Happening @ Michigan https://events.umich.edu/list/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. Abstraction, Color, and Politics in the Early 1970s (October 20, 2019 12:00pm) https://events.umich.edu/event/58562 58562-14511293@events.umich.edu Event Begins: Sunday, October 20, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-20T12:00:00-04:00 2019-10-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 20, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884092@events.umich.edu Event Begins: Sunday, October 20, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-20T12:00:00-04:00 2019-10-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
CEW+ Advocacy Symposium: Redefining Leadership (October 21, 2019 11:00am) https://events.umich.edu/event/67526 67526-17128444@events.umich.edu Event Begins: Monday, October 21, 2019 11:00am
Location:
Organized By: CEW+

Join CEW+ for its annual fall symposium focused on redefining leadership. The 2019 Symposium includes a diverse group of scholars, community practitioners and international activists who embody leadership in varied ways as they advocate for change. This year Shannon Cohen and Stephanie Land will kick off the Symposium during the Mullin Welch Lecture where they will discuss how nontraditional leadership strategies can enhance advocacy work with a focus on self-care, resilience, and systemic change.

This working symposium is free and open to all activists, advocates, and allies from all U-M campuses (students, staff, faculty) as well as the local community.

RSVP now: http://www.cew.umich.edu/events/cew-advocacy-symposium-redefining-leadership

The CEW+ Advocacy Symposium is organized in partnership with Barger Leadership Institute and Poverty Solutions at the University of Michigan with funding from CEW+’s Frances & Sydney Lewis Visiting Leaders Fund and the CEW+ Mullin Welch Fund.

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Conference / Symposium Mon, 21 Oct 2019 11:25:50 -0400 2019-10-21T11:00:00-04:00 2019-10-21T12:00:00-04:00 CEW+ Conference / Symposium blue hand holding megaphone with the CEW+ logo on it, with maize and blue ribbons coming out of it, text underneath that says CEW+ Advocacy Symposium: Redefining Leadership. October 29th, 2019
Abstraction, Color, and Politics in the Early 1970s (October 22, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002289@events.umich.edu Event Begins: Tuesday, October 22, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-22T11:00:00-04:00 2019-10-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 22, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884093@events.umich.edu Event Begins: Tuesday, October 22, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-22T11:00:00-04:00 2019-10-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Race, Class and the Fight for Socialism: Perspectives for the Coming Revolution in America (October 22, 2019 7:00pm) https://events.umich.edu/event/68547 68547-17096952@events.umich.edu Event Begins: Tuesday, October 22, 2019 7:00pm
Location: Rackham Graduate School (Horace H.)
Organized By: International Youth and Students for Social Equality

Speaker: Thomas Mackaman
Assistant Professor of History, Kings College; and writer for the World Socialist Web Site

Co-author of the recent pamphlet "The New York Times' 1619 Project: A racialist falsification of US and world history" published on the World Socialist Web Site

Author of the book New Immigrants and the Radicalization of American Labor, 1914-1924



The Socialist Equality Party (SEP) in the US and its youth and student movement, the International Youth and Students for Social Equality (IYSSE), is holding a three-part series of meetings on “Race, Class and the Fight for Socialism: Perspectives for the Coming Revolution in America.”

This series is the socialist answer to the New York Times “1619 Project,” which has been accompanied by an unprecedented publicity blitz, including at schools and campuses throughout the country. The occasion they cite for the publication of this project is the 400th anniversary of the arrival of 20 African slaves at Port Comfort, Virginia.

The Times project raises the question: Is race the driving force of history, as the Times insists? Or, as Karl Marx analyzed, is it class? Is “anti-black racism … in the very DNA of this country” as the Times writes? Or is the history of the United States fundamentally the history of class struggle? As social inequality reaches record levels, is America heading toward race war or socialist revolution?

The promotion of the 1619 Project takes place under conditions of expanding class struggle internationally and a growing interest in socialism among workers and youth in the United States. Its aim is to block the development of a united movement of workers across all races by cultivating racial divisions.

These meetings will refute the historical falsifications advanced in the 1619 Project, explain their underlying political motivations and present the strategy for socialist revolution in America today.

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Lecture / Discussion Thu, 17 Oct 2019 14:17:33 -0400 2019-10-22T19:00:00-04:00 2019-10-22T21:00:00-04:00 Rackham Graduate School (Horace H.) International Youth and Students for Social Equality Lecture / Discussion Thomas Hovenden's "The Last Moments of John Brown"
Abstraction, Color, and Politics in the Early 1970s (October 23, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002290@events.umich.edu Event Begins: Wednesday, October 23, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-23T11:00:00-04:00 2019-10-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 23, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884094@events.umich.edu Event Begins: Wednesday, October 23, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-23T11:00:00-04:00 2019-10-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Science, Technology, and Public Policy Graduate Certificate Info Session (October 23, 2019 4:00pm) https://events.umich.edu/event/67933 67933-16969022@events.umich.edu Event Begins: Wednesday, October 23, 2019 4:00pm
Location: Weill Hall (Ford School)
Organized By: Science, Technology, and Public Policy (STPP) Program

Join us for an information session about the Science, Technology, and Public Policy (STPP) Graduate Certificate!

Wednesday, October 23rd, 4:00pm-5:00pm
5240 Weill Hall
There will be SNACKS!

Do you want to learn how science and technology policy is made? Are you interested in the social and ethical implications of developments like gene editing and autonomous vehicles? Are you concerned about the increased politicization of science and research funding?

In the STPP graduate certificate program, graduate students from across the University analyze the role of science and technology in the policymaking process, gain experience writing for policymakers, and explore the political and policy landscape of areas such as biotechnology, information technology, energy, and others. Graduates of the STPP certificate have gone on to a range of policy-engaged scientific roles in government, NGOs, and academia.

More information about the program is available at: http://stpp.fordschool.umich.edu/graduate-certificate/

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Presentation Wed, 02 Oct 2019 13:21:49 -0400 2019-10-23T16:00:00-04:00 2019-10-23T17:00:00-04:00 Weill Hall (Ford School) Science, Technology, and Public Policy (STPP) Program Presentation Information Session promotional slide
Abstraction, Color, and Politics in the Early 1970s (October 24, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002291@events.umich.edu Event Begins: Thursday, October 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-24T11:00:00-04:00 2019-10-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 24, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884095@events.umich.edu Event Begins: Thursday, October 24, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-24T11:00:00-04:00 2019-10-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
CJS Noon Lecture Series | The Prime Minister and Public Opinion in Japan (October 24, 2019 12:00pm) https://events.umich.edu/event/66265 66265-16725776@events.umich.edu Event Begins: Thursday, October 24, 2019 12:00pm
Location: Weiser Hall
Organized By: Center for Japanese Studies

Approval ratings in public opinion polls are the most important power resource for prime ministers in contemporary Japanese politics. However, this is a relatively new political phenomenon. In this lecture, I provide a brief overview of the changes in the role of prime ministers and the power of public opinion over the past fifty years. I also show how changes in methodology and more frequent polls further accelerated prime ministers’ dependence on their approval ratings. Finally, using available survey data, I demonstrate how much the impact of prime ministerial approval on individual voting behavior has increased over time.

Professor Maeda earned his PhD in political science from the University of Michigan in 2001. His research interests include (1) public opinion, (2) methodologies in survey research, and (3) data sharing in the social sciences. He has worked for the Japanese committees for many international surveys, including the Comparative Study of Electoral Systems, and World Value Survey.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to us at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Mon, 16 Sep 2019 12:05:07 -0400 2019-10-24T12:00:00-04:00 2019-10-24T13:30:00-04:00 Weiser Hall Center for Japanese Studies Lecture / Discussion Yukio Maeda Professor, Inter-faculty Initiative in Information Studies / Institute of Social Science University of Tokyo
Abstraction, Color, and Politics in the Early 1970s (October 25, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002292@events.umich.edu Event Begins: Friday, October 25, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-25T11:00:00-04:00 2019-10-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 25, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884096@events.umich.edu Event Begins: Friday, October 25, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-25T11:00:00-04:00 2019-10-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
LSA Bonderman Fellowship Info Session (October 25, 2019 12:00pm) https://events.umich.edu/event/68404 68404-17077942@events.umich.edu Event Begins: Friday, October 25, 2019 12:00pm
Location: Michigan League
Organized By: Center for Global and Intercultural Study

The Bonderman Fellowship offers 4 graduating University of Michigan LSA (Literature, Science and the Arts) seniors $20,000 to travel the world. They must travel to at least 6 countries in 2 regions over the course of 8 months and are expected to immerse themselves in independent and enriching explorations.

Come to a Bonderman information session to learn more about the fellowship and how to apply! Pizza will be provided!

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Presentation Fri, 18 Oct 2019 10:30:00 -0400 2019-10-25T12:00:00-04:00 2019-10-25T13:00:00-04:00 Michigan League Center for Global and Intercultural Study Presentation Fellow pictured abroad
Abstraction, Color, and Politics in the Early 1970s (October 26, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002293@events.umich.edu Event Begins: Saturday, October 26, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-26T11:00:00-04:00 2019-10-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 26, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884097@events.umich.edu Event Begins: Saturday, October 26, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-26T11:00:00-04:00 2019-10-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (October 27, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15002294@events.umich.edu Event Begins: Sunday, October 27, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-27T12:00:00-04:00 2019-10-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 27, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884098@events.umich.edu Event Begins: Sunday, October 27, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-27T12:00:00-04:00 2019-10-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Comparative Literature Lecture Series 2019-20: Phronesis and Materialism (October 28, 2019 4:00pm) https://events.umich.edu/event/67963 67963-16975352@events.umich.edu Event Begins: Monday, October 28, 2019 4:00pm
Location: Tisch Hall
Organized By: Comparative Literature

It is a commonplace to turn to Book 6 of Aristotle’s Nicomachean Ethics to find out what the ancient Greeks thought about practical judgment or phronesis. There is good reason for this: Aristotle’s is the lengthiest account of phronesis. We regularly fail to note, however, the importance of phronesis in epicureanism. He will explore how Epicurus’s conception of phronesis differs from Aristotle’s. He will also indicate how Epicurus’s conception influences political discourse in early modernity in materialists such as Machiavelli and Spinoza. Finally, he will indicate how the exclusion of Epicurus’s conception of phronesis in early twentieth century, for instance by Heidegger, resulted in the invention of a politics beyond instrumentality and calculation as a way of repressing the materialism of practical judgment.

Dimitris Vardoulakis is the deputy chair of Philosophy at Western Sydney University. He is the author of The Doppelgänger: Literature’s Philosophy (2010), Sovereignty and its Other: Toward the Dejustification of Violence (2013), Freedom from the Free Will: On Kafka’s Laughter (2016), Stasis Before the State: Nine Theses on Agonistic Democracy (2018), and Authority and Utility: On Spinoza’s Epicureanism (forthcoming in 2020). He is the director of “Thinking Out Loud: The Sydney Lectures in Philosophy and Society,” and the co-editor of the book series “Incitements” (Edinburgh University Press).

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Lecture / Discussion Thu, 03 Oct 2019 10:46:59 -0400 2019-10-28T16:00:00-04:00 2019-10-28T17:30:00-04:00 Tisch Hall Comparative Literature Lecture / Discussion Speaker
WCED Lecture. Hegemon Risen: Turkey's Emergence as an Independent Authoritarian State (October 28, 2019 4:00pm) https://events.umich.edu/event/67748 67748-16926558@events.umich.edu Event Begins: Monday, October 28, 2019 4:00pm
Location: Weiser Hall
Organized By: Weiser Center for Emerging Democracies

In 2000, leaders in the last Western-orientated Turkish government embarked on a strategic realignment and defense plan that encouraged more independent military actions and intensified the internal debate about Turkish identity. After the collapse of Turkey's policies toward Syria and ISIS and the renewal of hostilities with Kurdish insurgents, Turkish-American relations became ever more strained. Increasing violence along the border and inside Turkey culminated in July 2016 with an unsuccessful coup against President Erdogan. The coup’s failure cleared the way for Turkey to become the independent authoritarian state we recognize today, an independent regional hegemon increasingly restive in the NATO alliance and no longer closely allied with the U.S.

Michael Hickok received his PhD in Ottoman history at the University of Michigan and soon thereafter published his first book, which has been hailed as a pioneering work showing the Empire in the 18th century to have been a functioning, viable state with internal problems but robust legal and administrative institutions to contain them. After several years of teaching, he went to work for the CIA and then the FBI, where he was recognized for extraordinary service and valor during the failed anti-Erdogan coup. He has both written about and participated in these events over the course of a career in Turkish affairs. He is currently Las Vegas Division Assistant Special Agent-in-Charge.

Organized by the Weiser Center for Emerging Democracies with support from the Donia Human Rights Center, Department of History, and Michigan War Studies Group.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to weisercenter@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Wed, 02 Oct 2019 10:34:15 -0400 2019-10-28T16:00:00-04:00 2019-10-28T18:00:00-04:00 Weiser Hall Weiser Center for Emerging Democracies Lecture / Discussion Turkey demonstration
CEW+ Advocacy Symposium: Redefining Leadership (October 29, 2019 8:00am) https://events.umich.edu/event/67526 67526-16890095@events.umich.edu Event Begins: Tuesday, October 29, 2019 8:00am
Location: Michigan League
Organized By: CEW+

Join CEW+ for its annual fall symposium focused on redefining leadership. The 2019 Symposium includes a diverse group of scholars, community practitioners and international activists who embody leadership in varied ways as they advocate for change. This year Shannon Cohen and Stephanie Land will kick off the Symposium during the Mullin Welch Lecture where they will discuss how nontraditional leadership strategies can enhance advocacy work with a focus on self-care, resilience, and systemic change.

This working symposium is free and open to all activists, advocates, and allies from all U-M campuses (students, staff, faculty) as well as the local community.

RSVP now: http://www.cew.umich.edu/events/cew-advocacy-symposium-redefining-leadership

The CEW+ Advocacy Symposium is organized in partnership with Barger Leadership Institute and Poverty Solutions at the University of Michigan with funding from CEW+’s Frances & Sydney Lewis Visiting Leaders Fund and the CEW+ Mullin Welch Fund.

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Conference / Symposium Mon, 21 Oct 2019 11:25:50 -0400 2019-10-29T08:00:00-04:00 2019-10-29T19:00:00-04:00 Michigan League CEW+ Conference / Symposium blue hand holding megaphone with the CEW+ logo on it, with maize and blue ribbons coming out of it, text underneath that says CEW+ Advocacy Symposium: Redefining Leadership. October 29th, 2019
Abstraction, Color, and Politics in the Early 1970s (October 29, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002295@events.umich.edu Event Begins: Tuesday, October 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-29T11:00:00-04:00 2019-10-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 29, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884099@events.umich.edu Event Begins: Tuesday, October 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-29T11:00:00-04:00 2019-10-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (October 30, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002296@events.umich.edu Event Begins: Wednesday, October 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-30T11:00:00-04:00 2019-10-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 30, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884100@events.umich.edu Event Begins: Wednesday, October 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-30T11:00:00-04:00 2019-10-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Poetry, Politics and Mapuche Feminism: Readings and Dialogues with Daniela Catrileo. (October 30, 2019 2:00pm) https://events.umich.edu/event/68125 68125-17011965@events.umich.edu Event Begins: Wednesday, October 30, 2019 2:00pm
Location: Modern Languages Building
Organized By: Institute for Research on Women and Gender

Join us in a dialogue with the mapuche poet and feminist activist Daniela Catrileo. She will talk about indigeneity, feminism and mapuche poetry in the social and political context of Chile and Argentina. Her work combines mapuche traditions, politics and knowledge with contemporary discourses of radical feminism and poetic and artistic experimentation practices. The talk will be in Spanish and English. Translations will be provided.

Daniela Catrileo (b. Santigo de Chile) is a writer and performer. She studied Philosophy and Pedagogy at the Universidad Metropolitana de Ciencias de la Educación and Gender and Women’s studies at the Universidad de Chile. She is part of the feminist Mapuche collective Rangiñtulewfü. She has published several poetry books such as La Guerra Florida (2018), El territorio del viaje (2017), and Río Herido (2016) as well as many articles and essays in both Chilean and Argentine magazines and newspapers. Fragments of her last poetic work, La Guerra Florida, were recently translated into English.

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Lecture / Discussion Wed, 16 Oct 2019 15:21:39 -0400 2019-10-30T14:00:00-04:00 2019-10-30T16:00:00-04:00 Modern Languages Building Institute for Research on Women and Gender Lecture / Discussion Poetry, Politics and Mapuche Feminism: Readings and Dialogues with Daniela Catrileo.
WCED Lecture. The Authoritarian Origins of Dominant Parties in Democracies: Lessons from India (October 30, 2019 4:00pm) https://events.umich.edu/event/66331 66331-16727909@events.umich.edu Event Begins: Wednesday, October 30, 2019 4:00pm
Location: Weiser Hall
Organized By: Weiser Center for Emerging Democracies

What explains the electoral dominance of a single party over a prolonged period of time in a democracy? Focusing on the case of the Indian National Congress in India, Ziegfeld argues that authoritarian-era politics can influence the likelihood of single-party dominance after democratization. More specifically, when the authoritarian era's primary socio-political division becomes irrelevant because the democratization process roundly discredits one side of the division, the resulting party system in the democratic period is likely to feature a single major party and a host of small, disorganized, and inexperienced parties. Such asymmetric party competition is likely to produce a dominant party. This explanation accounts for the main features of Congress dominance in India, where the decolonization process discredited most of Congress' colonial-era competitors, leaving it to face a highly fragmented and disorganized opposition against which it could easily win elections. Ziegfeld concludes by reflecting on whether India is, today, on the cusp of a new dominant-party system under the BJP.

Adam Ziegfeld is an assistant professor in the Department of Political Science at Temple University. He is the author of “Why Regional Parties? Clientelism, Elites, and the Indian Party System,” published by Cambridge University Press in 2016, as well as numerous articles on a range of topics related to political parties and elections.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to us at weisercenter@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Fri, 27 Sep 2019 15:50:56 -0400 2019-10-30T16:00:00-04:00 2019-10-30T17:30:00-04:00 Weiser Hall Weiser Center for Emerging Democracies Lecture / Discussion Adam Ziegfeld, Assistant Professor of Political Science, Temple University
Abstraction, Color, and Politics in the Early 1970s (October 31, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002297@events.umich.edu Event Begins: Thursday, October 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-10-31T11:00:00-04:00 2019-10-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (October 31, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884101@events.umich.edu Event Begins: Thursday, October 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-10-31T11:00:00-04:00 2019-10-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 1, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002298@events.umich.edu Event Begins: Friday, November 1, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-01T11:00:00-04:00 2019-11-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 1, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884102@events.umich.edu Event Begins: Friday, November 1, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-01T11:00:00-04:00 2019-11-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
E-Hour Speaker Series - eLab Ventures (November 1, 2019 12:30pm) https://events.umich.edu/event/69004 69004-17211738@events.umich.edu Event Begins: Friday, November 1, 2019 12:30pm
Location: Walgreen Drama Center
Organized By: Center for Entrepreneurship

The weekly Entrepreneurship Hour speaker series is back every Friday during the academic year, free and open to the public to attend.

Paul W Brown is a managing partner of eLab Ventures, a venture capital firm headquartered in Michigan with offices in Silicon Valley. Formerly the Vice President of Capital Markets at the Michigan Economic Development Corporation (MEDC), and before that practiced law in the Manhattan office of Skadden, Arps, Slate, Meagher & Flom LLP. He began his legal career as a law clerk to Judge John O’Meara in the United States District Court for the Eastern District of Michigan.

Regent Brown is a past board member and observer of the Michigan League of Conservation Voters, the Michigan Venture Capital Association, the Venture Michigan Fund, and several early stage IT and life-science companies. Regent Brown cofounded and was board chair of Front Door Insights. He has also taught courses on finance and entrepreneurship as a lecturer in the College of Engineering.

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Presentation Thu, 31 Oct 2019 11:57:39 -0400 2019-11-01T12:30:00-04:00 2019-11-01T13:20:00-04:00 Walgreen Drama Center Center for Entrepreneurship Presentation Paul Brown
Interdisciplinary Workshop in Comparative Politics (IWCP) (November 1, 2019 1:00pm) https://events.umich.edu/event/63912 63912-15987739@events.umich.edu Event Begins: Friday, November 1, 2019 1:00pm
Location: Haven Hall
Organized By: Department of Political Science

TBA

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Lecture / Discussion Thu, 12 Sep 2019 11:03:13 -0400 2019-11-01T13:00:00-04:00 2019-11-01T14:30:00-04:00 Haven Hall Department of Political Science Lecture / Discussion Haven Hall
Dialogues in Contemporary Thought VII | On the 19th Century (November 1, 2019 3:00pm) https://events.umich.edu/event/68948 68948-17197051@events.umich.edu Event Begins: Friday, November 1, 2019 3:00pm
Location: 202 S. Thayer
Organized By: Department of English Language and Literature

In the midst of Red and Black, one of Stendhal's characters makes a declaration, which can serve as an emblem of the 19th century: “All prudence must be renounced! This century was born to overwhelm everything! We are marching into chaos.” Dialogues in Contemporary Thought VII | On the 19th Century, endeavors to contribute to our understanding of this era, through the work of Profs. Tilottama Rajan and Lucy Hartley, who will present two papers: “Elements of Life: Organizing the Work of John Hunter,” and “Poverty, Progress, and Practicable Socialism: Henrietta Barnett, 1851-1936,” respectively.
For more information, please visit our website: https://ccctworkshop.wordpress.com/ ; or email us at: srdjan@umich.edu

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Lecture / Discussion Tue, 29 Oct 2019 15:37:24 -0400 2019-11-01T15:00:00-04:00 2019-11-01T17:30:00-04:00 202 S. Thayer Department of English Language and Literature Lecture / Discussion Poster for Dialogues in Contemporary Thought VII | On the 19th Century
Interdisciplinary Workshop American Politics (IWAP) (November 1, 2019 3:30pm) https://events.umich.edu/event/67242 67242-16829003@events.umich.edu Event Begins: Friday, November 1, 2019 3:30pm
Location: Haven Hall
Organized By: Interdisciplinary Workshop in American Politics

The Interdisciplinary Workshop on American Politics (IWAP) is a forum for the presentation of ongoing interdisciplinary research in American politics. Most of our presentations are given by graduate students. Each graduate student presenter is assigned a faculty and student discussant. IWAP circulates the work beforehand and the student presents it briefly at the start of the meeting. After discussant feedback, the bulk of the time is reserved for group discussion among all workshop participants. This format leads to informal yet highly interactive and productive conversations.

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Lecture / Discussion Mon, 16 Sep 2019 10:36:37 -0400 2019-11-01T15:30:00-04:00 2019-11-01T17:00:00-04:00 Haven Hall Interdisciplinary Workshop in American Politics Lecture / Discussion Haven Hall
Poetry, Politics and Mapuche Feminism: Readings and Dialogues with Daniela Catrileo. (November 1, 2019 4:00pm) https://events.umich.edu/event/68126 68126-17011966@events.umich.edu Event Begins: Friday, November 1, 2019 4:00pm
Location: Modern Languages Building
Organized By: Institute for Research on Women and Gender

The mapuche poet and feminist activist Daniela Catrileo will lead a workshop about mapuche poetry, with the reading of selected poems and the display of performances that exhibit the political tensions in the context of violence and displacement of mapuche people living in urban areas of what we call today Chile. The conversation will be in Spanish with translations into English.

Daniela Catrileo (b. Santigo de Chile) is a writer and performer. She studied Philosophy and Pedagogy at the Universidad Metropolitana de Ciencias de la Educación and Gender and Women’s studies at the Universidad de Chile. She is part of the feminist Mapuche collective Rangiñtulewfü. She has published several poetry books such as La Guerra Florida (2018), El territorio del viaje (2017), and Río Herido (2016) as well as many articles and essays in both Chilean and Argentine magazines and newspapers. Fragments of her last poetic work, La Guerra Florida, were recently translated into English.

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Workshop / Seminar Mon, 07 Oct 2019 13:20:40 -0400 2019-11-01T16:00:00-04:00 2019-11-01T18:00:00-04:00 Modern Languages Building Institute for Research on Women and Gender Workshop / Seminar Modern Languages Building
Abstraction, Color, and Politics in the Early 1970s (November 2, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002299@events.umich.edu Event Begins: Saturday, November 2, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-02T11:00:00-04:00 2019-11-02T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 2, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884103@events.umich.edu Event Begins: Saturday, November 2, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-02T11:00:00-04:00 2019-11-02T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 3, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15002300@events.umich.edu Event Begins: Sunday, November 3, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-03T12:00:00-05:00 2019-11-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 3, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884104@events.umich.edu Event Begins: Sunday, November 3, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-03T12:00:00-05:00 2019-11-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Documentary Screening “The Jewish Underground” (November 4, 2019 2:30pm) https://events.umich.edu/event/68734 68734-17147121@events.umich.edu Event Begins: Monday, November 4, 2019 2:30pm
Location: Weill Hall (Ford School)
Organized By: Wallace House Center for Journalists

In the early 1980s, a network of right-wing settlers plotted to blow up the Dome of the Rock, the oldest existing Islamic monument situated on the most volatile site in the Middle East, the Temple Mount. Arrested in 1984 by the Israeli secret service Shin Bet, the conspirators were found to be responsible for several other attacks against Palestinians, including a series of car bomb attacks against West Bank mayors and schemes to blow-up civilian buses at rush-hour. Shai Gal’s documentary recounts the events surrounding their case and reveals the ties between the convicted plotters and leaders of the current Israeli government. Join us for a viewing and stay for a conversation with the documentary’s filmmaker, Shai Gal, and U-M’s director of screenwriting program, Jim Burnstein.

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Film Screening Wed, 23 Oct 2019 12:06:47 -0400 2019-11-04T14:30:00-05:00 2019-11-04T16:30:00-05:00 Weill Hall (Ford School) Wallace House Center for Journalists Film Screening Shai Gal
Abstraction, Color, and Politics in the Early 1970s (November 5, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002301@events.umich.edu Event Begins: Tuesday, November 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-05T11:00:00-05:00 2019-11-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 5, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884105@events.umich.edu Event Begins: Tuesday, November 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-05T11:00:00-05:00 2019-11-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Conversations on Europe. Brexit Roundtable (November 5, 2019 4:30pm) https://events.umich.edu/event/65983 65983-16678386@events.umich.edu Event Begins: Tuesday, November 5, 2019 4:30pm
Location: Weiser Hall
Organized By: Center for European Studies

Tough negotiations, shifting deadlines, and the constant threat of a “no deal” Brexit scenario have monopolized British headlines for months. What’s the big picture? A historian, a political scientist, and an economist will share their perspectives on the United Kingdom’s withdrawal from the European Union.

Kali Israel, associate professor of history at U-M, specializes in modern British and Scottish history. Her research focuses on women, modernities and cosmopolitanism in late 19th to mid-20th century Edinburgh. She teaches about contemporary events in Britain and Scotland through multiple genres and in historical context.

Scott L. Greer is a professor of health management and policy, public health, and political science at U-M. He is a Senior Expert Advisor on Health Governance for the European Observatory on Health Systems and Policies. He researches the politics of health policies, with a special focus on the politics and policies of the European Union and the impact of federalism on health care.

Kyle Handley, Alexander M. Nick Professor and associate professor of business economics and public policy at U-M, studies international trade, investment, uncertainty, and firm employment dynamics. He is a faculty research fellow in the National Bureau of Economic Research and has been featured in numerous media outlets.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to cesmichigan@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

Photo attribution: https://commons.wikimedia.org/wiki/File:Manchester_Brexit_protest_for_Conservative_conference,_October_1,_2017_17.jpg
Captioned: “Manchester Brexit protest for Conservative conference, October 1, 2017” by iloveeu is licensed under CC BY-SA 4.0 [creativecommons.org/licenses/by-sa/4.0]

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Lecture / Discussion Fri, 18 Oct 2019 10:19:54 -0400 2019-11-05T16:30:00-05:00 2019-11-05T18:00:00-05:00 Weiser Hall Center for European Studies Lecture / Discussion Brexit
LSA Bonderman Fellowship Info Session (November 5, 2019 5:00pm) https://events.umich.edu/event/68404 68404-17077943@events.umich.edu Event Begins: Tuesday, November 5, 2019 5:00pm
Location: Michigan League
Organized By: Center for Global and Intercultural Study

The Bonderman Fellowship offers 4 graduating University of Michigan LSA (Literature, Science and the Arts) seniors $20,000 to travel the world. They must travel to at least 6 countries in 2 regions over the course of 8 months and are expected to immerse themselves in independent and enriching explorations.

Come to a Bonderman information session to learn more about the fellowship and how to apply! Pizza will be provided!

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Presentation Fri, 18 Oct 2019 10:30:00 -0400 2019-11-05T17:00:00-05:00 2019-11-05T18:00:00-05:00 Michigan League Center for Global and Intercultural Study Presentation Fellow pictured abroad
The “Irrepressible Conflict”: Slavery, the Civil War and America’s Second Revolution (November 5, 2019 7:00pm) https://events.umich.edu/event/69096 69096-17244687@events.umich.edu Event Begins: Tuesday, November 5, 2019 7:00pm
Location: Rackham Graduate School (Horace H.)
Organized By: International Youth and Students for Social Equality

LECTURE 2 OF A 3-PART SERIES

The “Irrepressible Conflict”: Slavery, the Civil War and America’s Second Revolution – Speaker: Eric London
• The origins of the Civil War
• The role of white workers in the abolition of slavery
• How did Marx view the Civil War?
• Reconstruction, the emergence of the working class, and the origins of Jim Crow


Eric London is a member of the National Committee of the Socialist Equality Party and writer for the World Socialist Web Site with a focus on US politics, immigration, US history, Latin America, workers struggles and democratic rights. He is also the author of the recently released book Agents: The FBI and GPU Infiltration of the Trotskyist Movement.

The Socialist Equality Party (SEP) in the US and its youth and student movement, the International Youth and Students for Social Equality (IYSSE), is holding a series of meetings on “Race, Class and the Fight for Socialism: Perspectives for the Coming Revolution in America.”

This series is the socialist answer to the New York Times “1619 Project,” which has been accompanied by an unprecedented publicity blitz, including at schools and campuses throughout the country. The occasion they cite for the publication of this project is the 400th anniversary of the arrival of 20 African slaves at Port Comfort, Virginia.

The Times project raises the question: Is race the driving force of history, as the Times insists? Or, as Karl Marx analyzed, is it class? Is “anti-black racism … in the very DNA of this country” as the Times writes? Or is the history of the United States fundamentally the history of class struggle? As social inequality reaches record levels, is America heading toward race war or socialist revolution?

The promotion of the 1619 Project takes place under conditions of expanding class struggle internationally and a growing interest in socialism among workers and youth in the United States. Its aim is to block the development of a united movement of workers across all races by cultivating racial divisions.

These meetings will refute the historical falsifications advanced in the 1619 Project, explain their underlying political motivations and present the strategy for socialist revolution in America today.

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Lecture / Discussion Mon, 04 Nov 2019 12:59:04 -0500 2019-11-05T19:00:00-05:00 2019-11-05T21:00:00-05:00 Rackham Graduate School (Horace H.) International Youth and Students for Social Equality Lecture / Discussion "Effect of the Proclamation, Freed Negroes Coming Into Our Lines at New Bern, North Carolina" (Harper's Weekly, 1863)
Abstraction, Color, and Politics in the Early 1970s (November 6, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002302@events.umich.edu Event Begins: Wednesday, November 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-06T11:00:00-05:00 2019-11-06T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 6, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884106@events.umich.edu Event Begins: Wednesday, November 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-06T11:00:00-05:00 2019-11-06T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Nam Center Presentation | 유쾌한 반란, Joyful Rebellion (November 6, 2019 5:30pm) https://events.umich.edu/event/68583 68583-17103248@events.umich.edu Event Begins: Wednesday, November 6, 2019 5:30pm
Location: Hatcher Graduate Library
Organized By: Nam Center for Korean Studies

강의 김동연

전 경제부총리 겸 기획재정부 장관
전 아주대 총장

한국 경제·사회의 3개 ‘회색 코뿔소(Grey Rhino)’와 나아갈 방향을 짚어봅니 다. 현실을 극복하고 변화시키는 가장 적극적인 의지의 표현으로 자기 자신의

틀과 사회를 뒤집는 ‘유쾌한 반란’을 주창합니다.

오후 5시 30 분 | 리셉션: 오후 5시

There will be an opening reception stating at 5:00PM.

This discussion will be in Korean; no translation will be provided.

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Lecture / Discussion Thu, 24 Oct 2019 08:10:04 -0400 2019-11-06T17:30:00-05:00 2019-11-06T19:00:00-05:00 Hatcher Graduate Library Nam Center for Korean Studies Lecture / Discussion Nam Center Presentation | 유쾌한 반란, Joyful Rebellion
Democracy Inaction: Why our elections are unfair (November 6, 2019 6:00pm) https://events.umich.edu/event/68999 68999-17211733@events.umich.edu Event Begins: Wednesday, November 6, 2019 6:00pm
Location: East Hall
Organized By: Department of Mathematics

Public Lecture
American presidential primaries are examples of multicandidate elections in which plurality usually determines the winner. Is this the "best" way to decide who wins? While plurality is a common procedure, it has serious flaws. Are there alternative procedures that are in some sense more "fair?" How do we determine the "fairness" of an election procedure? With no more mathematics than arithmetic (to count votes), we will examine some alternate procedures and fairness criteria.

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Lecture / Discussion Thu, 31 Oct 2019 09:39:08 -0400 2019-11-06T18:00:00-05:00 2019-11-06T19:00:00-05:00 East Hall Department of Mathematics Lecture / Discussion Public Lecture
Frankel Speaker Series: Be Strong and of Good Courage: How Israel’s Most Important Leaders Shaped Its Destiny (November 6, 2019 7:00pm) https://events.umich.edu/event/64971 64971-16499244@events.umich.edu Event Begins: Wednesday, November 6, 2019 7:00pm
Location: Rackham Graduate School (Horace H.)
Organized By: Judaic Studies

Ambassador Dennis Ross is counselor and William Davidson Distinguished Fellow at The Washington Institute for Near East Policy. Prior to returning to the Institute in 2011, he served two years as special assistant to President Obama and National Security Council senior director for the Central Region, and a year as special advisor to Secretary of State Hillary Rodham Clinton. For more than twelve years, Ambassador Ross played a leading role in shaping U.S. involvement in the Middle East peace process and dealing directly with the parties in negotiations. A highly skilled diplomat, Ambassador Ross was U.S. point man on the peace process in both the George H. W. Bush and Bill Clinton administrations.

The front entrance of Rackham, located on East Washington, is accessible by stairs and ramp. There are elevators on both the east and wends ends of the lobby. The amphitheater is on the fourth floor. If you have a disability that requires an accommodation, contact judaicstudies@umich.edu or 734-763-9047.

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Lecture / Discussion Thu, 31 Oct 2019 12:13:41 -0400 2019-11-06T19:00:00-05:00 2019-11-06T20:30:00-05:00 Rackham Graduate School (Horace H.) Judaic Studies Lecture / Discussion Dennis Ross
Abstraction, Color, and Politics in the Early 1970s (November 7, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002303@events.umich.edu Event Begins: Thursday, November 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-07T11:00:00-05:00 2019-11-07T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 7, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884107@events.umich.edu Event Begins: Thursday, November 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-07T11:00:00-05:00 2019-11-07T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 8, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002304@events.umich.edu Event Begins: Friday, November 8, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-08T11:00:00-05:00 2019-11-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 8, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884108@events.umich.edu Event Begins: Friday, November 8, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-08T11:00:00-05:00 2019-11-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Interdisciplinary Workshop in Comparative Politics (IWCP) (November 8, 2019 1:00pm) https://events.umich.edu/event/69103 69103-17244693@events.umich.edu Event Begins: Friday, November 8, 2019 1:00pm
Location: Haven Hall
Organized By: Interdisciplinary Workshop in Comparative Politics (IWCP)

The Interdisciplinary Workshop in Comparative Politics (IWCP) provides a platform for sharing and improving research that provides comparative perspectives on the causes and effects of political and economic processes. We have participants from Economics, the Ford School of Public Policy, the Law School, the Lieberthal-Rogel Center for Chinese Studies, Mathematics, Political Science, the Ross School of Business, Sociology, Statistics, and the Weiser Center for Emerging Democracies.

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Lecture / Discussion Mon, 04 Nov 2019 14:02:02 -0500 2019-11-08T13:00:00-05:00 2019-11-08T14:30:00-05:00 Haven Hall Interdisciplinary Workshop in Comparative Politics (IWCP) Lecture / Discussion Sarah Khan
Interdisciplinary Workshop American Politics (IWAP) (November 8, 2019 3:30pm) https://events.umich.edu/event/67243 67243-16829004@events.umich.edu Event Begins: Friday, November 8, 2019 3:30pm
Location: Haven Hall
Organized By: Interdisciplinary Workshop in American Politics

The Interdisciplinary Workshop on American Politics (IWAP) is a forum for the presentation of ongoing interdisciplinary research in American politics. Most of our presentations are given by graduate students. Each graduate student presenter is assigned a faculty and student discussant. IWAP circulates the work beforehand and the student presents it briefly at the start of the meeting. After discussant feedback, the bulk of the time is reserved for group discussion among all workshop participants. This format leads to informal yet highly interactive and productive conversations.

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Lecture / Discussion Mon, 16 Sep 2019 10:40:55 -0400 2019-11-08T15:30:00-05:00 2019-11-08T17:00:00-05:00 Haven Hall Interdisciplinary Workshop in American Politics Lecture / Discussion Haven Hall
Dispossessing Detroit: How the Law Takes Property (November 9, 2019 8:00am) https://events.umich.edu/event/69002 69002-17211735@events.umich.edu Event Begins: Saturday, November 9, 2019 8:00am
Location: Hutchins Hall
Organized By: University of Michigan Law School

The goals of this Symposium are to provide historical and political context for current issues of property dispossession and to consider how governments, private industry, and private citizens can together seek reform. We are excited to bring together voices from law, policy, city government, community organizations, and more to engage the audience on this critical topic! Whether your interests are in tax foreclosure, bankruptcy, or Detroit's story of dispossession, we hope you will join us.

Please RSVP at https://dispossessingdetroitsymposium.com/rsvp-comment/

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Conference / Symposium Thu, 31 Oct 2019 11:03:58 -0400 2019-11-09T08:00:00-05:00 2019-11-09T17:00:00-05:00 Hutchins Hall University of Michigan Law School Conference / Symposium Hutchins Hall
Abstraction, Color, and Politics in the Early 1970s (November 9, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002305@events.umich.edu Event Begins: Saturday, November 9, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-09T11:00:00-05:00 2019-11-09T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 9, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884109@events.umich.edu Event Begins: Saturday, November 9, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-09T11:00:00-05:00 2019-11-09T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Dispossessing Detroit: How the Law Takes Property (November 10, 2019 10:00am) https://events.umich.edu/event/69002 69002-17211736@events.umich.edu Event Begins: Sunday, November 10, 2019 10:00am
Location: Off Campus Location
Organized By: University of Michigan Law School

The goals of this Symposium are to provide historical and political context for current issues of property dispossession and to consider how governments, private industry, and private citizens can together seek reform. We are excited to bring together voices from law, policy, city government, community organizations, and more to engage the audience on this critical topic! Whether your interests are in tax foreclosure, bankruptcy, or Detroit's story of dispossession, we hope you will join us.

Please RSVP at https://dispossessingdetroitsymposium.com/rsvp-comment/

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Conference / Symposium Thu, 31 Oct 2019 11:03:58 -0400 2019-11-10T10:00:00-05:00 2019-11-10T16:00:00-05:00 Off Campus Location University of Michigan Law School Conference / Symposium
Abstraction, Color, and Politics in the Early 1970s (November 10, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15002306@events.umich.edu Event Begins: Sunday, November 10, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-10T12:00:00-05:00 2019-11-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 10, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884110@events.umich.edu Event Begins: Sunday, November 10, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-10T12:00:00-05:00 2019-11-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics: The 1960s and 1970s (November 10, 2019 2:00pm) https://events.umich.edu/event/65377 65377-16575571@events.umich.edu Event Begins: Sunday, November 10, 2019 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Presentation Fri, 25 Oct 2019 18:18:04 -0400 2019-11-10T14:00:00-05:00 2019-11-10T15:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Presentation Museum of Art
Current Issues and the Supreme Court (November 11, 2019 1:00pm) https://events.umich.edu/event/64550 64550-16388901@events.umich.edu Event Begins: Monday, November 11, 2019 1:00pm
Location: Off Campus Location
Organized By: Osher Lifelong Learning Institute (50+)

Liberals and conservatives differ on a wide range of constitutional issues currently being contested in national and state politics, including presidential versus congressional powers, freedom of speech and religion, money in politics, gun rights, abortion policy, equal protection of the law, and LGBT rights. The outcomes of many of these conflicts will be determined by the U.S. Supreme Court.

This lecture-discussion class for those 50 and over will focus on the legal status of these issues rather than on the merits of the respective positions. The vital role of citizens in the constitutional process will be emphasized. Classes will meet Mondays from 1-3 pm from November 11 through December 2. The instructor, Charles Monsma, is a retired Professor of Political Science at Eastern Michigan University. He received his Ph.D. from the University of Michigan.

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Class / Instruction Wed, 24 Jul 2019 13:06:55 -0400 2019-11-11T13:00:00-05:00 2019-11-11T15:00:00-05:00 Off Campus Location Osher Lifelong Learning Institute (50+) Class / Instruction OLLI Study Group
Annual Copernicus Lecture. Working Around, Against, and Without: An Artist’s Excursion on Shifting Political Ground (November 11, 2019 5:30pm) https://events.umich.edu/event/65641 65641-16627844@events.umich.edu Event Begins: Monday, November 11, 2019 5:30pm
Location: Museum of Art
Organized By: Copernicus Center for Polish Studies

After the fall of communism, Eastern Europeans enjoyed a deep sense of freedom and engagement, convinced that profound social and political change was underway. In 1990s Poland, boundary-pushing artists like Artur Żmijewski played an active role in shaping the new reality. As time progressed, however, the promise of transformative change was revealed to be illusory, and the communists' dominant style of politics persisted. Art became a target for political attacks because of its critical stance toward the Catholic Church and “wild” capitalism.

How should artists react in this increasingly authoritarian situation? Resist? Adapt? Or perhaps create a sort of hybrid position? In this lecture, Żmijewski will discuss the relationship between his art and political engagement in the context of the past thirty years.

Artur Żmijewski was born in Warsaw in 1966. He graduated from the Warsaw Academy of Fine Arts under the supervision of Professor Grzegorz Kowalski. A multimedia artist, he uses primarily photography and film to explore the line between fiction and documentary. Żmijewski is also an accomplished curator and art critic. He is one of the founding members of the art journal "Czereja," serves as the artistic editor of "Krytyka Polityczna," and directed the 7th Berlin Biennale. In 1995, Żmijewski was a fellow at the Gerrit Rietveld Academie in Amsterdam; he received the Fondazione Sandretto Re Rebaudengo Per L'Arte Prize for his work "An Eye for an Eye." In 2005, his “Repetition” was shown in the Polish Pavilion at the Venice Biennale, and two years later his film *Them* was screened at Documenta in Kassel. Żmijewski also participated in the 14th edition of Documenta, presenting his films *Glimpse* and *Realism*. From 2007-2008, he was a DAAD Artist in Residence in Berlin where he prepared his project “Democracies.” In 2010 he received the Ordway Prize from the New Museum in New York and Creative Link for the Arts. Żmijewski's films can be found in the collections of the Museum of Modern Art in New York, Neue Pinakothek in Munich, the Tate Modern in London, the Rubell Family Foundation in Miami, Zachęta National Gallery of Art in Warsaw, Erste Bank Collection in Vienna, and the Louis Vuitton Foundation in Paris.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to copernicus@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Fri, 23 Aug 2019 09:51:36 -0400 2019-11-11T17:30:00-05:00 2019-11-11T19:00:00-05:00 Museum of Art Copernicus Center for Polish Studies Lecture / Discussion Artur Żmijewski
Abstraction, Color, and Politics in the Early 1970s (November 12, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002307@events.umich.edu Event Begins: Tuesday, November 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-12T11:00:00-05:00 2019-11-12T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 12, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884111@events.umich.edu Event Begins: Tuesday, November 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-12T11:00:00-05:00 2019-11-12T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
DAAS Africa Workshop with Khalid Medani (McGill University) (November 12, 2019 4:00pm) https://events.umich.edu/event/68656 68656-17130524@events.umich.edu Event Begins: Tuesday, November 12, 2019 4:00pm
Location: Haven Hall
Organized By: Department of Afroamerican and African Studies

Biography:
Khalid Mustafa Medani
Chair, African Studies Program
Graduate Program Director, Islamic Studies Institute
Associate Professor
Political Science Department and the Islamic Studies Institute

Education
PhD, University of California, Berkeley, 2003
MA, Political Science, University of California, Berkeley, 1995
MA, Development Studies, Georgetown University, 1990
BA, Brown University, 1987

Teaching and research interests
African Politics, Islam and Politics, Informal Economies, Middle East Politics, Ethnic and Civil Conflict, Comparative Politics, Political Economy of Development.

Representative publications
"State Building in Reverse: The Neo-Liberal "Reconstructio" of Iraq", Middle East Report, Summer 2004.

"Financing Terrorism or Survival? Informal Finance, State Collapse and the US War on Terrorism", Middle East Report, 2002.

"The Political Economy of an Islamist State: Sudan", Political Islam, Joel Beinin and Joe Stork, eds. (University of California Press, 1997).

"Identity in Sudan’s Foreign Policy (with Francis M. Deng)", Africa in the New International Order, eds. Edmond J. Keller and Donald Rothchild (Lynn Reiner Press, 1996).

"Sudan’s Human and Political Crisis", Current History, May, 1993.

"Funding Fundamentalism: Sudan", Review of African Political Economy, September-October, 1991.

Selected Conference Papers
“Informal Economies, Identities and Islamic Extremism,” Sociology Lecture Series, Yale University, March 31, 2005.

“The Political Economy of Religious Fundamentalism: A Comparative Perspective,’ Paper delivered at the American Political Science Association, Chicago, September 3, 2004.

“Globalization and Islamic Militancy: Giving some context to the attacks of 9/11,” paper delivered at the 45th Annual International Studies Convention. “Hegemony and its Discontents,” Montreal, March 17-20, 2004.

“Informal Markets and the Changing Face of Political Islam: the View from Cairo,” paper delivered at the 99th Annual Meeting of the American Political Science Association, Philadelphia, PA, September 2-5, 2003.

“US Policy in Iraq: Prospects and Perils,” Paper delivered to the Center for International Security and Cooperation (CISC), Stanford University, May 2003.

“Globalization, State Building and Collective Action: The Politic Economy of Remittance Inflows and Identity Politics in Northwest and Northeast Somalia,” Annual Conference of the Joint Berkeley-Stanford Conference on African Studies, April, 2001

Current Book Project
Globalization, Informal Markets and Collective Action: The Development of Islamic and Ethnic Politics in Egypt, Sudan and Somalia

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Lecture / Discussion Mon, 21 Oct 2019 13:36:30 -0400 2019-11-12T16:00:00-05:00 2019-11-12T18:00:00-05:00 Haven Hall Department of Afroamerican and African Studies Lecture / Discussion Haven Hall
Bioethics Discussion: Body/Politics (November 12, 2019 7:00pm) https://events.umich.edu/event/52721 52721-12974153@events.umich.edu Event Begins: Tuesday, November 12, 2019 7:00pm
Location: Lurie Biomedical Engineering
Organized By: The Bioethics Discussion Group

A discussion on government.

Readings to consider:
1. Bioethics as Politics
2. ‘Fat Ethics’: The Obesity Discourse and Body Politics
3. HB 481
4. A Man, Burning: Communicative Suffering and the Ethics of Images

For more information and/or to receive a copy of the readings contact Barry Belmont at belmont@umich.edu or visit http://belmont.bme.umich.edu/bioethics-discussion-group/discussions/035-body-politics/.

Be it resolved that the policy of this group is to read the blog: https://belmont.bme.umich.edu/incidental-art/

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Lecture / Discussion Tue, 13 Aug 2019 10:52:51 -0400 2019-11-12T19:00:00-05:00 2019-11-12T20:30:00-05:00 Lurie Biomedical Engineering The Bioethics Discussion Group Lecture / Discussion Body/politics
Abstraction, Color, and Politics in the Early 1970s (November 13, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002308@events.umich.edu Event Begins: Wednesday, November 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-13T11:00:00-05:00 2019-11-13T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 13, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884112@events.umich.edu Event Begins: Wednesday, November 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-13T11:00:00-05:00 2019-11-13T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Veterans Week - Global War on Terrorism Veteran Panel (November 13, 2019 11:00am) https://events.umich.edu/event/57207 57207-17071644@events.umich.edu Event Begins: Wednesday, November 13, 2019 11:00am
Location: Michigan League
Organized By: Veteran and Military Services

9/11, New York and Washington D.C.,  Iraq,  Afghanistan, Syria, Africa ...  These major events and deployments continue to shape the modern military and those who serve in it,  Soldiers, sailors, airmen, Marines and coast guard members are stationed on every contentment and every sea to protect the homeland from attack and to help defend America's allies.  We have been on a wartime footing for 17 years, longer than any other time in our nations history.  Come and hear from those who served during this time.

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Lecture / Discussion Thu, 17 Oct 2019 10:40:51 -0400 2019-11-13T11:00:00-05:00 2019-11-13T12:30:00-05:00 Michigan League Veteran and Military Services Lecture / Discussion US Military on patrol
Issue Attention in Contemporary American Politics: 2016-2020 (November 13, 2019 12:00pm) https://events.umich.edu/event/69106 69106-17244696@events.umich.edu Event Begins: Wednesday, November 13, 2019 12:00pm
Location: Institute For Social Research
Organized By: Center for Political Studies - Institute for Social Research

Recent studies of political communication have focused on how and what people learn from information flows in society, whether from news, conversations, web sites, or social media. Researchers from the Center for Political Studies have studied the kinds of information that flow in election campaigns and in response to pressing political issues and what people are paying attention to. The presentations will highlight recent findings.

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Workshop / Seminar Mon, 04 Nov 2019 15:11:59 -0500 2019-11-13T12:00:00-05:00 2019-11-13T13:30:00-05:00 Institute For Social Research Center for Political Studies - Institute for Social Research Workshop / Seminar Issue Attention in Contemporary American Politics: 2016-2020
Medical Ethics on the Border: A Look at Immigration Detention (November 13, 2019 4:00pm) https://events.umich.edu/event/68151 68151-17018323@events.umich.edu Event Begins: Wednesday, November 13, 2019 4:00pm
Location: University Hospitals
Organized By: Eisenberg Family Depression Center

The community is invited to join the Michigan Medicine Department of Psychiatry for the 24th Annual Waggoner Lecture on Ethics & Values in Medicine. The title of this year’s talk is “Medical Ethics on the Border: A Look at Immigration Detention.” The talk will be presented by Pamela K. McPherson, M.D., FAPAon Wednesday, November 13 from 4:00 – 5:30 p.m. in Ford Auditorium at University Hospital.

Pamela K. McPherson, M.D., FAPA is a medical doctor triple-boarded in general, child and adolescent, and forensic psychiatry. She is a child and adolescent psychiatrist at the Shreveport Behavioral Health Clinic, a gratis assistant professor at Louisiana State University Health Sciences Center Shreveport, and a mental health subject matter expert for the Office of Civil Rights and Civil Liberties at the Department of Homeland Security. Dr. McPherson focuses her research on the mental health of justice-involved youth as well as conditions of juvenile confinement, and consults for the U.S. government and non-profits on mental health services for justice-involved youth.

In 2018, she and colleague Dr. Scott A. Allen exposed the serious health risks to children who are separated from their parents and detained as part of the U.S. administration’s zero tolerance policy at the southern border. Learn more about their work from this CNN article published in May: These doctors risked their careers to expose the dangers children face in immigrant family detention.

“We are delighted to welcome Dr. McPherson to our campus in November for this esteemed lectureship,” said Debra A. Pinals, M.D., clinical professor of psychiatry and director of the Program in Psychiatry, Law and Ethics at U-M and chair of the Waggoner Lectureship Committee. “Dr. McPherson has incredible insight into the conditions of immigrants entering the United States. She could not be better suited to address our campus for this lecture devoted to medical ethics and values in medicine.”

The University of Michigan Department of Psychiatry established the Raymond W. Waggoner Lectureship on Ethics and Values in Medicine in 1996. This lectureship was created in honor of the late Dr. Waggoner, emeritus professor and past chairman of the Department of Psychiatry, who throughout his career and to all who knew him, exemplified the highest standards of integrity and ethics.

The lectureship is an annual event to recognize Dr. Waggoner’s enormous contributions to the Michigan Medicine medical center and to the profession, and to promulgate his interest in medical ethics.

For more information, please contact:

Debra A. Pinals, M.D.

Clinical Professor of Psychiatry

dpinals@med.umich.edu

or

Sandra Bigler

Administrative Assistant Senior to Debra A. Pinals, M.D.

sabigler@med.umich.edu

734-647-8762

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Lecture / Discussion Tue, 08 Oct 2019 10:52:52 -0400 2019-11-13T16:00:00-05:00 2019-11-13T18:00:00-05:00 University Hospitals Eisenberg Family Depression Center Lecture / Discussion 2019 Waggoner Lecture
2019 MIDAS Symposium (November 14, 2019 8:45am) https://events.umich.edu/event/68984 68984-17205332@events.umich.edu Event Begins: Thursday, November 14, 2019 8:45am
Location: Rackham Graduate School (Horace H.)
Organized By: Department of Political Science

On Novembers 14, at 8.30 am, Prof. Rayid Ghani of Carnegie Mellon University
will be delivering a keynote on Machine Learning for Social Good.
Rayid was Chief Scientist for the Obama election campaigns.

This will be followed by a panel discussion on modern opinion polling and how pollsters failed to call the Trump election.
Please come. Rackham amphitheater.
Registration (free) is requested.

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Lecture / Discussion Wed, 30 Oct 2019 17:15:04 -0400 2019-11-14T08:45:00-05:00 2019-11-14T11:00:00-05:00 Rackham Graduate School (Horace H.) Department of Political Science Lecture / Discussion Rackham Graduate School (Horace H.)
Abstraction, Color, and Politics in the Early 1970s (November 14, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002309@events.umich.edu Event Begins: Thursday, November 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-14T11:00:00-05:00 2019-11-14T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 14, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884113@events.umich.edu Event Begins: Thursday, November 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-14T11:00:00-05:00 2019-11-14T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Being a Solo Person in an Organization – Coalition Building for Creating Change (November 14, 2019 2:00pm) https://events.umich.edu/event/68153 68153-17018326@events.umich.edu Event Begins: Thursday, November 14, 2019 2:00pm
Location: Center for the Education of Women
Organized By: CEW+

The workshop is from 2-3:30, followed by a networking reception until 4:00.

There are several psychological and professional considerations that solo persons can use to survive in organizations and create change. The objectives of this workshop are (a) to focus on one professional consideration, namely, coalition building across social identity lines, and (b) to reflect on how three psychological considerations based on the social psychologist Serge Moscovici’s work can be utilized to create change. Part 1 will be to create a better understanding of the differences, but also the similarities we have with others and how our own social identity and cultural background could potentially limit us in building successful coalitions. Part 2 will introduce Moscovici’s work concerning how solo persons need to be persistent and consistent and have the self-confidence to bring about change. Participants will have an opportunity to discuss how these principles can be applied to their own situation and share strategies that might result in increasing diversity, equity, and inclusion in their own organizational environment

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Workshop / Seminar Tue, 08 Oct 2019 12:02:45 -0400 2019-11-14T14:00:00-05:00 2019-11-14T16:00:00-05:00 Center for the Education of Women CEW+ Workshop / Seminar Marita R. Inglehart
Abstraction, Color, and Politics in the Early 1970s (November 15, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002310@events.umich.edu Event Begins: Friday, November 15, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-15T11:00:00-05:00 2019-11-15T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 15, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884114@events.umich.edu Event Begins: Friday, November 15, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-15T11:00:00-05:00 2019-11-15T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Interdisciplinary Workshop in Comparative Politics (IWCP) (November 15, 2019 1:00pm) https://events.umich.edu/event/63912 63912-15987741@events.umich.edu Event Begins: Friday, November 15, 2019 1:00pm
Location: Haven Hall
Organized By: Department of Political Science

TBA

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Lecture / Discussion Thu, 12 Sep 2019 11:03:13 -0400 2019-11-15T13:00:00-05:00 2019-11-15T14:30:00-05:00 Haven Hall Department of Political Science Lecture / Discussion Haven Hall
Junior Faculty Speaker Series (November 15, 2019 2:00pm) https://events.umich.edu/event/63503 63503-15759487@events.umich.edu Event Begins: Friday, November 15, 2019 2:00pm
Location: Haven Hall
Organized By: Department of Political Science

Cristina Beltrán, Ph.D., works at the intersection of Latino politics and political theory. She is an associate professor in the Department of Social and Cultural Analysis at New York University. From 2001 until 2011, she taught in the Political Science Department at Haverford College; in 2013-14, she was a resident member at the Institute for Advanced Study in Princeton, N.J.

Her current research project (provisionally titled *The Right Kind of Difference: Latino Republicans and the Pleasures of Race*) is a book-length exploration of how Latino conservative thought is shaped not only by ideology but through a potent combination of emotion, expression, and aesthetics

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Lecture / Discussion Wed, 13 Nov 2019 13:25:45 -0500 2019-11-15T14:00:00-05:00 2019-11-15T15:30:00-05:00 Haven Hall Department of Political Science Lecture / Discussion Cristina Beltrán
Abstraction, Color, and Politics in the Early 1970s (November 16, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002311@events.umich.edu Event Begins: Saturday, November 16, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-16T11:00:00-05:00 2019-11-16T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 16, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884115@events.umich.edu Event Begins: Saturday, November 16, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-16T11:00:00-05:00 2019-11-16T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 17, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15002312@events.umich.edu Event Begins: Sunday, November 17, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-17T12:00:00-05:00 2019-11-17T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 17, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884116@events.umich.edu Event Begins: Sunday, November 17, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-17T12:00:00-05:00 2019-11-17T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 19, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002313@events.umich.edu Event Begins: Tuesday, November 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-19T11:00:00-05:00 2019-11-19T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 19, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884117@events.umich.edu Event Begins: Tuesday, November 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-19T11:00:00-05:00 2019-11-19T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
WCED Lecture. Informal Cooperation or Failure to Cooperate? Explaining Low Levels of Formal Cooperation between Certain Authoritarian States (November 19, 2019 4:00pm) https://events.umich.edu/event/67499 67499-16866603@events.umich.edu Event Begins: Tuesday, November 19, 2019 4:00pm
Location: Weiser Hall
Organized By: Weiser Center for Emerging Democracies

Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the United Arab Emirates (UAE) have very few formal international agreements with each other despite sharing attributes that existing scholarship argues promote international cooperation – for example, geographic contiguity, similar legal system, and cultural affinity. Even if we look solely at the UAE and Saudi Arabia, which are both wealthy states, they have registered only one bilateral agreement with the United Nations. In contrast, Canada and the US have registered over 300 bilateral agreements. Does this absence of formal agreements among GCC states imply a cooperation failure? In co-authored work with Melissa Carlson, Koremenos argues that authoritarian monarchies frequently cooperate with each other but do so informally. At the domestic level, absolute monarchs pursue their personal interests by unilaterally and non-transparently developing and implementing policies. These norms of domestic policymaking engender an “absolutist logic,” which shapes how absolute monarchs selectively use informal and formal cooperation at the international level. When cooperating with each other, absolute monarchs maximize mutual private benefits through similarly unilateral and non-transparent policymaking, producing secret, cartel-like informal international agreements. One important implication of our work is that it is regime type, not religion, that drives particular state preferences for informality, thereby refuting prominent work in the field that argues it is the Islamic nature of certain states that propels them toward informal cooperation.

Political Science Professor Barbara Koremenos received her Ph.D. from the University of Chicago. She won a National Science Foundation CAREER Award for her research -- the first such winner to study international relations and law. She has given seminars in the United States, Canada, Denmark, France, Germany, Greece, Italy, Japan, Latvia, South Korea, Spain, and Switzerland. Her award-winning book, "The Continent of International Law: Explaining Agreement Design" (Cambridge University Press), focuses on how international law can be structured to make international cooperation most successful given harsh international political realities. Koremenos has published in both political science and law journals, including American Political Science Review, International Organization, Journal of Conflict Resolution, Journal of Legal Studies, and Law and Contemporary Problems. She is currently serving on a National Academy of Sciences, Engineering, and Medicine committee concerning Mutual Recognition Agreements in Medicine.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to weisercenter@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Fri, 20 Sep 2019 15:28:00 -0400 2019-11-19T16:00:00-05:00 2019-11-19T17:30:00-05:00 Weiser Hall Weiser Center for Emerging Democracies Lecture / Discussion Weiser Hall
Why President Trump’s decision to recognize Jerusalem as the capital of Israel prejudiced its character and status (November 19, 2019 4:00pm) https://events.umich.edu/event/69261 69261-17275358@events.umich.edu Event Begins: Tuesday, November 19, 2019 4:00pm
Location: Jeffries Hall
Organized By: University of Michigan Law School

President Trump's decision to recognize Jerusalem as the capital of Israel and to move the U.S. embassy to the city has been universally condemned, as it is contrary to a well-established rule of international law stipulating that states must not recognize the fruits of conquest. While the United States chose to exercise its right of veto in the UN Security Council to block a resolution criticizing the presidential decision, the remaining members of the council, including close U.S. allies, criticized it. Similarly, the UN General Assembly, the European Union, the Arab League, and the Organisation of Islamic Cooperation have all passed strongly worded resolutions saying that they would not recognize any changes to the pre-1967 borders, including in and around Jerusalem. This talk examines the legal standing of the U.S. decision in light of previous positions that the United States has historically adopted or endorsed.

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Lecture / Discussion Fri, 08 Nov 2019 11:03:51 -0500 2019-11-19T16:00:00-05:00 2019-11-19T17:30:00-05:00 Jeffries Hall University of Michigan Law School Lecture / Discussion
Abstraction, Color, and Politics in the Early 1970s (November 20, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002314@events.umich.edu Event Begins: Wednesday, November 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-20T11:00:00-05:00 2019-11-20T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 20, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884118@events.umich.edu Event Begins: Wednesday, November 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-20T11:00:00-05:00 2019-11-20T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
CCPS Roundtable. Poland's Parliamentary Elections (November 20, 2019 1:15pm) https://events.umich.edu/event/66327 66327-16727905@events.umich.edu Event Begins: Wednesday, November 20, 2019 1:15pm
Location: Weiser Hall
Organized By: Copernicus Center for Polish Studies

Poland's conservative ruling party has been making waves since winning an outright parliamentary majority in 2015. What happens after results come in for the elections on October 13? Three of U-M's resident experts on the region - a sociologist, a historian and a writer - will weigh in with their perspectives.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to us at copernicus@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Wed, 04 Sep 2019 15:02:59 -0400 2019-11-20T13:15:00-05:00 2019-11-20T14:45:00-05:00 Weiser Hall Copernicus Center for Polish Studies Lecture / Discussion Polish Sejm
2020 Democratic Debate Watch Party (November 20, 2019 9:00pm) https://events.umich.edu/event/69367 69367-17368340@events.umich.edu Event Begins: Wednesday, November 20, 2019 9:00pm
Location: North Quad
Organized By: Communication and Media

Join the Communication and Media Fellows for a Democratic Debate Watch Party!

Learn more about the 2020 Democratic candidates, the most important issues in this election cycle, and how the media sets the agenda and decides who and what is most important. Come watch with us to be informed for the 2020 election and get FREE snacks!!

Please make sure to bring your MCard so that you can access North Quad.

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Social / Informal Gathering Tue, 19 Nov 2019 16:52:00 -0500 2019-11-20T21:00:00-05:00 2019-11-20T23:00:00-05:00 North Quad Communication and Media Social / Informal Gathering 2020 Democratic Debate Watch Party flier
Abstraction, Color, and Politics in the Early 1970s (November 21, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002315@events.umich.edu Event Begins: Thursday, November 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-21T11:00:00-05:00 2019-11-21T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 21, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884119@events.umich.edu Event Begins: Thursday, November 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-21T11:00:00-05:00 2019-11-21T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
LSA Bonderman Fellowship Info Session (November 21, 2019 12:00pm) https://events.umich.edu/event/68404 68404-17077944@events.umich.edu Event Begins: Thursday, November 21, 2019 12:00pm
Location: Palmer Commons
Organized By: Center for Global and Intercultural Study

The Bonderman Fellowship offers 4 graduating University of Michigan LSA (Literature, Science and the Arts) seniors $20,000 to travel the world. They must travel to at least 6 countries in 2 regions over the course of 8 months and are expected to immerse themselves in independent and enriching explorations.

Come to a Bonderman information session to learn more about the fellowship and how to apply! Pizza will be provided!

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Presentation Fri, 18 Oct 2019 10:30:00 -0400 2019-11-21T12:00:00-05:00 2019-11-21T13:00:00-05:00 Palmer Commons Center for Global and Intercultural Study Presentation Fellow pictured abroad
U.S. Energy Transitions in the Trump Administration (November 21, 2019 12:00pm) https://events.umich.edu/event/69079 69079-17242640@events.umich.edu Event Begins: Thursday, November 21, 2019 12:00pm
Location: Jeffries Hall
Organized By: Michigan Law Environmental and Energy Law Program

Please join us for the latest installment in the ELPP Lecture Series. Professor Alexandra Klass from the University of Minnesota Law School will discuss recent developments in U.S. energy law, policy, economics, and technology. Although President Trump and his cabinet Secretaries, particularly at the Interior Department, Energy Department, and Environmental Protection Agency, have announced dramatic policy shifts away from those pursued during the Obama Administration, the new administration’s ability to accomplish its goals is in some instances helped and in other instances hindered by existing federal and state laws as well as private sector technology and economic trends. Topics will include the shift away from the use of coal and toward natural gas and renewable energy in the electricity sector; the use of federal public lands to develop oil, natural gas, coal, wind, and solar energy; developments in technology and law associated with hydraulic facturing ("fracking"); and controversies over new oil and gas pipelines such as the Dakota Access and Keystone XL Pipelines.

This event is free and open to the public.

Professor Alexandra B. Klass teaches and writes in the areas of energy law, environmental law, natural resources law, tort law, and property law. Her recent scholarly work, published in many of the nation’s leading law journals, addresses regulatory challenges to integrating more renewable energy into the nation’s electric grid, transportation electrification, oil and gas transportation infrastructure, and the use of eminent domain for electric transmission lines and pipelines. She is a co-author of Energy Law: Concepts and Insights Series (Foundation Press 2017), Energy Law and Policy (West Academic Publishing 2d ed. 2018), Natural Resources Law: A Place-Based Book of Problems and Cases (Wolters Kluwer, 4th ed., 2018), and The Practice and Policy of Environmental Law (Foundation Press, 4th ed. 2017). Professor Klass was named the Stanley V. Kinyon Teacher of the Year for 2009-2010, and she served as Associate Dean for Academic Affairs from 2010-2012. She was a Visiting Professor of Law at Harvard Law School in 2015. She is a Distinguished McKnight University Professor and in prior years was the Julius E. Davis Professor of Law and the Solly Robins Distinguished Research Fellow.

Prior to her teaching career, Professor Klass was a partner at Dorsey & Whitney LLP in Minneapolis, where she specialized in environmental law, natural resources, and land use matters. During her years in private practice from 1993-2004, she handled cases in federal and state trial and appellate courts involving contaminated property, wetlands, environmental review, mining, environmental rights, zoning, eminent domain, and environmental torts. She clerked for the Honorable Barbara B. Crabb, Chief Judge of the U.S. District Court for the Western District of Wisconsin from 1992-1993.

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Lecture / Discussion Mon, 04 Nov 2019 09:42:30 -0500 2019-11-21T12:00:00-05:00 2019-11-21T13:00:00-05:00 Jeffries Hall Michigan Law Environmental and Energy Law Program Lecture / Discussion
The U.S., Iran, and Security in the Persian Gulf (November 21, 2019 4:00pm) https://events.umich.edu/event/69009 69009-17213802@events.umich.edu Event Begins: Thursday, November 21, 2019 4:00pm
Location: Weill Hall (Ford School)
Organized By: Gerald R. Ford School of Public Policy

Free and open to the public.

The Weiser Diplomacy Center is partnering with the American Academy of Diplomacy to bring seasoned U.S. diplomats to Ford School and discuss the U.S., Iran and Security in Persian Gulf. We invite all students and community to join us in conversation with Ambassador Deborah McCarthy, program chair and moderator, with Ambassador Gerald Feierstein, Ambassador Ronald Neumann, and Ambassador Patrick Theros.

Ambassador Deborah A. McCarthy (moderator) is an international security strategist with over 30 years of experience in Europe, the Western Hemisphere and the U.S. She is currently a consultant with the Transnational Strategy Group in Washington D.C. Before joining the private sector, Ms. McCarthy was a member of the U.S. Foreign Service. From 2013 to 2016, she was the U.S. Ambassador to Lithuania. Ms. McCarthy also served as Deputy Ambassador at the U.S. Embassy in Greece and the U.S. Embassy in Nicaragua.

Ambassador Patrick Nickolas Theros has served as president and executive director of the U.S.-Qatar Business Council for nearly 20 years. Throughout his 35-year Foreign Service career, Ambassador Theros held many honorable positions, including ambassador to the State of Qatar, advisor to the commander in chief, central command; deputy chief of mission and political officer in Amman; and deputy coordinator for Counter-Terrorism. Ambassador Theros was awarded the President’s Meritorious Service Award for career officials and the Secretary of Defense Medal for Meritorious Civilian Service. He retired from the Foreign Service in 1998.

Ambassador Gerald (Jerry) Feierstein retired from the U.S. Foreign Service in May 2016 after a 41-year career. At the time of his retirement, Feierstein held the personal rank of Career Minister. Feierstein currently serves as the Senior Vice President of the Middle East Institute. Over the course of his career, he served in nine overseas postings, including three tours of duty in Pakistan, as well as tours in Saudi Arabia, Oman, Lebanon, Jerusalem, and Tunisia. As Deputy Coordinator and Principal Deputy Coordinator in the State Department’s Counter-Terrorism bureau, Feierstein led the development of initiatives to build regional networks to confront extremist groups as well as to counter terrorist financing and promote counter-terrorism messaging.

Formerly a Deputy Assistant Secretary of State, Ambassador Ronald E. Neumann served three times as Ambassador; to Algeria, Bahrain and finally to Afghanistan from July 2005 to April 2007. Before Afghanistan, Mr. Neumann, a career member of the Senior Foreign Service, served in Baghdad from February 2004 with the Coalition Provisional Authority and then as Embassy Baghdad’s liaison with the Multinational Command, where he was deeply involved in coordinating the political part of military actions. He currently serves as the President of the American Academy of Diplomacy.

About the lecture series:

This event forms part of the series in celebration of the launch of the Weiser Diplomacy Center (WDC), housed in the Gerald R. Ford School of Public Policy. WDC is a hub for practical training and policy dialogue on diplomacy and foreign affairs. WDC trains students for careers in international service, provides a meeting point for academics and practitioners, and serves as a bridge between U-M and the foreign policy community. WDC engages Professors of Practice and regular visiting practitioners and aims to be one of the country’s leading loci for the study of foreign affairs.

Hosted as part of the Ford School's Conversations Across Difference Initiative.

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Lecture / Discussion Mon, 18 Nov 2019 08:38:17 -0500 2019-11-21T16:00:00-05:00 2019-11-21T17:30:00-05:00 Weill Hall (Ford School) Gerald R. Ford School of Public Policy Lecture / Discussion American Academy of Diplomacy
BLI Dinner With... Stephanie Chang! (November 21, 2019 5:30pm) https://events.umich.edu/event/69295 69295-17299779@events.umich.edu Event Begins: Thursday, November 21, 2019 5:30pm
Location: Off Campus Location
Organized By: Barger Leadership Institute

The BLI Dinner with... series offers a valuable opportunity for Leadership Fellows to enjoy a dinner with a BLI stakeholder and get a behind the curtain view of their leadership journey. Dinner attendees build community, share leadership interests, and cultivate meaningful connections in an informal setting.

BLI is excited to host Sen. Stephanie Chang for our next Dinner With!

Sen. Stephanie Chang, the first Asian American woman to be elected to the Michigan Legislature, worked as a community organizer in Detroit for nearly a decade before serving two terms in the Michigan House of Representatives.

She served as state director for NextGen Climate Michigan, alumni engagement and evaluation coordinator for the Center for Progressive Leadership in Michigan, deputy director for the Campaign for Justice and as an organizer for Michigan United/One United Michigan. She also worked as a community engagement coordinator for the James and Grace Lee Boggs School and assistant to Grace Lee Boggs, an activist, writer, and speaker.

The senator also is a co-founder and past president of Asian and Pacific Islander American Vote-Michigan, and she served as a mentor with the Detroit Asian Youth Project.

In the state House, Sen. Chang led the way on air quality protection, education, criminal justice reforms, improving economic opportunities, and affordable, safe drinking water. She passed bipartisan legislation on a range of issues including female genital mutilation, nitrous oxide “whip-its”, reentry services for wrongfully convicted individuals who were exonerated, and more. She quickly earned her colleagues’ respect and was named chair of the Progressive Women’s Caucus in her second term. She also served on the leadership team for the House Democratic Caucus both terms and was a co-founder of the Asian Pacific American Legislative Caucus.

Chang earned her bachelor’s degree in psychology and master’s degrees in public policy and social work from the University of Michigan. She lives in Detroit with her husband, Sean Gray, and two young daughters.

PLEASE NOTE: This event is exclusively for BLI Fellows

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Social / Informal Gathering Mon, 11 Nov 2019 11:24:19 -0500 2019-11-21T17:30:00-05:00 2019-11-21T19:30:00-05:00 Off Campus Location Barger Leadership Institute Social / Informal Gathering Sen. Stephanie Chang
Abstraction, Color, and Politics in the Early 1970s (November 22, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002316@events.umich.edu Event Begins: Friday, November 22, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-22T11:00:00-05:00 2019-11-22T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 22, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884120@events.umich.edu Event Begins: Friday, November 22, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-22T11:00:00-05:00 2019-11-22T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Interdisciplinary Workshop in Comparative Politics (IWCP) (November 22, 2019 1:00pm) https://events.umich.edu/event/63912 63912-15987742@events.umich.edu Event Begins: Friday, November 22, 2019 1:00pm
Location: Haven Hall
Organized By: Department of Political Science

TBA

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Lecture / Discussion Thu, 12 Sep 2019 11:03:13 -0400 2019-11-22T13:00:00-05:00 2019-11-22T14:30:00-05:00 Haven Hall Department of Political Science Lecture / Discussion Haven Hall
CSAS Lecture Series | The Indian State that Fails and Delivers (November 22, 2019 4:30pm) https://events.umich.edu/event/65324 65324-16571517@events.umich.edu Event Begins: Friday, November 22, 2019 4:30pm
Location: Weiser Hall
Organized By: Center for South Asian Studies

Devesh Kapur, is the Starr Foundation South Asia Studies Professor and Director of Asia Programs at the Paul H. Nitze School of Advanced International Studies (SAIS) at Johns Hopkins University. His research has focused on five broad areas that examine the political and institutional determinants of economic development: international financial institutions; political and economic consequences of international and internal migration; the effects of market forces and urbanization on the well-being of socially marginalized groups in India; governance and public institutions; and higher education. He is the coauthor of The World Bank: Its First Half Century; Public Institutions in India: Performance; and Design and Against the Odds: The Rise of Dalit Entrepreneurs. His work on international migration examines the effects at a global level (Give us your Best and Brightest: The Global Hunt for Talent and Its Impact on the Developing World); on the country of emigration (Diaspora, Democracy and Development: The Impact of International Migration from India on India) and the country of immigration (The Other One Percent: Indians in America, co-authored with Sanjoy Chakravorty and Nirvikar Singh). His recent books include Navigating the Labyrinth: Perspectives on India’s Higher Education; Rethinking Public Institutions in India; The Costs of Democracy: Political Finance in India and Regulation in India: Design, Capacity, Performance. Prior to joining the University of Pennsylvania, he held appointments at the Brookings Institution, Harvard University and University of Pennsylvania. He holds a B. Tech in Chemical Engineering from IIT (BHU) Varanasi; an M.S. in Chemical Engineering from the University of Minnesota; and a Ph.D. in public policy from Princeton.

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Lecture / Discussion Tue, 29 Oct 2019 16:16:42 -0400 2019-11-22T16:30:00-05:00 2019-11-22T18:00:00-05:00 Weiser Hall Center for South Asian Studies Lecture / Discussion Devesh Kapur, Starr Foundation Professor of South Asian Studies and Director of Asia Programs, Johns Hopkins School of Advanced International Studies
Who is Xi: A Chinese Political Saga of The New Era (November 22, 2019 5:00pm) https://events.umich.edu/event/69316 69316-17301845@events.umich.edu Event Begins: Friday, November 22, 2019 5:00pm
Location: Weill Hall (Ford School)
Organized By: Michigan China Forum

Who is Xi? What do we know about him beyond his bland title as the President of the People’s Republic of China? As the strongest Chinese leader in recent years, President Xi Jinping has overseen a multitude of changes affecting both China’s domestic sphere and the international community. Thus, how did he come to power? What role will he play in the history of our time? From the anti-corruption campaign to “Socialism with Chinese Characteristics for a New Era,” how has he transformed the political climate within one of the last surviving parties with “anti-capitalist” principles? What about the economy? Though no longer based on communist principles, it is certainly not the liberal free-market western scholars envisioned it to be. Yet, it is nevertheless characterized by rapid urban development, consumer market growth, and technological breakthrough, though complicated by downward pressure in recent years. How have these domestic factors together challenged Sino-US relations? How can the two countries work together to prevent a downward spiral? With China’s rising global influence, it is never too early to be acquainted with the face of China in the new era. Come join us at a panel discussion moderated by professor Ann Chih Lin, with professors Mary Gallagher, Alan Deardorff, and WCED fellow Jundai Liu as panelists, on how President Xi Jinping has reshaped contemporary Chinese politics and its relations with the United States! The event will be followed by a light reception.

Please learn more and RSVP here: https://forms.gle/LoHvBW4yxyfnBk1k8

*If you are a person with a disability that requires accommodations, please note so in the Register link*

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Lecture / Discussion Tue, 12 Nov 2019 11:56:10 -0500 2019-11-22T17:00:00-05:00 2019-11-22T19:00:00-05:00 Weill Hall (Ford School) Michigan China Forum Lecture / Discussion Official Poster
Abstraction, Color, and Politics in the Early 1970s (November 23, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002317@events.umich.edu Event Begins: Saturday, November 23, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-23T11:00:00-05:00 2019-11-23T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 23, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884121@events.umich.edu Event Begins: Saturday, November 23, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-23T11:00:00-05:00 2019-11-23T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 24, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15002318@events.umich.edu Event Begins: Sunday, November 24, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-24T12:00:00-05:00 2019-11-24T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 24, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884122@events.umich.edu Event Begins: Sunday, November 24, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-24T12:00:00-05:00 2019-11-24T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 26, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002319@events.umich.edu Event Begins: Tuesday, November 26, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-26T11:00:00-05:00 2019-11-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 26, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884123@events.umich.edu Event Begins: Tuesday, November 26, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-26T11:00:00-05:00 2019-11-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Bioethics Discussion: Cities (November 26, 2019 7:00pm) https://events.umich.edu/event/52722 52722-12974154@events.umich.edu Event Begins: Tuesday, November 26, 2019 7:00pm
Location: Lurie Biomedical Engineering
Organized By: The Bioethics Discussion Group

A discussion on our new environment.

Readings to consider:
1. Health and Urban Living
2. Urban Bioethics: Adapting Bioethics to the Urban Context
3. The Experience of Living in Cities
4. From the Urban to the Civic: The Moral Possibilities of the City

For more information and/or to receive a copy of the readings contact Barry Belmont at belmont@umich.edu or visit http://belmont.bme.umich.edu/bioethics-discussion-group/discussions/036-cities/.

When roaming the city, please consider roaming the blog: https://belmont.bme.umich.edu/incidental-art/

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Lecture / Discussion Tue, 13 Aug 2019 10:53:17 -0400 2019-11-26T19:00:00-05:00 2019-11-26T20:30:00-05:00 Lurie Biomedical Engineering The Bioethics Discussion Group Lecture / Discussion Cities
Abstraction, Color, and Politics in the Early 1970s (November 27, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002320@events.umich.edu Event Begins: Wednesday, November 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-27T11:00:00-05:00 2019-11-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 27, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884124@events.umich.edu Event Begins: Wednesday, November 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-27T11:00:00-05:00 2019-11-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 28, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002321@events.umich.edu Event Begins: Thursday, November 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-28T11:00:00-05:00 2019-11-28T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 28, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884125@events.umich.edu Event Begins: Thursday, November 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-28T11:00:00-05:00 2019-11-28T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 29, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002322@events.umich.edu Event Begins: Friday, November 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-29T11:00:00-05:00 2019-11-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 29, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884126@events.umich.edu Event Begins: Friday, November 29, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-29T11:00:00-05:00 2019-11-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (November 30, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002323@events.umich.edu Event Begins: Saturday, November 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-11-30T11:00:00-05:00 2019-11-30T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (November 30, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884127@events.umich.edu Event Begins: Saturday, November 30, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-11-30T11:00:00-05:00 2019-11-30T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 1, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15002324@events.umich.edu Event Begins: Sunday, December 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-01T12:00:00-05:00 2019-12-01T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 1, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884128@events.umich.edu Event Begins: Sunday, December 1, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-01T12:00:00-05:00 2019-12-01T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Seeking Justice for Syrian Victims of War Crimes: Possibilities and Limitations of Universal Jurisdiction (December 2, 2019 11:30am) https://events.umich.edu/event/68598 68598-17105359@events.umich.edu Event Begins: Monday, December 2, 2019 11:30am
Location:
Organized By: Weiser Diplomacy Center

This event is open to Ford School students only.

Since 2011, Syrians have witnessed widespread atrocities with an estimated 500,000 killed, tens of thousands disappeared and 12 million displaced from their homes. The International Criminal Court cannot prosecute Syrian war criminals, and international mechanisms created by the UN have no jurisdiction to prosecute. Into this void, European prosecutors in Special War Crimes units have invoked Universal Jurisdiction to investigate and prosecute those suspected of war crimes in Syria. Roger Lu Phillips, Legal Director at the Syria Justice and Accountability Centre, will discuss SJAC's work supporting Universal Jurisdiction prosecutions in Europe as well as its work ascertaining the fate of Syrian victims who have been detained or gone missing during the conflict.

Roger Lu Phillips is a human rights lawyer at the Syria Justice and Accountability Centre (SJAC). He leads SJAC's coordination with special war crimes units in Europe that have undertaken the prosecution of atrocity crimes committed during the Syrian conflict through the exercise of Universal Jurisdiction. Prior to joining SJAC, Mr. Phillips served for ten years as a United Nations lawyer at two international criminal tribunals in Cambodia and for Rwanda.

This event is open to Ford School students only. A light lunch will be provided.
Please sign up here: https://forms.gle/KGRFqZTVTvaXdZ4H9

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Workshop / Seminar Thu, 31 Oct 2019 12:51:54 -0400 2019-12-02T11:30:00-05:00 2019-12-02T12:50:00-05:00 Weiser Diplomacy Center Workshop / Seminar Photo of Roger Lu Phillips
Abstraction, Color, and Politics in the Early 1970s (December 3, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002325@events.umich.edu Event Begins: Tuesday, December 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-03T11:00:00-05:00 2019-12-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 3, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884129@events.umich.edu Event Begins: Tuesday, December 3, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-03T11:00:00-05:00 2019-12-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Conversations on Europe. What’s Left of the Yellow Vest Movement (December 3, 2019 4:00pm) https://events.umich.edu/event/65695 65695-16629901@events.umich.edu Event Begins: Tuesday, December 3, 2019 4:00pm
Location: Weiser Hall
Organized By: Center for European Studies

The emergence of the yellow vests movement, its rapid extension, its endurance, and its popularity have been a source of surprise and confusion among politicians as well as commentators. Whereas it was initially viewed as a mere reaction to an increase in fuel tax, it soon appeared to be a broader protest against the policies led by Emmanuel Macron regarded as deepening economic inequalities. Instead of responding to the claim to more social justice, the government first expressed contempt but soon used repression, the violence of which caused hundreds of severely wounded. Characterized by a unique repertoire of action, an unusual combination of social groups and a grassroots organization without clear leaders, the mobilization challenged traditional forms of democratic representation. While it is too early to assess its long-term signification, it has however revealed the resistance of the “classes populaires” to authoritarian neoliberalism.

Didier Fassin is professor of social science at the Institute for Advanced Study in Princeton and at the École des Hautes Études en Sciences Sociales in Paris. A physician, sociologist, and anthropologist, he has conducted research in various countries on issues related to inequality and immigration. His recent works are ethnographies of the police, the justice system and the prison institution as well as on the idea of crisis.

Anne-Claire Defossez is researcher in social sciences at the Institute for Advanced Study in Princeton. A sociologist, she was previously a public manager heading the administration of two large cities in the Paris region. Her current work is about women’s participation in local politics and about the crisis of democratic representation in France.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to cesmichigan@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

(Image: “Mouvement des gilets jaunes Bruxelles” by Pelle De Brabander is licensed under CC BY 2.0 [creativecommons.org/licenses/by/2.0])

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Lecture / Discussion Fri, 23 Aug 2019 14:47:43 -0400 2019-12-03T16:00:00-05:00 2019-12-03T17:30:00-05:00 Weiser Hall Center for European Studies Lecture / Discussion “Mouvement des gilets jaunes Bruxelles” by Pelle De Brabander is licensed under CC BY 2.0 [creativecommons.org/licenses/by/2.0]
Abstraction, Color, and Politics in the Early 1970s (December 4, 2019 11:00am) https://events.umich.edu/event/58562 58562-15002326@events.umich.edu Event Begins: Wednesday, December 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-04T11:00:00-05:00 2019-12-04T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 4, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884130@events.umich.edu Event Begins: Wednesday, December 4, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-04T11:00:00-05:00 2019-12-04T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Change the Subject (December 4, 2019 11:30am) https://events.umich.edu/event/69190 69190-17261066@events.umich.edu Event Begins: Wednesday, December 4, 2019 11:30am
Location: Hatcher Graduate Library
Organized By: University Library

The documentary Change the Subject explores the ways that politics can enter a library catalog, and shows what libraries can do about it. The film’s runtime is one hour, but we trust that it will be thought provoking, and so have allowed time afterward for discussion. We'll have coffee and desserts, but feel free to bring your lunch.

From the film’s producers:

Change the Subject tells the story of a group of students at Dartmouth College, who from their first days at Dartmouth, were committed to advancing and promoting the rights and dignity of undocumented peoples. In partnership with staff at Dartmouth College, these students—now alumni—produced a film to capture their singular effort at confronting an instance of anti-immigrant sentiment in their library catalog. Their advocacy took them all the way from Baker-Berry Library to the halls of Congress, showing how an instance of campus activism entered the national spotlight, and how a cataloging term became a flashpoint in the immigration debate on Capitol Hill.

View the movie trailer at https://youtu.be/Ebphd5Rg6c8.

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Film Screening Wed, 06 Nov 2019 17:17:28 -0500 2019-12-04T11:30:00-05:00 2019-12-04T13:00:00-05:00 Hatcher Graduate Library University Library Film Screening People walking in the hall at the Library of Congress
CREES Noon Lecture. "Stalin's Master Narrative": The General Secretary's Rewriting of Party History in the 1938 Short Course (December 4, 2019 12:00pm) https://events.umich.edu/event/65694 65694-16629899@events.umich.edu Event Begins: Wednesday, December 4, 2019 12:00pm
Location: Weiser Hall
Organized By: Center for Russian, East European, and Eurasian Studies

The Short Course on the History of the Communist Party of the Soviet Union (Bolsheviks) defined Stalinist ideology, both at home and throughout the communist world abroad. It was quite literally the USSR’s master narrative between 1938 and 1956—a hegemonic statement on history, politics, and Marxism-Leninism that scripted Soviet society for a generation. Long rumored to have been ghostwritten by Stalin, the Short Course has defied comprehensive critical analysis for the past 80 years, despite the opening of the Soviet archives in 1991. Here, David Brandenberger reveals for the first time the enormous role that Stalin played in the development of this all-important text. In so doing, “Stalin’s Master Narrative” characterizes the unparalleled control that the dictator wielded over the Soviet historical imagination.

David Brandenberger has written on Stalin-era propaganda, ideology and nationalism in journals like *Russian Review*, *Slavic Review*, *Kritika, Revolutionary Russia, Nationality Papers, Europe-Asia Studies, Jahrbuecher fuer Geschichte Osteuropas, Noveishaia istoriia Rossii *and *Voprosy istorii*. He has written or edited nine books including *National Bolshevism: Stalinist Mass Culture and the Formation of Modern Russian National Identity, 1931-1956* (Harvard, 2002); *Epic Revisionism: Russian History and Literature as Stalinist Propaganda,* co-edited with Kevin M. F. Platt (Wisconsin, 2006); *Propaganda State in Crisis: Soviet Ideology, Indoctrination and Terror under Stalin, 1928-1941* (Yale, 2011); and *Stalin’s Master Narrative,* co-edited with M. V. Zelenov (Yale, 2019). He is presently writing a new book on Stalin's last political purge, the 1949 Leningrad Affair, and co-editing the purge-era diary of a high-ranking member of the USSR’s Politburo.

If you are a person with a disability who requires an accommodation to attend this event, please reach out to weisercenter@umich.edu at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

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Lecture / Discussion Fri, 23 Aug 2019 14:31:35 -0400 2019-12-04T12:00:00-05:00 2019-12-04T13:20:00-05:00 Weiser Hall Center for Russian, East European, and Eurasian Studies Lecture / Discussion Stalin's Master Narrative
LSA Bonderman Fellowship Info Session (December 4, 2019 5:00pm) https://events.umich.edu/event/68404 68404-17077945@events.umich.edu Event Begins: Wednesday, December 4, 2019 5:00pm
Location: Michigan League
Organized By: Center for Global and Intercultural Study

The Bonderman Fellowship offers 4 graduating University of Michigan LSA (Literature, Science and the Arts) seniors $20,000 to travel the world. They must travel to at least 6 countries in 2 regions over the course of 8 months and are expected to immerse themselves in independent and enriching explorations.

Come to a Bonderman information session to learn more about the fellowship and how to apply! Pizza will be provided!

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Presentation Fri, 18 Oct 2019 10:30:00 -0400 2019-12-04T17:00:00-05:00 2019-12-04T18:00:00-05:00 Michigan League Center for Global and Intercultural Study Presentation Fellow pictured abroad
Abstraction, Color, and Politics in the Early 1970s (December 5, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784129@events.umich.edu Event Begins: Thursday, December 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-05T11:00:00-05:00 2019-12-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 5, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884131@events.umich.edu Event Begins: Thursday, December 5, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-05T11:00:00-05:00 2019-12-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Political Theory: Past, Present and Future; Honoring the Career and Work of Arlene Saxonhouse (December 5, 2019 1:30pm) https://events.umich.edu/event/63502 63502-15759486@events.umich.edu Event Begins: Thursday, December 5, 2019 1:30pm
Location: Michigan League
Organized By: Department of Political Science

Fifty years ago Political Theory was the neglected step-child in departments of Political Science. Over the last fifty years the field has expanded widely. This symposium will explore first how ancient Greek political theory has come to speak to the modern world, and then the many ways that the study of political theory has changed (or not) in fifty years. We will ask how it has come to influence the ways in which we think about democracy, about the discipline of political science, about the challenges of integrating theory and practice.

Reception to follow in the Michigan League's Michigan Room (2nd Floor).

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Conference / Symposium Thu, 05 Dec 2019 17:07:09 -0500 2019-12-05T13:30:00-05:00 2019-12-05T17:00:00-05:00 Michigan League Department of Political Science Conference / Symposium
Abstraction, Color, and Politics in the Early 1970s (December 6, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784130@events.umich.edu Event Begins: Friday, December 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-06T11:00:00-05:00 2019-12-06T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 6, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884132@events.umich.edu Event Begins: Friday, December 6, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-06T11:00:00-05:00 2019-12-06T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
60 Minutes Around the Globe (December 6, 2019 3:00pm) https://events.umich.edu/event/66617 66617-17423623@events.umich.edu Event Begins: Friday, December 6, 2019 3:00pm
Location: International Center
Organized By: International Center

60 Minutes Around the Globe is an opportunity for international students to present a variety of topics they choose (e.g. food, music, sports, politics, religions, etc.) from their home countries. Through an informal presentation, followed by questions and answers, it promotes awareness and discussions among those attending the events.

Cultural food tastings provided. While walk-ins are welcome at the event, early registration is appreciated so we can better prepare for the event.

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Presentation Tue, 26 Nov 2019 11:13:14 -0500 2019-12-06T15:00:00-05:00 2019-12-06T16:00:00-05:00 International Center International Center Presentation 60 Minutes Around The Globe
Abstraction, Color, and Politics in the Early 1970s (December 7, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784131@events.umich.edu Event Begins: Saturday, December 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-07T11:00:00-05:00 2019-12-07T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 7, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884133@events.umich.edu Event Begins: Saturday, December 7, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-07T11:00:00-05:00 2019-12-07T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 8, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15784132@events.umich.edu Event Begins: Sunday, December 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-08T12:00:00-05:00 2019-12-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 8, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884134@events.umich.edu Event Begins: Sunday, December 8, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-08T12:00:00-05:00 2019-12-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Collage of Scenes and Original Writing on Themes of Racial Profiling, Affirmative Action, Interracial Relationships and Immigration (December 8, 2019 2:00pm) https://events.umich.edu/event/69521 69521-17335468@events.umich.edu Event Begins: Sunday, December 8, 2019 2:00pm
Location: East Quadrangle
Organized By: Residential College

A collage of scenes and original writing on themes of racial profiling, affirmative action, interracial relationships and immigration.

Directed by Kate Mendeloff.

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Performance Fri, 15 Nov 2019 14:57:42 -0500 2019-12-08T14:00:00-05:00 2019-12-08T15:30:00-05:00 East Quadrangle Residential College Performance RC Drama
How Polio Helped FDR Win the Presidency (December 10, 2019 10:00am) https://events.umich.edu/event/65434 65434-16597567@events.umich.edu Event Begins: Tuesday, December 10, 2019 10:00am
Location: Off Campus Location
Organized By: Osher Lifelong Learning Institute (50+)

According to the conventional wisdom that has grown up around the public image of Franklin D. Roosevelt in the post-Watergate era, he became president only by fooling the public about the paralysis he suffered as a result of poliomyelitis. In fact, the author’s research shows that FDR made masterful use of his disability as he recovered from the disease and rose to the White House.

After earning a Ph.D. in history at the University of Michigan, lecturer James Tobin spent 20 years as a newspaper reporter and freelance writer. His books include “Ernie Pyle’s War” (1997), which won the National Book Critics Circle Award in biography; “To Conquer the Air: The Wright Brothers and the Great Race for Flight” (2003); and “The Man He Became: How FDR Defied Polio to Win the Presidency” (2013). He is currently a Professor of Journalism at Miami University.

This is the fourth in OLLI’S distinguished lecture series for 2019-20. A total of ten lectures are presented covering a variety of topics. Lectures are held on Tuesday mornings once each month. The next lecture will be held January 14, 2020. The title is Living Transgender: The Struggles and Rewards.

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Lecture / Discussion Mon, 19 Aug 2019 13:53:58 -0400 2019-12-10T10:00:00-05:00 2019-12-10T11:30:00-05:00 Off Campus Location Osher Lifelong Learning Institute (50+) Lecture / Discussion olli image
Abstraction, Color, and Politics in the Early 1970s (December 10, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784133@events.umich.edu Event Begins: Tuesday, December 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-10T11:00:00-05:00 2019-12-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 10, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884135@events.umich.edu Event Begins: Tuesday, December 10, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-10T11:00:00-05:00 2019-12-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Complex Systems presents: A Nobel Symposium 2019 (December 10, 2019 1:00pm) https://events.umich.edu/event/69228 69228-17269240@events.umich.edu Event Begins: Tuesday, December 10, 2019 1:00pm
Location: Weiser Hall
Organized By: The Center for the Study of Complex Systems

Eight scholars discuss the work, impact, and personality of the Laureates of this year's SEVEN! Nobel Prizes. (Snacks and coffee will be provided throughout the afternoon)

FREE AND OPEN TO THE PUBLIC – STUDENTS ENCOURAGED TO ATTEND - TALKS ARE GEARED TO A GENERAL AUDIENCE - COME TO ONE, COME TO ALL

SCHEDULE:
1:00-1:05pm INTRODUCTION
1:05-1:40pm CHEMISTRY
1:40-2:15pm PHYSICS
2:15-2:20pm 5 minute snack/coffee break
2:20-2:55pm MEDICINE
2:55-3:35pm ECONOMIC SCIENCES
3:35-4:15pm PEACE PRIZE
4:15-4:20pm 5 minute snack/coffee break
4:20-4:55pm LITERATURE 2018
4:55-5:30pm LITERATURE 2019


1:05 PM CHEMISTRY – Wei Lu, Director, ABCD Battery Research Center and Professor, Mechanical Engineering will discuss the Chemistry prize shared by: John Goodenough (b. Germany, University of Texas (Austin)); M. Stanley Whittingham (b. UK, Binghamton University, State University of New York); and Akira Yoshino (b. Japan, Asahi Kasei Corporation, Tokyo) in recognition of their work "for the development of lithium-ion batteries”

1:40 PM PHYSICS - Fred Adams, Professor of Physics and Astronomy, will discuss the Physics prize shared by James Peebles (b. Canada, Princeton) “for theoretical discoveries in physical cosmology”
and Michel Mayor (b. Switzerland, U. of Geneva), Didier Queloz (b. Switzerland U. of Geneva & Cambridge) for “the discovery of an exoplanet orbiting a solar-type star.”

2:20 PM MEDICINE - Yatrik Shah, Professor, Molecular and Integrative Physiology & Internal Medicine - Gastroenterology will discuss the Medicine prize shared by William G. Kaelin Jr. (b. USA, Harvard Medical School &, Howard Hughes Medical Institute); Sir Peter J. Ratcliffe (b. UK, Oxford; Francis Crick Institute) and Gregg L. Semenza (b. USA, Johns Hopkins University) “for their discoveries of how cells sense and adapt to oxygen availability.”

2:55 PM ECONOMIC SCIENCES - Dean Yang, Professor Economics, Public Policy; Pop. Studies Center, will discuss the Economics prize shared by Abhijit Banerjee (b. Inida, MIT); Esther Duflo (b. FRANCE, MIT); and Michael Kremer (b. USA (NY), Harvard) “for their experimental approach to alleviating global poverty.”

3:35 PM PEACE - Laura Nyantung Beny - Professor of Law, Associate Director of African Studies Center, UM, will discuss the award to Abiy Ahmed Ali (b. Ethiopia, Prime Minister FDRE) who received the prize “for promoting peace and reconciliation”.

4:20 PM LITERATURE 2018 – Benjamin Paloff, Professor of Slavic Languages and Literatures & of Comparative Literature will discuss the award of the delayed 2018 Literature prize - Olga Tokarczuk (b. POLAND, Author) "for a narrative imagination that with encyclopedic passion represents the crossing of boundaries as a form of life."

4:55 PM LITERATURE 2019 - Johannes von Moltke, Professor of Germanic Languages and Literatures & Professor of Film, Television and Media together with Teresa Kovacs, Professor of Germanic Studies, Indiana University will discuss laureate Peter Handke (b. POLAND, Author) who was awarded the prize "for an influential work that with linguistic ingenuity has explored the periphery and the specificity of human experience"

Each presentation will be 30 minutes followed by a Q & A.

Illustrations of Nobel Peace Prize Winners reprinted with permission of the illustration artist Niklas Elmehed. Copyright Nobel Media.

Organizer: Robert Deegan

Questions? Call 734-763-3301 or email cscs@umich.edu

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Conference / Symposium Mon, 25 Nov 2019 16:58:48 -0500 2019-12-10T13:00:00-05:00 2019-12-10T17:30:00-05:00 Weiser Hall The Center for the Study of Complex Systems Conference / Symposium Nobel Symposium 2019
Bioethics Discussion: Antinatalism (December 10, 2019 7:00pm) https://events.umich.edu/event/52723 52723-12974156@events.umich.edu Event Begins: Tuesday, December 10, 2019 7:00pm
Location: Lurie Biomedical Engineering
Organized By: The Bioethics Discussion Group

A discussion on the end to our means.

Readings to consider:
1. The Last Messiah
2. Why It Is Better Never to Come into Existence
3. Every Conceivable Harm: A Further Defence of Anti-Natalism
4. The Ethics of Procreation and Adoption

For more information and/or to receive a copy of the readings contact Barry Belmont at belmont@umich.edu or visit http://belmont.bme.umich.edu/bioethics-discussion-group/discussions/037-antinatalism/.

Tell your descendants to consider the blog: https://belmont.bme.umich.edu/incidental-art/

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Lecture / Discussion Tue, 13 Aug 2019 10:54:42 -0400 2019-12-10T19:00:00-05:00 2019-12-10T20:30:00-05:00 Lurie Biomedical Engineering The Bioethics Discussion Group Lecture / Discussion Antinatalism
Abstraction, Color, and Politics in the Early 1970s (December 11, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784134@events.umich.edu Event Begins: Wednesday, December 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-11T11:00:00-05:00 2019-12-11T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 11, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884136@events.umich.edu Event Begins: Wednesday, December 11, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-11T11:00:00-05:00 2019-12-11T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 12, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784135@events.umich.edu Event Begins: Thursday, December 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-12T11:00:00-05:00 2019-12-12T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 12, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884137@events.umich.edu Event Begins: Thursday, December 12, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-12T11:00:00-05:00 2019-12-12T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 13, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784136@events.umich.edu Event Begins: Friday, December 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-13T11:00:00-05:00 2019-12-13T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 13, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884138@events.umich.edu Event Begins: Friday, December 13, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-13T11:00:00-05:00 2019-12-13T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 14, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784137@events.umich.edu Event Begins: Saturday, December 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-14T11:00:00-05:00 2019-12-14T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 14, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884139@events.umich.edu Event Begins: Saturday, December 14, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-14T11:00:00-05:00 2019-12-14T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 15, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15784138@events.umich.edu Event Begins: Sunday, December 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-15T12:00:00-05:00 2019-12-15T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 15, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884140@events.umich.edu Event Begins: Sunday, December 15, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-15T12:00:00-05:00 2019-12-15T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 17, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784139@events.umich.edu Event Begins: Tuesday, December 17, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-17T11:00:00-05:00 2019-12-17T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 17, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884141@events.umich.edu Event Begins: Tuesday, December 17, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-17T11:00:00-05:00 2019-12-17T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 18, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784140@events.umich.edu Event Begins: Wednesday, December 18, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-18T11:00:00-05:00 2019-12-18T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 18, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884142@events.umich.edu Event Begins: Wednesday, December 18, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-18T11:00:00-05:00 2019-12-18T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 19, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784141@events.umich.edu Event Begins: Thursday, December 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-19T11:00:00-05:00 2019-12-19T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 19, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884143@events.umich.edu Event Begins: Thursday, December 19, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-19T11:00:00-05:00 2019-12-19T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 20, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784142@events.umich.edu Event Begins: Friday, December 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-20T11:00:00-05:00 2019-12-20T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 20, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884144@events.umich.edu Event Begins: Friday, December 20, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-20T11:00:00-05:00 2019-12-20T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 21, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784143@events.umich.edu Event Begins: Saturday, December 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-21T11:00:00-05:00 2019-12-21T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 21, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884145@events.umich.edu Event Begins: Saturday, December 21, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-21T11:00:00-05:00 2019-12-21T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 22, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15784144@events.umich.edu Event Begins: Sunday, December 22, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-22T12:00:00-05:00 2019-12-22T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 22, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884146@events.umich.edu Event Begins: Sunday, December 22, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

]]>
Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-22T12:00:00-05:00 2019-12-22T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 26, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784145@events.umich.edu Event Begins: Thursday, December 26, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-26T11:00:00-05:00 2019-12-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 26, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884147@events.umich.edu Event Begins: Thursday, December 26, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-26T11:00:00-05:00 2019-12-26T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 27, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784146@events.umich.edu Event Begins: Friday, December 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-27T11:00:00-05:00 2019-12-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 27, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884148@events.umich.edu Event Begins: Friday, December 27, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-27T11:00:00-05:00 2019-12-27T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 28, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784147@events.umich.edu Event Begins: Saturday, December 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-28T11:00:00-05:00 2019-12-28T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 28, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884149@events.umich.edu Event Begins: Saturday, December 28, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-28T11:00:00-05:00 2019-12-28T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 29, 2019 12:00pm) https://events.umich.edu/event/58562 58562-15784148@events.umich.edu Event Begins: Sunday, December 29, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-29T12:00:00-05:00 2019-12-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 29, 2019 12:00pm) https://events.umich.edu/event/63803 63803-15884150@events.umich.edu Event Begins: Sunday, December 29, 2019 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-29T12:00:00-05:00 2019-12-29T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (December 31, 2019 11:00am) https://events.umich.edu/event/58562 58562-15784149@events.umich.edu Event Begins: Tuesday, December 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2019-12-31T11:00:00-05:00 2019-12-31T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (December 31, 2019 11:00am) https://events.umich.edu/event/63803 63803-15884151@events.umich.edu Event Begins: Tuesday, December 31, 2019 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2019-12-31T11:00:00-05:00 2019-12-31T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (January 2, 2020 11:00am) https://events.umich.edu/event/58562 58562-15784150@events.umich.edu Event Begins: Thursday, January 2, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-02T11:00:00-05:00 2020-01-02T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 2, 2020 11:00am) https://events.umich.edu/event/63803 63803-15884152@events.umich.edu Event Begins: Thursday, January 2, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-02T11:00:00-05:00 2020-01-02T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (January 3, 2020 11:00am) https://events.umich.edu/event/58562 58562-15784151@events.umich.edu Event Begins: Friday, January 3, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-03T11:00:00-05:00 2020-01-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 3, 2020 11:00am) https://events.umich.edu/event/63803 63803-15884153@events.umich.edu Event Begins: Friday, January 3, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-03T11:00:00-05:00 2020-01-03T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (January 4, 2020 11:00am) https://events.umich.edu/event/58562 58562-15784152@events.umich.edu Event Begins: Saturday, January 4, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-04T11:00:00-05:00 2020-01-04T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 4, 2020 11:00am) https://events.umich.edu/event/63803 63803-15884154@events.umich.edu Event Begins: Saturday, January 4, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-04T11:00:00-05:00 2020-01-04T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (January 5, 2020 12:00pm) https://events.umich.edu/event/58562 58562-15784153@events.umich.edu Event Begins: Sunday, January 5, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-05T12:00:00-05:00 2020-01-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 5, 2020 12:00pm) https://events.umich.edu/event/63803 63803-15884155@events.umich.edu Event Begins: Sunday, January 5, 2020 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-05T12:00:00-05:00 2020-01-05T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (January 7, 2020 11:00am) https://events.umich.edu/event/58562 58562-15784154@events.umich.edu Event Begins: Tuesday, January 7, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-07T11:00:00-05:00 2020-01-07T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 7, 2020 11:00am) https://events.umich.edu/event/63803 63803-15884156@events.umich.edu Event Begins: Tuesday, January 7, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-07T11:00:00-05:00 2020-01-07T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (January 8, 2020 11:00am) https://events.umich.edu/event/58562 58562-15784155@events.umich.edu Event Begins: Wednesday, January 8, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-08T11:00:00-05:00 2020-01-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 8, 2020 11:00am) https://events.umich.edu/event/63803 63803-15884157@events.umich.edu Event Begins: Wednesday, January 8, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-08T11:00:00-05:00 2020-01-08T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (January 9, 2020 11:00am) https://events.umich.edu/event/58562 58562-15784156@events.umich.edu Event Begins: Thursday, January 9, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-09T11:00:00-05:00 2020-01-09T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 9, 2020 11:00am) https://events.umich.edu/event/63803 63803-15884158@events.umich.edu Event Begins: Thursday, January 9, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-09T11:00:00-05:00 2020-01-09T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Abstraction, Color, and Politics in the Early 1970s (January 10, 2020 11:00am) https://events.umich.edu/event/58562 58562-15784157@events.umich.edu Event Begins: Friday, January 10, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-10T11:00:00-05:00 2020-01-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 10, 2020 11:00am) https://events.umich.edu/event/63803 63803-15884159@events.umich.edu Event Begins: Friday, January 10, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-10T11:00:00-05:00 2020-01-10T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg
Interdisciplinary Workshop American Politics (IWAP) (January 10, 2020 3:30pm) https://events.umich.edu/event/67246 67246-16829008@events.umich.edu Event Begins: Friday, January 10, 2020 3:30pm
Location: Haven Hall
Organized By: Interdisciplinary Workshop in American Politics

The Interdisciplinary Workshop on American Politics (IWAP) is a forum for the presentation of ongoing interdisciplinary research in American politics. Most of our presentations are given by graduate students. Each graduate student presenter is assigned a faculty and student discussant. IWAP circulates the work beforehand and the student presents it briefly at the start of the meeting. After discussant feedback, the bulk of the time is reserved for group discussion among all workshop participants. This format leads to informal yet highly interactive and productive conversations.

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Lecture / Discussion Tue, 24 Dec 2019 12:50:20 -0500 2020-01-10T15:30:00-05:00 2020-01-10T17:00:00-05:00 Haven Hall Interdisciplinary Workshop in American Politics Lecture / Discussion Kiela Crabtree
Abstraction, Color, and Politics in the Early 1970s (January 11, 2020 11:00am) https://events.umich.edu/event/58562 58562-15784158@events.umich.edu Event Begins: Saturday, January 11, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.

UMMA gratefully acknowledges the following donors for their generous support of this exhibition:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Fri, 10 May 2019 12:15:34 -0400 2020-01-11T11:00:00-05:00 2020-01-11T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/Gilliam-04.jpg
Abstraction, Color, and Politics: (January 11, 2020 11:00am) https://events.umich.edu/event/63803 63803-15884160@events.umich.edu Event Begins: Saturday, January 11, 2020 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction’s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies—seen here across large-scale and miniature work—dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.

UMMA gratefully acknowledges the following donors for their generous support:

Lead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts

Exhibition Endowment Donors:  Richard and Rosann Noel Endowment Fund, Herbert W. and Susan L. Johe Endowment, and Robert and Janet Miller Fund

University of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies

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Exhibition Tue, 11 Jun 2019 12:15:31 -0400 2020-01-11T11:00:00-05:00 2020-01-11T17:00:00-05:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition https://umma.umich.edu/sites/default/files/pindell_image.jpg