05:00 2020-12-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 29, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071520@events.umich.edu Event Begins: Tuesday, December 29, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-29T11:00:00-05:00 2020-12-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 30, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071521@events.umich.edu Event Begins: Wednesday, December 30, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-30T11:00:00-05:00 2020-12-30T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Collection Ensemble (December 31, 2020 11:00am) https://events.umich.edu/event/61790 61790-17071522@events.umich.edu Event Begins: Thursday, December 31, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

EXTRAORDINARY ARTISTS, STARTLING WORKS OF ART, PUT IN DIALOG FOR YOU TO DISCOVER 

Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women—including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.

Read the exhibition press release here.

JOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday, April 2 7–10 p.m.

Gallery talks, live music, and more! This is a free event, and all are welcome.

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Exhibition Mon, 02 Mar 2020 12:17:06 -0500 2020-12-31T11:00:00-05:00 2020-12-31T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/cube_2019_03_07_v01_wht_bg.jpg
Story, Word, Sound, Sway (January 19, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785423@events.umich.edu Event Begins: Tuesday, January 19, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-01-19T14:00:00-05:00 2021-01-19T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Story, Word, Sound, Sway (January 22, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785424@events.umich.edu Event Begins: Friday, January 22, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-01-22T14:00:00-05:00 2021-01-22T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Story, Word, Sound, Sway (January 26, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785425@events.umich.edu Event Begins: Tuesday, January 26, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-01-26T14:00:00-05:00 2021-01-26T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Story, Word, Sound, Sway: In Performance & Conversation with Carisa Bledsoe & Schroeder Cherry (January 28, 2021 1:00pm) https://events.umich.edu/event/80398 80398-20715668@events.umich.edu Event Begins: Thursday, January 28, 2021 1:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Join Stamps Gallery for back-to-back virtual performances by artists and Stamps School of Art & Design alumni Carisa Bledsoe (BFA Interarts ‘14) and Schroeder Cherry (BFA ‘76). The performances are part of the exhibition Story, Word, Sound, Sway, featuring artists using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo.

Bledsoe (she/her/they) will present a new iteration of their performance “What the Tide Brought In,’’ first performed at the Yellow Barn in Ann Arbor in 2014 shortly before Bledsoe graduated from U-M. Since its inception, “What the Tide Brought In” has been performed at venues across the US and France, morphing each time to address the site specificity of the venue and moment in time.

Cherry (he/him/his) will be in performance with his handmade puppets that have made appearances at the Studio Museum of Harlem, Baltimore Museum of Art, and Smithsonian Institution’s Anacostia Museum amongst other notable venues. Cherry’s performances have been enchanting and educating audiences of all ages since the 1970s when Cherry first started performing while an apprentice to a puppet master in Chicago during college. Performances will be followed by a conversation with the artists in dialogue with exhibition curators Jennifer Junkermeier-Khan and Moteniola Ogundipe, a current Stamps student. The conversation will be accompanied by a live Q&A.

Story, Word, Sound, Sway is on view at Stamps Gallery from January 18 - February 28, 2021. For more information, visit: Story, Word, Sound, Sway, or contact Jennifer Junkermeier-Khan at jenjkhan@umich.edu.

Accessibility

Stamps events are free and open to the public, and we are committed to making them accessible to all attendees. This event will be online using the Zoom platform with an auto-generated Live Transcript available. If you anticipate needing any additional accommodations to participate, please email jenjkhan@umich.edu at least one week in advance of the scheduled event so we can arrange for your accommodation or an effective alternative. After receiving your request, our team will follow up with you directly.

Image: Carisa Bledsoe (left), Schroeder Cherry (right). Photos courtesy of the artists.

Please RSVP to reserve your place for this free event: https://umich.zoom.us/meeting/register/tJUkcO-orTorHtXCEJjZ0JrjHcPZXPqiGiJ3

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Performance Thu, 14 Jan 2021 18:15:10 -0500 2021-01-28T13:00:00-05:00 2021-01-28T14:30:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Performance https://stamps.umich.edu/images/uploads/calendar/Bledsoe_and_Cherry_Stamps_Gallery_Performance.jpg
Story, Word, Sound, Sway (January 29, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785426@events.umich.edu Event Begins: Friday, January 29, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-01-29T14:00:00-05:00 2021-01-29T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Story, Word, Sound, Sway (February 2, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785427@events.umich.edu Event Begins: Tuesday, February 2, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-02T14:00:00-05:00 2021-02-02T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Virtual open house - Museum Studies Program prospective students (February 5, 2021 12:00pm) https://events.umich.edu/event/80651 80651-20769623@events.umich.edu Event Begins: Friday, February 5, 2021 12:00pm
Location: Off Campus Location
Organized By: Museum Studies Program

Are you a UM student who is interested in museums, collections, or heritage sites? If so, consider applying for the graduate certificate in museum studies for Fall 2021. Attend our prospective student virtual open house on February 5 at noon to find out more! Information about the program, application details, and the open house can be found here:
http://ummsp.rackham.umich.edu/graduate-program/

Zoom meeting ID 948 5441 6425 / passcode 584834

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Livestream / Virtual Tue, 12 Jan 2021 13:32:08 -0500 2021-02-05T12:00:00-05:00 2021-02-05T13:00:00-05:00 Off Campus Location Museum Studies Program Livestream / Virtual Museum visitors
Story, Word, Sound, Sway (February 5, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785428@events.umich.edu Event Begins: Friday, February 5, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-05T14:00:00-05:00 2021-02-05T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Story, Word, Sound, Sway (February 9, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785429@events.umich.edu Event Begins: Tuesday, February 9, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-09T14:00:00-05:00 2021-02-09T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
Tour and Themes of “No, not even for a picture” online exhibit (February 11, 2021 4:00pm) https://events.umich.edu/event/81663 81663-20941448@events.umich.edu Event Begins: Thursday, February 11, 2021 4:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

In this online presentation, Lindsey Willow Smith and Veronica Cook Williamson will provide an introductory glimpse into the Clements’ new online exhibit: 'No, not even for Picture': Re-Examining the Native Midwest and Tribes’ Relations to the History of Photography. This exhibit seeks to re-historicize and re-humanize the contexts, subjects, and circumstances leading to the production of the Richard Pohrt Jr. Collection of Native American Photography. Using examples from the exhibit to speak about their motivations and goals as co-curators, the two will touch on themes of photography as a tool of settler colonialism, photographic assertions of sovereignty and agency, and raise questions about (in)visibility and voice. They will also discuss how the transition to remote work affected the exhibit design and their approaches.

Register for the link to join at http://myumi.ch/ovD4P

Explore the exhibit at http://clements.umich.edu/pohrt

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Livestream / Virtual Wed, 03 Feb 2021 10:17:16 -0500 2021-02-11T16:00:00-05:00 2021-02-11T17:00:00-05:00 Off Campus Location William L. Clements Library Livestream / Virtual Unidentified Ojibwa men at White Earth Indian Reservation, Minnesota.
How We Do, a discussion & workshop with artist Chitra Ganesh (February 12, 2021 12:00pm) https://events.umich.edu/event/80789 80789-20793300@events.umich.edu Event Begins: Friday, February 12, 2021 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

ere.

Chitra Ganesh, a Brooklyn-based contemporary artist of South Asian origin, creates installations, comics, animation, sculpture, and mixed media works on paper. Her process often engages historical and mythic texts as inspiration and points of departure to create new representations of culture, femininity, sexuality, and power, and to bring queer femme perspectives typically absent from canons of literature and art. 

How does Ganesh employ research to approach these large ideas, identities, and histories in her research and creative process? Join this discussion + workshop to learn directly from Ganesh about her artistic practice, and to apply a little of her approach to your own creative projects (whether they be artistic, conceptual, entrepreneurial, or otherwise). Browse her website and Instagram.

During the workshop

Participants are invited to think of something that inspires them and/or they have questions about:

- a film - a book, poem, comic or graphic novel, or other form of writing - a common historical narrative - a person (past or present) - something from Tik Tok - a meme - a video

Through discussion, writing, doodling, drawing, and other exercises, this workshop will offer the space to explore and expand the ways in which creative projects can offer critiques of society, ideas about history and identity, and new imaginings of what is possible.

Sultana’s Dream and recent work

Recently acquired by UMMA and featured in the upcoming exhibition Oh honey...A queer reading of the collection, Ganesh’s series of prints Sultana’s Dream takes its inspiration from a 1905 text by the same name written by Rokeya Sakhawat Hossain, a trailblazer for women's rights in South Asia. In Ganesh's words, Sultana’s Dream is a moving blueprint for an urban utopia that centers concepts such as collective knowledge production, fair governance, radical farming, scientific inquiry, safe space for refugees, and a work-life balance that includes down time and dreaming, all with women--as thinkers, leaders, rebels, and visionaries--at the helm. A video installation titled How We Do accompanied two exhibitions of Sultana’s Dream in New York and Bangladesh. In the installation, Ganesh mixed how-to videos and media reports found online with clips she solicited from friends and members of her broader queer and trans communities, seeking to build a body of collective knowledge and skill-sharing techniques, which she proposes are an essential aspect of an equitable future.

In her most recent work, A city will tell you her secrets if you ask, this year’s QUEERPOWER public art installation at the Leslie Lohman Museum of Art in NYC, Ganesh celebrates queer, trans, and BIPOC histories of downtown Manhattan while commemorating the deaths of trans people murdered in 2020 and LGBTQ activists lost to COVID. 

Related events

Chitra Ganesh: On Utopia and Dissent. Friday, March 12, 8 p.m.  presented by UMMA and the Penny Stamps Speaker Series

Chitra Ganesh programs are organized in partnership with the Penny Stamps Speaker Series and the Spectrum Center in conjunction with the upcoming UMMA exhibition Oh honey...a queer reading of the collection. 

Student programming at UMMA is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Workshop / Seminar Fri, 12 Feb 2021 18:16:06 -0500 2021-02-12T12:00:00-05:00 2021-02-12T13:30:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Museum of Art
Story, Word, Sound, Sway (February 12, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785430@events.umich.edu Event Begins: Friday, February 12, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-12T14:00:00-05:00 2021-02-12T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
For Your Eyes Only (February 15, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014780@events.umich.edu Event Begins: Monday, February 15, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-15T08:00:00-05:00 2021-02-15T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (February 16, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014781@events.umich.edu Event Begins: Tuesday, February 16, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-16T08:00:00-05:00 2021-02-16T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
Story, Word, Sound, Sway (February 16, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785431@events.umich.edu Event Begins: Tuesday, February 16, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-16T14:00:00-05:00 2021-02-16T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
For Your Eyes Only (February 17, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014782@events.umich.edu Event Begins: Wednesday, February 17, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-17T08:00:00-05:00 2021-02-17T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
Colonial Archives and Decolonial Museology (February 17, 2021 4:00pm) https://events.umich.edu/event/81903 81903-20988906@events.umich.edu Event Begins: Wednesday, February 17, 2021 4:00pm
Location: Off Campus Location
Organized By: Museum Studies Program

This panel will consider collections relating to Native American past, present and future. Panelists will discuss decolonizing museum practices, settler-colonialism visually presented in postcards of Native American people, and projects at the UM Matthaei Botanical Garden that have deep connections to indigenous culture and agriculture.

Details and registration information here: http://ummsp.rackham.umich.edu/event/colonial-archives-and-decolonial-museology-panel-1/

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Lecture / Discussion Tue, 09 Feb 2021 10:55:51 -0500 2021-02-17T16:00:00-05:00 2021-02-17T17:30:00-05:00 Off Campus Location Museum Studies Program Lecture / Discussion Museum Studies panel discussions
For Your Eyes Only (February 18, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014783@events.umich.edu Event Begins: Thursday, February 18, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-18T08:00:00-05:00 2021-02-18T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (February 19, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014784@events.umich.edu Event Begins: Friday, February 19, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-19T08:00:00-05:00 2021-02-19T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
The Clements Bookworm: "Framing Identity" Online Exhibit (February 19, 2021 10:00am) https://events.umich.edu/event/80779 80779-20791332@events.umich.edu Event Begins: Friday, February 19, 2021 10:00am
Location: Off Campus Location
Organized By: William L. Clements Library

We live in a world that is influenced by visual imagery. A single photograph can incorporate our joy, and accomplishments, as well as our challenges and defeats. As the most photographed person of his time, Frederick Douglass understood how to utilize photography as a tool for empowered self-representation. His lectures inspired others to participate in creating their own images that captured beauty and resilience within the Black Experience. This Bookworm talk explores photographic examples of Black empowerment from the "Framing Identity" online exhibit (clements.umich.edu/framing-identity) through a conversation with the Clements Library’s Joyce Bonk Fellow, Samantha Hill, and Graphics Curator Clayton Lewis. They will take a closer look at photography and literature in the Clements’ collections to explore how artists and intellectuals present themselves through the creative process.

*The Clements Bookworm is a webinar series in which panelists discuss history topics. Recommended books, articles, and other resources are provided in each session. Inspired by the traditional Clements Library researcher tea time, we invite you to pull up a chair at our [virtual] table. Live attendees are encouraged to post comments and questions, respond to polls, and add to our conversation and camaraderie.*

This episode was generously sponsored by an anonymous Clements Supporter.

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Livestream / Virtual Thu, 04 Feb 2021 11:06:49 -0500 2021-02-19T10:00:00-05:00 2021-02-19T11:00:00-05:00 Off Campus Location William L. Clements Library Livestream / Virtual Author's Frontispiece in "My Bondage and My Freedom" by Frederick Douglass, 1855
Colonial Archives and Decolonial Museology (February 19, 2021 12:00pm) https://events.umich.edu/event/81912 81912-20988918@events.umich.edu Event Begins: Friday, February 19, 2021 12:00pm
Location: Off Campus Location
Organized By: Museum Studies Program

The panel engages with UM’s Philippine Collections, which include everything from papers of US colonial officers in the Philippines to thousands of photographs, from funerary objects in the Museum of Anthropological Archaeology to type specimens in the Museum of Zoology and plants in the Herbarium.

Additional details and registration information here: http://ummsp.rackham.umich.edu/event/colonial-archives-and-decolonial-museology-panel-2/

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Lecture / Discussion Tue, 09 Feb 2021 11:44:23 -0500 2021-02-19T12:00:00-05:00 2021-02-19T13:30:00-05:00 Off Campus Location Museum Studies Program Lecture / Discussion Museum Studies panel discussions
Story, Word, Sound, Sway (February 19, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785432@events.umich.edu Event Begins: Friday, February 19, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

]]>
Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-19T14:00:00-05:00 2021-02-19T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
For Your Eyes Only (February 20, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014785@events.umich.edu Event Begins: Saturday, February 20, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-20T08:00:00-05:00 2021-02-20T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (February 21, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014786@events.umich.edu Event Begins: Sunday, February 21, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-21T08:00:00-05:00 2021-02-21T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (February 22, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014787@events.umich.edu Event Begins: Monday, February 22, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-22T08:00:00-05:00 2021-02-22T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
Cold Weather Hot Takes: We Heard Ann Arbor Used To Be Cooler (February 22, 2021 12:30pm) https://events.umich.edu/event/81523 81523-20905715@events.umich.edu Event Begins: Monday, February 22, 2021 12:30pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

egister.

This program takes place on Zoom. Please register to receive the link.

Jacob Gorski from the Ann Arbor District Library and Sean Kramer from UMMA chat about their discoveries while digging into Ann Arbor’s queer history for their respective projects, the AADL podcast, The Gayest Generation, and the UMMA exhibition, Oh, honey… A queer reading of the collection. Jacob, a transplant from Saginaw, Michigan, and Sean, a native of middle-of-nowhere Kansas, have both lived in Ann Arbor for several years now and both had expectations about what they heard was a hip, artsy college town where coffee shops, bookstores, bars, and restaurants abound. They’ll discuss their earliest encounters with Ann Arbor—from walking to the food co-op to Google searching “gay bar near me”—and how their perceptions have changed over the years just as the city has. Audience members are invited to share their own hot takes on Ann Arbor’s past and present.

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Other Mon, 22 Feb 2021 12:16:22 -0500 2021-02-22T12:30:00-05:00 2021-02-22T13:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Other Museum of Art
For Your Eyes Only (February 23, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014788@events.umich.edu Event Begins: Tuesday, February 23, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-23T08:00:00-05:00 2021-02-23T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
Story, Word, Sound, Sway (February 23, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785433@events.umich.edu Event Begins: Tuesday, February 23, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

]]>
Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-23T14:00:00-05:00 2021-02-23T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
For Your Eyes Only (February 24, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014789@events.umich.edu Event Begins: Wednesday, February 24, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-24T08:00:00-05:00 2021-02-24T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
Maps as Text, Subtext, and Hypertext: “Bending Lines,” a digital exhibition on persuasive maps (February 24, 2021 4:00pm) https://events.umich.edu/event/81465 81465-20895793@events.umich.edu Event Begins: Wednesday, February 24, 2021 4:00pm
Location: Off Campus Location
Organized By: William L. Clements Library

Join historical geographer Garrett Dash Nelson from the Norman B. Leventhal Map & Education Center at the Boston Public Library for a discussion about representation, reality, and the visualization of geographic information in the new exhibition "Bending Lines: Maps and Data from Distortion to Deception." Dr. Nelson will discuss not only the content of the exhibition itself but also the challenges and opportunities associated with creating digital exhibitions of historic printed material. Participants are encouraged to view the online exhibit in advance.

Dr. Nelson will be joined by Clements Library Curator of Graphic Materials Clayton Lewis, and Adjunct Assistant Curator of Maps Mary Pedley.

This event is co-sponsored by the University of Michigan William L. Clements Library and The American Historical Print Collectors Society.

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Livestream / Virtual Thu, 28 Jan 2021 13:05:07 -0500 2021-02-24T16:00:00-05:00 2021-02-24T17:00:00-05:00 Off Campus Location William L. Clements Library Livestream / Virtual “Newsmap… Monday, December 27, 1943” from the Leventhal Map & Education Center
For Your Eyes Only (February 25, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014790@events.umich.edu Event Begins: Thursday, February 25, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-25T08:00:00-05:00 2021-02-25T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (February 26, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014791@events.umich.edu Event Begins: Friday, February 26, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-26T08:00:00-05:00 2021-02-26T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
Science as Art Faculty Panel Discussion & Awards Ceremony (February 26, 2021 2:00pm) https://events.umich.edu/event/82385 82385-21090310@events.umich.edu Event Begins: Friday, February 26, 2021 2:00pm
Location: Off Campus Location
Organized By: ArtsEngine

Join a panel of faculty in this discussion of the intersection of science and art. Immediately following the panel, award winners will be announced for the 2021 Science as Art competition. You can view submissions and vote for peoples' choice award through 2:15pm on Friday, February 26, 2021.

Eleni Gourgou, Assistant Research Scientist, Mechanical Engineering
Brad Smith, Associate Dean for Academic Programs; Professor, School of Art & Design; Research Professor, Department of Radiology
Matthew Thompson, Assistant Professor of Music; Associate Faculty, UM Center for Japanese Studies
Moderated by Deb Mexicotte, Managing Director, ArtsEngine

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Livestream / Virtual Mon, 22 Feb 2021 11:46:00 -0500 2021-02-26T14:00:00-05:00 2021-02-26T15:00:00-05:00 Off Campus Location ArtsEngine Livestream / Virtual Science as Art
Story, Word, Sound, Sway (February 26, 2021 2:00pm) https://events.umich.edu/event/80761 80761-20785434@events.umich.edu Event Begins: Friday, February 26, 2021 2:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Story, Word, Sound, Sway is on view at Stamps Gallery January 18, 2021 – February 28, 2021. The gallery is currently open Tuesdays and Fridays from 2pm to 7pm to U-M faculty, staff, and students with valid MCards only. Learn more about COVID health and safety restrictions prior to your visit:  https://stamps.umich.edu/exhibitions/stamps_gallery
The work in the exhibition can also be viewed online: http://stamps.umich.edu/calendar/event-detail/story_word_sound_sway

Artists: Carisa Bledsoe (BFA Interarts ’14), Schroeder Cherry (BFA ’76), Elshafei Dafalla (MFA ’08), Masimba Hwati (MFA ’19), Caleb Moss (BFA ’13), Senghor Reid (BFA ’99), Valencia Robin (MFA ’08), Yvette Rock (MFA ’99), Wes Taylor (BFA ’04), Levester Williams (BFA ’13), and Elizabeth Youngblood (BFA ’73)

Story, Word, Sound, Sway is an exhibition of work by eleven Stamps School of Art & Design Alumni using performance, movement, text, sound, and design to interrogate systems of oppression and interrupt the status quo. It explores themes of alternative histories, archives, Black identity, collective memory, storytelling; meshing performance and performativity, and the interplay of the oral and aural in one’s experience of the world. An undercurrent of movement explored in multiple variations thread the works together, realized through a variety of methods including painterly gesture, repetitive mark-making, performance with an audience or without, spoken word, ambient sound, and reimagined instruments. The exhibition aspires to pull at the loosened threads of a social fabric in crisis, revealing larger complex histories and art discourses, nationally and internationally, framed through the experiences and trajectories of Stamps alumni during their time in Ann Arbor, Michigan. The exhibition will be accompanied by a publication that will include interviews with each of the alumni artists conducted by current Stamps’ student and exhibition co-curator Moteniola Ogundipe.

Story, Word, Sound, Sway is co-curated by Jennifer Junkermeier-Khan and Moteniola Ogundipe.

 

Image: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, (detail, video still) HD video, color, four audio channels; 17 minutes 33 seconds (full length).

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Exhibition Thu, 04 Feb 2021 12:15:07 -0500 2021-02-26T14:00:00-05:00 2021-02-26T19:00:00-05:00 Off Campus Location Penny W Stamps School of Art & Design Exhibition https://stamps.umich.edu/images/uploads/exhibitions/Shift-Sift-Swoosh-Bods_still_04.jpg
For Your Eyes Only (February 27, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014792@events.umich.edu Event Begins: Saturday, February 27, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-27T08:00:00-05:00 2021-02-27T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (February 28, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014793@events.umich.edu Event Begins: Sunday, February 28, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-02-28T08:00:00-05:00 2021-02-28T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 1, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014794@events.umich.edu Event Begins: Monday, March 1, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-01T08:00:00-05:00 2021-03-01T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 2, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014795@events.umich.edu Event Begins: Tuesday, March 2, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-02T08:00:00-05:00 2021-03-02T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 3, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014796@events.umich.edu Event Begins: Wednesday, March 3, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-03T08:00:00-05:00 2021-03-03T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
Michigan's Got Talent! (March 3, 2021 8:00pm) https://events.umich.edu/event/82157 82157-21044622@events.umich.edu Event Begins: Wednesday, March 3, 2021 8:00pm
Location: Off Campus Location
Organized By: MUSIC Matters

MUSIC Matters presents Michigan's Got Talent: A Talent Show Celebrating Diversity, Equity, and Inclusion in the Arts! Tune in to watch U-M students from across campus show off their unique talents. Following the event, YOU will have a chance to vote for your favorite acts to receive various superlative rewards and cash/prizes!

MUSIC Matters also wishes to address the lack of diversity and equitable representation in the performing arts and entertainment industries through our event. We will do this not only through the performances themselves, but also from appearances by our event host and various cameos from well-respected members of the entertainment industry and U-M community.

We are excited to announce that the event will feature appearances from the music group Two Friends, Vice President of Student Life Martino Harmon, two-time Olympic athlete Tiffany Porter, and more!

Tune in to Michigan's Got Talent on YouTube March 3rd at 8pm EST. If you have any questions, please feel free to reach out to parniam@umich.edu.

tinyurl.com/michigansgottalent

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Performance Sun, 28 Feb 2021 17:09:20 -0500 2021-03-03T20:00:00-05:00 Off Campus Location MUSIC Matters Performance Flyer for Michigan's Got Talent on March 3rd at 8pm
For Your Eyes Only (March 4, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014797@events.umich.edu Event Begins: Thursday, March 4, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-04T08:00:00-05:00 2021-03-04T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 5, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014798@events.umich.edu Event Begins: Friday, March 5, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-05T08:00:00-05:00 2021-03-05T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 6, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014799@events.umich.edu Event Begins: Saturday, March 6, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-06T08:00:00-05:00 2021-03-06T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 7, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014800@events.umich.edu Event Begins: Sunday, March 7, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-07T08:00:00-05:00 2021-03-07T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 8, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014801@events.umich.edu Event Begins: Monday, March 8, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-08T08:00:00-05:00 2021-03-08T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 9, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014802@events.umich.edu Event Begins: Tuesday, March 9, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-09T08:00:00-05:00 2021-03-09T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 10, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014803@events.umich.edu Event Begins: Wednesday, March 10, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-10T08:00:00-05:00 2021-03-10T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
For Your Eyes Only (March 11, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014804@events.umich.edu Event Begins: Thursday, March 11, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-11T08:00:00-05:00 2021-03-11T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
The Literary Worlds of the Spanish Philippines (March 12, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233244@events.umich.edu Event Begins: Friday, March 12, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-12T00:00:00-05:00 2021-03-12T23:59:00-05:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 12, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014805@events.umich.edu Event Begins: Friday, March 12, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-12T08:00:00-05:00 2021-03-12T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
2021 Doris Sloan Memorial Program Chitra Ganesh: On Utopia and Dissent (March 12, 2021 8:00pm) https://events.umich.edu/event/80790 80790-20793301@events.umich.edu Event Begins: Friday, March 12, 2021 8:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Penny Stamps Series Facebook page.

Chitra Ganesh (b. 1975, Brooklyn, NY) is an artist living and working in Brooklyn. For the past 20 years, Ganesh's drawing-based practice has shed light on narrative representations of femininity, sexuality, and power typically absent from canons of literature and art. Ganesh’s installations, comics, animation, sculpture, and mixed media works on paper often take historical and mythic texts as inspiration and points of departure to complicate received ideas of iconic female forms. Her studies in literature, semiotics, and social theory have been critical to a steady engagement with narrative and deconstruction that animates her work. Her work has been widely exhibited in the United States, Europe, and Asia, with solo exhibitions at MoMA P.S.1, The Warhol Museum, Göteborgs Konsthall, Brooklyn Museum, Rubin Museum, Kitchen, and most recently, A city will share her secrets if you know how to ask, the 4th Annual QUEERPOWER Facade Commission at the Leslie Lohman Museum in New York City. (currently on view through October 2021). 

Her work Sultana’s Dream was recently acquired by the University of Michigan Museum of Art and will be featured in the upcoming exhibition Oh, honey… A queer reading of the collection in fall 2021. Learn more about Sultana’s Dream in UMMA’s online presentation of the exhibition. 

Her work has also been exhibited in group exhibitions across the United States, including at The Walker Art Center, MN; The Smithsonian Museum of American Art, Washington, DC, the Baltimore Museum of Art, MD; The Queens Museum of Art, NY; The Asia Society, NY; The Bronx  Museum, NY, The Contemporary Arts Museum, Houston, TX; the Berkeley Art Museum and Pacific Film Archive, CA; the Museum of Contemporary Art San Diego, CA; and the Boca Raton Museum of Art, LA, among others. Ganesh’s work has also been widely exhibited across Europe and Asia, including at the Hayward Gallery, London, Saatchi Museum, London; Fondazione Sandretto Re Rebaudengo, Italy; Instituto Valenciano de Arte Moderno, Spain; the ZKM Center for Art and Media, Karlsruhe; Göteborgs Konsthall, Sweden; Kunstalle Exnergrasse, Vienna, Arthotek Kunstverein, Göttingen; the Museum of Contemporary Art, Shanghai; the Gwangju Contemporary Arts Centre, Korea; Parasite, Hong Kong, the Bhau Daji Lad and Prince of Wales Museum, Mumbai; Indira Gandhi National Centre for Arts and the Devi Art Foundation, New Delhi; The Kochi-Muzuris Biennale, India, & the Dhaka Art Summit, Bangladesh among others.

Ganesh's works are held in prominent public collections including The Museum of Modern Art, The Smithsonian Museum of American Art, Pennsylvania Academy of Fine Art, Berkeley Museum of Art, San Jose Museum of Art, and the Whitney Museum, among others. She has received numerous awards, including  the New York Foundation for the Arts; Art Matters Foundation; John Simon Guggenheim Memorial Foundation; the Joan Mitchell Foundation; and the Hodder Fellowship at Princeton University, Pollock Krasner Foundation, and most recently the Anonymous was a Woman Award in 2020. She received her B.A. from Brown University and her M.F.A. from Columbia University.

Lead support for Oh, honey...A queer reading of the collection is provided by Alan Hergott and Curt Shepard and the University of Michigan Office of the Provost.

Notice of uncensored content: In accordance with the University of Michigan’s Standard Practice Guidelines on “Freedom of Speech and Artistic Expression,” the Penny Stamps Speaker Series does not censor our speakers or their content. The content provided is intended for adult audiences and does not reflect the views of the University of Michigan or Detroit Public Television.  

The 2021 Doris Sloan Memorial Program is presented in partnership with the Penny Stamps Distinguished Speaker Series. Established through the generosity of Dr. Herbert Sloan, this annual program honors one of the Museum’s most ardent friends and supporters, Doris Sloan, a long-time UMMA docent.

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Lecture / Discussion Sat, 13 Mar 2021 00:15:49 -0500 2021-03-12T20:00:00-05:00 2021-03-12T21:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
The Literary Worlds of the Spanish Philippines (March 13, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233245@events.umich.edu Event Begins: Saturday, March 13, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-13T00:00:00-05:00 2021-03-13T23:59:00-05:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 13, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014806@events.umich.edu Event Begins: Saturday, March 13, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-13T08:00:00-05:00 2021-03-13T23:00:00-05:00 Institute for the Humanities Exhibition For Your Eyes Only
THE G—RAY AREA (March 13, 2021 4:30pm) https://events.umich.edu/event/82199 82199-21052532@events.umich.edu Event Begins: Saturday, March 13, 2021 4:30pm
Location: 202 S. Thayer
Organized By: Institute for the Humanities

These performances by Ava Ansari are part of the Institute for the Humanities exhibition "For Your Eyes Only." Intended to activate the space, the performances bring to life the installation by further exploring the positioning of the body and the viewer.

Both the exhibition and the performances are designed to be viewed from the Thayer St. windows of the Institute for the Humanities Gallery.

Performance Times: March 13: 4:30-5pm, 6-6:30pm, 7:30-8pm.

From the artist:
"If you come by, make it soft and slow, don’t break my glassy agility."*

The G—ray Area is the isolation and expansion of skin-depth in close proximity celebrations. Working with The G—ray Area, prepares us for removing and releasing public pains accumulated through insensitive norms of togetherness. The heterotopic transmedia space is an open journal of personal and familial celebrations of the sensual body by Ava Ansari. It chooses Yasmine Diaz’s For Your Eyes Only as a safe space for revisiting Ava’s somatic, sonic, and scenic celebratory memories from the Iran-Iraq war (1980-88) airstrikes, bedroom shadow dances, underground rules of thumb, a party arrest in Tehran, her planet IranUS, and a recent visit to Saturn. Borderline Knowledge will be the guardians.

1. Ava Ansari’s interpretation of an exerpt from a Persian poem by Sohrab Sepehri (1928-80, Iran). The poem is carved on Sepehri’s gravestone: به سراغ من اگر می آیید, نرم و آهسته بیایید, مبادا که ترک بردارد, چینی نازک تنهائی من

Ava Ansari is a transmedia poet, transcultural curator, and yogi (She/They). Ava is the Founding Director of Poetic Societies Global Network for the Somatic, Sonic, and Scenic Liberation in Detroit.

This project is supported by a grant from the Efroymson Family Fund.

]]>
Performance Fri, 19 Feb 2021 12:04:30 -0500 2021-03-13T16:30:00-05:00 2021-03-13T17:00:00-05:00 202 S. Thayer Institute for the Humanities Performance The Grey Area
THE G—RAY AREA (March 13, 2021 6:00pm) https://events.umich.edu/event/82199 82199-21052533@events.umich.edu Event Begins: Saturday, March 13, 2021 6:00pm
Location: 202 S. Thayer
Organized By: Institute for the Humanities

These performances by Ava Ansari are part of the Institute for the Humanities exhibition "For Your Eyes Only." Intended to activate the space, the performances bring to life the installation by further exploring the positioning of the body and the viewer.

Both the exhibition and the performances are designed to be viewed from the Thayer St. windows of the Institute for the Humanities Gallery.

Performance Times: March 13: 4:30-5pm, 6-6:30pm, 7:30-8pm.

From the artist:
"If you come by, make it soft and slow, don’t break my glassy agility."*

The G—ray Area is the isolation and expansion of skin-depth in close proximity celebrations. Working with The G—ray Area, prepares us for removing and releasing public pains accumulated through insensitive norms of togetherness. The heterotopic transmedia space is an open journal of personal and familial celebrations of the sensual body by Ava Ansari. It chooses Yasmine Diaz’s For Your Eyes Only as a safe space for revisiting Ava’s somatic, sonic, and scenic celebratory memories from the Iran-Iraq war (1980-88) airstrikes, bedroom shadow dances, underground rules of thumb, a party arrest in Tehran, her planet IranUS, and a recent visit to Saturn. Borderline Knowledge will be the guardians.

1. Ava Ansari’s interpretation of an exerpt from a Persian poem by Sohrab Sepehri (1928-80, Iran). The poem is carved on Sepehri’s gravestone: به سراغ من اگر می آیید, نرم و آهسته بیایید, مبادا که ترک بردارد, چینی نازک تنهائی من

Ava Ansari is a transmedia poet, transcultural curator, and yogi (She/They). Ava is the Founding Director of Poetic Societies Global Network for the Somatic, Sonic, and Scenic Liberation in Detroit.

This project is supported by a grant from the Efroymson Family Fund.

]]>
Performance Fri, 19 Feb 2021 12:04:30 -0500 2021-03-13T18:00:00-05:00 2021-03-13T18:30:00-05:00 202 S. Thayer Institute for the Humanities Performance The Grey Area
THE G—RAY AREA (March 13, 2021 7:30pm) https://events.umich.edu/event/82199 82199-21052534@events.umich.edu Event Begins: Saturday, March 13, 2021 7:30pm
Location: 202 S. Thayer
Organized By: Institute for the Humanities

These performances by Ava Ansari are part of the Institute for the Humanities exhibition "For Your Eyes Only." Intended to activate the space, the performances bring to life the installation by further exploring the positioning of the body and the viewer.

Both the exhibition and the performances are designed to be viewed from the Thayer St. windows of the Institute for the Humanities Gallery.

Performance Times: March 13: 4:30-5pm, 6-6:30pm, 7:30-8pm.

From the artist:
"If you come by, make it soft and slow, don’t break my glassy agility."*

The G—ray Area is the isolation and expansion of skin-depth in close proximity celebrations. Working with The G—ray Area, prepares us for removing and releasing public pains accumulated through insensitive norms of togetherness. The heterotopic transmedia space is an open journal of personal and familial celebrations of the sensual body by Ava Ansari. It chooses Yasmine Diaz’s For Your Eyes Only as a safe space for revisiting Ava’s somatic, sonic, and scenic celebratory memories from the Iran-Iraq war (1980-88) airstrikes, bedroom shadow dances, underground rules of thumb, a party arrest in Tehran, her planet IranUS, and a recent visit to Saturn. Borderline Knowledge will be the guardians.

1. Ava Ansari’s interpretation of an exerpt from a Persian poem by Sohrab Sepehri (1928-80, Iran). The poem is carved on Sepehri’s gravestone: به سراغ من اگر می آیید, نرم و آهسته بیایید, مبادا که ترک بردارد, چینی نازک تنهائی من

Ava Ansari is a transmedia poet, transcultural curator, and yogi (She/They). Ava is the Founding Director of Poetic Societies Global Network for the Somatic, Sonic, and Scenic Liberation in Detroit.

This project is supported by a grant from the Efroymson Family Fund.

]]>
Performance Fri, 19 Feb 2021 12:04:30 -0500 2021-03-13T19:30:00-05:00 2021-03-13T20:00:00-05:00 202 S. Thayer Institute for the Humanities Performance The Grey Area
The Literary Worlds of the Spanish Philippines (March 14, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233246@events.umich.edu Event Begins: Sunday, March 14, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-14T00:00:00-05:00 2021-03-14T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 14, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014807@events.umich.edu Event Begins: Sunday, March 14, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-14T08:00:00-04:00 2021-03-14T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
The Literary Worlds of the Spanish Philippines (March 15, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233247@events.umich.edu Event Begins: Monday, March 15, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-15T00:00:00-04:00 2021-03-15T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 15, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014808@events.umich.edu Event Begins: Monday, March 15, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-15T08:00:00-04:00 2021-03-15T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
25th Annual Exhibition of Art by Michigan Prisoners (March 16, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108105@events.umich.edu Event Begins: Tuesday, March 16, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-16T00:00:00-04:00 2021-03-16T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 16, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233248@events.umich.edu Event Begins: Tuesday, March 16, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-16T00:00:00-04:00 2021-03-16T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 16, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014809@events.umich.edu Event Begins: Tuesday, March 16, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-16T08:00:00-04:00 2021-03-16T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
Opening Celebration: 25th Annual Exhibition of Art by Michigan Prisoners (March 16, 2021 7:00pm) https://events.umich.edu/event/82427 82427-21100198@events.umich.edu Event Begins: Tuesday, March 16, 2021 7:00pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Join us for our opening celebration on YouTube with presentations from curators and exhibition artists who have returned from prison.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and registration links for the events listed below.

March 16: Opening Celebration, 7:00 pm
March 16: Opening Reception, 7:45 pm
March 17: Public Tour, 12:00 pm
March 18: Keynote, Janie Paul, 7:00 pm
March 20: Public Tour, 12:00 pm
March 23: Michigan Review of Prisoner Creative Writing Launch Party, 7:00 pm
March 24: Public Tour, 12:00 pm
March 25: Artists Panel, 7:00 pm

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

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Presentation Wed, 24 Feb 2021 17:23:14 -0500 2021-03-16T19:00:00-04:00 2021-03-16T19:45:00-04:00 Off Campus Location Prison Creative Arts Project, The Presentation Event Flyer
Opening Reception: 25th Annual Exhibition of Art by Michigan Prisoners (March 16, 2021 7:45pm) https://events.umich.edu/event/82487 82487-21108122@events.umich.edu Event Begins: Tuesday, March 16, 2021 7:45pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Join us on Zoom for an informal virtual gathering with PCAP curators and artists.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and registration links for the events listed below.

March 16: Opening Celebration, 7:00 pm
March 16: Opening Reception, 7:45 pm
March 17: Public Tour, 12:00 pm
March 18: Keynote, Janie Paul, 7:00 pm
March 20: Public Tour, 12:00 pm
March 23: Michigan Review of Prisoner Creative Writing Launch Party, 7:00 pm
March 24: Public Tour, 12:00 pm
March 25: Artists Panel, 7:00 pm

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Reception / Open House Wed, 24 Feb 2021 17:45:10 -0500 2021-03-16T19:45:00-04:00 2021-03-16T20:45:00-04:00 Off Campus Location Prison Creative Arts Project, The Reception / Open House Event Flyer
25th Annual Exhibition of Art by Michigan Prisoners (March 17, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108106@events.umich.edu Event Begins: Wednesday, March 17, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-17T00:00:00-04:00 2021-03-17T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 17, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233249@events.umich.edu Event Begins: Wednesday, March 17, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-17T00:00:00-04:00 2021-03-17T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 17, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014810@events.umich.edu Event Begins: Wednesday, March 17, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-17T08:00:00-04:00 2021-03-17T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
Public Tour: 25th Annual Exhibition of Art by Michigan Prisoners (March 17, 2021 12:00pm) https://events.umich.edu/event/82488 82488-21108123@events.umich.edu Event Begins: Wednesday, March 17, 2021 12:00pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Join PCAP curators for a tour of the exhibit.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and registration links for the events listed below.

March 16: Opening Celebration, 7:00 pm
March 16: Opening Reception, 7:45 pm
March 17: Public Tour, 12:00 pm
March 18: Keynote, Janie Paul, 7:00 pm
March 20: Public Tour, 12:00 pm
March 23: Michigan Review of Prisoner Creative Writing Launch Party, 7:00 pm
March 24: Public Tour, 12:00 pm
March 25: Artists Panel, 7:00 pm

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 24 Feb 2021 17:50:58 -0500 2021-03-17T12:00:00-04:00 2021-03-17T13:00:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition Event Flyer
25th Annual Exhibition of Art by Michigan Prisoners (March 18, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108107@events.umich.edu Event Begins: Thursday, March 18, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-18T00:00:00-04:00 2021-03-18T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 18, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233250@events.umich.edu Event Begins: Thursday, March 18, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-18T00:00:00-04:00 2021-03-18T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 18, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014811@events.umich.edu Event Begins: Thursday, March 18, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-18T08:00:00-04:00 2021-03-18T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
25th Annual Exhibition of Art by Michigan Prisoners (March 19, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108108@events.umich.edu Event Begins: Friday, March 19, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-19T00:00:00-04:00 2021-03-19T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 19, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233251@events.umich.edu Event Begins: Friday, March 19, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-19T00:00:00-04:00 2021-03-19T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 19, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014812@events.umich.edu Event Begins: Friday, March 19, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-19T08:00:00-04:00 2021-03-19T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
25th Annual Exhibition of Art by Michigan Prisoners (March 20, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108109@events.umich.edu Event Begins: Saturday, March 20, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-20T00:00:00-04:00 2021-03-20T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 20, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233252@events.umich.edu Event Begins: Saturday, March 20, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-20T00:00:00-04:00 2021-03-20T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 20, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014813@events.umich.edu Event Begins: Saturday, March 20, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-20T08:00:00-04:00 2021-03-20T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
Public Tour: 25th Annual Exhibition of Art by Michigan Prisoners (March 20, 2021 12:00pm) https://events.umich.edu/event/82491 82491-21110098@events.umich.edu Event Begins: Saturday, March 20, 2021 12:00pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Join PCAP curators for a tour of the exhibit.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and registration links for the events listed below.

March 16: Opening Celebration, 7:00 pm
March 16: Opening Reception, 7:45 pm
March 17: Public Tour, 12:00 pm
March 18: Keynote, Janie Paul, 7:00 pm
March 20: Public Tour, 12:00 pm
March 23: Michigan Review of Prisoner Creative Writing Launch Party, 7:00 pm
March 24: Public Tour, 12:00 pm
March 25: Artists Panel, 7:00 pm

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 24 Feb 2021 18:02:48 -0500 2021-03-20T12:00:00-04:00 2021-03-20T13:00:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition Event Flyer
Artist Talks + Virtual Opening Reception for Heartened Surfaces: The 2021 MFA Thesis Exhibition (March 20, 2021 5:00pm) https://events.umich.edu/event/82638 82638-21149733@events.umich.edu Event Begins: Saturday, March 20, 2021 5:00pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Join Stamps Gallery for the Virtual Opening Reception for Heartened Surfaces: The 2021 MFA Thesis Exhibition. Each student will be giving an Artist Talk about their work accompanied by a live Q&A. This event is free and open to the public. Registration required. 

Heartened Surfaces: The 2021 MFA Thesis Exhibition brings together culminating projects by second-year graduate students Christine Bruening, Nathan Byrne, Rey Jeong, and Benjamin Winans. The artist’s work is featured in individual exhibitions and in the collaborative exhibition The Dream is Not All Dream.

Heartened Surfaces: The 2021 MFA Thesis Exhibition is on view at Stamps Gallery from March 12, 2021 – May 2, 2021. For more information, visit: stamps.umich.edu/exhibitions/detail/2021_mfa_thesis_exhibition or contact Jennifer Junkermeier-Khan at jenjkhan@umich.edu.

Please RSVP to reserve your place for this free event: https://umich.zoom.us/meeting/register/tJ0sf-GprTwvGt3IXdQxKv3qAwZe5HFSskf2

]]>
Livestream / Virtual Mon, 01 Mar 2021 18:15:06 -0500 2021-03-20T17:00:00-04:00 2021-03-20T18:00:00-04:00 Off Campus Location Penny W Stamps School of Art & Design Livestream / Virtual https://stamps.umich.edu/images/uploads/exhibitions/MFA2021-1000x501px.jpg
25th Annual Exhibition of Art by Michigan Prisoners (March 21, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108110@events.umich.edu Event Begins: Sunday, March 21, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-21T00:00:00-04:00 2021-03-21T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 21, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233253@events.umich.edu Event Begins: Sunday, March 21, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-21T00:00:00-04:00 2021-03-21T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 21, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014814@events.umich.edu Event Begins: Sunday, March 21, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-21T08:00:00-04:00 2021-03-21T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
25th Annual Exhibition of Art by Michigan Prisoners (March 22, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108111@events.umich.edu Event Begins: Monday, March 22, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-22T00:00:00-04:00 2021-03-22T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 22, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233254@events.umich.edu Event Begins: Monday, March 22, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

]]>
Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-22T00:00:00-04:00 2021-03-22T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 22, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014815@events.umich.edu Event Begins: Monday, March 22, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

]]>
Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-22T08:00:00-04:00 2021-03-22T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
25th Annual Exhibition of Art by Michigan Prisoners (March 23, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108112@events.umich.edu Event Begins: Tuesday, March 23, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

]]>
Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-23T00:00:00-04:00 2021-03-23T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 23, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233255@events.umich.edu Event Begins: Tuesday, March 23, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

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Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-23T00:00:00-04:00 2021-03-23T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 23, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014816@events.umich.edu Event Begins: Tuesday, March 23, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-23T08:00:00-04:00 2021-03-23T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
25th Annual Exhibition of Art by Michigan Prisoners (March 24, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108113@events.umich.edu Event Begins: Wednesday, March 24, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

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Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-24T00:00:00-04:00 2021-03-24T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 24, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233256@events.umich.edu Event Begins: Wednesday, March 24, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

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Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-24T00:00:00-04:00 2021-03-24T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 24, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014817@events.umich.edu Event Begins: Wednesday, March 24, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-24T08:00:00-04:00 2021-03-24T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
Public Tour: 25th Annual Exhibition of Art by Michigan Prisoners (March 24, 2021 12:00pm) https://events.umich.edu/event/82499 82499-21110105@events.umich.edu Event Begins: Wednesday, March 24, 2021 12:00pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Join PCAP curators for a tour of the exhibit.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and registration links for the events listed below.

March 16: Opening Celebration, 7:00 pm
March 16: Opening Reception, 7:45 pm
March 17: Public Tour, 12:00 pm
March 18: Keynote, Janie Paul, 7:00 pm
March 20: Public Tour, 12:00 pm
March 23: Michigan Review of Prisoner Creative Writing Launch Party, 7:00 pm
March 24: Public Tour, 12:00 pm
March 25: Artists Panel, 7:00 pm

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

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Exhibition Wed, 24 Feb 2021 19:03:05 -0500 2021-03-24T12:00:00-04:00 2021-03-24T13:00:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition Event Flyer
25th Annual Exhibition of Art by Michigan Prisoners (March 25, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108114@events.umich.edu Event Begins: Thursday, March 25, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

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Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-25T00:00:00-04:00 2021-03-25T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 25, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233257@events.umich.edu Event Begins: Thursday, March 25, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

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Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-25T00:00:00-04:00 2021-03-25T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 25, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014818@events.umich.edu Event Begins: Thursday, March 25, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-25T08:00:00-04:00 2021-03-25T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
Artists Panel: 25th Annual Exhibition of Art by Michigan Prisoners (March 25, 2021 7:00pm) https://events.umich.edu/event/82500 82500-21110106@events.umich.edu Event Begins: Thursday, March 25, 2021 7:00pm
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

Artists from previous PCAP exhibitions share their stories and answer questions about life as an artist living in prison. Moderated by Janie Paul, Senior Curator.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and registration links for the events listed below.

March 16: Opening Celebration, 7:00 pm
March 16: Opening Reception, 7:45 pm
March 17: Public Tour, 12:00 pm
March 18: Keynote, Janie Paul, 7:00 pm
March 20: Public Tour, 12:00 pm
March 23: Michigan Review of Prisoner Creative Writing Launch Party, 7:00 pm
March 24: Public Tour, 12:00 pm
March 25: Artists Panel, 7:00 pm

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

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Lecture / Discussion Wed, 24 Feb 2021 19:08:41 -0500 2021-03-25T19:00:00-04:00 2021-03-25T20:30:00-04:00 Off Campus Location Prison Creative Arts Project, The Lecture / Discussion Event Flyer
25th Annual Exhibition of Art by Michigan Prisoners (March 26, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108115@events.umich.edu Event Begins: Friday, March 26, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

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Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-26T00:00:00-04:00 2021-03-26T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig
The Literary Worlds of the Spanish Philippines (March 26, 2021 12:00am) https://events.umich.edu/event/82983 82983-21233258@events.umich.edu Event Begins: Friday, March 26, 2021 12:00am
Location: Off Campus Location
Organized By: University Library

This virtual exhibit about the history of translation in Filipino literature in Spanish coincides with the 500th anniversary of the Magellan-Elcano voyage, the first recorded journey around the world (1519-1522). https://myumi.ch/XerZy

Curated by Professor Marlon James Sales with assistance from Barbara Alvarez and Fe Susan Go of the U-M Library, Charlotte Fater (U-M Library Scholar), Júlia Irion Martins (U-M Comparative Literature), and Colin Garon (U-M Anthropology).

Virtual exhibits are available indefinitely, beyond the listed end date.

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Exhibition Fri, 12 Mar 2021 11:34:03 -0500 2021-03-26T00:00:00-04:00 2021-03-26T23:59:00-04:00 Off Campus Location University Library Exhibition Philippine book titles in Spanish
For Your Eyes Only (March 26, 2021 8:00am) https://events.umich.edu/event/82066 82066-21014819@events.umich.edu Event Begins: Friday, March 26, 2021 8:00am
Location:
Organized By: Institute for the Humanities

Please Note: This exhibition is designed to be viewed through the gallery window on Thayer St.

Yasmine Nasser Diaz is the 2021 Efroymson Emerging Artist at the Institute for the Humanities.

For Your Eyes Only is the latest iteration of multidisciplinary artist Yasmine Nasser Diaz’s bedroom installation. At first glance, the constructed space is a shimmering homage to the bedroom disco—a sanctuary for uninhibited dance and self-expression. It has also become the setting from which many personal videos are made and shared widely on social media, where platforms such as Instagram and TikTok have blurred the boundary between public and private. Projected into the space is a montage of casual videos shared by female-identifying and non-binary persons of SWANA* origin dancing solo in their rooms. To some, the videos may seem innocent and innocuous, but they can also be seen as acts of defiance that assert the autonomy of bodies that have been surveilled, scrutinized, and censored throughout history. Alongside these intimate moments is a separate reel showing political figures and protest movements from the SWANA region. The images demonstrate the fluctuating attitudes and regulations impacting human rights and freedoms based on gender, and exemplify how—whether we are physically at a protest or sharing our physicality in virtual spaces—our bodies are engaged in some level of risk.
*Southwest Asian/North African

This project is supported by a grant from the Efroymson Family Fund.

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Exhibition Wed, 17 Feb 2021 13:31:37 -0500 2021-03-26T08:00:00-04:00 2021-03-26T23:00:00-04:00 Institute for the Humanities Exhibition For Your Eyes Only
Art and Artificial Intelligence (March 26, 2021 3:00pm) https://events.umich.edu/event/83134 83134-21276893@events.umich.edu Event Begins: Friday, March 26, 2021 3:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

ere.

Join us for a faculty panel featuring Curriculum/Collection instructors Matias del Campo (Architecture 509 Space, Time, and Artificial Intelligence), Ivo Dinov (Health Sciences 650 Data Science and Predictive Analytics), and Maegan Fairchild (Philosophy 298 Metaphysics: Art and Ontology) as we discuss issues of art, authorship, and creation, as machine learning, or “artificial intelligence,” processes are increasingly applied to the art world. If an algorithm produces a composite portrait based on the work of thousands of artists, who is the “artist”? And how is this challenging our traditional understandings of creation? We’ll talk about these questions and more, with time for Q&A. The panel will be moderated by Kathleen Creel (Stanford, philosopher of machine learning). 

 

This event is in conjunction with the UMMA exhibition Curriculum/Collection, now available to experience online. 

Lead support for this exhibition is provided by the University of Michigan Office of the Provost, Erica Gervais Pappendick and Ted Pappendick, the Eleanor Noyes Crumpacker Endowment Fund, and P.J. and Julie Solit.

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Lecture / Discussion Fri, 26 Mar 2021 18:15:40 -0400 2021-03-26T15:00:00-04:00 2021-03-26T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
25th Annual Exhibition of Art by Michigan Prisoners (March 27, 2021 12:00am) https://events.umich.edu/event/82486 82486-21108116@events.umich.edu Event Begins: Saturday, March 27, 2021 12:00am
Location: Off Campus Location
Organized By: Prison Creative Arts Project, The

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around art making inside prisons.

The pandemic halted the 25th Annual Exhibition days before it was scheduled to open in March 2020. PCAP is excited to bring you the 2020 show in a new digital gallery. Visit https://myumi.ch/kxZ1D for a link to the exhibit and a full calendar of online events.

Artwork sales appointments will be available March 17–March 31, 2021. Visitors can book sales appointments on the exhibit website. Sales will be made by phone, and all artwork will be shipped to customers. Artists set their own prices and receive 100% of net sales revenue.

This exhibit and events are presented with support from the Michigan Council for Arts and Cultural Affairs, Om of Medicine, and hundreds of individual donors. Thank you to everyone who made this possible!

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Exhibition Wed, 17 Mar 2021 11:30:32 -0400 2021-03-27T00:00:00-04:00 2021-03-27T23:59:00-04:00 Off Campus Location Prison Creative Arts Project, The Exhibition 25 and Counting (Self-Portrait) by Moses Whitepig