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BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120608T083000
DTEND;TZID=America/Detroit:20120608T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139171@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120608T100000
DTEND;TZID=America/Detroit:20120608T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138745@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120419T114248
DTSTART;TZID=America/Detroit:20120608T190000
SUMMARY:Performance:Ann Arbor Dance Works: Corsets\, Grains and Greenways
DESCRIPTION:ANN ARBOR DANCE WORKS proudly presents CORSETS\, GRAINS\, & GREENWAYS: DANCING DOWNTOWN ANN ARBOR\, a unique site dance performance with several community partners celebrating the layered histories of some of downtown Ann Arbor's favorite locations. Taking place along a four-block route\, the evening of contemporary dance features premieres by NYC guest artist Monica Bill Barnes\, UK guest artist Adesola Akinleye\, and resident choreographers Jessica Fogel and Robin Wilson. Community High School's dance company\, Dance Body\, will also be featured in the performance in a work by Marly-Spieser Schneider. Other community partners for this performance project include the Allen Creek Greenway Conservancy\, the WSG Gallery\, and Downtown Home and Garden. The concerts will be presented June 7\, 8\, & 9 2012\, at 7:00 PM\, beginning in the WSG Gallery\, 306 S. Main Street\, Ann Arbor.
UID:9074-1138873@events.umich.edu
URL:https://events.umich.edu/event/9074
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:ann arbor dance works,dance
LOCATION:Off Campus Location - WSG Gallery, 306 S. Main, Ann Arbor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T113829
DTSTART;TZID=America/Detroit:20120608T190000
DTEND;TZID=America/Detroit:20120608T203000
SUMMARY:Film Screening:Tokijiro of Kutsukake – Lone Yakuza (Japanese Film Screening)
DESCRIPTION:FREE AND OPEN TO THE PUBLIC.\nDirected by Tai Kato\, 1966\, 90 min.\nA dead man leaves behind his wife and son with no one to care for them\, until his killer’s ironic sense of responsibility attempts to fill the void. Comedy\, blood-spray violence\, and melodrama mixed with Kato’s repertoire of stylistic shooting techniques accompany this story of a drifting lone yakuza.\n\nCo-sponsored by the Center for Japanese Studies and the Japan Foundation.\n
UID:9209-1139267@events.umich.edu
URL:https://events.umich.edu/event/9209
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film
LOCATION:Angell Hall - Auditorium A
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120609T083000
DTEND;TZID=America/Detroit:20120609T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139172@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140009
DTSTART;TZID=America/Detroit:20120609T100000
DTEND;TZID=America/Detroit:20120609T170000
SUMMARY:Exhibition:Flip Your Field: Abstract Art From the Collection
DESCRIPTION:This is the inaugural exhibition of a new series of exhibitions to be curated by UM faculty. Entitled Flip Your Field\, this series asks these guest curators to consider artwork outside their field of specialization from UMMA's renowned collections to challenge their own thinking as well as that of UMMA's audiences. Celeste Brusati\, Professor of History of Art\, Women's Studies\, and Art and Design\, an expert in the visual art and culture of the Netherlands from the fifteenth through the seventeenth centuries\, has gathered a compelling group of images by such titans of twentieth-century abstraction as Lee Bontecou\, Helen Frankenthaler\, Wassily Kandinsky\, Joan Miró\, Robert Motherwell\, and Antonio Tàpies\, as well as works by many other unexpected artists.\n\nThis exhibition is made possible in part by the Andrew W. Mellon Foundation.
UID:9159-1138982@events.umich.edu
URL:https://events.umich.edu/event/9159
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:abstract art,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140618
DTSTART;TZID=America/Detroit:20120609T100000
DTEND;TZID=America/Detroit:20120609T170000
SUMMARY:Exhibition:Judith Turner: The Flatness of Ambiguity
DESCRIPTION:Judith Turner is a noted American photographer whose subject matter is mostly architecture. Turner's training as a designer allows her to visually understand an architect's intention and to reveal it in compositions that she constructs and edits through her camera work. Her photography can be seen as a metalanguage of architectural intention and as an artistic expression that is inseparable from the representation of the built work. Turner's signature style consists of highly abstract black-and-white compositions that play with the ambiguity of light\, shadow\, and tonality to heighten the aesthetic character of her subject matter and reveal visual relationships not readily apparent. This exhibition will present approximately forty photographs spanning Turner's three-decade career.\n\nThis exhibition is made possible in part by Macy's and the University of Michigan Office of the Provost. 
UID:9160-1139068@events.umich.edu
URL:https://events.umich.edu/event/9160
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:architecture,judith turner,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120609T100000
DTEND;TZID=America/Detroit:20120609T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138746@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T120222
DTSTART;TZID=America/Detroit:20120609T170000
DTEND;TZID=America/Detroit:20120609T183000
SUMMARY:Film Screening:The Red Peony Gambler: Flower Cards Match (Japanese Film Screening)
DESCRIPTION:FREE AND OPEN TO THE PUBLIC.\nDirected by Tai Kato\, 1969\, 98 min. In a dark world of petty thieves and vicious gangs\, Junko Fuji stars in the unique role of Ryu\, the honor-bound heroine of this Meiji period yakuza story spanning eight films. Caught between the conflict of rival gangs\, Ryu attempts to walk a noble path\, but it’s only a matter of time before the rising pressure forces her hand. (3rd film of the series.)\n\nCo-sponsored by the Center for Japanese Studies and the Japan Foundation. 
UID:9210-1139268@events.umich.edu
URL:https://events.umich.edu/event/9210
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film
LOCATION:Angell Hall - Auditorium A
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120419T115240
DTSTART;TZID=America/Detroit:20120609T190000
SUMMARY:Performance:Ann Arbor Dance Works: Corsets\, Grains and Greenways
DESCRIPTION:ANN ARBOR DANCE WORKS proudly presents CORSETS\, GRAINS\, & GREENWAYS: DANCING DOWNTOWN ANN ARBOR\, a unique site dance performance with several community partners celebrating the layered histories of some of downtown Ann Arbor's favorite locations. Taking place along a four-block route\, the evening of contemporary dance features premieres by NYC guest artist Monica Bill Barnes\, UK guest artist Adesola Akinleye\, and resident choreographers Jessica Fogel and Robin Wilson. Community High School's dance company\, Dance Body\, will also be featured in the performance in a work by Marly-Spieser Schneider. Other community partners for this performance project include the Allen Creek Greenway Conservancy\, the WSG Gallery\, and Downtown Home and Garden. The concerts will be presented June 7\, 8\, & 9 2012\, at 7:00 PM\, beginning in the WSG Gallery\, 306 S. Main Street\, Ann Arbor.
UID:9075-1138874@events.umich.edu
URL:https://events.umich.edu/event/9075
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:ann arbor dance works,dance
LOCATION:Off Campus Location - WSG Gallery, 306 S. Main, Ann Arbor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T120746
DTSTART;TZID=America/Detroit:20120609T200000
DTEND;TZID=America/Detroit:20120609T213000
SUMMARY:Film Screening:The Red Peony Gambler: Red Peony Finds a Daughter (Japanese Film Screening)
DESCRIPTION:FREE AND OPEN TO THE PUBLIC. Directed by Tai Kato\, 1970\, 100 min.\nRyu’s connection to a yakuza family leads her on a journey to Tokyo in search of Kimiko\, a lost girl who was reported to have been seen in the entertainment district of Asakusa. However\, unexpected romance and the theater business that connect Kimiko and the local yakuza factions inevitably drag Ryu into a dangerous position. (6th film of the series.)\n\nCo-sponsored by the Center for Japanese Studies and the Japan Foundation. 
UID:9211-1139269@events.umich.edu
URL:https://events.umich.edu/event/9211
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film
LOCATION:Angell Hall - Auditorium A
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120610T083000
DTEND;TZID=America/Detroit:20120610T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139173@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140009
DTSTART;TZID=America/Detroit:20120610T100000
DTEND;TZID=America/Detroit:20120610T170000
SUMMARY:Exhibition:Flip Your Field: Abstract Art From the Collection
DESCRIPTION:This is the inaugural exhibition of a new series of exhibitions to be curated by UM faculty. Entitled Flip Your Field\, this series asks these guest curators to consider artwork outside their field of specialization from UMMA's renowned collections to challenge their own thinking as well as that of UMMA's audiences. Celeste Brusati\, Professor of History of Art\, Women's Studies\, and Art and Design\, an expert in the visual art and culture of the Netherlands from the fifteenth through the seventeenth centuries\, has gathered a compelling group of images by such titans of twentieth-century abstraction as Lee Bontecou\, Helen Frankenthaler\, Wassily Kandinsky\, Joan Miró\, Robert Motherwell\, and Antonio Tàpies\, as well as works by many other unexpected artists.\n\nThis exhibition is made possible in part by the Andrew W. Mellon Foundation.
UID:9159-1138983@events.umich.edu
URL:https://events.umich.edu/event/9159
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:abstract art,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140618
DTSTART;TZID=America/Detroit:20120610T100000
DTEND;TZID=America/Detroit:20120610T170000
SUMMARY:Exhibition:Judith Turner: The Flatness of Ambiguity
DESCRIPTION:Judith Turner is a noted American photographer whose subject matter is mostly architecture. Turner's training as a designer allows her to visually understand an architect's intention and to reveal it in compositions that she constructs and edits through her camera work. Her photography can be seen as a metalanguage of architectural intention and as an artistic expression that is inseparable from the representation of the built work. Turner's signature style consists of highly abstract black-and-white compositions that play with the ambiguity of light\, shadow\, and tonality to heighten the aesthetic character of her subject matter and reveal visual relationships not readily apparent. This exhibition will present approximately forty photographs spanning Turner's three-decade career.\n\nThis exhibition is made possible in part by Macy's and the University of Michigan Office of the Provost. 
UID:9160-1139069@events.umich.edu
URL:https://events.umich.edu/event/9160
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:architecture,judith turner,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120610T100000
DTEND;TZID=America/Detroit:20120610T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138747@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120418T131340
DTSTART;TZID=America/Detroit:20120610T130000
DTEND;TZID=America/Detroit:20120610T160000
SUMMARY:Lecture / Discussion:Eastern Massasauga Rattlesnake Conservation Presentation 
DESCRIPTION:Enjoy a free mini-course on the eastern massasauga rattlesnake–Michigan’s only venomous snake and a resident of Matthaei. Staff from Michigan State and Matthaei-Nichols will discuss the snake\, its biology and ecology\, detection and survey methods\, and some of the challenges of managing its habitat. Presentation followed by a field trip of the Matthaei Botanical Gardens property (condition dependent). 
UID:9068-1138867@events.umich.edu
URL:https://events.umich.edu/event/9068
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:conservation,environmental,massasauga,matthaei
LOCATION:Matthaei Botanical Gardens
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T142222
DTSTART;TZID=America/Detroit:20120610T140000
SUMMARY:Presentation:Art as Experience
DESCRIPTION:UMMA's award-winning docents will guide visitors to experience art through active looking at selected highlights of the collections. Expect a lively and engaging conversation on a different theme each week. 
UID:9165-1139158@events.umich.edu
URL:https://events.umich.edu/event/9165
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:tour,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T121034
DTSTART;TZID=America/Detroit:20120610T170000
DTEND;TZID=America/Detroit:20120610T183000
SUMMARY:Film Screening:Brave Records of the Sanada Clan (Japanese Film Screening)
DESCRIPTION:FREE AND OPEN TO THE PUBLIC. Directed by Tai Kato\, 1963\, 90 min.\nIn a comedic and fantastical style\, the legendary folklore characters of Sasuke Sarutobi and the Sanada Ten Braves are portrayed in the historical siege of Osaka Castle in 1615\, Edo Period Japan. These famed ninjas who were rumored to have served Sanada Yukimura in defending the Toyotomi clan against the Tokugawa shogunate\, instead serve to impart a satirical tone and social commentary on the student movements in Japan of the early 1960s.\n\nCo-sponsored by the Center for Japanese Studies and the Japan Foundation.
UID:9212-1139270@events.umich.edu
URL:https://events.umich.edu/event/9212
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film
LOCATION:Angell Hall - Auditorium A
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120213T122248
DTSTART;TZID=America/Detroit:20120610T193000
SUMMARY:Performance:Heartland Klezmorem Band
DESCRIPTION:
UID:8470-1137966@events.umich.edu
URL:https://events.umich.edu/event/8470
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:heartland klezmorem band,music,the ark
LOCATION:Off Campus Location - The Ark, 316 S Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T121429
DTSTART;TZID=America/Detroit:20120610T200000
DTEND;TZID=America/Detroit:20120610T213000
SUMMARY:Film Screening:Blood of Revenge (Japanese Film Screening)
DESCRIPTION:FREE AND OPEN TO THE PUBLIC. Directed by Tai Kato\, 1965\, 91 min.\nThe year is 1907\, Osaka is ready to invest in its future as an international trade port. Asajiro (Kōji Tsurata) and his yakuza clan attempt to make the leap to legitimacy as a civil construction business\, but past connections and old enemies lead him back to violence off the straightened path. A pairing of Kato’s forte in directing yakuza films with the iconic performance of Tsuruta (the genre’s first star) as the chivalric underworld hero makes this film a cut well above the standard.\n\nCo-sponsored by the Center for Japanese Studies and the Japan Foundation.
UID:9213-1139271@events.umich.edu
URL:https://events.umich.edu/event/9213
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film
LOCATION:Angell Hall - Auditorium A
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120611T083000
DTEND;TZID=America/Detroit:20120611T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139174@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120612T083000
DTEND;TZID=America/Detroit:20120612T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139175@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140009
DTSTART;TZID=America/Detroit:20120612T100000
DTEND;TZID=America/Detroit:20120612T170000
SUMMARY:Exhibition:Flip Your Field: Abstract Art From the Collection
DESCRIPTION:This is the inaugural exhibition of a new series of exhibitions to be curated by UM faculty. Entitled Flip Your Field\, this series asks these guest curators to consider artwork outside their field of specialization from UMMA's renowned collections to challenge their own thinking as well as that of UMMA's audiences. Celeste Brusati\, Professor of History of Art\, Women's Studies\, and Art and Design\, an expert in the visual art and culture of the Netherlands from the fifteenth through the seventeenth centuries\, has gathered a compelling group of images by such titans of twentieth-century abstraction as Lee Bontecou\, Helen Frankenthaler\, Wassily Kandinsky\, Joan Miró\, Robert Motherwell\, and Antonio Tàpies\, as well as works by many other unexpected artists.\n\nThis exhibition is made possible in part by the Andrew W. Mellon Foundation.
UID:9159-1138985@events.umich.edu
URL:https://events.umich.edu/event/9159
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:abstract art,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140618
DTSTART;TZID=America/Detroit:20120612T100000
DTEND;TZID=America/Detroit:20120612T170000
SUMMARY:Exhibition:Judith Turner: The Flatness of Ambiguity
DESCRIPTION:Judith Turner is a noted American photographer whose subject matter is mostly architecture. Turner's training as a designer allows her to visually understand an architect's intention and to reveal it in compositions that she constructs and edits through her camera work. Her photography can be seen as a metalanguage of architectural intention and as an artistic expression that is inseparable from the representation of the built work. Turner's signature style consists of highly abstract black-and-white compositions that play with the ambiguity of light\, shadow\, and tonality to heighten the aesthetic character of her subject matter and reveal visual relationships not readily apparent. This exhibition will present approximately forty photographs spanning Turner's three-decade career.\n\nThis exhibition is made possible in part by Macy's and the University of Michigan Office of the Provost. 
UID:9160-1139071@events.umich.edu
URL:https://events.umich.edu/event/9160
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:architecture,judith turner,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120612T100000
DTEND;TZID=America/Detroit:20120612T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138749@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120613T083000
DTEND;TZID=America/Detroit:20120613T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139176@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140009
DTSTART;TZID=America/Detroit:20120613T100000
DTEND;TZID=America/Detroit:20120613T170000
SUMMARY:Exhibition:Flip Your Field: Abstract Art From the Collection
DESCRIPTION:This is the inaugural exhibition of a new series of exhibitions to be curated by UM faculty. Entitled Flip Your Field\, this series asks these guest curators to consider artwork outside their field of specialization from UMMA's renowned collections to challenge their own thinking as well as that of UMMA's audiences. Celeste Brusati\, Professor of History of Art\, Women's Studies\, and Art and Design\, an expert in the visual art and culture of the Netherlands from the fifteenth through the seventeenth centuries\, has gathered a compelling group of images by such titans of twentieth-century abstraction as Lee Bontecou\, Helen Frankenthaler\, Wassily Kandinsky\, Joan Miró\, Robert Motherwell\, and Antonio Tàpies\, as well as works by many other unexpected artists.\n\nThis exhibition is made possible in part by the Andrew W. Mellon Foundation.
UID:9159-1138986@events.umich.edu
URL:https://events.umich.edu/event/9159
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:abstract art,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140618
DTSTART;TZID=America/Detroit:20120613T100000
DTEND;TZID=America/Detroit:20120613T170000
SUMMARY:Exhibition:Judith Turner: The Flatness of Ambiguity
DESCRIPTION:Judith Turner is a noted American photographer whose subject matter is mostly architecture. Turner's training as a designer allows her to visually understand an architect's intention and to reveal it in compositions that she constructs and edits through her camera work. Her photography can be seen as a metalanguage of architectural intention and as an artistic expression that is inseparable from the representation of the built work. Turner's signature style consists of highly abstract black-and-white compositions that play with the ambiguity of light\, shadow\, and tonality to heighten the aesthetic character of her subject matter and reveal visual relationships not readily apparent. This exhibition will present approximately forty photographs spanning Turner's three-decade career.\n\nThis exhibition is made possible in part by Macy's and the University of Michigan Office of the Provost. 
UID:9160-1139072@events.umich.edu
URL:https://events.umich.edu/event/9160
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:architecture,judith turner,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120507T171410
DTSTART;TZID=America/Detroit:20120613T100000
DTEND;TZID=America/Detroit:20120613T170000
SUMMARY:Exhibition:Orson Welles: New Acquisitions
DESCRIPTION:Two new archival collections focusing on acclaimed filmmaker and actor Orson Welles (1915-1985) were recently added to the U-M Special Collections Library’s already substantial Welles holdings. Selections from the new materials\, including correspondence relating to Welles’s never-completed film Don Quixote and several costume designs credited to Welles for The Chimes at Midnight\, are on display in the Special Collections Library (7th floor\, Hatcher Graduate Library\, University of Michigan) now through June 2012.\n\nSpecial Collections Hours: Mon-Fri 10am-5pm
UID:9127-1139357@events.umich.edu
URL:https://events.umich.edu/event/9127
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:costume design,film
LOCATION:Hatcher Graduate Library - 7th Floor-Special Collections Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120613T100000
DTEND;TZID=America/Detroit:20120613T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138750@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T141141
DTSTART;TZID=America/Detroit:20120613T180000
SUMMARY:Lecture / Discussion:Doris Sloan Memorial Lecture: Side-by-Side: Judith Turner and Celeste Brusati
DESCRIPTION:This June\, the A. Alfred Taubman I Gallery features two exciting exhibitions–Judith Turner: The Flatness of Ambiguity and Flip Your Field: Abstract Prints from the Collection. This unique program will offer visitors the opportunity to experience art through the lens of the artist\, in one case\, and the curator in the second. Artist Judith Turner and Abstract Prints curator Celeste Brusati invite you to join them for remarks and conversation in the gallery followed by a reception in the UMMA Commons.\n\nJudith Turner is a noted American photographer whose subject matter is mostly architecture. Turner's training as a designer allows her to understand visually an architect's intention and to reveal it in compositions that she constructs and edits through her camera work. Turner's signature style consists of highly abstract black-and-white compositions that play with the ambiguity of light\, shadow\, and tonality to reveal visual relationships not readily apparent. \n\nUMMA's Flip Your Field project series invites scholars to take a fresh look at our collection by curating a show outside their area of expertise. For the first exhibition in the series\, UM Professor of History of Art\, Women’s Studies\, and Art and Design\, Celeste Brusati -- an expert in the visual art and culture of the Netherlands from the fifteenth through the seventeenth centuries -- will curate an exhibition of twentieth-century color abstract prints that will complement and contrast with the exhibition of the Judith Turner photographs in the same space. \n\n\nThe Sloan Memorial Lecture honors one of the Museum's most ardent friends and supporters\, Doris Sloan\, a longtime Museum docent. Established through the generosity of Dr. Herbert Sloan\, the annual lecture is a tribute to Dr. and Mrs. Sloan's shared passion for collecting art and fostering its appreciation.\n\nThese exhibitions are made possible in part by the Andrew W. Mellon Foundation and the University of Michigan Office of the Provost.
UID:9161-1139154@events.umich.edu
URL:https://events.umich.edu/event/9161
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:architecture,celeste brusati,judith turner,umma,visual arts
LOCATION:Museum of Art - A. Alfred Taubman Gallery I
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120213T122518
DTSTART;TZID=America/Detroit:20120613T200000
SUMMARY:Performance:Anne Hills
DESCRIPTION:
UID:8471-1137967@events.umich.edu
URL:https://events.umich.edu/event/8471
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:anne hills,music,the ark
LOCATION:Off Campus Location - The Ark, 316 S Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120614T083000
DTEND;TZID=America/Detroit:20120614T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139177@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140009
DTSTART;TZID=America/Detroit:20120614T100000
DTEND;TZID=America/Detroit:20120614T170000
SUMMARY:Exhibition:Flip Your Field: Abstract Art From the Collection
DESCRIPTION:This is the inaugural exhibition of a new series of exhibitions to be curated by UM faculty. Entitled Flip Your Field\, this series asks these guest curators to consider artwork outside their field of specialization from UMMA's renowned collections to challenge their own thinking as well as that of UMMA's audiences. Celeste Brusati\, Professor of History of Art\, Women's Studies\, and Art and Design\, an expert in the visual art and culture of the Netherlands from the fifteenth through the seventeenth centuries\, has gathered a compelling group of images by such titans of twentieth-century abstraction as Lee Bontecou\, Helen Frankenthaler\, Wassily Kandinsky\, Joan Miró\, Robert Motherwell\, and Antonio Tàpies\, as well as works by many other unexpected artists.\n\nThis exhibition is made possible in part by the Andrew W. Mellon Foundation.
UID:9159-1138987@events.umich.edu
URL:https://events.umich.edu/event/9159
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:abstract art,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140618
DTSTART;TZID=America/Detroit:20120614T100000
DTEND;TZID=America/Detroit:20120614T170000
SUMMARY:Exhibition:Judith Turner: The Flatness of Ambiguity
DESCRIPTION:Judith Turner is a noted American photographer whose subject matter is mostly architecture. Turner's training as a designer allows her to visually understand an architect's intention and to reveal it in compositions that she constructs and edits through her camera work. Her photography can be seen as a metalanguage of architectural intention and as an artistic expression that is inseparable from the representation of the built work. Turner's signature style consists of highly abstract black-and-white compositions that play with the ambiguity of light\, shadow\, and tonality to heighten the aesthetic character of her subject matter and reveal visual relationships not readily apparent. This exhibition will present approximately forty photographs spanning Turner's three-decade career.\n\nThis exhibition is made possible in part by Macy's and the University of Michigan Office of the Provost. 
UID:9160-1139073@events.umich.edu
URL:https://events.umich.edu/event/9160
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:architecture,judith turner,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120507T171410
DTSTART;TZID=America/Detroit:20120614T100000
DTEND;TZID=America/Detroit:20120614T170000
SUMMARY:Exhibition:Orson Welles: New Acquisitions
DESCRIPTION:Two new archival collections focusing on acclaimed filmmaker and actor Orson Welles (1915-1985) were recently added to the U-M Special Collections Library’s already substantial Welles holdings. Selections from the new materials\, including correspondence relating to Welles’s never-completed film Don Quixote and several costume designs credited to Welles for The Chimes at Midnight\, are on display in the Special Collections Library (7th floor\, Hatcher Graduate Library\, University of Michigan) now through June 2012.\n\nSpecial Collections Hours: Mon-Fri 10am-5pm
UID:9127-1139358@events.umich.edu
URL:https://events.umich.edu/event/9127
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:costume design,film
LOCATION:Hatcher Graduate Library - 7th Floor-Special Collections Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120614T100000
DTEND;TZID=America/Detroit:20120614T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138751@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,umma,video,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120608T150424
DTSTART;TZID=America/Detroit:20120614T110000
SUMMARY:Presentation:Storytime at the Museum
DESCRIPTION:Children ages four to seven are invited to hear a story in the galleries. Student docents and UMMA staff will bring art to life as they read stories related to the art on display and invite responses from our youngest patrons. Each story is followed by a short art activity. Parents must accompany children. Siblings are welcome to join the group. Meet at the Information Desk.
UID:9227-1139342@events.umich.edu
URL:https://events.umich.edu/event/9227
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:children,family,storytelling for kids,umma
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120209T083149
DTSTART;TZID=America/Detroit:20120614T193000
SUMMARY:Performance:Puccini's La Bohème
DESCRIPTION:
UID:8423-1137921@events.umich.edu
URL:https://events.umich.edu/event/8423
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:la boheme,mendelssohn,music,opera,puccini
LOCATION:Lydia Mendelssohn Theatre
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120214T114430
DTSTART;TZID=America/Detroit:20120614T200000
SUMMARY:Performance:Stephen Kellogg and The Sixers
DESCRIPTION:
UID:8479-1137974@events.umich.edu
URL:https://events.umich.edu/event/8479
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music,stephen kellogg,the ark,the sixers
LOCATION:Off Campus Location - The Ark, 316 S Main, Ann Arbor, MI
CONTACT:
END:VEVENT
END:VCALENDAR