BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120601T100000
DTEND;TZID=America/Detroit:20120601T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138738@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120508T102808
DTSTART;TZID=America/Detroit:20120601T200000
SUMMARY:Performance:Camp Bacon presents Kenny Brown
DESCRIPTION:
UID:9141-1138963@events.umich.edu
URL:https://events.umich.edu/event/9141
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:kenny brown,music,the ark
LOCATION:Off Campus Location - The Ark, 316 S. Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120601T000008
DTSTART;TZID=America/Detroit:20120601T200000
SUMMARY:Performance:Pre-Candidate Recital: Stijn De Cock\, piano
DESCRIPTION:PROGRAM: Haydn - Sonata in C Minor\, Hob. XVI:20\; Liszt - Hungarian Rhapsody no. 12 in C-sharp Minor	\; Rachmaninoff - Variations on a Theme of Corelli\, Op. 42\; Scriabin - Poem\, Op. 32\, no. 1\; Scriabin - Fantasy in B Minor\, Op. 28.
UID:9202-1139260@events.umich.edu
URL:https://events.umich.edu/event/9202
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120602T100000
DTEND;TZID=America/Detroit:20120602T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138739@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120213T122053
DTSTART;TZID=America/Detroit:20120602T200000
SUMMARY:Performance:Suzanne Westenhoefer
DESCRIPTION:
UID:8469-1137965@events.umich.edu
URL:https://events.umich.edu/event/8469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:suzanne westenhoefer,music,the ark
LOCATION:Off Campus Location - The Ark, 316 S Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120603T100000
DTEND;TZID=America/Detroit:20120603T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138740@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T142041
DTSTART;TZID=America/Detroit:20120603T140000
SUMMARY:Presentation:Haroon Mirza
DESCRIPTION:Haroon Mirza explores the relationships humans have with sound that occurs through objects\, actions and forcews. He has captured the attention of the public and critics alike and was awarded the prestigious Northern Art Prize in 2010 and the 2011 Venice Biennale Silver LIon Award for the most promising young artist. This is Mirza's first solor museum exhibition in the United States.
UID:9164-1139157@events.umich.edu
URL:https://events.umich.edu/event/9164
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:haroon mirza,tour,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120403T170509
DTSTART;TZID=America/Detroit:20120603T193000
SUMMARY:Performance:Jason Waggoner
DESCRIPTION:
UID:8980-1138604@events.umich.edu
URL:https://events.umich.edu/event/8980
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:jason waggoner,the ark,music
LOCATION:Off Campus Location - The Ark, 316 S. Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T000009
DTSTART;TZID=America/Detroit:20120604T190000
SUMMARY:Performance:Anatomy of Sound Guest Recital: Paula Robison\, Flute
DESCRIPTION:PROGRAM: Roussel - Joueurs de flute\, Op. 27\; Berio - Sequenza I for solo flute\; Martinů - Sonata for flute and piano\; Fauré - Three Mélodies\; Chaminade - Concertino\, Op. 107.
UID:9205-1139263@events.umich.edu
URL:https://events.umich.edu/event/9205
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T000009
DTSTART;TZID=America/Detroit:20120604T190000
SUMMARY:Performance:Guest Recital:  Paula Robison\, flute and David Gilliland\, piano
DESCRIPTION:PROGRAM:  Roussel - Joueurs de flute\; Berio - Sequenza I for flute\; Martinu - Sonata for flute and piano\; Fauré - Three Mélodies\; Chaminade - Concertino    Part of the Anatomy of Flute Workshop
UID:9203-1139261@events.umich.edu
URL:https://events.umich.edu/event/9203
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120403T171248
DTSTART;TZID=America/Detroit:20120604T200000
SUMMARY:Performance:John Primer
DESCRIPTION:
UID:8981-1138605@events.umich.edu
URL:https://events.umich.edu/event/8981
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music,john primer,the ark
LOCATION:Off Campus Location - The Ark, 316 S. Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120605T100000
DTEND;TZID=America/Detroit:20120605T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138742@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120605T000010
DTSTART;TZID=America/Detroit:20120605T190000
SUMMARY:Performance:Anatomy of Sound Faculty Recital: Amy Porter\, Flute
DESCRIPTION:PROGRAM: Dvorák - Sonatine in G Major\, Op. 100 for violin and piano\; Karg-Elert - Sinfonische Kanzone\; Doppler - Rigoletto Fantasy and Variationsfor two flutes and piano\; Cronin - Off The Wall for Flute and Piano\; Bach - Prelude to Suite no. 5 for solo cello BWV 1011\; Boehm - Grand Polonaise in D Major\, Op. 16.
UID:9206-1139264@events.umich.edu
URL:https://events.umich.edu/event/9206
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120606T083000
DTEND;TZID=America/Detroit:20120606T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139169@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120606T100000
DTEND;TZID=America/Detroit:20120606T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138743@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120607T083000
DTEND;TZID=America/Detroit:20120607T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139170@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120607T100000
DTEND;TZID=America/Detroit:20120607T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138744@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T101444
DTSTART;TZID=America/Detroit:20120607T110000
DTEND;TZID=America/Detroit:20120607T163000
SUMMARY:Reception / Open House:Challenge Program OPEN HOUSE
DESCRIPTION:Please join us on Thursday\, June 7th from 11:00am-4:30pm for an Open House.  Learn more about the Challenge Program\; different program offerings\, tour the facility and grounds\, meet the directors\, and hear stories from our staff.\n\nWe hope to see you there!\n
UID:9173-1139167@events.umich.edu
URL:https://events.umich.edu/event/9173
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:recsports,open house,north campus,challenge program
LOCATION:Off Campus Location - Challenge Program Main Facility- 1120 Dixboro Road
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120419T113218
DTSTART;TZID=America/Detroit:20120607T190000
SUMMARY:Performance:Ann Arbor Dance Works: Corsets\, Grains and Greenways
DESCRIPTION:ANN ARBOR DANCE WORKS proudly presents CORSETS\, GRAINS\, & GREENWAYS: DANCING DOWNTOWN ANN ARBOR\, a unique site dance performance with several community partners celebrating the layered histories of some of downtown Ann Arbor's favorite locations. Taking place along a four-block route\, the evening of contemporary dance features premieres by NYC guest artist Monica Bill Barnes\, UK guest artist Adesola Akinleye\, and resident choreographers Jessica Fogel and Robin Wilson. Community High School's dance company\, Dance Body\, will also be featured in the performance in a work by Marly-Spieser Schneider. Other community partners for this performance project include the Allen Creek Greenway Conservancy\, the WSG Gallery\, and Downtown Home and Garden. The concerts will be presented June 7\, 8\, & 9 2012\, at 7:00 PM\, beginning in the WSG Gallery\, 306 S. Main Street\, Ann Arbor.
UID:9073-1138872@events.umich.edu
URL:https://events.umich.edu/event/9073
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:dance,ann arbor dance works
LOCATION:Off Campus Location - WSG Gallery, 306 S. Main, Ann Arbor
CONTACT:
END:VEVENT
END:VCALENDAR