Happening @ Michigan https://events.umich.edu/list/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. See Through: Windows and Mirrors in Twentieth-Century Photography (June 19, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577031@events.umich.edu Event Begins: Tuesday, June 19, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-19T11:00:00-04:00 2018-06-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 19, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285922@events.umich.edu Event Begins: Tuesday, June 19, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-19T11:00:00-04:00 2018-06-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (June 20, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465058@events.umich.edu Event Begins: Wednesday, June 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-20T11:00:00-04:00 2018-06-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 20, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362794@events.umich.edu Event Begins: Wednesday, June 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-20T11:00:00-04:00 2018-06-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 20, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884940@events.umich.edu Event Begins: Wednesday, June 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-20T11:00:00-04:00 2018-06-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 20, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577047@events.umich.edu Event Begins: Wednesday, June 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-20T11:00:00-04:00 2018-06-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 20, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285940@events.umich.edu Event Begins: Wednesday, June 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-20T11:00:00-04:00 2018-06-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (June 21, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465059@events.umich.edu Event Begins: Thursday, June 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-21T11:00:00-04:00 2018-06-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Family Art Studio: Ann Arbor Japan Week: Place & Plate (June 21, 2018 11:00am) https://events.umich.edu/event/52266 52266-12579991@events.umich.edu Event Begins: Thursday, June 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Free. Registration is required.

To register for the 11 a.m. session, visit https://events.r20.constantcontact.com/register/eventReg?oeidk=a07ef6yfzvjff31005d&oseq=&c=&ch= .
To register for the 2 p.m. session, visit https://events.r20.constantcontact.com/register/eventReg?oeidk=a07ef6yl6f23cddbf53&oseq=&c=&ch= .

Do you have a favorite place? Commemorate it on a decorative plate inspired by 20th century Japanese prints and ceramics. UMMA docents will lead a tour of prints by Saitô Kiyoshi that evoke specific places such as the Diag in Ann Arbor on a rainy day and a famous rock garden in Kyoto, as well as look at the aesthetics of Japanese ceramics and decorative arts. The tour will be followed by a hands-on workshop led by local artist Susan Clinthorne. Designed for families with children ages six and up to experience art together. Parents must accompany children.

This program is offered in conjunction with U-M Center for Japanese Studies’ Ann Arbor Japan Week, June 17-23. Japan Week events at UMMA are generously sponsored by AISIN.

Family Art Studio is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Workshop / Seminar Wed, 09 May 2018 13:00:14 -0400 2018-06-21T11:00:00-04:00 2018-06-21T13:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Family Art Studio
Marcel Dzama: A Jester's Dance (June 21, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362812@events.umich.edu Event Begins: Thursday, June 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-21T11:00:00-04:00 2018-06-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 21, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884941@events.umich.edu Event Begins: Thursday, June 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-21T11:00:00-04:00 2018-06-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 21, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577063@events.umich.edu Event Begins: Thursday, June 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-21T11:00:00-04:00 2018-06-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 21, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285956@events.umich.edu Event Begins: Thursday, June 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-21T11:00:00-04:00 2018-06-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Family Art Studio: Ann Arbor Japan Week: Place & Plate (June 21, 2018 2:00pm) https://events.umich.edu/event/52266 52266-12579992@events.umich.edu Event Begins: Thursday, June 21, 2018 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Free. Registration is required.

To register for the 11 a.m. session, visit https://events.r20.constantcontact.com/register/eventReg?oeidk=a07ef6yfzvjff31005d&oseq=&c=&ch= .
To register for the 2 p.m. session, visit https://events.r20.constantcontact.com/register/eventReg?oeidk=a07ef6yl6f23cddbf53&oseq=&c=&ch= .

Do you have a favorite place? Commemorate it on a decorative plate inspired by 20th century Japanese prints and ceramics. UMMA docents will lead a tour of prints by Saitô Kiyoshi that evoke specific places such as the Diag in Ann Arbor on a rainy day and a famous rock garden in Kyoto, as well as look at the aesthetics of Japanese ceramics and decorative arts. The tour will be followed by a hands-on workshop led by local artist Susan Clinthorne. Designed for families with children ages six and up to experience art together. Parents must accompany children.

This program is offered in conjunction with U-M Center for Japanese Studies’ Ann Arbor Japan Week, June 17-23. Japan Week events at UMMA are generously sponsored by AISIN.

Family Art Studio is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Workshop / Seminar Wed, 09 May 2018 13:00:14 -0400 2018-06-21T14:00:00-04:00 2018-06-21T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Family Art Studio
Exercising the Eye: The Gertrude Kasle Collection (June 22, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465060@events.umich.edu Event Begins: Friday, June 22, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-22T11:00:00-04:00 2018-06-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 22, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362830@events.umich.edu Event Begins: Friday, June 22, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-22T11:00:00-04:00 2018-06-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
Marcel Dzama: A Jester's Dance (June 22, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362847@events.umich.edu Event Begins: Friday, June 22, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-22T11:00:00-04:00 2018-06-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 22, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884942@events.umich.edu Event Begins: Friday, June 22, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-22T11:00:00-04:00 2018-06-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 22, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577079@events.umich.edu Event Begins: Friday, June 22, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-22T11:00:00-04:00 2018-06-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 22, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285973@events.umich.edu Event Begins: Friday, June 22, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-22T11:00:00-04:00 2018-06-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (June 23, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465061@events.umich.edu Event Begins: Saturday, June 23, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-23T11:00:00-04:00 2018-06-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 23, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362721@events.umich.edu Event Begins: Saturday, June 23, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-23T11:00:00-04:00 2018-06-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 23, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884943@events.umich.edu Event Begins: Saturday, June 23, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-23T11:00:00-04:00 2018-06-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 23, 2018 11:00am) https://events.umich.edu/event/52257 52257-12576998@events.umich.edu Event Begins: Saturday, June 23, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-23T11:00:00-04:00 2018-06-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 23, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285887@events.umich.edu Event Begins: Saturday, June 23, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-23T11:00:00-04:00 2018-06-23T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Storytime at the Museum: Ann Arbor Japan Week (June 23, 2018 11:15am) https://events.umich.edu/event/52267 52267-12579993@events.umich.edu Event Begins: Saturday, June 23, 2018 11:15am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Japan Week, sponsored by the U-M Center for Japanese Studies, is a week of Japan-related programming for youth and families. Storytime at the Museum, which promotes art enjoyment for our youngest patrons, will feature a story about Japan this week, and a hands-on activity related to it. Children ages three to six are invited to join Storytime. Parents must accompany children. Siblings are welcome to join the group. Meet in front of the UMMA Store.

This program is offered in conjunction with U-M Center for Japanese Studies’ Ann Arbor Japan Week, June 17-23. Japan Week events at UMMA are generously sponsored by AISIN.

Storytime is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Social / Informal Gathering Wed, 09 May 2018 13:05:40 -0400 2018-06-23T11:15:00-04:00 2018-06-23T12:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Storytime
Exercising the Eye: The Gertrude Kasle Collection (June 24, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465062@events.umich.edu Event Begins: Sunday, June 24, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-24T11:00:00-04:00 2018-06-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 24, 2018 12:00pm) https://events.umich.edu/event/52025 52025-12362740@events.umich.edu Event Begins: Sunday, June 24, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-24T12:00:00-04:00 2018-06-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 24, 2018 12:00pm) https://events.umich.edu/event/50849 50849-11884944@events.umich.edu Event Begins: Sunday, June 24, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-24T12:00:00-04:00 2018-06-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 24, 2018 12:00pm) https://events.umich.edu/event/52257 52257-12577015@events.umich.edu Event Begins: Sunday, June 24, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-24T12:00:00-04:00 2018-06-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 24, 2018 12:00pm) https://events.umich.edu/event/51906 51906-12285905@events.umich.edu Event Begins: Sunday, June 24, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-24T12:00:00-04:00 2018-06-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Guided Tour - See Through: Mirrors and Windows in Twentieth-Century Photography (June 24, 2018 2:00pm) https://events.umich.edu/event/52268 52268-12579994@events.umich.edu Event Begins: Sunday, June 24, 2018 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through looks at how photographers of these images doubly frame the world around us —once through the frame of the camera lens and, again, through the frame of a reflective mirror or transparent window. UMMA Docents will reveal which photographers include their own reflections in their photographs, highlighting their active role in the creation of images. A tour will also indicate which photographers look outward, enacting an exchange of public and, sometimes, voyeuristic glances; and which look inward to domestic spaces, framing intimate views and personal moments among families and lovers. Mirrors and windows, like the medium of photography itself, expand the limits of the human eye to perceive the world and, in turn, invite viewers to see through to new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Social / Informal Gathering Wed, 09 May 2018 13:09:40 -0400 2018-06-24T14:00:00-04:00 2018-06-24T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Exercising the Eye: The Gertrude Kasle Collection (June 25, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465063@events.umich.edu Event Begins: Monday, June 25, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-25T11:00:00-04:00 2018-06-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Exercising the Eye: The Gertrude Kasle Collection (June 26, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465064@events.umich.edu Event Begins: Tuesday, June 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-26T11:00:00-04:00 2018-06-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 26, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362777@events.umich.edu Event Begins: Tuesday, June 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-26T11:00:00-04:00 2018-06-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 26, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884946@events.umich.edu Event Begins: Tuesday, June 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-26T11:00:00-04:00 2018-06-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 26, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577032@events.umich.edu Event Begins: Tuesday, June 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-26T11:00:00-04:00 2018-06-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 26, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285923@events.umich.edu Event Begins: Tuesday, June 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-26T11:00:00-04:00 2018-06-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (June 27, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465065@events.umich.edu Event Begins: Wednesday, June 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-27T11:00:00-04:00 2018-06-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 27, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362795@events.umich.edu Event Begins: Wednesday, June 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-27T11:00:00-04:00 2018-06-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 27, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884947@events.umich.edu Event Begins: Wednesday, June 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-27T11:00:00-04:00 2018-06-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 27, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577048@events.umich.edu Event Begins: Wednesday, June 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-27T11:00:00-04:00 2018-06-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 27, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285941@events.umich.edu Event Begins: Wednesday, June 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-27T11:00:00-04:00 2018-06-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (June 28, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465066@events.umich.edu Event Begins: Thursday, June 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-28T11:00:00-04:00 2018-06-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 28, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362813@events.umich.edu Event Begins: Thursday, June 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-28T11:00:00-04:00 2018-06-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 28, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884948@events.umich.edu Event Begins: Thursday, June 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-28T11:00:00-04:00 2018-06-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 28, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577064@events.umich.edu Event Begins: Thursday, June 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-28T11:00:00-04:00 2018-06-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 28, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285957@events.umich.edu Event Begins: Thursday, June 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-28T11:00:00-04:00 2018-06-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (June 29, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465067@events.umich.edu Event Begins: Friday, June 29, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-29T11:00:00-04:00 2018-06-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 29, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362831@events.umich.edu Event Begins: Friday, June 29, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-29T11:00:00-04:00 2018-06-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
Marcel Dzama: A Jester's Dance (June 29, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362848@events.umich.edu Event Begins: Friday, June 29, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-29T11:00:00-04:00 2018-06-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 29, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884949@events.umich.edu Event Begins: Friday, June 29, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

]]>
Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-29T11:00:00-04:00 2018-06-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 29, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577080@events.umich.edu Event Begins: Friday, June 29, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-29T11:00:00-04:00 2018-06-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 29, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285974@events.umich.edu Event Begins: Friday, June 29, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-29T11:00:00-04:00 2018-06-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (June 30, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465068@events.umich.edu Event Begins: Saturday, June 30, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-06-30T11:00:00-04:00 2018-06-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (June 30, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362722@events.umich.edu Event Begins: Saturday, June 30, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-06-30T11:00:00-04:00 2018-06-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (June 30, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884950@events.umich.edu Event Begins: Saturday, June 30, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-06-30T11:00:00-04:00 2018-06-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (June 30, 2018 11:00am) https://events.umich.edu/event/52257 52257-12576999@events.umich.edu Event Begins: Saturday, June 30, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-06-30T11:00:00-04:00 2018-06-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (June 30, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285888@events.umich.edu Event Begins: Saturday, June 30, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-06-30T11:00:00-04:00 2018-06-30T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 1, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465069@events.umich.edu Event Begins: Sunday, July 1, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-01T11:00:00-04:00 2018-07-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 1, 2018 12:00pm) https://events.umich.edu/event/52025 52025-12362741@events.umich.edu Event Begins: Sunday, July 1, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-01T12:00:00-04:00 2018-07-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 1, 2018 12:00pm) https://events.umich.edu/event/50849 50849-11884951@events.umich.edu Event Begins: Sunday, July 1, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-01T12:00:00-04:00 2018-07-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 1, 2018 12:00pm) https://events.umich.edu/event/52257 52257-12577016@events.umich.edu Event Begins: Sunday, July 1, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-01T12:00:00-04:00 2018-07-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 1, 2018 12:00pm) https://events.umich.edu/event/51906 51906-12285906@events.umich.edu Event Begins: Sunday, July 1, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-01T12:00:00-04:00 2018-07-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Guided Tour - Exercising the Eye: The Gertrude Kasle Collection (July 1, 2018 2:00pm) https://events.umich.edu/event/49500 49500-12850973@events.umich.edu Event Begins: Sunday, July 1, 2018 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century including Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg, among others. Join docents as they explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Social / Informal Gathering Tue, 30 Jan 2018 15:05:56 -0500 2018-07-01T14:00:00-04:00 2018-07-01T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Center Stage Strings in the Gallery (July 1, 2018 6:00pm) https://events.umich.edu/event/52556 52556-12850974@events.umich.edu Event Begins: Sunday, July 1, 2018 6:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Danielle Belen, celebrated violinist, founder of Center Stage Strings, and U-M Associate Professor of Violin, has gathered the nation's finest young musicians for a four-week-long festival in the heart of Ann Arbor. Inspired by the art at UMMA, these artists will present a program of chamber works written throughout the centuries - from the 18th century Classical period to Brahms and beyond.

Center Stage Strings is one of the MPulse Summer Performing Arts Institutes at the U-M School of Music Theater and Dance. This concert is co-sponsored by the U-M Museum of Art.

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Performance Tue, 05 Jun 2018 13:03:27 -0400 2018-07-01T18:00:00-04:00 2018-07-01T19:30:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Performance SMTD@UMMA
Exercising the Eye: The Gertrude Kasle Collection (July 2, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465070@events.umich.edu Event Begins: Monday, July 2, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-02T11:00:00-04:00 2018-07-02T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Exercising the Eye: The Gertrude Kasle Collection (July 3, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465071@events.umich.edu Event Begins: Tuesday, July 3, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-03T11:00:00-04:00 2018-07-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 3, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362778@events.umich.edu Event Begins: Tuesday, July 3, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-03T11:00:00-04:00 2018-07-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 3, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884953@events.umich.edu Event Begins: Tuesday, July 3, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-03T11:00:00-04:00 2018-07-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 3, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577033@events.umich.edu Event Begins: Tuesday, July 3, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-03T11:00:00-04:00 2018-07-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 3, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285924@events.umich.edu Event Begins: Tuesday, July 3, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-03T11:00:00-04:00 2018-07-03T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 4, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465072@events.umich.edu Event Begins: Wednesday, July 4, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-04T11:00:00-04:00 2018-07-04T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Exercising the Eye: The Gertrude Kasle Collection (July 5, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465073@events.umich.edu Event Begins: Thursday, July 5, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-05T11:00:00-04:00 2018-07-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 5, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362814@events.umich.edu Event Begins: Thursday, July 5, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-05T11:00:00-04:00 2018-07-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 5, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884955@events.umich.edu Event Begins: Thursday, July 5, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-05T11:00:00-04:00 2018-07-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 5, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577065@events.umich.edu Event Begins: Thursday, July 5, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-05T11:00:00-04:00 2018-07-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 5, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285958@events.umich.edu Event Begins: Thursday, July 5, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-05T11:00:00-04:00 2018-07-05T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 6, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465074@events.umich.edu Event Begins: Friday, July 6, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-06T11:00:00-04:00 2018-07-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 6, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362832@events.umich.edu Event Begins: Friday, July 6, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-06T11:00:00-04:00 2018-07-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
Marcel Dzama: A Jester's Dance (July 6, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362849@events.umich.edu Event Begins: Friday, July 6, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-06T11:00:00-04:00 2018-07-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 6, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884956@events.umich.edu Event Begins: Friday, July 6, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-06T11:00:00-04:00 2018-07-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 6, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577081@events.umich.edu Event Begins: Friday, July 6, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-06T11:00:00-04:00 2018-07-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 6, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285975@events.umich.edu Event Begins: Friday, July 6, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-06T11:00:00-04:00 2018-07-06T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 7, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465075@events.umich.edu Event Begins: Saturday, July 7, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-07T11:00:00-04:00 2018-07-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 7, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362723@events.umich.edu Event Begins: Saturday, July 7, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-07T11:00:00-04:00 2018-07-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 7, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884957@events.umich.edu Event Begins: Saturday, July 7, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

]]>
Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-07T11:00:00-04:00 2018-07-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 7, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577000@events.umich.edu Event Begins: Saturday, July 7, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-07T11:00:00-04:00 2018-07-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 7, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285889@events.umich.edu Event Begins: Saturday, July 7, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-07T11:00:00-04:00 2018-07-07T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 8, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465076@events.umich.edu Event Begins: Sunday, July 8, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-08T11:00:00-04:00 2018-07-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 8, 2018 12:00pm) https://events.umich.edu/event/52025 52025-12362742@events.umich.edu Event Begins: Sunday, July 8, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-08T12:00:00-04:00 2018-07-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 8, 2018 12:00pm) https://events.umich.edu/event/50849 50849-11884958@events.umich.edu Event Begins: Sunday, July 8, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-08T12:00:00-04:00 2018-07-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 8, 2018 12:00pm) https://events.umich.edu/event/52257 52257-12577017@events.umich.edu Event Begins: Sunday, July 8, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

]]>
Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-08T12:00:00-04:00 2018-07-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 8, 2018 12:00pm) https://events.umich.edu/event/51906 51906-12285907@events.umich.edu Event Begins: Sunday, July 8, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-08T12:00:00-04:00 2018-07-08T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Guided Tour - Cosmogonic Tattoos (July 8, 2018 2:00pm) https://events.umich.edu/event/52557 52557-12850975@events.umich.edu Event Begins: Sunday, July 8, 2018 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

In celebration of the University of Michigan’s Bicentennial in 2017, artist and distinguished Stamps School of Art and Design professor Jim Cogswell has been invited to create a series of public window installations at the University of Michigan Museum of Art and the Kelsey Museum of Archaeology. For this visionary project, the artist will adhere a procession of vivid images to the glass walls of the museums in a rhythmically evocative narrative of reassembled fragments from a diverse range of artworks in both museums’ permanent collections. By leveraging the buildings’ unique architecture, the artist expands our understanding of a museum as a cultural repository and highlights the significant role of these institutions in the life of the campus community. UMMA docents will introduce the juxtaposed images and help connect the viewer to the origins and meaning of objects and their power to shape knowledge, memory, and identity.

Lead support for 'Cosmogonic Tattoos' is provided by the University of Michigan Office of the Provost. Additional support for the artist's project is provided by the University of Michigan Bicentennial Office and the Penny W. Stamps School of Art and Design.

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Social / Informal Gathering Tue, 05 Jun 2018 13:06:22 -0400 2018-07-08T14:00:00-04:00 2018-07-08T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Cosmogonic Tattoos
In Conversation: Gertrude’s Eye: An Intimate Look at the Gertrude Kasle Collection (July 8, 2018 3:00pm) https://events.umich.edu/event/52558 52558-12850976@events.umich.edu Event Begins: Sunday, July 8, 2018 3:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

This program is free and open to the public, but space is limited. Visit our website to register.

Join Assistant Curator Jennifer Friess for a conversation about the exhibition 'Exercising the Eye: The Gertrude Kasle Collection,' which focuses on Gertrude Kasle’s pioneering role as a contemporary art gallerist and collector in Detroit. This tour will highlight key artists from Kasle’s private collection, including Robert Rauschenberg, Jasper Johns, and Grace Hartigan and will explore Kasle’s significant efforts to foster new visual and cultural ideas in the Midwest during the 1960s and ‘70s.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Social / Informal Gathering Tue, 05 Jun 2018 13:09:46 -0400 2018-07-08T15:00:00-04:00 2018-07-08T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Gertrude Kasle
Exercising the Eye: The Gertrude Kasle Collection (July 9, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465077@events.umich.edu Event Begins: Monday, July 9, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-09T11:00:00-04:00 2018-07-09T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Exercising the Eye: The Gertrude Kasle Collection (July 10, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465078@events.umich.edu Event Begins: Tuesday, July 10, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-10T11:00:00-04:00 2018-07-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 10, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362779@events.umich.edu Event Begins: Tuesday, July 10, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-10T11:00:00-04:00 2018-07-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 10, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884960@events.umich.edu Event Begins: Tuesday, July 10, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-10T11:00:00-04:00 2018-07-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 10, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577034@events.umich.edu Event Begins: Tuesday, July 10, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-10T11:00:00-04:00 2018-07-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 10, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285925@events.umich.edu Event Begins: Tuesday, July 10, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-10T11:00:00-04:00 2018-07-10T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 11, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465079@events.umich.edu Event Begins: Wednesday, July 11, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-11T11:00:00-04:00 2018-07-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 11, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362797@events.umich.edu Event Begins: Wednesday, July 11, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-11T11:00:00-04:00 2018-07-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 11, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884961@events.umich.edu Event Begins: Wednesday, July 11, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-11T11:00:00-04:00 2018-07-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 11, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577050@events.umich.edu Event Begins: Wednesday, July 11, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-11T11:00:00-04:00 2018-07-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 11, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285943@events.umich.edu Event Begins: Wednesday, July 11, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-11T11:00:00-04:00 2018-07-11T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 12, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465080@events.umich.edu Event Begins: Thursday, July 12, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-12T11:00:00-04:00 2018-07-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 12, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362815@events.umich.edu Event Begins: Thursday, July 12, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-12T11:00:00-04:00 2018-07-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 12, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884962@events.umich.edu Event Begins: Thursday, July 12, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-12T11:00:00-04:00 2018-07-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 12, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577066@events.umich.edu Event Begins: Thursday, July 12, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-12T11:00:00-04:00 2018-07-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 12, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285959@events.umich.edu Event Begins: Thursday, July 12, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-12T11:00:00-04:00 2018-07-12T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 13, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465081@events.umich.edu Event Begins: Friday, July 13, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-13T11:00:00-04:00 2018-07-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 13, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362833@events.umich.edu Event Begins: Friday, July 13, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-13T11:00:00-04:00 2018-07-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
Marcel Dzama: A Jester's Dance (July 13, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362850@events.umich.edu Event Begins: Friday, July 13, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-13T11:00:00-04:00 2018-07-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 13, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884963@events.umich.edu Event Begins: Friday, July 13, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-13T11:00:00-04:00 2018-07-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 13, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577082@events.umich.edu Event Begins: Friday, July 13, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-13T11:00:00-04:00 2018-07-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 13, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285976@events.umich.edu Event Begins: Friday, July 13, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-13T11:00:00-04:00 2018-07-13T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 14, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465082@events.umich.edu Event Begins: Saturday, July 14, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-14T11:00:00-04:00 2018-07-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Family Art Studio: Museum Sketchers (July 14, 2018 11:00am) https://events.umich.edu/event/52559 52559-12850977@events.umich.edu Event Begins: Saturday, July 14, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

This event is free, but registration is required. Visit our website to register.

Taking inspiration from Urban Sketchers, a global community of artists devoted to on-location drawing, July's Family Art Studio will focus on drawing and painting what's around us at UMMA. Enjoy a tour through the galleries followed by a hands on workshop with local artists Susan Clinthorne and Nora Venturelli. Designed for families with children ages 6 and up. Parents must accompany children.

Family Art Studio is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Workshop / Seminar Tue, 05 Jun 2018 13:13:23 -0400 2018-07-14T11:00:00-04:00 2018-07-14T13:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Family Art Studio
Marcel Dzama: A Jester's Dance (July 14, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362724@events.umich.edu Event Begins: Saturday, July 14, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-14T11:00:00-04:00 2018-07-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 14, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884964@events.umich.edu Event Begins: Saturday, July 14, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-14T11:00:00-04:00 2018-07-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 14, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577001@events.umich.edu Event Begins: Saturday, July 14, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-14T11:00:00-04:00 2018-07-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 14, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285890@events.umich.edu Event Begins: Saturday, July 14, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-14T11:00:00-04:00 2018-07-14T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
UMMA Pop Up: Music with Ed Dupas (July 14, 2018 1:00pm) https://events.umich.edu/event/52560 52560-12850979@events.umich.edu Event Begins: Saturday, July 14, 2018 1:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Americana singer-songwriter Ed Dupas’ lived-in melodies unwind with reflective lyrics and speak to the current state of the human condition. Come enjoy an hour of songs that are soothing where possible, agitating where necessary, and seeking change where appropriate.

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Performance Tue, 05 Jun 2018 13:16:11 -0400 2018-07-14T13:00:00-04:00 2018-07-14T14:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Performance Ed Dupas
Family Art Studio: Museum Sketchers (July 14, 2018 2:00pm) https://events.umich.edu/event/52559 52559-12850978@events.umich.edu Event Begins: Saturday, July 14, 2018 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

This event is free, but registration is required. Visit our website to register.

Taking inspiration from Urban Sketchers, a global community of artists devoted to on-location drawing, July's Family Art Studio will focus on drawing and painting what's around us at UMMA. Enjoy a tour through the galleries followed by a hands on workshop with local artists Susan Clinthorne and Nora Venturelli. Designed for families with children ages 6 and up. Parents must accompany children.

Family Art Studio is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Workshop / Seminar Tue, 05 Jun 2018 13:13:23 -0400 2018-07-14T14:00:00-04:00 2018-07-14T16:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Workshop / Seminar Family Art Studio
Exercising the Eye: The Gertrude Kasle Collection (July 15, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465083@events.umich.edu Event Begins: Sunday, July 15, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-15T11:00:00-04:00 2018-07-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 15, 2018 12:00pm) https://events.umich.edu/event/52025 52025-12362743@events.umich.edu Event Begins: Sunday, July 15, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-15T12:00:00-04:00 2018-07-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 15, 2018 12:00pm) https://events.umich.edu/event/50849 50849-11884965@events.umich.edu Event Begins: Sunday, July 15, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-15T12:00:00-04:00 2018-07-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 15, 2018 12:00pm) https://events.umich.edu/event/52257 52257-12577018@events.umich.edu Event Begins: Sunday, July 15, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-15T12:00:00-04:00 2018-07-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 15, 2018 12:00pm) https://events.umich.edu/event/51906 51906-12285908@events.umich.edu Event Begins: Sunday, July 15, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-15T12:00:00-04:00 2018-07-15T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Guided Tour - Unrecorded: Reimagining Artist Identities in Africa (July 15, 2018 2:00pm) https://events.umich.edu/event/52265 52265-12850984@events.umich.edu Event Begins: Sunday, July 15, 2018 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of
African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Social / Informal Gathering Wed, 09 May 2018 12:56:04 -0400 2018-07-15T14:00:00-04:00 2018-07-15T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Yinka Shonibare MBE, Untitled (Dollhouse), 2002, wood, fabric, paper, plastic, metal, resin, offset lithograph. University of Michigan Museum of Art, Gift of Peter Norton Family Foundation, 2002/1.236 © Yinka Shonibare MBE. All Rights Reserved, Peter Norton Family Foundation, 2018. Photography: Charlie Edwards
Exercising the Eye: The Gertrude Kasle Collection (July 16, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465084@events.umich.edu Event Begins: Monday, July 16, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-16T11:00:00-04:00 2018-07-16T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Exercising the Eye: The Gertrude Kasle Collection (July 17, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465085@events.umich.edu Event Begins: Tuesday, July 17, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-17T11:00:00-04:00 2018-07-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 17, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362780@events.umich.edu Event Begins: Tuesday, July 17, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-17T11:00:00-04:00 2018-07-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 17, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884967@events.umich.edu Event Begins: Tuesday, July 17, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-17T11:00:00-04:00 2018-07-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 17, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577035@events.umich.edu Event Begins: Tuesday, July 17, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-17T11:00:00-04:00 2018-07-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 17, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285926@events.umich.edu Event Begins: Tuesday, July 17, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-17T11:00:00-04:00 2018-07-17T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 18, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465086@events.umich.edu Event Begins: Wednesday, July 18, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-18T11:00:00-04:00 2018-07-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 18, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362798@events.umich.edu Event Begins: Wednesday, July 18, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-18T11:00:00-04:00 2018-07-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 18, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884968@events.umich.edu Event Begins: Wednesday, July 18, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-18T11:00:00-04:00 2018-07-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 18, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577051@events.umich.edu Event Begins: Wednesday, July 18, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-18T11:00:00-04:00 2018-07-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 18, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285944@events.umich.edu Event Begins: Wednesday, July 18, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-18T11:00:00-04:00 2018-07-18T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 19, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465087@events.umich.edu Event Begins: Thursday, July 19, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-19T11:00:00-04:00 2018-07-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 19, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362816@events.umich.edu Event Begins: Thursday, July 19, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-19T11:00:00-04:00 2018-07-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 19, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884969@events.umich.edu Event Begins: Thursday, July 19, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-19T11:00:00-04:00 2018-07-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 19, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577067@events.umich.edu Event Begins: Thursday, July 19, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-19T11:00:00-04:00 2018-07-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 19, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285960@events.umich.edu Event Begins: Thursday, July 19, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-19T11:00:00-04:00 2018-07-19T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Volunteer at Artscapade! (July 19, 2018 11:00am) https://events.umich.edu/event/42847 42847-13176830@events.umich.edu Event Begins: Thursday, July 19, 2018 11:00am
Location: Museum of Art
Organized By: Arts at Michigan

Artscapade is at UMMA on Friday, August 30, 7-10pm
Sign up to volunteer today! http://artsatmichigan.umich.edu/programs/artscapade/

Arts at Michigan and the University of Michigan Museum of Art (UMMA) celebrate Welcome Week through Artscapade -- an evening of art-making, live music, dance and poetry, games, and prizes. We're looking for volunteers to help with Artscapade! There are many fun volunteer opportunities for Artscapade. As a volunteer you'll meet new students, explore UMMA, help run fun arts activities, and get a free Artscapade t-shirt! We hope that you will join us to kick off the new year with Arts at Michigan!

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Fair / Festival Thu, 22 Aug 2019 14:43:45 -0400 2018-07-19T11:00:00-04:00 2018-07-19T12:00:00-04:00 Museum of Art Arts at Michigan Fair / Festival Artscapade at UMMA
Exercising the Eye: The Gertrude Kasle Collection (July 20, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465088@events.umich.edu Event Begins: Friday, July 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-20T11:00:00-04:00 2018-07-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 20, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362834@events.umich.edu Event Begins: Friday, July 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-20T11:00:00-04:00 2018-07-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
Marcel Dzama: A Jester's Dance (July 20, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362851@events.umich.edu Event Begins: Friday, July 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-20T11:00:00-04:00 2018-07-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 20, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884970@events.umich.edu Event Begins: Friday, July 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-20T11:00:00-04:00 2018-07-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 20, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577083@events.umich.edu Event Begins: Friday, July 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-20T11:00:00-04:00 2018-07-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 20, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285977@events.umich.edu Event Begins: Friday, July 20, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-20T11:00:00-04:00 2018-07-20T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 21, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465089@events.umich.edu Event Begins: Saturday, July 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-21T11:00:00-04:00 2018-07-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 21, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362725@events.umich.edu Event Begins: Saturday, July 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-21T11:00:00-04:00 2018-07-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 21, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884971@events.umich.edu Event Begins: Saturday, July 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-21T11:00:00-04:00 2018-07-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 21, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577002@events.umich.edu Event Begins: Saturday, July 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-21T11:00:00-04:00 2018-07-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 21, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285891@events.umich.edu Event Begins: Saturday, July 21, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-21T11:00:00-04:00 2018-07-21T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Exercising the Eye: The Gertrude Kasle Collection (July 22, 2018 11:00am) https://events.umich.edu/event/49505 49505-11465090@events.umich.edu Event Begins: Sunday, July 22, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Gallery hours are 11 a.m.–5 p.m. Tuesday–Saturday and 12–5 p.m. Sunday; galleries are closed on Mondays.

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Exhibition Tue, 30 Jan 2018 15:29:23 -0500 2018-07-22T11:00:00-04:00 2018-07-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 22, 2018 12:00pm) https://events.umich.edu/event/52025 52025-12362744@events.umich.edu Event Begins: Sunday, July 22, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-22T12:00:00-04:00 2018-07-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 22, 2018 12:00pm) https://events.umich.edu/event/50849 50849-11884972@events.umich.edu Event Begins: Sunday, July 22, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-22T12:00:00-04:00 2018-07-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 22, 2018 12:00pm) https://events.umich.edu/event/52257 52257-12577019@events.umich.edu Event Begins: Sunday, July 22, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-22T12:00:00-04:00 2018-07-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 22, 2018 12:00pm) https://events.umich.edu/event/51906 51906-12285909@events.umich.edu Event Begins: Sunday, July 22, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-22T12:00:00-04:00 2018-07-22T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Guided Tour - Exercising the Eye: The Gertrude Kasle Collection (July 22, 2018 2:00pm) https://events.umich.edu/event/49500 49500-12850983@events.umich.edu Event Begins: Sunday, July 22, 2018 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

This exhibition celebrates Gertrude Kasle (1917–2016), a key figure in the formation of Detroit’s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century including Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg, among others. Join docents as they explore a dynamic moment in Detroit’s cultural history and insight into Kasle’s love of looking and learning.

Lead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.

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Social / Informal Gathering Tue, 30 Jan 2018 15:05:56 -0500 2018-07-22T14:00:00-04:00 2018-07-22T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering William Tarr, 'Study for Gates of the Six Million,' ca. 1980, bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113
Marcel Dzama: A Jester's Dance (July 24, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362781@events.umich.edu Event Begins: Tuesday, July 24, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-24T11:00:00-04:00 2018-07-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 24, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884974@events.umich.edu Event Begins: Tuesday, July 24, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-24T11:00:00-04:00 2018-07-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 24, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577036@events.umich.edu Event Begins: Tuesday, July 24, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-24T11:00:00-04:00 2018-07-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 24, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285927@events.umich.edu Event Begins: Tuesday, July 24, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-24T11:00:00-04:00 2018-07-24T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Marcel Dzama: A Jester's Dance (July 25, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362799@events.umich.edu Event Begins: Wednesday, July 25, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-25T11:00:00-04:00 2018-07-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 25, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884975@events.umich.edu Event Begins: Wednesday, July 25, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-25T11:00:00-04:00 2018-07-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 25, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577052@events.umich.edu Event Begins: Wednesday, July 25, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-25T11:00:00-04:00 2018-07-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 25, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285945@events.umich.edu Event Begins: Wednesday, July 25, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-25T11:00:00-04:00 2018-07-25T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Marcel Dzama: A Jester's Dance (July 26, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362817@events.umich.edu Event Begins: Thursday, July 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-26T11:00:00-04:00 2018-07-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 26, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884976@events.umich.edu Event Begins: Thursday, July 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-26T11:00:00-04:00 2018-07-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 26, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577068@events.umich.edu Event Begins: Thursday, July 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-26T11:00:00-04:00 2018-07-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 26, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285961@events.umich.edu Event Begins: Thursday, July 26, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-26T11:00:00-04:00 2018-07-26T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Volunteer at Artscapade! (July 26, 2018 11:00am) https://events.umich.edu/event/42847 42847-13176831@events.umich.edu Event Begins: Thursday, July 26, 2018 11:00am
Location: Museum of Art
Organized By: Arts at Michigan

Artscapade is at UMMA on Friday, August 30, 7-10pm
Sign up to volunteer today! http://artsatmichigan.umich.edu/programs/artscapade/

Arts at Michigan and the University of Michigan Museum of Art (UMMA) celebrate Welcome Week through Artscapade -- an evening of art-making, live music, dance and poetry, games, and prizes. We're looking for volunteers to help with Artscapade! There are many fun volunteer opportunities for Artscapade. As a volunteer you'll meet new students, explore UMMA, help run fun arts activities, and get a free Artscapade t-shirt! We hope that you will join us to kick off the new year with Arts at Michigan!

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Fair / Festival Thu, 22 Aug 2019 14:43:45 -0400 2018-07-26T11:00:00-04:00 2018-07-26T12:00:00-04:00 Museum of Art Arts at Michigan Fair / Festival Artscapade at UMMA
Marcel Dzama: A Jester's Dance (July 27, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362835@events.umich.edu Event Begins: Friday, July 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-27T11:00:00-04:00 2018-07-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
Marcel Dzama: A Jester's Dance (July 27, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362852@events.umich.edu Event Begins: Friday, July 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-27T11:00:00-04:00 2018-07-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 27, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884977@events.umich.edu Event Begins: Friday, July 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-27T11:00:00-04:00 2018-07-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 27, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577084@events.umich.edu Event Begins: Friday, July 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-27T11:00:00-04:00 2018-07-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 27, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285978@events.umich.edu Event Begins: Friday, July 27, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-27T11:00:00-04:00 2018-07-27T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Marcel Dzama: A Jester's Dance (July 28, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362726@events.umich.edu Event Begins: Saturday, July 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-28T11:00:00-04:00 2018-07-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 28, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884978@events.umich.edu Event Begins: Saturday, July 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-28T11:00:00-04:00 2018-07-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 28, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577003@events.umich.edu Event Begins: Saturday, July 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-28T11:00:00-04:00 2018-07-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 28, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285892@events.umich.edu Event Begins: Saturday, July 28, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-28T11:00:00-04:00 2018-07-28T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Storytime at the Museum (July 28, 2018 11:15am) https://events.umich.edu/event/52562 52562-12850981@events.umich.edu Event Begins: Saturday, July 28, 2018 11:15am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Storytime at the Museum promotes art enjoyment for our youngest patrons. During the summer we take advantage of the warm weather and the public art situated outside the Museum. As always, we include a fun, age-appropriate hands-on activity related to the story. Children ages three to six are invited to join Storytime. Parents must accompany children. Siblings are welcome to join the group. Meet in front of the UMMA Store.

Storytime is generously supported by the University of Michigan Credit Union Arts Adventures Program, UMMA's Lead Sponsor for Student and Family Engagement.

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Social / Informal Gathering Tue, 05 Jun 2018 13:22:52 -0400 2018-07-28T11:15:00-04:00 2018-07-28T12:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering Storytime
Marcel Dzama: A Jester's Dance (July 29, 2018 12:00pm) https://events.umich.edu/event/52025 52025-12362745@events.umich.edu Event Begins: Sunday, July 29, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-29T12:00:00-04:00 2018-07-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 29, 2018 12:00pm) https://events.umich.edu/event/50849 50849-11884979@events.umich.edu Event Begins: Sunday, July 29, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

]]>
Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-29T12:00:00-04:00 2018-07-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 29, 2018 12:00pm) https://events.umich.edu/event/52257 52257-12577020@events.umich.edu Event Begins: Sunday, July 29, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-29T12:00:00-04:00 2018-07-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 29, 2018 12:00pm) https://events.umich.edu/event/51906 51906-12285910@events.umich.edu Event Begins: Sunday, July 29, 2018 12:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-29T12:00:00-04:00 2018-07-29T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Guided Tour - See Through: Mirrors and Windows in Twentieth-Century Photography (July 29, 2018 2:00pm) https://events.umich.edu/event/52563 52563-12850982@events.umich.edu Event Begins: Sunday, July 29, 2018 2:00pm
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

'See Through' looks at how photographers of these images doubly frame the world around us —once through the frame of the camera lens and, again, through the frame of a reflective mirror or transparent window. UMMA Docents will reveal which photographers include their own reflections in their photographs, highlighting their active role in the creation of images. A tour will also indicate which photographers look outward, enacting an exchange of public and, sometimes, voyeuristic glances; and which look inward to domestic spaces, framing intimate views and personal moments among families and lovers. Mirrors and windows, like the medium of photography itself, expand the limits of the human eye to perceive the world and, in turn, invite viewers to see through to new visual possibilities.

Lead support for 'See Through: Windows and Mirrors in Twentieth-Century Photography' is provided by the Herbert W. and Susan L. Johe Endowment.

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Social / Informal Gathering Tue, 05 Jun 2018 13:26:19 -0400 2018-07-29T14:00:00-04:00 2018-07-29T15:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Social / Informal Gathering See Through
Marcel Dzama: A Jester's Dance (July 31, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362782@events.umich.edu Event Begins: Tuesday, July 31, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-07-31T11:00:00-04:00 2018-07-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (July 31, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884981@events.umich.edu Event Begins: Tuesday, July 31, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-07-31T11:00:00-04:00 2018-07-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)
See Through: Windows and Mirrors in Twentieth-Century Photography (July 31, 2018 11:00am) https://events.umich.edu/event/52257 52257-12577037@events.umich.edu Event Begins: Tuesday, July 31, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.

Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.

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Exhibition Wed, 09 May 2018 11:40:04 -0400 2018-07-31T11:00:00-04:00 2018-07-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Elliott Erwitt, Cracked Glass with Boy—Colorado, 1955, gelatin silver print. University of Michigan Museum of Art, Gift of Gerald Lotenberg, 1981/2.194.2, © Elliott Erwitt / Magnum Photos
Unrecorded: Reimagining Artist Identities in Africa (July 31, 2018 11:00am) https://events.umich.edu/event/51906 51906-12285928@events.umich.edu Event Begins: Tuesday, July 31, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as ‘unknown’ or ‘anonymous,’ African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an ‘African’ artist’s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.

Lead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.

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Exhibition Thu, 12 Apr 2018 14:51:24 -0400 2018-07-31T11:00:00-04:00 2018-07-31T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Unrecorded
Marcel Dzama: A Jester's Dance (August 1, 2018 11:00am) https://events.umich.edu/event/52025 52025-12362800@events.umich.edu Event Begins: Wednesday, August 1, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork Étant donnés. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama’s ink and watercolor drawings, renderings of small hybrid figures resembling children’s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.

Lead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.

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Exhibition Thu, 19 Apr 2018 15:26:24 -0400 2018-08-01T11:00:00-04:00 2018-08-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Marcel Dzama, Une danse des bouffons (or A jester’s dance), 2013, video projection, edition of 4. Courtesy David Zwirner, New York/London
New at UMMA: Illuminated Manuscript (August 1, 2018 11:00am) https://events.umich.edu/event/50849 50849-11884982@events.umich.edu Event Begins: Wednesday, August 1, 2018 11:00am
Location: Museum of Art
Organized By: University of Michigan Museum of Art (UMMA)

Books of hours—custom-made for private devotion in the Christian faith—were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio’s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence.

This work was recently gifted to UMMA by Mrs. Carrol Robertsen.

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Exhibition Thu, 08 Mar 2018 13:55:41 -0500 2018-08-01T11:00:00-04:00 2018-08-01T17:00:00-04:00 Museum of Art University of Michigan Museum of Art (UMMA) Exhibition Artist unknown, Calendar leaf (January), from a Book of Hours, 1462, ink, tempera, and gold leaf on parchment. University of Michigan Museum of Art, Gift of Mrs. Carrol Robertsen, 2015/2.6B (recto)