Happening @ Michigan https://events.umich.edu/list/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. New at UMMA: Egon Schiele (August 17, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694188@events.umich.edu Event Begins: Saturday, August 17, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-17T11:00:00-04:00 2019-08-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 18, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258463@events.umich.edu Event Begins: Sunday, August 18, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-18T08:00:00-04:00 2019-08-18T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 18, 2019 12:00pm) https://events.umich.edu/event/62085 62085-15286958@events.umich.edu Event Begins: Sunday, August 18, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-18T12:00:00-04:00 2019-08-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 18, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694189@events.umich.edu Event Begins: Sunday, August 18, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-18T12:00:00-04:00 2019-08-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 19, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258464@events.umich.edu Event Begins: Monday, August 19, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-19T08:00:00-04:00 2019-08-19T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 20, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258465@events.umich.edu Event Begins: Tuesday, August 20, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-20T08:00:00-04:00 2019-08-20T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 20, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286959@events.umich.edu Event Begins: Tuesday, August 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-20T11:00:00-04:00 2019-08-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 20, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694190@events.umich.edu Event Begins: Tuesday, August 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-20T11:00:00-04:00 2019-08-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 21, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258466@events.umich.edu Event Begins: Wednesday, August 21, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-21T08:00:00-04:00 2019-08-21T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 21, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286960@events.umich.edu Event Begins: Wednesday, August 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-21T11:00:00-04:00 2019-08-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 21, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694191@events.umich.edu Event Begins: Wednesday, August 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-21T11:00:00-04:00 2019-08-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 22, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258467@events.umich.edu Event Begins: Thursday, August 22, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-22T08:00:00-04:00 2019-08-22T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 22, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286961@events.umich.edu Event Begins: Thursday, August 22, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-22T11:00:00-04:00 2019-08-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 22, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694192@events.umich.edu Event Begins: Thursday, August 22, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-22T11:00:00-04:00 2019-08-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Brown Bag: "Pocket-Sized Nation: Cultures of Portability in America, 1790-1850" (August 22, 2019 12:00pm) https://events.umich.edu/event/63782 63782-15873606@events.umich.edu Event Begins: Thursday, August 22, 2019 12:00pm
Location: William Clements Library
Organized By: William L. Clements Library

In this talk, Madeline L. Zehnder will discuss her current research at the Clements Library as recipient of the Mary G. Stange Fellowship. A PhD candidate in the University of Virginia's Department of English, Zehnder is working on a dissertation about portable objects in early American literature and material culture.

Attendees are welcome to bring a lunch and eat during the presentation.

]]>
Workshop / Seminar Wed, 22 May 2019 10:59:48 -0400 2019-08-22T12:00:00-04:00 2019-08-22T13:00:00-04:00 William Clements Library William L. Clements Library Workshop / Seminar Madeline Zehnder
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 23, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258468@events.umich.edu Event Begins: Friday, August 23, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-23T08:00:00-04:00 2019-08-23T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 23, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286962@events.umich.edu Event Begins: Friday, August 23, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-23T11:00:00-04:00 2019-08-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 23, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694193@events.umich.edu Event Begins: Friday, August 23, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-23T11:00:00-04:00 2019-08-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 24, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258469@events.umich.edu Event Begins: Saturday, August 24, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-24T08:00:00-04:00 2019-08-24T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 24, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286963@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 24, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694194@events.umich.edu Event Begins: Saturday, August 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-24T11:00:00-04:00 2019-08-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 25, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258470@events.umich.edu Event Begins: Sunday, August 25, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-25T08:00:00-04:00 2019-08-25T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 25, 2019 12:00pm) https://events.umich.edu/event/62085 62085-15286964@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 25, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694195@events.umich.edu Event Begins: Sunday, August 25, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-25T12:00:00-04:00 2019-08-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 26, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258471@events.umich.edu Event Begins: Monday, August 26, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-26T08:00:00-04:00 2019-08-26T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 27, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258472@events.umich.edu Event Begins: Tuesday, August 27, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-27T08:00:00-04:00 2019-08-27T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 27, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286965@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 27, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694196@events.umich.edu Event Begins: Tuesday, August 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-27T11:00:00-04:00 2019-08-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 28, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258473@events.umich.edu Event Begins: Wednesday, August 28, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-28T08:00:00-04:00 2019-08-28T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 28, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286966@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 28, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694197@events.umich.edu Event Begins: Wednesday, August 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-28T11:00:00-04:00 2019-08-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 29, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258474@events.umich.edu Event Begins: Thursday, August 29, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-29T08:00:00-04:00 2019-08-29T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 29, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286967@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 29, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694198@events.umich.edu Event Begins: Thursday, August 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-29T11:00:00-04:00 2019-08-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 30, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258475@events.umich.edu Event Begins: Friday, August 30, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-30T08:00:00-04:00 2019-08-30T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 30, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286968@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 30, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694199@events.umich.edu Event Begins: Friday, August 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-30T11:00:00-04:00 2019-08-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Artscapade! (August 30, 2019 7:00pm) https://events.umich.edu/event/23020 23020-16378895@events.umich.edu Event Begins: Friday, August 30, 2019 7:00pm
Location: Museum of Art
Organized By: Arts at Michigan

Arts at Michigan and UMMA celebrate Welcome Week by introducing more than 4,000 students to the wide array of possibilities for arts participation on campus at an evening of art-making, live music, dance and poetry, games, and prizes.

Also, we're looking for volunteers for this event-- help us make it happen (and get a free Artscapade t-shirt in the process!): http://artsatmichigan.umich.edu/programs/artscapade/

]]>
Reception / Open House Wed, 12 Jul 2017 14:07:38 -0400 2019-08-30T19:00:00-04:00 2019-08-30T22:00:00-04:00 Museum of Art Arts at Michigan Reception / Open House Artscapade Promo
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (August 31, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258476@events.umich.edu Event Begins: Saturday, August 31, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-08-31T08:00:00-04:00 2019-08-31T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (August 31, 2019 11:00am) https://events.umich.edu/event/62085 62085-15286969@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (August 31, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694200@events.umich.edu Event Begins: Saturday, August 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-08-31T11:00:00-04:00 2019-08-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 1, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258477@events.umich.edu Event Begins: Sunday, September 1, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-01T08:00:00-04:00 2019-09-01T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Jason DeMarte: Garden of Artificial Delights (September 1, 2019 12:00pm) https://events.umich.edu/event/62085 62085-15286970@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte’s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film—from Alice’s Wonderland to Willy Wonka’s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.

Support for Jason DeMarte: Garden of Artificial Delights is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe Endowment.
 

]]>
Exhibition Thu, 06 Jun 2019 18:15:31 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/JD_Placid_Propigation_0.jpg
New at UMMA: Egon Schiele (September 1, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694201@events.umich.edu Event Begins: Sunday, September 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-01T12:00:00-04:00 2019-09-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 2, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258478@events.umich.edu Event Begins: Monday, September 2, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-02T08:00:00-04:00 2019-09-02T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 3, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258479@events.umich.edu Event Begins: Tuesday, September 3, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-03T08:00:00-04:00 2019-09-03T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 3, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694202@events.umich.edu Event Begins: Tuesday, September 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-03T11:00:00-04:00 2019-09-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 4, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258480@events.umich.edu Event Begins: Wednesday, September 4, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-04T08:00:00-04:00 2019-09-04T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 4, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694203@events.umich.edu Event Begins: Wednesday, September 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-04T11:00:00-04:00 2019-09-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 5, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258481@events.umich.edu Event Begins: Thursday, September 5, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-05T08:00:00-04:00 2019-09-05T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 5, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694204@events.umich.edu Event Begins: Thursday, September 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-05T11:00:00-04:00 2019-09-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 6, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258482@events.umich.edu Event Begins: Friday, September 6, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-06T08:00:00-04:00 2019-09-06T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 6, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694205@events.umich.edu Event Begins: Friday, September 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-06T11:00:00-04:00 2019-09-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Literati Bookstore Presents Randall Munroe (September 6, 2019 7:00pm) https://events.umich.edu/event/65212 65212-16549474@events.umich.edu Event Begins: Friday, September 6, 2019 7:00pm
Location: Rackham Graduate School (Horace H.)
Organized By: Center for Campus Involvement

Literati Bookstore is thrilled to welcome Randall Munroe to Rackham Auditorium in downtown Ann Arbor in support of his latest book, How to: Absurd Scientific Advice for Common Real-World Problems. The program will feature a conversation with author Jim Ottaviani and an audience Q&A. A book signing will follow. Tickets are general admission and include a hardcover copy of How to, to be picked up at the venue the evening of the event. Literati will have additional copies of Randall Munroe's previous titles available for purchase.

]]>
Lecture / Discussion Tue, 13 Aug 2019 15:18:29 -0400 2019-09-06T19:00:00-04:00 2019-09-06T20:30:00-04:00 Rackham Graduate School (Horace H.) Center for Campus Involvement Lecture / Discussion Poster
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 7, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258483@events.umich.edu Event Begins: Saturday, September 7, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-07T08:00:00-04:00 2019-09-07T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 7, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694206@events.umich.edu Event Begins: Saturday, September 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-07T11:00:00-04:00 2019-09-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 8, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258484@events.umich.edu Event Begins: Sunday, September 8, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-08T08:00:00-04:00 2019-09-08T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 8, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694207@events.umich.edu Event Begins: Sunday, September 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-08T12:00:00-04:00 2019-09-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 9, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258485@events.umich.edu Event Begins: Monday, September 9, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-09T08:00:00-04:00 2019-09-09T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Fall Kick-Off Meeting (September 9, 2019 4:00pm) https://events.umich.edu/event/65466 65466-16603593@events.umich.edu Event Begins: Monday, September 9, 2019 4:00pm
Location: Angell Hall
Organized By: Nineteenth Century Forum

The Nineteenth Century Forum would like to invite you to our first meeting of the fall semester! On Monday, September 9, at 4:00pm, in Angell Hall 3154, please join us to:

Check in as a group after the summer & welcome new members
Discuss our visiting professors for the year
Set dates/formats for paper workshops, panels, and other events for the semester

All are welcome!

]]>
Meeting Tue, 20 Aug 2019 10:51:25 -0400 2019-09-09T16:00:00-04:00 2019-09-09T17:00:00-04:00 Angell Hall Nineteenth Century Forum Meeting
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 10, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258486@events.umich.edu Event Begins: Tuesday, September 10, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-10T08:00:00-04:00 2019-09-10T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 10, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694208@events.umich.edu Event Begins: Tuesday, September 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-10T11:00:00-04:00 2019-09-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Under Cover: An Evening with Intriguing Bindings and Enclosures Primary tabs (September 10, 2019 4:00pm) https://events.umich.edu/event/64969 64969-16499241@events.umich.edu Event Begins: Tuesday, September 10, 2019 4:00pm
Location: Hatcher Graduate Library
Organized By: University Library

Join us for an open house exploring interesting bindings and enclosures on a selection of manuscripts, printed books, and artists’ books in terms of what they disguise and what they reveal. Our first introduction to a book often comes via its cover or enclosure. While many covers plainly identify and entice us to peruse their contents, others obscure what they protect and may even leave us wondering if what we’re looking at is in fact a book. Other covers are so captivating as to overshadow what they enclose, leaving us reluctant to venture past them for a look inside. Ultimately many covers and enclosures reveal a great deal more about their creators, owners and admirers than about the texts and images within.

This event is part of Special Collections After Hours, a monthly open house series sharing highlights from the many books, documents, and artifacts in our collections. Each event is open to everyone and will offer a new group of themed materials for visitors to explore. Open houses are held on the second Tuesday of each month during the academic year. Light refreshments will be provided.

]]>
Reception / Open House Wed, 07 Aug 2019 10:04:23 -0400 2019-09-10T16:00:00-04:00 2019-09-10T18:00:00-04:00 Hatcher Graduate Library University Library Reception / Open House Silver cover on Isl. Ms. 174, 19th century copy of the Qur’an
CWPS Faculty Lecture | Malcolm Tulip (September 10, 2019 6:00pm) https://events.umich.edu/event/64832 64832-16458982@events.umich.edu Event Begins: Tuesday, September 10, 2019 6:00pm
Location: East Quadrangle
Organized By: Center for World Performance Studies

This talk follows the journey, geographic, intellectual, and imaginative, Malcolm Tulip made to "discover" a script for a theatrical performance. Inspired by the writings and drawings of German Surrealist Unica Zürn (1916-70) he explores the connections of the present and the concrete, with the past, the imagination and the unconscious to create a surrealist co-biography. In New York galleries and on the streets of Paris Tulip sought context for the works of Unica Zürn and connections between Zürn's life and his own.

The Center for World Performance Studies Faculty Lecture Series features our Faculty Fellows and visiting scholars and practitioners in the fields of ethnography and performance. Designed to create an informal and intimate setting for intellectual exchange among students, scholars, and the community, faculty are invited to present their work in an interactive and performative fashion.

]]>
Workshop / Seminar Thu, 05 Sep 2019 14:32:07 -0400 2019-09-10T18:00:00-04:00 2019-09-10T19:30:00-04:00 East Quadrangle Center for World Performance Studies Workshop / Seminar Malcolm Tulip
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 11, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258487@events.umich.edu Event Begins: Wednesday, September 11, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-11T08:00:00-04:00 2019-09-11T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 11, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694209@events.umich.edu Event Begins: Wednesday, September 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-11T11:00:00-04:00 2019-09-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 12, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258488@events.umich.edu Event Begins: Thursday, September 12, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-12T08:00:00-04:00 2019-09-12T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 12, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694210@events.umich.edu Event Begins: Thursday, September 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-12T11:00:00-04:00 2019-09-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Workshop on Interdisciplinarity (September 12, 2019 11:00am) https://events.umich.edu/event/65465 65465-16603592@events.umich.edu Event Begins: Thursday, September 12, 2019 11:00am
Location: Angell Hall
Organized By: Nineteenth Century Forum

Professor Henderson will meet with graduate students in order to discuss the special challenges of doing interdisciplinary work, from doing research outside one’s field to finding publication venues and audiences.

Professor Henderson's research centers in nineteenth-century British culture. She is particularly interested in exploring formal similarities between literary arts, visual arts, and sciences. Her most recent book, Algebraic Art: Mathematical Formalism and Victorian Culture (Oxford: Oxford University Press, 2018), traces the influence of mathematical formalism on Victorian literature and visual art. Other recent articles include “The Physics and Poetry of Analogy” (Victorian Studies 56:3, Spring 2014) and “Symbolic Logic and the Logic of Symbolism” (Critical Inquiry 41:1, Autumn 2014).

Professor Henderson received her PhD in English from the University of Pennsylvania in 1991. She was an Associate Professor of English at the University of Michigan from 1997-2003. Her academic distinctions include the following: Guggenheim Fellow (2012-13), ACLS Fellow (2012-13), Michigan Humanities Award (1999), Bredvold Prize (1996), and Michigan Society of Fellows (1991-1994).

Co-sponsorship for this event is generously provided by the Michigan Society of Fellows, the Department of Comparative Literature, and the Institute for the Humanities.

]]>
Workshop / Seminar Wed, 11 Sep 2019 12:22:13 -0400 2019-09-12T11:00:00-04:00 2019-09-12T12:00:00-04:00 Angell Hall Nineteenth Century Forum Workshop / Seminar Andrea Henderson
Gala Mukomolova Roundtable Q&A (September 12, 2019 3:00pm) https://events.umich.edu/event/64360 64360-16332359@events.umich.edu Event Begins: Thursday, September 12, 2019 3:00pm
Location: Angell Hall
Organized By: University of Michigan Helen Zell Writers' Program

Gala Mukomolova’s full-length poetry book, Without Protection (Coffee House Press 2019), explores her complex identity―Jewish, post-Soviet, refugee, New Yorker, lesbian― through a Russian fable.

Mukomolova is a Moscow-born, Brooklyn-raised poet and essayist. She is the author of the chapbook One Above One Below: Positions and Lamentations (YesYes Books 2018). She received her MFA from the Helen Zell Writers’ Program at the University of Michigan. Her past residencies include Vermont Studio Center, Six Points Fellowship for Emerging Jewish Artists and The Pink Door. Her poems and essays have appeared in Poetry, PEN American, PANK and elsewhere. She writes articles on astrology for NYLON and is cohost of the podcast Big Dyke Energy.

This event is free and open to the public.

The Zell Visiting Writers Series brings outstanding writers to campus each semester. The Series is made possible through a generous gift from U-M alumna Helen Zell (BA ’64, LLDHon ’13). For more information, please visit the Zell Visiting Writers Program webpage: https://lsa.umich.edu/writers

For any questions about the event or to share accommodation needs, please email asbates@umich.edu-- we are eager to help ensure that this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. A lactation room (Angell Hall #5209), reflection room (Haven Hall #1506), and gender-inclusive restroom (Angell Hall 5th floor) are available on site. ASL interpreters and CART services are available upon request; please email asbates@umich.edu at least two weeks prior to the event.

U-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.

]]>
Lecture / Discussion Thu, 01 Aug 2019 09:16:28 -0400 2019-09-12T15:00:00-04:00 2019-09-12T16:00:00-04:00 Angell Hall University of Michigan Helen Zell Writers' Program Lecture / Discussion Gala.Mukomolova.headshot
CANCELLED: Hopwood Tea (September 12, 2019 4:00pm) https://events.umich.edu/event/64843 64843-16541449@events.umich.edu Event Begins: Thursday, September 12, 2019 4:00pm
Location: Angell Hall
Organized By: Hopwood Awards Program

Weekly tea is cancelled until further notice.

For any questions or to share accommodations needs, please email hopwoodprogram@umich.edu.

]]>
Reception / Open House Mon, 16 Mar 2020 15:02:43 -0400 2019-09-12T16:00:00-04:00 2019-09-12T17:30:00-04:00 Angell Hall Hopwood Awards Program Reception / Open House Teacup and saucer with books
Characterization and Combination (September 12, 2019 4:00pm) https://events.umich.edu/event/65385 65385-16575578@events.umich.edu Event Begins: Thursday, September 12, 2019 4:00pm
Location: Angell Hall
Organized By: Nineteenth Century Forum

Professor Henderson's talk will explore the power of combinatorics—a popular subfield of Victorian mathematics—to illuminate the structure of late Victorian characterization, focusing particularly on Dickens’s Our Mutual Friend. It will show that there is a good historical reason why, in the words of a contemporary reviewer, the characters of this novel could be described as “a number of automatons moving about,” “tattooed with various characteristics”: nodes in a social network, they are the literary
embodiment of a conception of personhood as mobile, extrinsically defined, and combinatory. Characters in these novels are not the fundamental units of social meaning that earlier nineteenth-century novelistic protocols would lead us to expect but are instead like atoms in a compound or letters in a word; they form variable combinations with others, and it’s the combinations that matter. Henderson will show that this focus on clusters of people rather than singular individuals has its historical grounding in the logic of late Victorian capitalism, an abstract logic of ramifying networks in which meaning and value inhere less in particular people or things than in their links to other people and things. As we will see, that logic is epitomized in combinatorics, the study of network ramification. Henderson argues that combinatorics is in fact the mathematical subfield of late Victorian capitalism: it both reflects and reinforces a logic of abstraction, combination, and expansion. It is fitting then that Dickens implements this logic in the “character system” of Our Mutual Friend, his great novel on finance capitalism. This novel, as the title suggests, is devoted to understanding persons in terms of networks, which it represents as the ethically suspect framework of finance capitalism.

Professor Henderson's research centers in nineteenth-century British culture. She is particularly interested in exploring formal similarities between literary arts, visual arts, and sciences. Her most recent book, Algebraic Art: Mathematical Formalism and Victorian Culture (Oxford: Oxford University Press, 2018), traces the influence of mathematical formalism on Victorian literature and visual art. Other recent articles include “The Physics and Poetry of Analogy” (Victorian Studies 56:3, Spring 2014) and “Symbolic Logic and the Logic of Symbolism” (Critical Inquiry 41:1, Autumn 2014).

Professor Henderson received her PhD in English from the University of Pennsylvania in 1991. She was an Associate Professor of English at the University of Michigan from 1997-2003. Her academic distinctions include the following: Guggenheim Fellow (2012-13), ACLS Fellow (2012-13), Michigan Humanities Award (1999), Bredvold Prize (1996), and Michigan Society of Fellows (1991-1994).

Co-sponsorship for this event is generously provided by the Michigan Society of Fellows, the Department of Comparative Literature, and the Institute for the Humanities.

]]>
Lecture / Discussion Wed, 11 Sep 2019 12:23:04 -0400 2019-09-12T16:00:00-04:00 2019-09-12T17:30:00-04:00 Angell Hall Nineteenth Century Forum Lecture / Discussion Icosian Game
Gala Mukomolova Poetry Reading and Book Signing (September 12, 2019 5:30pm) https://events.umich.edu/event/64358 64358-16332357@events.umich.edu Event Begins: Thursday, September 12, 2019 5:30pm
Location: Museum of Art
Organized By: Zell Visiting Writers Series

Gala Mukomolova’s full-length poetry book, Without Protection (Coffee House Press 2019), explores her complex identity―Jewish, post-Soviet, refugee, New Yorker, lesbian― through a Russian fable.

Mukomolova is a Moscow-born, Brooklyn-raised poet and essayist. She is the author of the chapbook One Above One Below: Positions and Lamentations (YesYes Books 2018). She received her MFA from the Helen Zell Writers’ Program at the University of Michigan. Her past residencies include Vermont Studio Center, Six Points Fellowship for Emerging Jewish Artists and The Pink Door. Her poems and essays have appeared in Poetry, PEN American, PANK and elsewhere. She writes articles on astrology for NYLON and is cohost of the podcast Big Dyke Energy.

This event is free and open to the public. Onsite book sales will be provided by Literati Bookstore.

The Zell Visiting Writers Series brings outstanding writers to campus each semester. UMMA is pleased to be the site for most of these events. The Series is made possible through a generous gift from U-M alumna Helen Zell (BA ’64, LLDHon ’13). For more information, please visit the Zell Visiting Writers Program webpage: https://lsa.umich.edu/writers

For any questions about the event or to share accommodation needs, please email asbates@umich.edu-- we are eager to help ensure that this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. Diaper changing tables are available in nearby restrooms. Gender-inclusive restrooms are available on the second floor of the Museum, accessible via the stairs, or in nearby Hatcher Graduate Library (Floors 3, 4, 5, and 6). The Hatcher Library also offers a reflection room (4th Floor South Stacks), and a lactation room (Room 13W, an anteroom to the basement women's staff restroom, or Room 108B, an anteroom of the first floor women's restroom). ASL interpreters and CART services are available upon request; please email asbates@umich.edu at least two weeks prior to the event.

U-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.

]]>
Presentation Thu, 01 Aug 2019 09:16:40 -0400 2019-09-12T17:30:00-04:00 2019-09-12T19:00:00-04:00 Museum of Art Zell Visiting Writers Series Presentation Gala.Mukomolova.headshot
Literati Bookstore Presents Salman Rushdie. (September 12, 2019 7:00pm) https://events.umich.edu/event/65213 65213-16549475@events.umich.edu Event Begins: Thursday, September 12, 2019 7:00pm
Location: Rackham Graduate School (Horace H.)
Organized By: Center for Campus Involvement

Literati Bookstore is honored to welcome renown, Booker Prize-winning author Salman Rushdie to Rackham Auditorium on the campus of the University of Michigan in support of his latest novel, Quichotte. The author will be joined in conversation by Rich Fahle of PBS Books. Tickets are general admission and include a pre-signed hardcover copy of Quichotte, to be picked up at the venue the evening of the event.

]]>
Lecture / Discussion Tue, 13 Aug 2019 15:26:46 -0400 2019-09-12T19:00:00-04:00 2019-09-12T20:30:00-04:00 Rackham Graduate School (Horace H.) Center for Campus Involvement Lecture / Discussion Poster
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 13, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258489@events.umich.edu Event Begins: Friday, September 13, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-13T08:00:00-04:00 2019-09-13T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 13, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694211@events.umich.edu Event Begins: Friday, September 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-13T11:00:00-04:00 2019-09-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Student Meet-up and Art Crawl (September 13, 2019 4:00pm) https://events.umich.edu/event/66329 66329-16727908@events.umich.edu Event Begins: Friday, September 13, 2019 4:00pm
Location:
Organized By: Arts at Michigan

Arts at Michigan's Student Meet-up and Art Crawl is perfect for meeting fellow students and discovering some arts venues around Ann Arbor. We'll walk around, chat with each other, see some art galleries, movie theatres, and music venues, and end up at a closing reception at the Ann Arbor Art Center. This trip is open to all current U of M students, and is FREE!

]]>
Social / Informal Gathering Wed, 04 Sep 2019 14:15:11 -0400 2019-09-13T16:00:00-04:00 2019-09-13T18:30:00-04:00 Arts at Michigan Social / Informal Gathering Arts Crawl poster
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 14, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258490@events.umich.edu Event Begins: Saturday, September 14, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-14T08:00:00-04:00 2019-09-14T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 14, 2019 11:00am) https://events.umich.edu/event/63428 63428-15694212@events.umich.edu Event Begins: Saturday, September 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-14T11:00:00-04:00 2019-09-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 15, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258491@events.umich.edu Event Begins: Sunday, September 15, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-15T08:00:00-04:00 2019-09-15T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
New at UMMA: Egon Schiele (September 15, 2019 12:00pm) https://events.umich.edu/event/63428 63428-15694213@events.umich.edu Event Begins: Sunday, September 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Egon Schiele (1890-1918), one of the most well-known and controversial figures of Austrian Expressionism, made more than 3,000 works over the span of his short life and career. Working at the turn of the twentieth century, Schiele challenged the classical conventions of the day producing emotionally charged—often unsettling—drawings and watercolors depicting landscapes, portraits, and nudes. Two retired U-M professors recently gifted four works of art by Schiele to UMMA. Throughout their lifetimes, Frances McSparran (English language and literature) and the late Ernst Pulgram (Romance and classical linguistics) collected over forty Austrian and German Expressionist works, donating many of them to the Museum. The three watercolors and one drawing on view in this special installation complement the couple’s previous gifts of works by Schiele and his contemporaries Oskar Kokoschka, George Grosz, and Gustav Klimt, reuniting these important works that together provide important insights into this tumultuous period in European history.        

]]>
Exhibition Mon, 20 May 2019 18:15:32 -0400 2019-09-15T12:00:00-04:00 2019-09-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/2018_2_1_representation_19141_original.jpg
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 16, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258492@events.umich.edu Event Begins: Monday, September 16, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-16T08:00:00-04:00 2019-09-16T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Other Crusoes, Other Islands: Mapping a Complex Legacy (September 16, 2019 9:00am) https://events.umich.edu/event/65071 65071-16509337@events.umich.edu Event Begins: Monday, September 16, 2019 9:00am
Location: Hatcher Graduate Library
Organized By: University Library

On the 300th anniversary of the publication of The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, this exhibit interrogates the troubled legacy of Daniel Defoe’s seminal English novel. It also explores how creators have pushed back against the colonialist, hyper-masculine, and racist ethos of the text by using the castaway narrative to explore self-sufficiency, otherness, and the role of gendered and racialized ideas in constructing the self.

This novel of shipwreck, survival, and rescue has become a cultural touchstone. Today, many people who haven’t read the novel still feel familiar with key plot elements, Robinson Crusoe, and Friday. Yet, there is less familiarity with how both the original text and many of the adaptations of Robinson Crusoe have fed into and reinforced narratives of imperialism and racism. Drawing on the Hubbard Collection of Imaginary Voyages - one of the world’s most comprehensive collections of editions, translations, adaptations, and spin-offs of Robinson Crusoe - Other Crusoes, Other Islands seeks to understand how readers and writers have engaged with the story since its initial publication in 1719.

Content Advisory: Please be aware that some items in this exhibit feature racist imagery and potentially painful content. Although Robinson Crusoe is often treated as children’s literature and this exhibit includes children’s books and board games, it is not an exhibit geared towards children and reflects the significant shifts over time in ideas about what is appropriate for children.

]]>
Exhibition Thu, 08 Aug 2019 16:20:32 -0400 2019-09-16T09:00:00-04:00 2019-09-16T18:00:00-04:00 Hatcher Graduate Library University Library Exhibition a map from the Clark Library
Journey with Contemporary Writers from Around the World (September 16, 2019 12:00pm) https://events.umich.edu/event/64522 64522-16380912@events.umich.edu Event Begins: Monday, September 16, 2019 12:00pm
Location: Off Campus Location
Organized By: Osher Lifelong Learning Institute (50+)

In these sessions, participants will take a deeper look at how contemporary award-winning writers from around the world think and what concerns they have in today’s life. Do we, educated Americans, see our world in ways similar or different from the ways those writers see it?
Let us look at the world through these perceptive eyes. Let us try to be SINBADS and enjoy a free flight of discovery on the magic these writers have woven for us.
Join us and do not be afraid. Our first journey will be in the world of a novel titled "The Moor’s Account" by Laila Lalami. This Study Group led by Adnan Salhi is for those 50 and over and meets Mondays, 12:00–1:30 pm on September 16, October 7, November 4, December 16.

]]>
Class / Instruction Tue, 23 Jul 2019 17:36:04 -0400 2019-09-16T12:00:00-04:00 2019-09-16T13:30:00-04:00 Off Campus Location Osher Lifelong Learning Institute (50+) Class / Instruction Study Group
Doing God’s Will – From the Crusades to the Holocaust (September 16, 2019 1:00pm) https://events.umich.edu/event/64653 64653-16410951@events.umich.edu Event Begins: Monday, September 16, 2019 1:00pm
Location: Off Campus Location
Organized By: Osher Lifelong Learning Institute (50+)

An understanding of how the “Christian” world sought to impose its interpretation of “God’s will” on other peoples leading to the most destruction and devastation that the civilized world had ever known; two of the darkest periods in the history of man. Lecture and class discussion (with active participation) using two texts, 1. "Holy War: The Crusades and their Impact on Today’s World" (Karen Armstrong) and 2. "Hitler’s Willing Executioners: Ordinary Germans and the Holocaust" (Daniel Jonah Goldhagen).
Dr. Cameron is a retired dental professional with an active ongoing interest in world’s history and how that history is shaped by religion. Instructors John Cameron and Bill Hermon will lead this Study Group for those 50 and over and meets Mondays, 1:00–3:00 pm on September 16 – October 14 (no class September 30).

]]>
Class / Instruction Sat, 27 Jul 2019 08:18:33 -0400 2019-09-16T13:00:00-04:00 2019-09-16T15:00:00-04:00 Off Campus Location Osher Lifelong Learning Institute (50+) Class / Instruction Study Group
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 17, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258493@events.umich.edu Event Begins: Tuesday, September 17, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-17T08:00:00-04:00 2019-09-17T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Other Crusoes, Other Islands: Mapping a Complex Legacy (September 17, 2019 9:00am) https://events.umich.edu/event/65071 65071-16509338@events.umich.edu Event Begins: Tuesday, September 17, 2019 9:00am
Location: Hatcher Graduate Library
Organized By: University Library

On the 300th anniversary of the publication of The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, this exhibit interrogates the troubled legacy of Daniel Defoe’s seminal English novel. It also explores how creators have pushed back against the colonialist, hyper-masculine, and racist ethos of the text by using the castaway narrative to explore self-sufficiency, otherness, and the role of gendered and racialized ideas in constructing the self.

This novel of shipwreck, survival, and rescue has become a cultural touchstone. Today, many people who haven’t read the novel still feel familiar with key plot elements, Robinson Crusoe, and Friday. Yet, there is less familiarity with how both the original text and many of the adaptations of Robinson Crusoe have fed into and reinforced narratives of imperialism and racism. Drawing on the Hubbard Collection of Imaginary Voyages - one of the world’s most comprehensive collections of editions, translations, adaptations, and spin-offs of Robinson Crusoe - Other Crusoes, Other Islands seeks to understand how readers and writers have engaged with the story since its initial publication in 1719.

Content Advisory: Please be aware that some items in this exhibit feature racist imagery and potentially painful content. Although Robinson Crusoe is often treated as children’s literature and this exhibit includes children’s books and board games, it is not an exhibit geared towards children and reflects the significant shifts over time in ideas about what is appropriate for children.

]]>
Exhibition Thu, 08 Aug 2019 16:20:32 -0400 2019-09-17T09:00:00-04:00 2019-09-17T18:00:00-04:00 Hatcher Graduate Library University Library Exhibition a map from the Clark Library
Sign up to be an Arts Ambassador! (September 17, 2019 2:00pm) https://events.umich.edu/event/67347 67347-16839887@events.umich.edu Event Begins: Tuesday, September 17, 2019 2:00pm
Location:
Organized By: Arts at Michigan

Arts at Michigan is for enthusiastic and friendly students who have an interest in the arts that they want to share! Arts Ambassadors are unpaid volunteers who serve as the bridge between the arts and the U-M student body. As an Arts Ambassador you'll help promote arts events and activities, learn about local arts organizations, meet local artists, and have a small programming budget to organize things like film screenings, craft nights, gallery walks, etc. Learn more about what it means to be an Arts Ambassador at http://artsatmichigan.umich.edu/programs/ambassadors/

]]>
Social / Informal Gathering Tue, 17 Sep 2019 14:56:33 -0400 2019-09-17T14:00:00-04:00 2019-09-17T15:00:00-04:00 Arts at Michigan Social / Informal Gathering Arts at Michigan Arts Ambassadors Graphic
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 18, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258494@events.umich.edu Event Begins: Wednesday, September 18, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-18T08:00:00-04:00 2019-09-18T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Other Crusoes, Other Islands: Mapping a Complex Legacy (September 18, 2019 9:00am) https://events.umich.edu/event/65071 65071-16509339@events.umich.edu Event Begins: Wednesday, September 18, 2019 9:00am
Location: Hatcher Graduate Library
Organized By: University Library

On the 300th anniversary of the publication of The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, this exhibit interrogates the troubled legacy of Daniel Defoe’s seminal English novel. It also explores how creators have pushed back against the colonialist, hyper-masculine, and racist ethos of the text by using the castaway narrative to explore self-sufficiency, otherness, and the role of gendered and racialized ideas in constructing the self.

This novel of shipwreck, survival, and rescue has become a cultural touchstone. Today, many people who haven’t read the novel still feel familiar with key plot elements, Robinson Crusoe, and Friday. Yet, there is less familiarity with how both the original text and many of the adaptations of Robinson Crusoe have fed into and reinforced narratives of imperialism and racism. Drawing on the Hubbard Collection of Imaginary Voyages - one of the world’s most comprehensive collections of editions, translations, adaptations, and spin-offs of Robinson Crusoe - Other Crusoes, Other Islands seeks to understand how readers and writers have engaged with the story since its initial publication in 1719.

Content Advisory: Please be aware that some items in this exhibit feature racist imagery and potentially painful content. Although Robinson Crusoe is often treated as children’s literature and this exhibit includes children’s books and board games, it is not an exhibit geared towards children and reflects the significant shifts over time in ideas about what is appropriate for children.

]]>
Exhibition Thu, 08 Aug 2019 16:20:32 -0400 2019-09-18T09:00:00-04:00 2019-09-18T18:00:00-04:00 Hatcher Graduate Library University Library Exhibition a map from the Clark Library
Sign up to be an Arts Ambassador! (September 18, 2019 2:00pm) https://events.umich.edu/event/67347 67347-16839888@events.umich.edu Event Begins: Wednesday, September 18, 2019 2:00pm
Location:
Organized By: Arts at Michigan

Arts at Michigan is for enthusiastic and friendly students who have an interest in the arts that they want to share! Arts Ambassadors are unpaid volunteers who serve as the bridge between the arts and the U-M student body. As an Arts Ambassador you'll help promote arts events and activities, learn about local arts organizations, meet local artists, and have a small programming budget to organize things like film screenings, craft nights, gallery walks, etc. Learn more about what it means to be an Arts Ambassador at http://artsatmichigan.umich.edu/programs/ambassadors/

]]>
Social / Informal Gathering Tue, 17 Sep 2019 14:56:33 -0400 2019-09-18T14:00:00-04:00 2019-09-18T15:00:00-04:00 Arts at Michigan Social / Informal Gathering Arts at Michigan Arts Ambassadors Graphic
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 19, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258495@events.umich.edu Event Begins: Thursday, September 19, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-19T08:00:00-04:00 2019-09-19T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Other Crusoes, Other Islands: Mapping a Complex Legacy (September 19, 2019 9:00am) https://events.umich.edu/event/65071 65071-16509340@events.umich.edu Event Begins: Thursday, September 19, 2019 9:00am
Location: Hatcher Graduate Library
Organized By: University Library

On the 300th anniversary of the publication of The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, this exhibit interrogates the troubled legacy of Daniel Defoe’s seminal English novel. It also explores how creators have pushed back against the colonialist, hyper-masculine, and racist ethos of the text by using the castaway narrative to explore self-sufficiency, otherness, and the role of gendered and racialized ideas in constructing the self.

This novel of shipwreck, survival, and rescue has become a cultural touchstone. Today, many people who haven’t read the novel still feel familiar with key plot elements, Robinson Crusoe, and Friday. Yet, there is less familiarity with how both the original text and many of the adaptations of Robinson Crusoe have fed into and reinforced narratives of imperialism and racism. Drawing on the Hubbard Collection of Imaginary Voyages - one of the world’s most comprehensive collections of editions, translations, adaptations, and spin-offs of Robinson Crusoe - Other Crusoes, Other Islands seeks to understand how readers and writers have engaged with the story since its initial publication in 1719.

Content Advisory: Please be aware that some items in this exhibit feature racist imagery and potentially painful content. Although Robinson Crusoe is often treated as children’s literature and this exhibit includes children’s books and board games, it is not an exhibit geared towards children and reflects the significant shifts over time in ideas about what is appropriate for children.

]]>
Exhibition Thu, 08 Aug 2019 16:20:32 -0400 2019-09-19T09:00:00-04:00 2019-09-19T18:00:00-04:00 Hatcher Graduate Library University Library Exhibition a map from the Clark Library
Critical Conversations: Mass Media (September 19, 2019 1:00pm) https://events.umich.edu/event/63106 63106-15576714@events.umich.edu Event Begins: Thursday, September 19, 2019 1:00pm
Location: Angell Hall
Organized By: Department of English Language and Literature

"Critical Conversations" is a monthly lunch series organized by the English Department for 2019-20. In each session, a panel of four faculty members give flash talks about their current research as related to a broad theme. Presentations are followed by lively, cross-disciplinary conversation with the audience.

Lunch will be available at 12:30. Presentations begin at 1:00pm, followed by discussion. The session concludes at 2:30.

]]>
Lecture / Discussion Mon, 16 Sep 2019 00:02:34 -0400 2019-09-19T13:00:00-04:00 2019-09-19T14:30:00-04:00 Angell Hall Department of English Language and Literature Lecture / Discussion
Sign up to be an Arts Ambassador! (September 19, 2019 2:00pm) https://events.umich.edu/event/67347 67347-16839889@events.umich.edu Event Begins: Thursday, September 19, 2019 2:00pm
Location:
Organized By: Arts at Michigan

Arts at Michigan is for enthusiastic and friendly students who have an interest in the arts that they want to share! Arts Ambassadors are unpaid volunteers who serve as the bridge between the arts and the U-M student body. As an Arts Ambassador you'll help promote arts events and activities, learn about local arts organizations, meet local artists, and have a small programming budget to organize things like film screenings, craft nights, gallery walks, etc. Learn more about what it means to be an Arts Ambassador at http://artsatmichigan.umich.edu/programs/ambassadors/

]]>
Social / Informal Gathering Tue, 17 Sep 2019 14:56:33 -0400 2019-09-19T14:00:00-04:00 2019-09-19T15:00:00-04:00 Arts at Michigan Social / Informal Gathering Arts at Michigan Arts Ambassadors Graphic
Queer Migrant #Latinx Poemics / Unincuirporated (September 19, 2019 3:00pm) https://events.umich.edu/event/63936 63936-16003647@events.umich.edu Event Begins: Thursday, September 19, 2019 3:00pm
Location: Angell Hall
Organized By: Department of English Language and Literature

The American Studies Consortium and the Global Postcolonialisms Collective present a hybrid creative-critical presentation by Prof. Urayoán Noel (NYU). The first part is a critical exploration of the Instagram work of queer migrant Latinx poets, highlighting how their memes and hashtags embody a self-reflexive poetics of polemic (a "poemics") that challenges hegemonic Latinidad. The second part is a poetry reading and performance that interrogates the complexities of digital and embodied politics from an "unincuirporated" queer Puerto Rican perspective, in "poemic" conversation with the work of the poets previously discussed. The performance is followed by a Q&A.

]]>
Lecture / Discussion Wed, 11 Sep 2019 22:44:40 -0400 2019-09-19T15:00:00-04:00 2019-09-19T17:30:00-04:00 Angell Hall Department of English Language and Literature Lecture / Discussion Poster featuring information about Prof. Urayoán Noel's visit to UM
Wayetu Moore Roundtable Q&A (September 19, 2019 3:00pm) https://events.umich.edu/event/64363 64363-16332361@events.umich.edu Event Begins: Thursday, September 19, 2019 3:00pm
Location: Angell Hall
Organized By: Zell Visiting Writers Series

Wayétu Moore’s debut novel She Would Be King reimagines the dramatic story of Liberia’s early years. It was named a best book of 2018 by Publishers Weekly, Booklist, Entertainment Weekly & BuzzFeed.

Moore is the founder of One Moore Book, a non-profit organization that creates and distributes culturally relevant books for underrepresented readers. Her first bookstore opened in Monrovia, Liberia in 2015. Her writing can be found in The Paris Review, Frieze Magazine, Guernica, The Atlantic Magazine and other publications. She has been featured in The Economist Magazine, NPR, NBC, BET and ABC, among others, for her work in advocacy for diversity in children’s literature.

She is a graduate of Howard University, University of Southern California and Columbia University. Moore is a founding faculty member of Randolph College MFA program and a Distinguished Visiting Writer at Syracuse University.

This event is free and open to the public.

The Zell Visiting Writers Series brings outstanding writers to campus each semester. The Series is made possible through a generous gift from U-M alumna Helen Zell (BA ’64, LLDHon ’13). For more information, please visit the Zell Visiting Writers Program webpage: https://lsa.umich.edu/writers

For any questions about the event or to share accommodation needs, please email asbates@umich.edu-- we are eager to help ensure that this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. A lactation room (Angell Hall #5209), reflection room (Haven Hall #1506), and gender-inclusive restroom (Angell Hall 5th floor) are available on site. ASL interpreters and CART services are available upon request; please email asbates@umich.edu at least two weeks prior to the event.

U-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.

]]>
Lecture / Discussion Fri, 19 Jul 2019 09:15:47 -0400 2019-09-19T15:00:00-04:00 2019-09-19T16:00:00-04:00 Angell Hall Zell Visiting Writers Series Lecture / Discussion Wayetu.Moore.headshot
CANCELLED: Hopwood Tea (September 19, 2019 4:00pm) https://events.umich.edu/event/64843 64843-16541450@events.umich.edu Event Begins: Thursday, September 19, 2019 4:00pm
Location: Angell Hall
Organized By: Hopwood Awards Program

Weekly tea is cancelled until further notice.

For any questions or to share accommodations needs, please email hopwoodprogram@umich.edu.

]]>
Reception / Open House Mon, 16 Mar 2020 15:02:43 -0400 2019-09-19T16:00:00-04:00 2019-09-19T17:30:00-04:00 Angell Hall Hopwood Awards Program Reception / Open House Teacup and saucer with books
Wayetu Moore Reading and Book Signing (September 19, 2019 5:30pm) https://events.umich.edu/event/64361 64361-16332360@events.umich.edu Event Begins: Thursday, September 19, 2019 5:30pm
Location: Museum of Art
Organized By: Zell Visiting Writers Series

Wayétu Moore’s debut novel She Would Be King reimagines the dramatic story of Liberia’s early years. It was named a best book of 2018 by Publishers Weekly, Booklist, Entertainment Weekly & BuzzFeed.

Moore is the founder of One Moore Book, a non-profit organization that creates and distributes culturally relevant books for underrepresented readers. Her first bookstore opened in Monrovia, Liberia in 2015. Her writing can be found in The Paris Review, Frieze Magazine, Guernica, The Atlantic Magazine and other publications. She has been featured in The Economist Magazine, NPR, NBC, BET and ABC, among others, for her work in advocacy for diversity in children’s literature.

She is a graduate of Howard University, University of Southern California and Columbia University. Moore is a founding faculty member of Randolph College MFA program and a Distinguished Visiting Writer at Syracuse University.

This event is free and open to the public. Onsite book sales will be provided by Literati Bookstore.

The Zell Visiting Writers Series brings outstanding writers to campus each semester. UMMA is pleased to be the site for most of these events. The Series is made possible through a generous gift from U-M alumna Helen Zell (BA ’64, LLDHon ’13). For more information, please visit the Zell Visiting Writers Program webpage: https://lsa.umich.edu/writers

For any questions about the event or to share accommodation needs, please email asbates@umich.edu-- we are eager to help ensure that this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. Diaper changing tables are available in nearby restrooms. Gender-inclusive restrooms are available on the second floor of the Museum, accessible via the stairs, or in nearby Hatcher Graduate Library (Floors 3, 4, 5, and 6). The Hatcher Library also offers a reflection room (4th Floor South Stacks), and a lactation room (Room 13W, an anteroom to the basement women's staff restroom, or Room 108B, an anteroom of the first floor women's restroom). ASL interpreters and CART services are available upon request; please email asbates@umich.edu at least two weeks prior to the event.

U-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.

]]>
Presentation Wed, 31 Jul 2019 11:08:13 -0400 2019-09-19T17:30:00-04:00 2019-09-19T19:00:00-04:00 Museum of Art Zell Visiting Writers Series Presentation Wayetu.Moore.headshot
Jonathan Safran Foer (September 19, 2019 7:00pm) https://events.umich.edu/event/64168 64168-16177690@events.umich.edu Event Begins: Thursday, September 19, 2019 7:00pm
Location: Rackham Graduate School (Horace H.)
Organized By: School for Environment and Sustainability

School for Environment and Sustainability, Sustainable Food Systems and Literati Bookstore are thrilled to welcome Jonathan Safran Foer.

Join New York Times bestselling author Jonathan Safran Foer ("Extremely Loud and Incredibly Close") to learn how saving the planet begins on our breakfast plates. With a reading and discussion of his new book, "We are the Weather: Saving the Planet Begins at Breakfast," Safran Foer will highlight small behavioral changes that could help move the needle on climate change. Discussion facilitated by George Willis Pack Professor, Ivette Perfecto.

Copies of the book will be for sale, with a book signing to follow.

]]>
Lecture / Discussion Mon, 16 Sep 2019 10:24:50 -0400 2019-09-19T19:00:00-04:00 2019-09-19T21:00:00-04:00 Rackham Graduate School (Horace H.) School for Environment and Sustainability Lecture / Discussion JSF
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 20, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258496@events.umich.edu Event Begins: Friday, September 20, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-20T08:00:00-04:00 2019-09-20T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Other Crusoes, Other Islands: Mapping a Complex Legacy (September 20, 2019 9:00am) https://events.umich.edu/event/65071 65071-16509341@events.umich.edu Event Begins: Friday, September 20, 2019 9:00am
Location: Hatcher Graduate Library
Organized By: University Library

On the 300th anniversary of the publication of The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, this exhibit interrogates the troubled legacy of Daniel Defoe’s seminal English novel. It also explores how creators have pushed back against the colonialist, hyper-masculine, and racist ethos of the text by using the castaway narrative to explore self-sufficiency, otherness, and the role of gendered and racialized ideas in constructing the self.

This novel of shipwreck, survival, and rescue has become a cultural touchstone. Today, many people who haven’t read the novel still feel familiar with key plot elements, Robinson Crusoe, and Friday. Yet, there is less familiarity with how both the original text and many of the adaptations of Robinson Crusoe have fed into and reinforced narratives of imperialism and racism. Drawing on the Hubbard Collection of Imaginary Voyages - one of the world’s most comprehensive collections of editions, translations, adaptations, and spin-offs of Robinson Crusoe - Other Crusoes, Other Islands seeks to understand how readers and writers have engaged with the story since its initial publication in 1719.

Content Advisory: Please be aware that some items in this exhibit feature racist imagery and potentially painful content. Although Robinson Crusoe is often treated as children’s literature and this exhibit includes children’s books and board games, it is not an exhibit geared towards children and reflects the significant shifts over time in ideas about what is appropriate for children.

]]>
Exhibition Thu, 08 Aug 2019 16:20:32 -0400 2019-09-20T09:00:00-04:00 2019-09-20T18:00:00-04:00 Hatcher Graduate Library University Library Exhibition a map from the Clark Library
Sign up to be an Arts Ambassador! (September 20, 2019 2:00pm) https://events.umich.edu/event/67347 67347-16839890@events.umich.edu Event Begins: Friday, September 20, 2019 2:00pm
Location:
Organized By: Arts at Michigan

Arts at Michigan is for enthusiastic and friendly students who have an interest in the arts that they want to share! Arts Ambassadors are unpaid volunteers who serve as the bridge between the arts and the U-M student body. As an Arts Ambassador you'll help promote arts events and activities, learn about local arts organizations, meet local artists, and have a small programming budget to organize things like film screenings, craft nights, gallery walks, etc. Learn more about what it means to be an Arts Ambassador at http://artsatmichigan.umich.edu/programs/ambassadors/

]]>
Social / Informal Gathering Tue, 17 Sep 2019 14:56:33 -0400 2019-09-20T14:00:00-04:00 2019-09-20T15:00:00-04:00 Arts at Michigan Social / Informal Gathering Arts at Michigan Arts Ambassadors Graphic
Eighteenth-Century France and Beyond: New Cultural Histories (September 20, 2019 3:00pm) https://events.umich.edu/event/66955 66955-16787747@events.umich.edu Event Begins: Friday, September 20, 2019 3:00pm
Location: Tisch Hall
Organized By: Department of History

This conference on “The Cultural History of France and the World” will bring together current and former students of Dena Goodman’s in her honor. These interdisciplinary scholars build on the foundations of cultural history while also defining and embracing new historical
questions in ways that keep gender, race, sexuality, and cultural practice at the core of their research. This conference will feature papers that centralize the margins of the French empire; foreground interpersonal relationships in the process of artistic, intellectual, and cultural production; and position science as an integral part of politics, culture, and society, including historical practice.

The conference will feature the research of current University of Michigan students working in these areas as well as former students engaging in interdisciplinary historical scholarship on French cultural history. Michigan faculty will chair each session. Dena Goodman, one of the most innovative historians in this field, will provide closing remarks for the conference.

Participants:
Former Michigan Students:
Danna Agmon, Virginia Tech University (Michigan History and Anthropology Ph.D., 2011)
Steve Auerbach, Georgia College and State University (Michigan B.A., 1991; LSU History
Ph.D., 1999)
Katie Cangany, Notre Dame University (Michigan History Ph.D., 2009)
Shannon Dawdy, University of Chicago (Michigan History and Anthropology Ph.D., 2003)
Alison DeSimone, University of Missouri-Kansas City (Michigan Musicology Ph.D., 2013
Jonathan Eacott, University of California, Riverside (Michigan History Ph.D., 2008
Jessica Fripp, Texas Christian University (Michigan Art History Ph.D., 2012)
Robert Kruckeburg, Troy University (Michigan History Ph.D., 2009)
Jennifer L. Palmer, University of Georgia (Michigan History and Women’s Studies Ph.D., 2008)
Natalie Rothman, University of Toronto, Scarborough (Michigan History and Anthropology
Ph.D., 2006)
Sean Takats, George Mason University (Michigan History Ph.D., 2007)
Ying Zhang, Ohio State University (Michigan History and Women's Studies Ph.D., 2010)

Current Michigan Students:
Haley Bowen, University of Michigan (Doctoral Student, History)
John Finkelberg, University of Michigan (Doctoral Candidate, History)
Courtney Wilder, University of Michigan (Doctoral Candidate, Art History)

Michigan Faculty:
Joshua Cole, History
David Hancock, History
Peggy McCracken, Romance Languages and Women’s Studies
Bill Paulson, Romance Languages
David Porter, English and Comparative Literature
Susan Siegfried, Art History and Women’s Studies

]]>
Conference / Symposium Mon, 16 Sep 2019 10:24:28 -0400 2019-09-20T15:00:00-04:00 2019-09-20T19:00:00-04:00 Tisch Hall Department of History Conference / Symposium Portrait of Marie-Antoinette of Austria by Jean-Baptiste André Gautier d'Agoty, 1775
CSAS Thomas R. Trautmann Honorary Lecture | Early Readers and Early Readings of the Mahābhārata (September 20, 2019 4:30pm) https://events.umich.edu/event/65321 65321-16571515@events.umich.edu Event Begins: Friday, September 20, 2019 4:30pm
Location: Weiser Hall
Organized By: Center for South Asian Studies

The Sanskrit Mahābhārata did not receive a commentary until the eleventh century. Well before then, however, it had become a central feature of Indian high culture, adapted by poets and dramatists, deliberated on by philosophers and aestheticians. Over the past century scholars have usefully examined these early treatments for what they tell us about the history of the Mahābhārata’s text. The commentaries, some of which establish a version of the text, have been put to similar text-historical use.

In this lecture I will argue for the value of the material that lies outside the boundaries of the epic proper, not in writing the history of the text, but in writing the history of that text’s meaning to its readers. An interest in the history of the reception of ancient canonical texts through their commentaries and related paratexts has gained prominence in the study of the literary traditions of other parts of the world, because of its inherent interest and its utility for intellectual history. With some exceptions, the Indological field has remained hesitant about reception studies, in part because it is perceived to open the door to anachronistic readings, thereby violating a governing disciplinary principle, that of historicism. And yet built into this Indological stance is a contradiction, due to the huge extra-academic importance in the present of Sanskrit texts like the Mahābhārata.

In 1942, the founding editor of the Poona edition, V.S. Sukthankar, delivered a series of seminal lectures, ‘On the Meaning of the Mahābhārata,’ that is representative of the quandary. Sukthankar proposed a meaning for the epic working from within the text itself. He did not rely on the commentators, epitomizers, poets, or literary theorists, yet in ruling out possibilities he did use as an argument the brute fact of the importance of the Mahābhārata to the Indian people. The idea of the Mahābhārata as India’s national epic whispers through the twentieth century scholarship, and yet its popularity in the present is neither an automatic result of its antiquity nor an accident of modernity.

The text was composed to create a remembered past. Over time its transmitters adjusted that memory and the text itself as they performed it, codified it, and used it as a point of departure. Survivals of this process are abundant in the Mahabharata’s poetic and dramatic recreations and occasional pieces, and especially in its ancillary literature: its commentaries, its versified summaries, its indices, and its ‘satellite texts,’ that is, marginal verses and other materials, some of which crept into the body of the epic over time.

If for nothing else, the history of the reception of the itihasa of the Bhārata clan through this material can serve as a way to confirm or disconfirm historical claims about the epic’s meaning, either as invented or as original, especially when the claims are presented as justiciable only by experts, or when the claims pretend to speak for a collective indigenous understanding that is inaccessible to those not native to the culture. Special reference will be made to episodes with elephants, either actual or imaginary, and to the Arthaśāstra.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to us at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

]]>
Lecture / Discussion Fri, 16 Aug 2019 08:14:12 -0400 2019-09-20T16:30:00-04:00 2019-09-20T18:00:00-04:00 Weiser Hall Center for South Asian Studies Lecture / Discussion Christopher Minkowski, Boden Professor of Sanskrit at the University of Oxford
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 21, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258497@events.umich.edu Event Begins: Saturday, September 21, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-21T08:00:00-04:00 2019-09-21T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Other Crusoes, Other Islands: Mapping a Complex Legacy (September 21, 2019 9:00am) https://events.umich.edu/event/65071 65071-16509342@events.umich.edu Event Begins: Saturday, September 21, 2019 9:00am
Location: Hatcher Graduate Library
Organized By: University Library

On the 300th anniversary of the publication of The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, this exhibit interrogates the troubled legacy of Daniel Defoe’s seminal English novel. It also explores how creators have pushed back against the colonialist, hyper-masculine, and racist ethos of the text by using the castaway narrative to explore self-sufficiency, otherness, and the role of gendered and racialized ideas in constructing the self.

This novel of shipwreck, survival, and rescue has become a cultural touchstone. Today, many people who haven’t read the novel still feel familiar with key plot elements, Robinson Crusoe, and Friday. Yet, there is less familiarity with how both the original text and many of the adaptations of Robinson Crusoe have fed into and reinforced narratives of imperialism and racism. Drawing on the Hubbard Collection of Imaginary Voyages - one of the world’s most comprehensive collections of editions, translations, adaptations, and spin-offs of Robinson Crusoe - Other Crusoes, Other Islands seeks to understand how readers and writers have engaged with the story since its initial publication in 1719.

Content Advisory: Please be aware that some items in this exhibit feature racist imagery and potentially painful content. Although Robinson Crusoe is often treated as children’s literature and this exhibit includes children’s books and board games, it is not an exhibit geared towards children and reflects the significant shifts over time in ideas about what is appropriate for children.

]]>
Exhibition Thu, 08 Aug 2019 16:20:32 -0400 2019-09-21T09:00:00-04:00 2019-09-21T18:00:00-04:00 Hatcher Graduate Library University Library Exhibition a map from the Clark Library
Eighteenth-Century France and Beyond: New Cultural Histories (September 21, 2019 10:00am) https://events.umich.edu/event/66955 66955-16787748@events.umich.edu Event Begins: Saturday, September 21, 2019 10:00am
Location: Tisch Hall
Organized By: Department of History

This conference on “The Cultural History of France and the World” will bring together current and former students of Dena Goodman’s in her honor. These interdisciplinary scholars build on the foundations of cultural history while also defining and embracing new historical
questions in ways that keep gender, race, sexuality, and cultural practice at the core of their research. This conference will feature papers that centralize the margins of the French empire; foreground interpersonal relationships in the process of artistic, intellectual, and cultural production; and position science as an integral part of politics, culture, and society, including historical practice.

The conference will feature the research of current University of Michigan students working in these areas as well as former students engaging in interdisciplinary historical scholarship on French cultural history. Michigan faculty will chair each session. Dena Goodman, one of the most innovative historians in this field, will provide closing remarks for the conference.

Participants:
Former Michigan Students:
Danna Agmon, Virginia Tech University (Michigan History and Anthropology Ph.D., 2011)
Steve Auerbach, Georgia College and State University (Michigan B.A., 1991; LSU History
Ph.D., 1999)
Katie Cangany, Notre Dame University (Michigan History Ph.D., 2009)
Shannon Dawdy, University of Chicago (Michigan History and Anthropology Ph.D., 2003)
Alison DeSimone, University of Missouri-Kansas City (Michigan Musicology Ph.D., 2013
Jonathan Eacott, University of California, Riverside (Michigan History Ph.D., 2008
Jessica Fripp, Texas Christian University (Michigan Art History Ph.D., 2012)
Robert Kruckeburg, Troy University (Michigan History Ph.D., 2009)
Jennifer L. Palmer, University of Georgia (Michigan History and Women’s Studies Ph.D., 2008)
Natalie Rothman, University of Toronto, Scarborough (Michigan History and Anthropology
Ph.D., 2006)
Sean Takats, George Mason University (Michigan History Ph.D., 2007)
Ying Zhang, Ohio State University (Michigan History and Women's Studies Ph.D., 2010)

Current Michigan Students:
Haley Bowen, University of Michigan (Doctoral Student, History)
John Finkelberg, University of Michigan (Doctoral Candidate, History)
Courtney Wilder, University of Michigan (Doctoral Candidate, Art History)

Michigan Faculty:
Joshua Cole, History
David Hancock, History
Peggy McCracken, Romance Languages and Women’s Studies
Bill Paulson, Romance Languages
David Porter, English and Comparative Literature
Susan Siegfried, Art History and Women’s Studies

]]>
Conference / Symposium Mon, 16 Sep 2019 10:24:28 -0400 2019-09-21T10:00:00-04:00 2019-09-21T18:00:00-04:00 Tisch Hall Department of History Conference / Symposium Portrait of Marie-Antoinette of Austria by Jean-Baptiste André Gautier d'Agoty, 1775
Penny Stamps Speaker Series Special Event: ​Meleko Mokgosi, Pan-African Pulp (September 21, 2019 7:30pm) https://events.umich.edu/event/64140 64140-16171629@events.umich.edu Event Begins: Saturday, September 21, 2019 7:30pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

For his UMMA commission, Botswana-born artist Meleko Mokgosi explores the history of Pan-Africanism, the global movement to unite ethnic groups of sub-Saharan African descent. Entitled Pan-African Pulp, the exhibition features large-scale panels inspired by African photo novels of the 1960s and ’70s, a mural examining the complexity of blackness, posters from Pan-African movements founded in Detroit and Africa in the 1960s, and stories from Setswana literature.

Meleko Mokgosi is an artist, and an associate professor in painting and printmaking at The Yale School of Art. By working across history painting, cinematic tropes, psychoanalysis, and post-colonial theory, Mokgosi creates large-scale project-based installations that interrogate narrative tropes and the fundamental models for the inscription and transmission of history. His artwork has been exhibited nationally and internationally at venues including the Botswana National Gallery, The Hudson Valley Center for Contemporary Art Museum, The Studio Museum in Harlem, The Armand Hammer Museum of Art and Culture Center, Yerba Buena Center for the Arts, the Lyon Museum of Contemporary Art, Institute of Contemporary Art Boston, Rochester Contemporary Art Center, The University of Rochester's Memorial Art Gallery, Williams College Museum of Art, The Fowler Museum at UCLA, and the Baltimore Museum of Art.  

Lead support is provided by Lizzie and Jonathan Tisch. Additional generous support is provided by the University of Michigan African Studies Center.

]]>
Lecture / Discussion Wed, 11 Sep 2019 18:16:52 -0400 2019-09-21T19:30:00-04:00 2019-09-21T20:30:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Lecture / Discussion Museum of Art
Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920 (September 22, 2019 8:00am) https://events.umich.edu/event/64238 64238-16258498@events.umich.edu Event Begins: Sunday, September 22, 2019 8:00am
Location: Hatcher Graduate Library
Organized By: University Library

Thanks to advances in color lithography and photo-engraving as well as resurgent interest in small-press publishing, richly illustrated and typeset “little magazines” flourished between 1890 and 1920. The materials collected in this exhibit, all held in the Special Collections Research Center, showcase not only the variety, beauty, and originality of turn-of-the-century print-making, but also new ideas about what a magazine can do: namely, create distinctive communities around avant-garde ideas outside of mainstream channels. The communities imagined in these magazines are sometimes explicitly political or aesthetic, but more often both combine in writers’ and artists’ resistance to mass-market, industrial, bourgeois, and nationalist print cultures.

The magazines in this exhibit are mostly American and British, but many are distinctively cosmopolitan, crossing borders to engage with international movements like socialism, decadence, and modernism in their attempts to create an audience united by aesthetic and political ideals rather than nationality. Although the little magazines’ resistance to mainstream journalism shortened their lifespan and restricted their circulation, their experimental approach has had a lasting impact on our sense of magazines as flexible aesthetic and social media.

]]>
Exhibition Tue, 06 Aug 2019 10:42:49 -0400 2019-09-22T08:00:00-04:00 2019-09-22T17:00:00-04:00 Hatcher Graduate Library University Library Exhibition Front cover of The Yellow Book, volume 1, April 1894. Special Collections Research Center.
Other Crusoes, Other Islands: Mapping a Complex Legacy (September 22, 2019 9:00am) https://events.umich.edu/event/65071 65071-16509343@events.umich.edu Event Begins: Sunday, September 22, 2019 9:00am
Location: Hatcher Graduate Library
Organized By: University Library

On the 300th anniversary of the publication of The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, this exhibit interrogates the troubled legacy of Daniel Defoe’s seminal English novel. It also explores how creators have pushed back against the colonialist, hyper-masculine, and racist ethos of the text by using the castaway narrative to explore self-sufficiency, otherness, and the role of gendered and racialized ideas in constructing the self.

This novel of shipwreck, survival, and rescue has become a cultural touchstone. Today, many people who haven’t read the novel still feel familiar with key plot elements, Robinson Crusoe, and Friday. Yet, there is less familiarity with how both the original text and many of the adaptations of Robinson Crusoe have fed into and reinforced narratives of imperialism and racism. Drawing on the Hubbard Collection of Imaginary Voyages - one of the world’s most comprehensive collections of editions, translations, adaptations, and spin-offs of Robinson Crusoe - Other Crusoes, Other Islands seeks to understand how readers and writers have engaged with the story since its initial publication in 1719.

Content Advisory: Please be aware that some items in this exhibit feature racist imagery and potentially painful content. Although Robinson Crusoe is often treated as children’s literature and this exhibit includes children’s books and board games, it is not an exhibit geared towards children and reflects the significant shifts over time in ideas about what is appropriate for children.

]]>
Exhibition Thu, 08 Aug 2019 16:20:32 -0400 2019-09-22T09:00:00-04:00 2019-09-22T18:00:00-04:00 Hatcher Graduate Library University Library Exhibition a map from the Clark Library