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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20120511T090905
DTSTART;TZID=America/Detroit:20120531T080000
DTEND;TZID=America/Detroit:20120531T123000
SUMMARY:Workshop / Seminar:University of Michigan Life Cycle Assessment (LCA) Symposium
DESCRIPTION:Life Cycle Assessment (LCA) has gained importance in the recent years\, both in terms of methodological research and its application in all sectors of the economy. Assessing impacts of products over their whole life cycle has become a key step for effective improvements towards sustainability.\n\nUniversity of Michigan (U of M) has a unique record of achievements in Life Cycle Research among North American Academic Institutions with more than 20 years of research experience in Life Cycle Inventories\, Impact Assessment\, Input-Output and Life Cycle Costing applied to a diverse variety of topics for instance sustainable materials\, buildings\, transportation\, energy\, food\, and consumer products. This research has been carried out throughout several laboratories and schools across the campus including the School of Natural Resources\, the School of Public Health\, the College of Engineering and the Ross School of Business.\n\nTo foster the interaction between U of M researchers and further stimulate the emergence of innovative and interdisciplinary research in life cycle related areas\, we invite you to join an intensive interactive  ½ day Symposium on Life Cycle Research that will take place on May 31\, 2012. Please register\, come and present your current research and your ideas for future developments.
UID:9168-1139162@events.umich.edu
URL:https://events.umich.edu/event/9168
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:impact assessment,life cycle costing,lca,school of public health,olivier jolliet,life cycle research,life cycle assessment
LOCATION:School of Public Health Bldg I and Crossroads and Tower - 1680 and 1655
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120307T165653
DTSTART;TZID=America/Detroit:20120531T083000
DTEND;TZID=America/Detroit:20120531T190000
SUMMARY:Exhibition:The More Things Change...The Labadie Collection's 100th Anniversary
DESCRIPTION:View selected items from the world’s foremost archive of international radical social protest movements. \"Social protest movements often involve intense passion\, so expect to see some edgy and offensive items on display\,\" says Labadie Collection curator Julie Herrada.\n\nThe Labadie Collection is the world’s largest publicly accessible research collection covering just about every 19th\, 20th\, and 21st century protest movement that can be documented on paper\, from the French Revolution to Occupy Wall Street. It has served as a resource for thousands of people the world over\, from high school students to seasoned researchers\, from young activists in search of their roots to documentary filmmakers unearthing eye-catching images. Books\, serials\, manuscripts\, pamphlets\, photographs\, audio recordings\, posters\, and political buttons are all part of this eclectic group of materials.\n\nView the exhibit during Audubon Room hours: Mon-Thurs 8:30am-7pm\, Fri 8:30am-6pm\, Sat 10am-6pm\, Sun 1pm-7pm
UID:8665-1138276@events.umich.edu
URL:https://events.umich.edu/event/8665
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:books,labor unions,lgbt,libraries,social justice,politics
LOCATION:Hatcher Graduate Library - Audubon Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120507T171410
DTSTART;TZID=America/Detroit:20120531T100000
DTEND;TZID=America/Detroit:20120531T200000
SUMMARY:Exhibition:Orson Welles: New Acquisitions
DESCRIPTION:Two new archival collections focusing on acclaimed filmmaker and actor Orson Welles (1915-1985) were recently added to the U-M Special Collections Library’s already substantial Welles holdings. Selections from the new materials\, including correspondence relating to Welles’s never-completed film Don Quixote and several costume designs credited to Welles for The Chimes at Midnight\, are on display in the Special Collections Library (7th floor\, Hatcher Graduate Library\, University of Michigan) now through June 2012.\n\nSpecial Collections Hours: Mon-Fri 10am-5pm
UID:9127-1138941@events.umich.edu
URL:https://events.umich.edu/event/9127
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film,costume design
LOCATION:Hatcher Graduate Library - Special Collections Library, 7th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120531T100000
DTEND;TZID=America/Detroit:20120531T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138737@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:umma,visual arts,video,art
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120601T100000
DTEND;TZID=America/Detroit:20120601T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138738@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:umma,visual arts,video,art
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120508T102808
DTSTART;TZID=America/Detroit:20120601T200000
SUMMARY:Performance:Camp Bacon presents Kenny Brown
DESCRIPTION:
UID:9141-1138963@events.umich.edu
URL:https://events.umich.edu/event/9141
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:kenny brown,music,the ark
LOCATION:Off Campus Location - The Ark, 316 S. Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120601T000008
DTSTART;TZID=America/Detroit:20120601T200000
SUMMARY:Performance:Pre-Candidate Recital: Stijn De Cock\, piano
DESCRIPTION:PROGRAM: Haydn - Sonata in C Minor\, Hob. XVI:20\; Liszt - Hungarian Rhapsody no. 12 in C-sharp Minor	\; Rachmaninoff - Variations on a Theme of Corelli\, Op. 42\; Scriabin - Poem\, Op. 32\, no. 1\; Scriabin - Fantasy in B Minor\, Op. 28.
UID:9202-1139260@events.umich.edu
URL:https://events.umich.edu/event/9202
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120602T100000
DTEND;TZID=America/Detroit:20120602T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138739@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:umma,visual arts,video,art
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120213T122053
DTSTART;TZID=America/Detroit:20120602T200000
SUMMARY:Performance:Suzanne Westenhoefer
DESCRIPTION:
UID:8469-1137965@events.umich.edu
URL:https://events.umich.edu/event/8469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:suzanne westenhoefer,music,the ark
LOCATION:Off Campus Location - The Ark, 316 S Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120603T100000
DTEND;TZID=America/Detroit:20120603T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138740@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:umma,visual arts,video,art
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T142041
DTSTART;TZID=America/Detroit:20120603T140000
SUMMARY:Presentation:Haroon Mirza
DESCRIPTION:Haroon Mirza explores the relationships humans have with sound that occurs through objects\, actions and forcews. He has captured the attention of the public and critics alike and was awarded the prestigious Northern Art Prize in 2010 and the 2011 Venice Biennale Silver LIon Award for the most promising young artist. This is Mirza's first solor museum exhibition in the United States.
UID:9164-1139157@events.umich.edu
URL:https://events.umich.edu/event/9164
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:umma,visual arts,tour,haroon mirza
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120403T170509
DTSTART;TZID=America/Detroit:20120603T193000
SUMMARY:Performance:Jason Waggoner
DESCRIPTION:
UID:8980-1138604@events.umich.edu
URL:https://events.umich.edu/event/8980
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:jason waggoner,music,the ark
LOCATION:Off Campus Location - The Ark, 316 S. Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T000009
DTSTART;TZID=America/Detroit:20120604T190000
SUMMARY:Performance:Anatomy of Sound Guest Recital: Paula Robison\, Flute
DESCRIPTION:PROGRAM: Roussel - Joueurs de flute\, Op. 27\; Berio - Sequenza I for solo flute\; Martinů - Sonata for flute and piano\; Fauré - Three Mélodies\; Chaminade - Concertino\, Op. 107.
UID:9205-1139263@events.umich.edu
URL:https://events.umich.edu/event/9205
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T000009
DTSTART;TZID=America/Detroit:20120604T190000
SUMMARY:Performance:Guest Recital:  Paula Robison\, flute and David Gilliland\, piano
DESCRIPTION:PROGRAM:  Roussel - Joueurs de flute\; Berio - Sequenza I for flute\; Martinu - Sonata for flute and piano\; Fauré - Three Mélodies\; Chaminade - Concertino    Part of the Anatomy of Flute Workshop
UID:9203-1139261@events.umich.edu
URL:https://events.umich.edu/event/9203
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120403T171248
DTSTART;TZID=America/Detroit:20120604T200000
SUMMARY:Performance:John Primer
DESCRIPTION:
UID:8981-1138605@events.umich.edu
URL:https://events.umich.edu/event/8981
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:the ark,music,john primer
LOCATION:Off Campus Location - The Ark, 316 S. Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120605T100000
DTEND;TZID=America/Detroit:20120605T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138742@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:umma,visual arts,video,art
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120605T000010
DTSTART;TZID=America/Detroit:20120605T190000
SUMMARY:Performance:Anatomy of Sound Faculty Recital: Amy Porter\, Flute
DESCRIPTION:PROGRAM: Dvorák - Sonatine in G Major\, Op. 100 for violin and piano\; Karg-Elert - Sinfonische Kanzone\; Doppler - Rigoletto Fantasy and Variationsfor two flutes and piano\; Cronin - Off The Wall for Flute and Piano\; Bach - Prelude to Suite no. 5 for solo cello BWV 1011\; Boehm - Grand Polonaise in D Major\, Op. 16.
UID:9206-1139264@events.umich.edu
URL:https://events.umich.edu/event/9206
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120606T083000
DTEND;TZID=America/Detroit:20120606T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139169@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120606T100000
DTEND;TZID=America/Detroit:20120606T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138743@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:umma,visual arts,video,art
LOCATION:Museum of Art
CONTACT:
END:VEVENT
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