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        "datetime_modified":"20120511T090905",
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        "date_end":"2012-05-31",
        "time_start":"08:00:00",
        "time_end":"12:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"University of Michigan Life Cycle Assessment (LCA) Symposium",
        "occurrence_title":"",
        "combined_title":"University of Michigan Life Cycle Assessment (LCA) Symposium",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Life Cycle Assessment (LCA) has gained importance in the recent years, both in terms of methodological research and its application in all sectors of the economy. Assessing impacts of products over their whole life cycle has become a key step for effective improvements towards sustainability.\r\n\r\nUniversity of Michigan (U of M) has a unique record of achievements in Life Cycle Research among North American Academic Institutions with more than 20 years of research experience in Life Cycle Inventories, Impact Assessment, Input-Output and Life Cycle Costing applied to a diverse variety of topics for instance sustainable materials, buildings, transportation, energy, food, and consumer products. This research has been carried out throughout several laboratories and schools across the campus including the School of Natural Resources, the School of Public Health, the College of Engineering and the Ross School of Business.\r\n\r\nTo foster the interaction between U of M researchers and further stimulate the emergence of innovative and interdisciplinary research in life cycle related areas, we invite you to join an intensive interactive  \u00bd day Symposium on Life Cycle Research that will take place on May 31, 2012. Please register, come and present your current research and your ideas for future developments.",
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        "building_id":"1000204",
        "building_name":"School of Public Health Bldg I and Crossroads and Tower",
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        "room":"1680 and 1655",
        "location_name":"School of Public Health Bldg I and Crossroads and Tower",
        "has_livestream":0,
        "cost":"",
        "tags":["impact assessment","life cycle costing","lca","school of public health","olivier jolliet","life cycle research","life cycle assessment"],
        "website":"http:\/\/www.sph.umich.edu\/riskcenter\/lcasymposium\/index.htm",
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                "group_id":"1017",
                "website":"http:\/\/sph.umich.edu"                },             {
                "group_name":"Center for Sustainable Systems",
                "group_id":"1062",
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                "group_name":"Michigan Engineering",
                "group_id":"1151",
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                "group_name":"Graham Sustainability Institute",
                "group_id":"1807",
                "website":"http:\/\/graham.umich.edu"                }                    ],
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        "datetime_modified":"20120307T165653",
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        "time_start":"08:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"The More Things Change...The Labadie Collection's 100th Anniversary",
        "occurrence_title":"",
        "combined_title":"The More Things Change...The Labadie Collection's 100th Anniversary",
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        "event_type_id":"7",
        "description":"View selected items from the world\u2019s foremost archive of international radical social protest movements. \"Social protest movements often involve intense passion, so expect to see some edgy and offensive items on display,\" says Labadie Collection curator Julie Herrada.\r\n\r\nThe Labadie Collection is the world\u2019s largest publicly accessible research collection covering just about every 19th, 20th, and 21st century protest movement that can be documented on paper, from the French Revolution to Occupy Wall Street. It has served as a resource for thousands of people the world over, from high school students to seasoned researchers, from young activists in search of their roots to documentary filmmakers unearthing eye-catching images. Books, serials, manuscripts, pamphlets, photographs, audio recordings, posters, and political buttons are all part of this eclectic group of materials.\r\n\r\nView the exhibit during Audubon Room hours: Mon-Thurs 8:30am-7pm, Fri 8:30am-6pm, Sat 10am-6pm, Sun 1pm-7pm",
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        "room":"Audubon Room",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["books","labor unions","lgbt","libraries","social justice","politics"],
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        "time_zone":"America\/Detroit",
        "event_title":"Orson Welles: New Acquisitions",
        "occurrence_title":"",
        "combined_title":"Orson Welles: New Acquisitions",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Two new archival collections focusing on acclaimed filmmaker and actor Orson Welles (1915-1985) were recently added to the U-M Special Collections Library\u2019s already substantial Welles holdings. Selections from the new materials, including correspondence relating to Welles\u2019s never-completed film Don Quixote and several costume designs credited to Welles for The Chimes at Midnight, are on display in the Special Collections Library (7th floor, Hatcher Graduate Library, University of Michigan) now through June 2012.\r\n\r\nSpecial Collections Hours: Mon-Fri 10am-5pm",
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        "room":"Special Collections Library, 7th Floor",
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        "has_livestream":0,
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        "tags":["film","costume design"],
        "website":"http:\/\/www.lib.umich.edu\/gallery\/events\/orson-welles-new-acquisitions",
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    {
        "datetime_modified":"20120411T173058",
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        "event_title":"Peter Campus: Kiva",
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        "combined_title":"Peter Campus: Kiva",
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        "event_type_id":"7",
        "description":"Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola, Bruce Nauman, and Joan Jonas. Video represented a new frontier, one that allowed artists to expand upon common artistic concerns of the era, including minimalism, performance, and conceptual art Campus pursued many directions, and created both large-scale projections and a series of little-seen installation works that employ live video feeds, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\r\n\r\nKiva\u2013the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies\u2013comprises a monitor with a closed circuit camera mounted on top; the lens is pointed directly at the viewer of the monitor, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image, allowing the camera to take in aspects of the room, the viewer, and the eye of the camera itself.\r\n\r\nThis project is made possible by the UMMA Director's Discretionary Fund.",
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    {
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        "event_title":"Peter Campus: Kiva",
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    {
        "datetime_modified":"20120508T102808",
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        "time_start":"20:00:00",
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        "event_title":"Camp Bacon presents Kenny Brown",
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        "event_type_id":"15",
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        "cost":"General Admission: $20, Reserved: $30",
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        "event_title":"Pre-Candidate Recital: Stijn De Cock, piano",
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        "event_title":"Anatomy of Sound Faculty Recital: Amy Porter, Flute",
        "occurrence_title":"",
        "combined_title":"Anatomy of Sound Faculty Recital: Amy Porter, Flute",
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        "description":"PROGRAM: Dvor\u00c3\u00a1k - Sonatine in G Major, Op. 100 for violin and piano; Karg-Elert - Sinfonische Kanzone; Doppler - Rigoletto Fantasy and Variationsfor two flutes and piano; Cronin - Off The Wall for Flute and Piano; Bach - Prelude to Suite no. 5 for solo cello BWV 1011; Boehm - Grand Polonaise in D Major, Op. 16.",
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        "building_id":"1000440",
        "building_name":"Earl V. Moore Building",
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        "room":"Britton Recital Hall",
        "location_name":"Earl V. Moore Building",
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        "cost":"Free - no tickets required",
        "tags":["music"],
        "website":"http:\/\/www.music.umich.edu\/",
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        "event_title":"Orality and Literacy in Greek and Roman Egypt",
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        "combined_title":"Orality and Literacy in Greek and Roman Egypt",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\r\nThis exhibit shows the different levels of literacy that existed in the ancient world, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\r\n\r\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did, planned, and thought, and we are lucky that the dry sands of Egypt have preserved for us thousands of them, written on papyri and other perishable writing materials, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\r\n\r\nThis exhibit coincides with the conference \u201cOrality and Literacy in the Ancient World X: Tradition, Transmission, and Adaptation\u201d\u009d hosted by the Department of Classical Studies, June 27-30, 2012.\r\n",
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        "building_id":"1000181",
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        "campus_maps_id":"65",
        "room":"Gallery",
        "location_name":"Hatcher Graduate Library",
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        "tags":["greek and roman egypt","literacy"],
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                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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        "datetime_end":"20120606T170000",
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        "event_title":"Peter Campus: Kiva",
        "occurrence_title":"",
        "combined_title":"Peter Campus: Kiva",
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        "description":"Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola, Bruce Nauman, and Joan Jonas. Video represented a new frontier, one that allowed artists to expand upon common artistic concerns of the era, including minimalism, performance, and conceptual art Campus pursued many directions, and created both large-scale projections and a series of little-seen installation works that employ live video feeds, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\r\n\r\nKiva\u2013the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies\u2013comprises a monitor with a closed circuit camera mounted on top; the lens is pointed directly at the viewer of the monitor, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image, allowing the camera to take in aspects of the room, the viewer, and the eye of the camera itself.\r\n\r\nThis project is made possible by the UMMA Director's Discretionary Fund.",
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