{
    "121281-21846202":
    {
        "datetime_modified":"20241205T130011",
        "datetime_start":"20240629T080000",
        "datetime_end":"20240629T230000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Being Mixed Race in a Mono-racially Organized World",
        "occurrence_title":"",
        "combined_title":"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us",
        "event_subtitle":"Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The exhibit \"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us\" is an exploration into the library's collections about the diversity of mixed race heritage. Through research, narratives, demographic data, and a variety of visual and published materials, explore multifaceted aspects of mixed race heritage with insights from many perspectives.\r\n\r\nThe 2020 U.S. Census illuminated a 276 percent increase in individuals who identify as \"two or more races\" since 2010. In recognition of the growing numbers of mixed race-identifying people at the University of Michigan, throughout the country, and across the globe, we're excited to unveil this new exhibit \u2014 a unique exploration of changing demographics and intersectional identities.\r\n\r\n[The Hatcher Library will be closed December 21 to January 1.]",
        "occurrence_notes":null,
                "guid":"121281-21846202@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/121281",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library (2nd floor)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Library"],
        "website":"",
        "sponsors":[
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                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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    {
        "datetime_modified":"20240410T105911",
        "datetime_start":"20240629T080000",
        "datetime_end":"20240629T170000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024",
        "occurrence_title":"",
        "combined_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024: Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
        "event_subtitle":"Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
        "event_type":"Class \/ Instruction",
        "event_type_id":"8",
        "description":"June 3- July 26, 2024\r\n77th Summer Institute in Survey Research Techniques\r\n\r\nClasses are open for registration!\r\n\r\nThe mission of the Summer Institute in Survey Research Techniques (SISRT) is to provide rigorous and high quality graduate training in all phases of survey research. The program teaches state-of-the art practice and theory in the design, implementation, and analysis of surveys. \r\n \r\nSpace is limited so please register early! Since our courses are not for academic credit, fees are based on the number of assigned \u201ccourse hours\u201d to each class.\r\n\r\nPlease view the 2024 course schedule for our extensive class offerings. Classes are offered remotely at their scheduled times.\r\n\r\nYou do not have to be affiliated with the University in order to attend. \r\n\r\nSCHEDULE\r\n\u2022\tJune 3-July 26: Analysis of Complex Sample Survey Data, 10:00am-12:00pm, M \/W (9:00am-11:00am) F \r\n\u2022\tJune 3-July 26: Workshop in Survey Sampling Techniques, 2:00pm-5:00pm, M-F\r\n\u2022\tJune 3-July 26: Methods of Survey Sampling, 9:00am-11:00am, T\/Th \r\n\u2022\tJune 3-14: Machine Learning for Social Science, 1:00pm-3:00pm, M\/W\/F \r\n\u2022\tJune 3-7: Introduction to the Health and Retirement Study (HRS) Workshop, 10:00am-3:00pm, M-F \r\n\u2022\tJune 10-14: Introduction to Survey Methodology, 9:00am-12:00pm, M-F\r\n\u2022\tJune 11-12: Introduction to Focus Group Interviewing Research Methods, 8:30am-12:00pm, T-W\r\n\u2022\tJune 17-21: Mixed Method Research Design, Data Collection and Analysis, 8:30 am - 12:00 pm, M-F \r\n\u2022\tJune 17-28: Survey and Data Science for Undergraduates, 1:00pm-4:00pm, M-F\r\n\u2022\tJune 24-28: Writing Questions For Surveys, 1:00pm-4:00pm, M-F \r\n\u2022\tJune 25-27: RSD Webinar: Basic Concepts in Responsive Survey Design, 9:00am-1:00pm, T\/TH\r\n\u2022\tJune 24-July 17: Introduction to Questionnaire Design, 10:00am-12:00pm, M & W \r\n\u2022\tJuly 9,11: RSD Webinar: Interventions in a Responsive Survey Design Framework, 9:00am-1:00pm, T\/Th\r\n\u2022\tJuly 8-12: Design and Implementation of Web Surveys, 9:00am-1:00pm, M-F \r\n\u2022\tJuly 9-30: Data Collection Using Wearables, Sensors, and Apps in the Social, Behavioral, and Health Sciences, 11:00am - 12:30pm, T\r\n\u2022\tJuly 15-25: Introduction to Text Analysis, 1:00pm-2:30pm, M\/T\/Th \r\n\u2022\tJuly 15-26: Qualitative Methods: Overview and Semi-Structured Interviewing, 1:00-3:00pm, M-F\r\n\u2022\tJuly 23-25: Intermediate Questionnaire Design, 12:00pm-4:00pm, M-Th",
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        "cost":"Fees are based on duration of the course. Please see Summer Institute website.",
        "tags":["Anthropology","Basic Science","Bias","Biomedical","Biosciences","Causal Inference","Computer Science","Data","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Department Of Political Science","Economics","Education","Electrical Engineering and Computer Science","gerald r. ford school of public policy","Graduate","Graduate and Professional Students","Graduate Students","Health Data","Macroeconomics","Mathematics","Medical","Political Science","Population Studies Center","Psychology","Public Health","Research","Science","Social Science","Social Sciences","Sociology","Survey Methodology","Survey Research"],
        "website":"https:\/\/si.isr.umich.edu\/",
        "sponsors":[
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                "group_id":"4327",
                "website":""                },             {
                "group_name":"Institute for Social Research",
                "group_id":"3285",
                "website":"http:\/\/isr.umich.edu"                },             {
                "group_name":"Survey Research Center",
                "group_id":"5063",
                "website":"https:\/\/src.isr.umich.edu\/"                }                    ],
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        "datetime_modified":"20240610T132829",
        "datetime_start":"20240629T100000",
        "datetime_end":"20240629T160000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"10:00:00",
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        "event_title":"Nicole Ray Art Exhibit: State of Play",
        "occurrence_title":"",
        "combined_title":"Nicole Ray Art Exhibit: State of Play",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
        "occurrence_notes":null,
                "guid":"122110-21848262@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/122110",
        "building_id":"0",
        "building_name":"Matthaei Botanical Gardens",
        "campus_maps_id":"554",
        "room":"",
        "location_name":"Matthaei Botanical Gardens",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Free","In Person","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_name":"Matthaei Botanical Gardens & Nichols Arboretum",
                "group_id":"1072",
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    {
        "datetime_modified":"20240625T121619",
        "datetime_start":"20240629T103000",
        "datetime_end":"20240629T123000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"10:30:00",
        "time_end":"12:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"MPulse Finale: Theatre & Drama Academy and Theatre Design & Production Workshop",
        "occurrence_title":"",
        "combined_title":"MPulse Finale: Theatre & Drama Academy and Theatre Design & Production Workshop: Youth Performing Arts Summer Program",
        "event_subtitle":"Youth Performing Arts Summer Program",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"As part of U-M's MPulse summer programs for high school aged youth, the Theatre & Drama Academy provides students with the foundations of movement, scene study, and the development of the actor\u2019s voice, while the Theatre Design & Production Workshop gives students firsthand experience with multiple aspects of theatrical production. \n\nJoin us for a final presentation by the students as these week-long programs on campus come to a close.",
        "occurrence_notes":null,
                "guid":"123017-21849962@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/123017",
        "building_id":"1005059",
        "building_name":"Walgreen Drama Center",
        "campus_maps_id":"526",
        "room":"Newman Studio",
        "location_name":"Walgreen Drama Center",
        "has_livestream":0,
        "cost":"Free - no tickets required",
        "tags":["Art","Free","North Campus","Storytelling","Theater"],
        "website":"",
        "sponsors":[
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                "group_name":"School of Music, Theatre & Dance (SMTD)",
                "group_id":"155",
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20240629T110000",
        "datetime_end":"20240629T200000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "campus_maps_id":"11",
        "room":"Lizzie and Jonathan Tisch Apse",
        "location_name":"Museum of Art",
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        "tags":["Art","Exhibition","Free","Humanities","Museum","Staff","UMMA"],
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    {
        "datetime_modified":"20240130T121549",
        "datetime_start":"20240629T110000",
        "datetime_end":"20240629T200000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
        "occurrence_title":"",
        "combined_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Care in Uncertain Times\n \nAs crises of public health, economic instability, authoritarian regimes, racial injustice, and climate change spread around the globe,\u00a0millions are experiencing distress, conflict, uncertainty, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979, when the Khmer Rouge ruled Cambodia, about a quarter of the country\u2019s populations died of infectious diseases, weapon wounds, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its\u00a0diaspora\u00a0has evolved in the face of cultural upheaval. Showcasing works from worldwide collections, including those from some of the foremost members of the Cambodian contemporary art scene, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, Eleanor Noyes Crumpacker Endowment Fund, and U-M Ross School of Business.\n\u00a0",
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        "room":"A. Alfred Taubman Gallery I",
        "location_name":"Museum of Art",
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        "tags":["Art","Culture","Exhibition","Museum","Public Health","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2024\/angkor-complex-cultural-heritage-and-post-genocide-memory-in-cambodia",
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        "datetime_start":"20240629T110000",
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        "has_end_time":1,
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        "event_title":"Elizabeth Youngblood: Syntax",
        "occurrence_title":"",
        "combined_title":"Elizabeth Youngblood: Syntax",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nStamps Gallery is proud to present a solo exhibition that celebrates the important work of Detroit-based artist, educator, and designer Elizabeth Youngblood (BFA 1973). This exhibition explores the expansive and experimental nature of her prolific and interstitial art practice. Syntax sheds light on Youngblood\u2019s embodied practice that encompasses a deep commitment and respect for the process and the material with which she is working - be it found objects, fur, hair, surfaces of different types of paper, pigments, ink, wire, porcelain, threads, and\/or clay, that may have inspired her. The work occupies the spaces between art and design, abstract and concrete, making and becoming. In Syntax, the viewers will encounter over 30 works from the last four decades that range from large-scale drawings to intimate mixed-media works, sculptural objects, and weavings. The exhibition will also include Youngblood's early design work where her explorations with dots, dashes, lines and accumulation of lines and space emerged and became a framework for a way to consider form as ever-evolving and iterative. These recurring forms were the points of departure for her experiments with materiality as they became reconstituted across different mediums and disciplines, transformed over and over again to create Youngblood\u2019s unique visual vocabulary and her Syntax of making and meaning.\nCurated by Srimoyee Mitra.\nArtist\u2019s Bio\nBorn in Detroit and educated in southeastern Michigan, Elizabeth Youngblood is an artist, educator, designer and maker of interesting things. From her high school education at Cass Technical High School to her undergraduate education at the University of Michigan, through graduate work at Cranbrook, she has always maintained a dual interest in making by hand and in design for production. Youngblood\u2019s art-making practice includes working in the mediums of drawing, ceramics, weaving, bookbinding and more. She\u2019s been a faculty member at the University of Michigan, Ann Arbor and SUNY Purchase, NY, managed branding with Unisys and designed at The New York Times. After a stint on the east coast, Youngblood has returned to Detroit where she maintains a studio practice and continues to investigate the intersection of her range of interests.\n",
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        "datetime_modified":"20240130T121551",
        "datetime_start":"20240629T110000",
        "datetime_end":"20240629T200000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","European","Exhibition","History","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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    {
        "datetime_modified":"20240624T181507",
        "datetime_start":"20240629T110100",
        "datetime_end":"20240629T170000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"11:01:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Black Art Library",
        "occurrence_title":"",
        "combined_title":"Black Art Library",
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        "event_type":"Exhibition",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nThe Black Art Library is a collection of books and other art history ephemera on Black visual art intended to be an educational resource to share within the Black community and beyond. The library intends to introduce or expand the community\u2019s knowledge of Black art from the past and the present through art books. For Stamps Gallery, independent curator and organizer of the Black Art Library Asmaa Walton has curated a special selection of books that focus on black women artists as well as Black artists from Southeast Michigan. \n\nAbout the curator:\nAsmaa Walton was born and raised in Detroit, she is an arts educator and ardent developer of a Black cultural archive. In 2017, Walton earned a BFA in Art Education from Michigan State University. In 2018, she received a MA in Art Politics from New York University, Tisch School of the Arts. After completing her masters degree, Walton joined Toledo Museum of Art as an Education and Engagement Intern, in 2018. In the same year she was appointed the Museum\u2019s first KeyBank Fellow in Diversity Leadership, a position where she identified opportunities for diversity and equity programming across museums and cultural institutions. In 2019, Walton was appointed Romare Bearden Graduate Museum Fellow at Saint Louis Art Museum. In 2020, Walton established Black Art Library which is a collection of publications, exhibition catalogs and theoretical texts about Black art and visual culture. Walton is currently working towards the mobile project becoming a public archive in a permanent space in Detroit, Michigan.",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
        "has_livestream":0,
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/black-art-library",
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    {
        "datetime_modified":"20240620T181506",
        "datetime_start":"20240629T110200",
        "datetime_end":"20240629T170000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"11:02:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Michelle Hinojosa: Logcabins",
        "occurrence_title":"",
        "combined_title":"Michelle Hinojosa: Logcabins",
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        "building_name":"Off Campus Location",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
        "has_livestream":0,
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/michelle-hinojosa-logcabins",
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        "time_zone":"America\/Detroit",
        "event_title":"We Are Stars",
        "occurrence_title":"",
        "combined_title":"We Are Stars",
        "event_subtitle":"",
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        "description":"What are we made of? Where did it all come from? Explore the secrets of our cosmic chemistry and our explosive origins. Connect life on Earth to the evolution of the Universe by following the formation of hydrogen atoms to the synthesis of carbon, and the molecules for life.",
        "occurrence_notes":null,
                "guid":"121990-21847919@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/121990",
        "building_id":"1005169",
        "building_name":"Museum of Natural History",
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        "location_name":"Museum of Natural History",
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        "cost":"Tickets are $8 and are available in the museum store on the day of the show.",
        "tags":["Astronomy","Museum","natural history museum"],
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        "datetime_end":"20240629T140000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"13:00:00",
        "time_end":"14:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Saturday Sampler Tour | A Glimpse of the Kelsey Museum in French",
        "occurrence_title":"",
        "combined_title":"Saturday Sampler Tour | A Glimpse of the Kelsey Museum in French: Cecilia Mercante",
        "event_subtitle":"Cecilia Mercante",
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        "description":"Prepare your passport! This tour will take you back in time to the ancient civilizations of Mesopotamia, Greece, Egypt, and Rome through artifact highlights at the Kelsey Museum. This tour will be presented in French. \r\n\r\nThis event is free and open to all visitors. If you have any questions or concerns regarding accessing this event, please visit our accessibility page at https:\/\/myumi.ch\/zwPkd or contact the education office by calling (734) 647-4167. We ask for advance notice as some accommodations may require more time for the university to arrange.",
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        "has_livestream":0,
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        "tags":["Ancient Egypt","Ancient Greece","Ancient Mesopotamia","Ancient Rome","Archaeology","Free","Museum","Tour"],
        "website":"",
        "sponsors":[
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                "website":"http:\/\/www.lsa.umich.edu\/kelsey\/"                },             {
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        "datetime_modified":"20250806T162329",
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        "datetime_end":"20240629T143000",
        "has_end_time":1,
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        "date_end":"2024-06-29",
        "time_start":"13:30:00",
        "time_end":"14:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Sea Monsters",
        "occurrence_title":"",
        "combined_title":"Sea Monsters",
        "event_subtitle":"",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"The film follows a curious and adventurous Dolichorhynchops \u2013 familiarly known as a \u2018dolly\u2019 \u2013 as she travels through the most dangerous oceans in history. Along the way, she encounters long-necked plesiosaurs, giant turtles, enormous fish, fierce sharks, and the most dangerous sea monster of all\u2013 the mosasaur.",
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        "building_name":"Museum of Natural History",
        "campus_maps_id":"646",
        "room":"",
        "location_name":"Museum of Natural History",
        "has_livestream":0,
        "cost":"Tickets are $8 and are available in the museum store on the day of the show.",
        "tags":["Museum","museums","natural history museum"],
        "website":"",
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    {
        "datetime_modified":"20240522T102748",
        "datetime_start":"20240629T140000",
        "datetime_end":"20240629T150000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"14:00:00",
        "time_end":"15:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Saturday Sampler Tour | Greek and Roman Mythology in Daily Life",
        "occurrence_title":"",
        "combined_title":"Saturday Sampler Tour | Greek and Roman Mythology in Daily Life: Linda Kimmel",
        "event_subtitle":"Linda Kimmel",
        "event_type":"Tours",
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        "description":"Many of us have read stories or seen movies featuring gods, goddesses, and heroes from Greek and Roman mythology. But how was this mythology incorporated into the lives of ancient people? In this tour, we\u2019ll look at such artifacts as vases, lamps, and sarcophagi\u2014decorated with images of Athena, Herakles, Dionysus, and more\u2014and consider how this mythology was experienced by everyday people.\r\n\r\nThis event is free and open to all visitors. If you have any questions or concerns regarding accessing this event, please visit our accessibility page at https:\/\/myumi.ch\/zwPkd or contact the education office by calling (734) 647-4167. We ask for advance notice as some accommodations may require more time for the university to arrange.",
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        "building_name":"Kelsey Museum of Archaeology",
        "campus_maps_id":"186",
        "room":"",
        "location_name":"Kelsey Museum of Archaeology",
        "has_livestream":0,
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        "tags":["Ancient Greece","Ancient Rome","Archaeology","Free","Museum","Tour"],
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    {
        "datetime_modified":"20240530T121538",
        "datetime_start":"20240629T150000",
        "datetime_end":"20240629T163000",
        "has_end_time":1,
        "date_start":"2024-06-29",
        "date_end":"2024-06-29",
        "time_start":"15:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"An Afternoon of Faculty Chamber Music - MPulse",
        "occurrence_title":"",
        "combined_title":"An Afternoon of Faculty Chamber Music - MPulse: Center Stage Strings - An MPulse Institute at the University of Michigan",
        "event_subtitle":"Center Stage Strings - An MPulse Institute at the University of Michigan",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"Center Stage Strings (CSS) \u2013 one of SMTD\u2019s MPulse performing arts summer programs for youth \u2013 welcomes the public to a series of live concerts, free to attend in-person on campus or to watch from anywhere via livestream.\n\nCelebrating its 15th season in 2024, CSS was founded by renowned violinist and SMTD Professor Danielle Belen to develop the talents of serious young classical music students in the areas of solo and chamber music performance. Learn more at centerstagestrings.net.",
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        "campus_maps_id":"526",
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        "has_livestream":0,
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        "tags":["Concert","Faculty","Free","Music","North Campus"],
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        "event_title":"As You Like It",
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        "description":"5:00-6:00PM at The Arb Visitor Center Presented by Nichols Arboretum & The. \nPlease visit https:\/\/mutotix.umich.edu\/4849\/4866 for more detail.",
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        "event_title":"Shakespeare in the Arb: As You Like It",
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        "event_title":"Nora Brown w\/Stephanie Coleman",
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        "datetime_modified":"20241205T130011",
        "datetime_start":"20240630T080000",
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        "date_end":"2024-06-30",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
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        "event_title":"Being Mixed Race in a Mono-racially Organized World",
        "occurrence_title":"",
        "combined_title":"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us",
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    {
        "datetime_modified":"20240410T105911",
        "datetime_start":"20240630T080000",
        "datetime_end":"20240630T170000",
        "has_end_time":1,
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        "date_end":"2024-06-30",
        "time_start":"08:00:00",
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        "event_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024",
        "occurrence_title":"",
        "combined_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024: Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
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        "description":"June 3- July 26, 2024\r\n77th Summer Institute in Survey Research Techniques\r\n\r\nClasses are open for registration!\r\n\r\nThe mission of the Summer Institute in Survey Research Techniques (SISRT) is to provide rigorous and high quality graduate training in all phases of survey research. The program teaches state-of-the art practice and theory in the design, implementation, and analysis of surveys. \r\n \r\nSpace is limited so please register early! Since our courses are not for academic credit, fees are based on the number of assigned \u201ccourse hours\u201d to each class.\r\n\r\nPlease view the 2024 course schedule for our extensive class offerings. Classes are offered remotely at their scheduled times.\r\n\r\nYou do not have to be affiliated with the University in order to attend. \r\n\r\nSCHEDULE\r\n\u2022\tJune 3-July 26: Analysis of Complex Sample Survey Data, 10:00am-12:00pm, M \/W (9:00am-11:00am) F \r\n\u2022\tJune 3-July 26: Workshop in Survey Sampling Techniques, 2:00pm-5:00pm, M-F\r\n\u2022\tJune 3-July 26: Methods of Survey Sampling, 9:00am-11:00am, T\/Th \r\n\u2022\tJune 3-14: Machine Learning for Social Science, 1:00pm-3:00pm, M\/W\/F \r\n\u2022\tJune 3-7: Introduction to the Health and Retirement Study (HRS) Workshop, 10:00am-3:00pm, M-F \r\n\u2022\tJune 10-14: Introduction to Survey Methodology, 9:00am-12:00pm, M-F\r\n\u2022\tJune 11-12: Introduction to Focus Group Interviewing Research Methods, 8:30am-12:00pm, T-W\r\n\u2022\tJune 17-21: Mixed Method Research Design, Data Collection and Analysis, 8:30 am - 12:00 pm, M-F \r\n\u2022\tJune 17-28: Survey and Data Science for Undergraduates, 1:00pm-4:00pm, M-F\r\n\u2022\tJune 24-28: Writing Questions For Surveys, 1:00pm-4:00pm, M-F \r\n\u2022\tJune 25-27: RSD Webinar: Basic Concepts in Responsive Survey Design, 9:00am-1:00pm, T\/TH\r\n\u2022\tJune 24-July 17: Introduction to Questionnaire Design, 10:00am-12:00pm, M & W \r\n\u2022\tJuly 9,11: RSD Webinar: Interventions in a Responsive Survey Design Framework, 9:00am-1:00pm, T\/Th\r\n\u2022\tJuly 8-12: Design and Implementation of Web Surveys, 9:00am-1:00pm, M-F \r\n\u2022\tJuly 9-30: Data Collection Using Wearables, Sensors, and Apps in the Social, Behavioral, and Health Sciences, 11:00am - 12:30pm, T\r\n\u2022\tJuly 15-25: Introduction to Text Analysis, 1:00pm-2:30pm, M\/T\/Th \r\n\u2022\tJuly 15-26: Qualitative Methods: Overview and Semi-Structured Interviewing, 1:00-3:00pm, M-F\r\n\u2022\tJuly 23-25: Intermediate Questionnaire Design, 12:00pm-4:00pm, M-Th",
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        "cost":"Fees are based on duration of the course. Please see Summer Institute website.",
        "tags":["Anthropology","Basic Science","Bias","Biomedical","Biosciences","Causal Inference","Computer Science","Data","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Department Of Political Science","Economics","Education","Electrical Engineering and Computer Science","gerald r. ford school of public policy","Graduate","Graduate and Professional Students","Graduate Students","Health Data","Macroeconomics","Mathematics","Medical","Political Science","Population Studies Center","Psychology","Public Health","Research","Science","Social Science","Social Sciences","Sociology","Survey Methodology","Survey Research"],
        "website":"https:\/\/si.isr.umich.edu\/",
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                "group_id":"4327",
                "website":""                },             {
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        "datetime_end":"20240630T160000",
        "has_end_time":1,
        "date_start":"2024-06-30",
        "date_end":"2024-06-30",
        "time_start":"10:00:00",
        "time_end":"16:00:00",
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        "event_title":"Nicole Ray Art Exhibit: State of Play",
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        "combined_title":"Nicole Ray Art Exhibit: State of Play",
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        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20240630T110000",
        "datetime_end":"20240630T200000",
        "has_end_time":1,
        "date_start":"2024-06-30",
        "date_end":"2024-06-30",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "datetime_modified":"20240130T121549",
        "datetime_start":"20240630T110000",
        "datetime_end":"20240630T200000",
        "has_end_time":1,
        "date_start":"2024-06-30",
        "date_end":"2024-06-30",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
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        "event_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
        "occurrence_title":"",
        "combined_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
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        "description":"Care in Uncertain Times\n \nAs crises of public health, economic instability, authoritarian regimes, racial injustice, and climate change spread around the globe,\u00a0millions are experiencing distress, conflict, uncertainty, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979, when the Khmer Rouge ruled Cambodia, about a quarter of the country\u2019s populations died of infectious diseases, weapon wounds, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its\u00a0diaspora\u00a0has evolved in the face of cultural upheaval. Showcasing works from worldwide collections, including those from some of the foremost members of the Cambodian contemporary art scene, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, Eleanor Noyes Crumpacker Endowment Fund, and U-M Ross School of Business.\n\u00a0",
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        "room":"A. Alfred Taubman Gallery I",
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        "tags":["Art","Culture","Exhibition","Museum","Public Health","UMMA"],
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        "datetime_modified":"20240130T121551",
        "datetime_start":"20240630T110000",
        "datetime_end":"20240630T200000",
        "has_end_time":1,
        "date_start":"2024-06-30",
        "date_end":"2024-06-30",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
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        "tags":["Art","European","Exhibition","History","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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    {
        "datetime_modified":"20240628T211201",
        "datetime_start":"20240630T113000",
        "datetime_end":"20240630T123000",
        "has_end_time":1,
        "date_start":"2024-06-30",
        "date_end":"2024-06-30",
        "time_start":"11:30:00",
        "time_end":"12:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"We Are Stars",
        "occurrence_title":"",
        "combined_title":"We Are Stars",
        "event_subtitle":"",
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        "event_type_id":"7",
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        "occurrence_title":"",
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        "event_title":"Laith Al-Saadi",
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        "combined_title":"Laith Al-Saadi: Presented by The Ark",
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        "description":"In 2016, Laith Al-Saadi won America\u2019s hearts and a spot in the Season 10 finale of NBC\u2019s \u201cThe Voice.\u201d Now he\u2019s bringing an authentic blend of blues, soul and classic rock to audiences around the nation and the world. Laith Al-Saadi has always had the perfect combination of Midwestern hustle and incredible musical chops\u2014honed at the University of Michigan school of music in his hometown of Ann Arbor, and on stages across the country working with legends like Taj Mahal, Luther Allison, Buddy Guy, Son Seals, Gregg Allman, and B.B. King. \u201cLaith is one of the most diverse talents we have,\u201d said Maroon 5 frontman and \u201cThe Voice\u201d coach Adam Levine. \u201cIncredible guitar player, incredible singer.\u201d Audiences have agreed, propelling Laith\u2019s album \u201cREAL\u201d to the top of the blues chart for five weeks and the top 20 album chart for two weeks. Guitar Center has crowned him one of the top four blues guitarists in the United States.\r\n\r\nhttps:\/\/laithalsaadi.com\/",
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        "datetime_modified":"20240716T003128",
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        "event_title":"SAS Hackathon Registration",
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        "combined_title":"SAS Hackathon Registration",
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        "event_title":"Being Mixed Race in a Mono-racially Organized World",
        "occurrence_title":"",
        "combined_title":"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us",
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        "description":"The exhibit \"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us\" is an exploration into the library's collections about the diversity of mixed race heritage. Through research, narratives, demographic data, and a variety of visual and published materials, explore multifaceted aspects of mixed race heritage with insights from many perspectives.\r\n\r\nThe 2020 U.S. Census illuminated a 276 percent increase in individuals who identify as \"two or more races\" since 2010. In recognition of the growing numbers of mixed race-identifying people at the University of Michigan, throughout the country, and across the globe, we're excited to unveil this new exhibit \u2014 a unique exploration of changing demographics and intersectional identities.\r\n\r\n[The Hatcher Library will be closed December 21 to January 1.]",
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        "datetime_modified":"20240410T105911",
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        "event_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024",
        "occurrence_title":"",
        "combined_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024: Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
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        "cost":"Fees are based on duration of the course. Please see Summer Institute website.",
        "tags":["Anthropology","Basic Science","Bias","Biomedical","Biosciences","Causal Inference","Computer Science","Data","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Department Of Political Science","Economics","Education","Electrical Engineering and Computer Science","gerald r. ford school of public policy","Graduate","Graduate and Professional Students","Graduate Students","Health Data","Macroeconomics","Mathematics","Medical","Political Science","Population Studies Center","Psychology","Public Health","Research","Science","Social Science","Social Sciences","Sociology","Survey Methodology","Survey Research"],
        "website":"https:\/\/si.isr.umich.edu\/",
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                "group_id":"4327",
                "website":""                },             {
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                "group_id":"3285",
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        "has_end_time":1,
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        "date_end":"2024-07-01",
        "time_start":"09:00:00",
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        "event_title":"Bill Jackson Photography Exhibition",
        "occurrence_title":"",
        "combined_title":"Bill Jackson Photography Exhibition: \"Homecoming\"  April 19 to August 2, 2024",
        "event_subtitle":"\"Homecoming\"  April 19 to August 2, 2024",
        "event_type":"Exhibition",
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        "description":"This exhibition is entitled HOMECOMING because it has been almost 6 years since Bill was scheduled to have an exhibition at NCRC Gallery.  However, his untimely passing in 2018 prevented the exhibition.  In honor of the artist, his wife Meighen Jackson has assembled this body of work for this exhibition.\r\n\r\nA 1960\u2019s graduate of Monteith College at Wayne State, Bill saw himself not as a storyteller nor a documentarian, but as a photographer seeking images with the power and creativity of late 20th century painting and music making.\r\n\r\nBill Jackson\u2019s work is represented nationally by Walter Wickiser Gallery in Manhattan and regionally by M Contemporary in Ferndale, MI.   It is included in many permanent collections including Wayne State University in Detroit.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
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        "building_id":"0",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Art","Culture","Detroit","Exhibition","Free","Humanities","North Campus","Visual Arts"],
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        "sponsors":[
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    {
        "datetime_modified":"20240423T153958",
        "datetime_start":"20240701T090000",
        "datetime_end":"20240701T170000",
        "has_end_time":1,
        "date_start":"2024-07-01",
        "date_end":"2024-07-01",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Enna Diddio Exhibition \"War Relics\"",
        "occurrence_title":"",
        "combined_title":"Enna Diddio Exhibition \"War Relics\": May 10-August 2, 2024",
        "event_subtitle":"May 10-August 2, 2024",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Enna Diddio was born and raised in Detroit.  She is a multimedia artist with a newfound attachment to printmaking. A recent Wayne State Fine Arts graduate, with a major in Drawing, Diddio\u2019s work is versatile and inquisitive. She is a strong proponent of City of Detroit, with a strong sense of community, craftsmanship, and creativity. They have created as space between traditionally taught skills and the contemporary methods to apply them and I desire to function within that space.\r\n\r\nThe works in the exhibition \u201cWar Relics\u201d speak directly to the printmaking qualities and imagery of Western war iconography and memorabilia. In recent years the artist has gravitated towards signage, print, poster, stamp, reproduction and automation and highlighting the roll advertisement and design play in war. Some pieces include pin up nose bird art, signage, ration packaging and wartime tattoo flash.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
                "guid":"121689-21847072@events.umich.edu",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "datetime_modified":"20240103T111241",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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        "date_start":"2024-07-01",
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        "event_title":"PhD defense: Yaohui Guo",
        "occurrence_title":"",
        "combined_title":"PhD defense: Yaohui Guo: Trust-Aware Multi-Agent Human-Robot Teaming",
        "event_subtitle":"Trust-Aware Multi-Agent Human-Robot Teaming",
        "event_type":"Presentation",
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        "description":"Dissertation title: Trust-Aware Multi-Agent Human-Robot Teaming\r\n\r\nChairs: Profs. Xi (Jessie) Yang & Cong Shi",
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        "tags":["Dissertation","Industrial And Operations Engineering","Ioephdstudents","Research"],
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        "event_title":"Nicole Ray Art Exhibit: State of Play",
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        "combined_title":"Nicole Ray Art Exhibit: State of Play",
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        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
        "occurrence_notes":null,
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        "building_name":"Matthaei Botanical Gardens",
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        "datetime_modified":"20240701T102018",
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        "event_title":"Online Arabic Placement test_July 1, 2024 (11am-2pm EST)",
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        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Welcome to the Arabic Placement TestAbout the testThe test is approximately two hours and a half in length, and it is composed of three portions:a. The writing portion is completed via Zoom and it is worth a total of 100 points.b. The reading portion is completed online through Canvas site, and it is worth a total of 48 points.c. Right after finishing with the reading portion, each student will have a follow-up interview with a proctor. The interviews last approximately 15 minutes and it is worth a total of 20 points.Important: The interview portion will be weighted most heavily as it will be used to validate performance on the other portions. The final result\/score\/rating will thus be based on the student\u2019s performance on the interview above all. Rating of performance on the writing or reading portions is secondary.How is the result calculated?Students who receive 60% or above will be placed in Arabic 401 and thus placed out of the LSA language requirement.Where can I view my results?\u00a0Placement results are posted within 7 business days after taking the test.You will not be notified of your score automatically. You may view your placements via: Wolverine Access > Student Business > Academic Records > View Placement Exam Results.Important information about the test* Please note that only students who are participating in the orientations are eligible to take the online placement test. If you are an existing UM student, please sign up to take the in-person placement test that is taking place in August.* Placements are valid for only one year. If you fail to register in the course that you are placed in, you will be required to retake the test.* Retaking the placement test is only permitted after the placement results expire.* The test assesses students\u2019 proficiency in Modern Standard Arabic (MSA), NOT colloquial Arabic.* If you speak an Arabic dialect but you do not know how to read or write or have little knowledge, feel free to register in Arabic 101.* Students who know some Arabic because they came from an Arabic-speaking household or have studied Arabic before, must take the Arabic proficiency test in order to determine their placement.* Students who have taken Arabic at other institutions and wish to continue their Arabic study at UM must take the placement test to determine their level. Credits for Arabic study undertaken at another institution prior to joining UM or in a summer program while attending UM, transfer in as generic departmental credits and students must take the placement test to determine credit equivalencies to UM courses.* If you place in or beyond the 401 level, you will have satisfied the LSA language requirement.* Students are encouraged to take a placement test as early as possible in their studies in order to determine the level they should enroll in, or if they test out of the language requirement. This is extremely important to avoid delays in graduation and complications with placement.* Arabic 101, 201, 401, 501 or 504 are offered ONLY in the Fall semester, and Arabic 102, 202, 402, 511 are ONLY offered in the Winter semester.* Arabic 203 (the equivalent of Arabic 201 & 202, combined) are offered in the Spring-Summer terms.UM\u2019s Arabic curriculum is a dual register curriculum in which students learn to speak and understand either the Levantine dialect (the dialect of Jordan, Syria, Palestine and Lebanon) in addition to learning to read and write and understand formal Arabic (fuSHa).\u00a0If you have questions regarding the placement test, please contact the program director at, mesarabicprogram@umich.edu",
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":" Launching Your Job Search Series: Resume and LinkedIn Workshop",
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        "combined_title":" Launching Your Job Search Series: Resume and LinkedIn Workshop",
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        "description":"Capital One would like to invite you to our upcoming event:Resume and LinkedIn Workshop on Monday, July 1 at 12-1pm ET.\u00a0 Applications are right around the cornerJoin us as we sharesome best practices and tips on how to make your resume more impactful and maximize your LinkedIn presence so you can stand out. After the presentation, there will be various recruiters available to answer your questionsand provide program-specific advice including technical resume writing. Note that you are welcome to attend a portion of the event if the full timeframe doesn't work with your schedule.Hope to see you there!",
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        "event_title":"Eight Eleven Group DEI Discussion (Browning)",
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        "time_start":"14:30:00",
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        "event_title":"One Sky",
        "occurrence_title":"",
        "combined_title":"One Sky",
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        "description":"One Sky features 6 short narratives, each of which represents the perspective of a different culture or Indigenous society from around the globe. Stories include the Forge of Artemis from Greece, the Thunderbird from the Navajo, Jai Singh\u2019s Dream from India, the Celestial Canoe from the Innu people of northern Canada, the Samurai and Stars from Japan, and stories from the wayfinders of Hawaii.",
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        "event_title":"SMBC Meet & Greet (GFIG, Leveraged Finance, Sustainable Solutions, Lenders Finance)",
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        "combined_title":"SMBC Meet & Greet (GFIG, Leveraged Finance, Sustainable Solutions, Lenders Finance)",
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        "description":"Global Financial Institutions Group\u00a0The Global Financial Institutions Group offers comprehensive banking solutions to our clients by leveraging the strength of SMBC Group, our products and services, and our global platform. We work closely with product partners across the firm, serving as the primary point of contact for our clients to connect them to the broader SMBC Group, while acting as an advisor to our clients and recommending the best financial products for theirneeds. GFIG is a market leader, covering funds and asset managers, insurance companies, banks, and specialty finance companies.Leveraged Finance OriginationSMBC\u2019s Leveraged Finance Group is a well-established and rapidly growing platform in the US which willoffer firsthand experience into the private equity space. The group\u2019s primary mission is to originate, structure, and execute leveraged financing solutions to support financial sponsor activity. Team members work to provide cash flow and asset-based financing solutions to support leveraged buyouts (LBO) and other merger &amp; acquisition (M&amp;A) transactions recapitalizations, refinancing, add-on acquisitions, and other financing events for private equity backed companies.Sustainable SolutionsThe Sustainable Finance &amp; Advisory Group supports our clients across the Americas and across all products with implementing ESG and sustainability strategy, principally through integration intofinancial products such as green bonds, sustainability-linked loans and related instruments. The SFA Group is one of the bank\u2019s newest teams, responding to and helping drive the megatrend of ESG and financial integration.Lenders Finance Group \u2013 Origination &amp; CollateralUnderwritingThe Lender Finance Group provides financing to financial institutions primarily engaged in middle-market leveraged lending. LFG activities support both permanent financing for loan asset manager portfolios as well as warehouse financing for CLOs which are arranged byNikko. The group has provided $10 billion in asset-based or corporate facilities across ~15-20 counterparties.",
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        "event_title":"Spotlight Solo Recital: Emily Hauer, violin",
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        "combined_title":"Spotlight Solo Recital: Emily Hauer, violin: Center Stage Strings - An MPulse Institute at the University of Michigan",
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        "description":"Violinist Emily Hauer performs with Mi-Eun Kim, piano.\n\nCenter Stage Strings (CSS) \u2013 one of SMTD\u2019s MPulse performing arts summer programs for youth \u2013 welcomes the public to a series of live concerts, free to attend in-person on campus or to watch from anywhere via livestream.\n\nCelebrating its 15th season in 2024, CSS was founded by renowned violinist and SMTD Professor Danielle Belen to develop the talents of serious young classical music students in the areas of solo and chamber music performance. Learn more at centerstagestrings.net.",
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        "room":"Britton Recital Hall",
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        "has_livestream":0,
        "cost":"Free - no tickets required",
        "tags":["Free","Music","North Campus"],
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        "datetime_modified":"20241205T130011",
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        "event_title":"Being Mixed Race in a Mono-racially Organized World",
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        "event_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024",
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        "combined_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024: Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
        "event_subtitle":"Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
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        "description":"June 3- July 26, 2024\r\n77th Summer Institute in Survey Research Techniques\r\n\r\nClasses are open for registration!\r\n\r\nThe mission of the Summer Institute in Survey Research Techniques (SISRT) is to provide rigorous and high quality graduate training in all phases of survey research. The program teaches state-of-the art practice and theory in the design, implementation, and analysis of surveys. \r\n \r\nSpace is limited so please register early! Since our courses are not for academic credit, fees are based on the number of assigned \u201ccourse hours\u201d to each class.\r\n\r\nPlease view the 2024 course schedule for our extensive class offerings. Classes are offered remotely at their scheduled times.\r\n\r\nYou do not have to be affiliated with the University in order to attend. \r\n\r\nSCHEDULE\r\n\u2022\tJune 3-July 26: Analysis of Complex Sample Survey Data, 10:00am-12:00pm, M \/W (9:00am-11:00am) F \r\n\u2022\tJune 3-July 26: Workshop in Survey Sampling Techniques, 2:00pm-5:00pm, M-F\r\n\u2022\tJune 3-July 26: Methods of Survey Sampling, 9:00am-11:00am, T\/Th \r\n\u2022\tJune 3-14: Machine Learning for Social Science, 1:00pm-3:00pm, M\/W\/F \r\n\u2022\tJune 3-7: Introduction to the Health and Retirement Study (HRS) Workshop, 10:00am-3:00pm, M-F \r\n\u2022\tJune 10-14: Introduction to Survey Methodology, 9:00am-12:00pm, M-F\r\n\u2022\tJune 11-12: Introduction to Focus Group Interviewing Research Methods, 8:30am-12:00pm, T-W\r\n\u2022\tJune 17-21: Mixed Method Research Design, Data Collection and Analysis, 8:30 am - 12:00 pm, M-F \r\n\u2022\tJune 17-28: Survey and Data Science for Undergraduates, 1:00pm-4:00pm, M-F\r\n\u2022\tJune 24-28: Writing Questions For Surveys, 1:00pm-4:00pm, M-F \r\n\u2022\tJune 25-27: RSD Webinar: Basic Concepts in Responsive Survey Design, 9:00am-1:00pm, T\/TH\r\n\u2022\tJune 24-July 17: Introduction to Questionnaire Design, 10:00am-12:00pm, M & W \r\n\u2022\tJuly 9,11: RSD Webinar: Interventions in a Responsive Survey Design Framework, 9:00am-1:00pm, T\/Th\r\n\u2022\tJuly 8-12: Design and Implementation of Web Surveys, 9:00am-1:00pm, M-F \r\n\u2022\tJuly 9-30: Data Collection Using Wearables, Sensors, and Apps in the Social, Behavioral, and Health Sciences, 11:00am - 12:30pm, T\r\n\u2022\tJuly 15-25: Introduction to Text Analysis, 1:00pm-2:30pm, M\/T\/Th \r\n\u2022\tJuly 15-26: Qualitative Methods: Overview and Semi-Structured Interviewing, 1:00-3:00pm, M-F\r\n\u2022\tJuly 23-25: Intermediate Questionnaire Design, 12:00pm-4:00pm, M-Th",
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        "tags":["Anthropology","Basic Science","Bias","Biomedical","Biosciences","Causal Inference","Computer Science","Data","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Department Of Political Science","Economics","Education","Electrical Engineering and Computer Science","gerald r. ford school of public policy","Graduate","Graduate and Professional Students","Graduate Students","Health Data","Macroeconomics","Mathematics","Medical","Political Science","Population Studies Center","Psychology","Public Health","Research","Science","Social Science","Social Sciences","Sociology","Survey Methodology","Survey Research"],
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        "event_title":"WiSTEM2D - Pathway for Patient Health Quality Science ProfessionalCert. Intro",
        "occurrence_title":"",
        "combined_title":"WiSTEM2D - Pathway for Patient Health Quality Science ProfessionalCert. Intro",
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        "description":"Johnson &amp; Johnson WiSTEM2D Presents - Pathway for Patient Health Quality Science Professional Certification Introduction &nbsp;(AM Session)In 2015, JNJ launched WISTEM2D-Women in Science, Technology, Engineering, Math, Manufacturing, and Design (STEM2D)-initiative to promote learning and career opportunities inSTEM2D disciplines. Led by a network of volunteers from across JNJ and its local operating companies, this ambitious initiative seeks to promote learning across Youth, University and Professional audiences.&nbsp;We are pleased to announce WISTEM2D\u2019s new partnership with Pathway \u2013 a free online learning platform for students interested in the Life Science industries. Our Pathway student courses are designed to equip you with the knowledge to succeed in the workforce. We offer courses on topics such as Global Regulatory and Legal Requirements of Quality, Product Development and Validation, and Risk and Failure Analysis.&nbsp;Join us for our information session to learn more! Zoom link provided after registration.",
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        "datetime_modified":"20240423T152636",
        "datetime_start":"20240702T090000",
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        "has_end_time":1,
        "date_start":"2024-07-02",
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        "event_title":"Bill Jackson Photography Exhibition",
        "occurrence_title":"",
        "combined_title":"Bill Jackson Photography Exhibition: \"Homecoming\"  April 19 to August 2, 2024",
        "event_subtitle":"\"Homecoming\"  April 19 to August 2, 2024",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition is entitled HOMECOMING because it has been almost 6 years since Bill was scheduled to have an exhibition at NCRC Gallery.  However, his untimely passing in 2018 prevented the exhibition.  In honor of the artist, his wife Meighen Jackson has assembled this body of work for this exhibition.\r\n\r\nA 1960\u2019s graduate of Monteith College at Wayne State, Bill saw himself not as a storyteller nor a documentarian, but as a photographer seeking images with the power and creativity of late 20th century painting and music making.\r\n\r\nBill Jackson\u2019s work is represented nationally by Walter Wickiser Gallery in Manhattan and regionally by M Contemporary in Ferndale, MI.   It is included in many permanent collections including Wayne State University in Detroit.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
                "guid":"121687-21846985@events.umich.edu",
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        "building_id":"0",
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        "campus_maps_id":"595",
        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Art","Culture","Detroit","Exhibition","Free","Humanities","North Campus","Visual Arts"],
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        "datetime_modified":"20240423T153958",
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        "event_title":"Enna Diddio Exhibition \"War Relics\"",
        "occurrence_title":"",
        "combined_title":"Enna Diddio Exhibition \"War Relics\": May 10-August 2, 2024",
        "event_subtitle":"May 10-August 2, 2024",
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        "description":"Enna Diddio was born and raised in Detroit.  She is a multimedia artist with a newfound attachment to printmaking. A recent Wayne State Fine Arts graduate, with a major in Drawing, Diddio\u2019s work is versatile and inquisitive. She is a strong proponent of City of Detroit, with a strong sense of community, craftsmanship, and creativity. They have created as space between traditionally taught skills and the contemporary methods to apply them and I desire to function within that space.\r\n\r\nThe works in the exhibition \u201cWar Relics\u201d speak directly to the printmaking qualities and imagery of Western war iconography and memorabilia. In recent years the artist has gravitated towards signage, print, poster, stamp, reproduction and automation and highlighting the roll advertisement and design play in war. Some pieces include pin up nose bird art, signage, ration packaging and wartime tattoo flash.",
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        "location_name":"North Campus Research Complex Building 18",
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        "datetime_end":"20240702T160000",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
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        "event_title":"Student Accessibility and Accommodation Services",
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        "event_title":"Nicole Ray Art Exhibit: State of Play",
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        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
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        "event_title":"A Gathering",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "datetime_end":"20240702T170000",
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        "date_end":"2024-07-02",
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        "event_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
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        "description":"Care in Uncertain Times\n \nAs crises of public health, economic instability, authoritarian regimes, racial injustice, and climate change spread around the globe,\u00a0millions are experiencing distress, conflict, uncertainty, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979, when the Khmer Rouge ruled Cambodia, about a quarter of the country\u2019s populations died of infectious diseases, weapon wounds, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its\u00a0diaspora\u00a0has evolved in the face of cultural upheaval. Showcasing works from worldwide collections, including those from some of the foremost members of the Cambodian contemporary art scene, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, Eleanor Noyes Crumpacker Endowment Fund, and U-M Ross School of Business.\n\u00a0",
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        "tags":["Art","Culture","Exhibition","Museum","Public Health","UMMA"],
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        "time_start":"11:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "event_title":" WiSTEM2D - Pathway for Patient Health Quality Science Professional Cert. Intro",
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        "combined_title":" WiSTEM2D - Pathway for Patient Health Quality Science Professional Cert. Intro",
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        "description":"Johnson &amp; Johnson WiSTEM2D Presents - Pathway for Patient Health Quality Science Professional Certification Introduction (PM Session)In 2015, JNJ launched WISTEM2D-Women in Science, Technology, Engineering, Math, Manufacturing, and Design (STEM2D)-initiative to promote learning and career opportunities in STEM2Ddisciplines. Led by a network of volunteers from across JNJ and its localoperating companies, this ambitious initiative seeks to promote learningacross Youth, University and Professional audiences.\u00a0We are pleased to announce WISTEM2D\u2019s new partnership with Pathway \u2013 a free online learning platform for students interested in the Life Science industries. Our Pathway student courses are designed to equip you with the knowledgeto succeed in the workforce. We offer courses on topics such as Global Regulatory and Legal Requirements of Quality, Product Development and Validation, and Risk and Failure Analysis.\u00a0Join us for our informationsession to learn more! Zoom link provided after registration.",
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        "event_title":"NE ScribeAmerica Virtual Information Session 7\/2\/2024",
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        "event_title":"Marcia Ball",
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        "description":"\u201cFifty years have passed in a flash,\u201d says Texas-born, Louisiana-raised pianist, songwriter and vocalist Marcia Ball of her long and storied career. Ball, the 2018 Texas State Musician Of The Year, has won worldwide fame and countless fans for her ability to ignite a full-scale roadhouse rhythm and blues party every time she takes the stage. Her rollicking Texas boogies, swampy New Orleans ballads and groove-laden Gulf Coast blues have made her a one-of-a-kind favorite with music lovers all over the world. With each new release, her reputation as a profoundly soulful singer, a boundlessly talented pianist, and a courageous, inventive songwriter continues to grow. Her love of the road has led to years of soul-satisfying performances at festivals, concert halls and clubs. The New York Times says, \u201cMarcia Ball plays two-fisted New Orleans barrelhouse piano and sings in a husky, knowing voice about all the trouble men and women can get into on the way to a good time.\u201d The Houston Chronicle says simply, \u201cShe\u2019s as perfect as an artist can be.\u201d\r\n\r\nhttps:\/\/marciaball.com\/",
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        "datetime_modified":"20240718T063107",
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        "event_title":"Morgan Stanley Asia Webinar Series: 2025 Internship Recruitment Processes and Tips",
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        "description":"Morgan Stanley Asia Webinar Series: 2025 InternshipRecruitment Processes and TipsMorgan Stanley is a leading global financial services firm providing a wide range of investment banking, securities, wealth management and investment management services. With offices in 42 countries, the firm\u2019s employees serve clients worldwide including corporations, governments, institutions and individuals.The investment banking industry offers some of the most diverse career opportunities to students at the start of their career. Join us virtually for our webinar series to explore the career paths and opportunities at Morgan Stanley Asia. Students from all degree or majors are welcomed to register.Participate in this webinar to hear from our Campus Recruiters on tips and advice to navigate the internship application processes and learn how you can make your application stand out.Attend this webinar to:\nLearn about our 2025 internship opportunities across various business units and recruitment process for different divisions\nHear from our recruiters on resume writing skills, video interview tips and virtual \/ in-person interview preparation\nExplore the resources available to help you in preparing foryour internship applications\nParticipate in live Q&amp;A breakout sessions with our recruiters\nEvent DetailsDate: Wednesday, 3 July 2024Time: 8:00 a.m. - 9:30 a.m. (EDT)Format: VirtualLanguage: EnglishTarget Audience\u00a0University students of any discipline or major graduating between October 2025 and July 2026.RegistrationClick \"Register\" to complete an online application with your resume\u00a0by\u00a0Sunday, 30 June at 11:55 a.m. (EDT)Please note that the events are by invitation only. Successful registrants will receive an email confirming their slots through the email addresses provided.If you have any questions, please contact Morgan Stanley APAC Campus Recruiting at\u00a0asia.recruit@morganstanley.com\u00a0or Japan Campus Recruiting at\u00a0Recruit.Japan@morganstanley.com.Click here\u00a0to learn about the other sessions in our Morgan Stanley Asia Webinar Series.",
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        "event_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024",
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        "combined_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024: Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
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        "event_type":"Class \/ Instruction",
        "event_type_id":"8",
        "description":"June 3- July 26, 2024\r\n77th Summer Institute in Survey Research Techniques\r\n\r\nClasses are open for registration!\r\n\r\nThe mission of the Summer Institute in Survey Research Techniques (SISRT) is to provide rigorous and high quality graduate training in all phases of survey research. The program teaches state-of-the art practice and theory in the design, implementation, and analysis of surveys. \r\n \r\nSpace is limited so please register early! Since our courses are not for academic credit, fees are based on the number of assigned \u201ccourse hours\u201d to each class.\r\n\r\nPlease view the 2024 course schedule for our extensive class offerings. Classes are offered remotely at their scheduled times.\r\n\r\nYou do not have to be affiliated with the University in order to attend. \r\n\r\nSCHEDULE\r\n\u2022\tJune 3-July 26: Analysis of Complex Sample Survey Data, 10:00am-12:00pm, M \/W (9:00am-11:00am) F \r\n\u2022\tJune 3-July 26: Workshop in Survey Sampling Techniques, 2:00pm-5:00pm, M-F\r\n\u2022\tJune 3-July 26: Methods of Survey Sampling, 9:00am-11:00am, T\/Th \r\n\u2022\tJune 3-14: Machine Learning for Social Science, 1:00pm-3:00pm, M\/W\/F \r\n\u2022\tJune 3-7: Introduction to the Health and Retirement Study (HRS) Workshop, 10:00am-3:00pm, M-F \r\n\u2022\tJune 10-14: Introduction to Survey Methodology, 9:00am-12:00pm, M-F\r\n\u2022\tJune 11-12: Introduction to Focus Group Interviewing Research Methods, 8:30am-12:00pm, T-W\r\n\u2022\tJune 17-21: Mixed Method Research Design, Data Collection and Analysis, 8:30 am - 12:00 pm, M-F \r\n\u2022\tJune 17-28: Survey and Data Science for Undergraduates, 1:00pm-4:00pm, M-F\r\n\u2022\tJune 24-28: Writing Questions For Surveys, 1:00pm-4:00pm, M-F \r\n\u2022\tJune 25-27: RSD Webinar: Basic Concepts in Responsive Survey Design, 9:00am-1:00pm, T\/TH\r\n\u2022\tJune 24-July 17: Introduction to Questionnaire Design, 10:00am-12:00pm, M & W \r\n\u2022\tJuly 9,11: RSD Webinar: Interventions in a Responsive Survey Design Framework, 9:00am-1:00pm, T\/Th\r\n\u2022\tJuly 8-12: Design and Implementation of Web Surveys, 9:00am-1:00pm, M-F \r\n\u2022\tJuly 9-30: Data Collection Using Wearables, Sensors, and Apps in the Social, Behavioral, and Health Sciences, 11:00am - 12:30pm, T\r\n\u2022\tJuly 15-25: Introduction to Text Analysis, 1:00pm-2:30pm, M\/T\/Th \r\n\u2022\tJuly 15-26: Qualitative Methods: Overview and Semi-Structured Interviewing, 1:00-3:00pm, M-F\r\n\u2022\tJuly 23-25: Intermediate Questionnaire Design, 12:00pm-4:00pm, M-Th",
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        "cost":"Fees are based on duration of the course. Please see Summer Institute website.",
        "tags":["Anthropology","Basic Science","Bias","Biomedical","Biosciences","Causal Inference","Computer Science","Data","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Department Of Political Science","Economics","Education","Electrical Engineering and Computer Science","gerald r. ford school of public policy","Graduate","Graduate and Professional Students","Graduate Students","Health Data","Macroeconomics","Mathematics","Medical","Political Science","Population Studies Center","Psychology","Public Health","Research","Science","Social Science","Social Sciences","Sociology","Survey Methodology","Survey Research"],
        "website":"https:\/\/si.isr.umich.edu\/",
        "sponsors":[
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                "group_id":"4327",
                "website":""                },             {
                "group_name":"Institute for Social Research",
                "group_id":"3285",
                "website":"http:\/\/isr.umich.edu"                },             {
                "group_name":"Survey Research Center",
                "group_id":"5063",
                "website":"https:\/\/src.isr.umich.edu\/"                }                    ],
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    {
        "datetime_modified":"20240423T152636",
        "datetime_start":"20240703T090000",
        "datetime_end":"20240703T170000",
        "has_end_time":1,
        "date_start":"2024-07-03",
        "date_end":"2024-07-03",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bill Jackson Photography Exhibition",
        "occurrence_title":"",
        "combined_title":"Bill Jackson Photography Exhibition: \"Homecoming\"  April 19 to August 2, 2024",
        "event_subtitle":"\"Homecoming\"  April 19 to August 2, 2024",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition is entitled HOMECOMING because it has been almost 6 years since Bill was scheduled to have an exhibition at NCRC Gallery.  However, his untimely passing in 2018 prevented the exhibition.  In honor of the artist, his wife Meighen Jackson has assembled this body of work for this exhibition.\r\n\r\nA 1960\u2019s graduate of Monteith College at Wayne State, Bill saw himself not as a storyteller nor a documentarian, but as a photographer seeking images with the power and creativity of late 20th century painting and music making.\r\n\r\nBill Jackson\u2019s work is represented nationally by Walter Wickiser Gallery in Manhattan and regionally by M Contemporary in Ferndale, MI.   It is included in many permanent collections including Wayne State University in Detroit.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
                "guid":"121687-21846986@events.umich.edu",
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        "building_id":"0",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "tags":["Art","Culture","Detroit","Exhibition","Free","Humanities","North Campus","Visual Arts"],
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        "sponsors":[
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                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    {
        "datetime_modified":"20240423T153958",
        "datetime_start":"20240703T090000",
        "datetime_end":"20240703T170000",
        "has_end_time":1,
        "date_start":"2024-07-03",
        "date_end":"2024-07-03",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Enna Diddio Exhibition \"War Relics\"",
        "occurrence_title":"",
        "combined_title":"Enna Diddio Exhibition \"War Relics\": May 10-August 2, 2024",
        "event_subtitle":"May 10-August 2, 2024",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Enna Diddio was born and raised in Detroit.  She is a multimedia artist with a newfound attachment to printmaking. A recent Wayne State Fine Arts graduate, with a major in Drawing, Diddio\u2019s work is versatile and inquisitive. She is a strong proponent of City of Detroit, with a strong sense of community, craftsmanship, and creativity. They have created as space between traditionally taught skills and the contemporary methods to apply them and I desire to function within that space.\r\n\r\nThe works in the exhibition \u201cWar Relics\u201d speak directly to the printmaking qualities and imagery of Western war iconography and memorabilia. In recent years the artist has gravitated towards signage, print, poster, stamp, reproduction and automation and highlighting the roll advertisement and design play in war. Some pieces include pin up nose bird art, signage, ration packaging and wartime tattoo flash.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
                "guid":"121689-21847074@events.umich.edu",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    {
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240703T090000",
        "datetime_end":"20240703T160000",
        "has_end_time":1,
        "date_start":"2024-07-03",
        "date_end":"2024-07-03",
        "time_start":"09:00:00",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_id":"1158",
                "website":""                },             {
                "group_name":"Women's and Gender Studies Department",
                "group_id":"2809",
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        "datetime_modified":"20240610T132829",
        "datetime_start":"20240703T100000",
        "datetime_end":"20240703T160000",
        "has_end_time":1,
        "date_start":"2024-07-03",
        "date_end":"2024-07-03",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Nicole Ray Art Exhibit: State of Play",
        "occurrence_title":"",
        "combined_title":"Nicole Ray Art Exhibit: State of Play",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
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        "building_name":"Matthaei Botanical Gardens",
        "campus_maps_id":"554",
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        "location_name":"Matthaei Botanical Gardens",
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        "has_end_time":1,
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        "event_title":"A Gathering",
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        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "event_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
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        "description":"Care in Uncertain Times\n \nAs crises of public health, economic instability, authoritarian regimes, racial injustice, and climate change spread around the globe,\u00a0millions are experiencing distress, conflict, uncertainty, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979, when the Khmer Rouge ruled Cambodia, about a quarter of the country\u2019s populations died of infectious diseases, weapon wounds, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its\u00a0diaspora\u00a0has evolved in the face of cultural upheaval. Showcasing works from worldwide collections, including those from some of the foremost members of the Cambodian contemporary art scene, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, Eleanor Noyes Crumpacker Endowment Fund, and U-M Ross School of Business.\n\u00a0",
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        "event_title":"Elizabeth Youngblood: Syntax",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nStamps Gallery is proud to present a solo exhibition that celebrates the important work of Detroit-based artist, educator, and designer Elizabeth Youngblood (BFA 1973). This exhibition explores the expansive and experimental nature of her prolific and interstitial art practice. Syntax sheds light on Youngblood\u2019s embodied practice that encompasses a deep commitment and respect for the process and the material with which she is working - be it found objects, fur, hair, surfaces of different types of paper, pigments, ink, wire, porcelain, threads, and\/or clay, that may have inspired her. The work occupies the spaces between art and design, abstract and concrete, making and becoming. In Syntax, the viewers will encounter over 30 works from the last four decades that range from large-scale drawings to intimate mixed-media works, sculptural objects, and weavings. The exhibition will also include Youngblood's early design work where her explorations with dots, dashes, lines and accumulation of lines and space emerged and became a framework for a way to consider form as ever-evolving and iterative. These recurring forms were the points of departure for her experiments with materiality as they became reconstituted across different mediums and disciplines, transformed over and over again to create Youngblood\u2019s unique visual vocabulary and her Syntax of making and meaning.\nCurated by Srimoyee Mitra.\nArtist\u2019s Bio\nBorn in Detroit and educated in southeastern Michigan, Elizabeth Youngblood is an artist, educator, designer and maker of interesting things. From her high school education at Cass Technical High School to her undergraduate education at the University of Michigan, through graduate work at Cranbrook, she has always maintained a dual interest in making by hand and in design for production. Youngblood\u2019s art-making practice includes working in the mediums of drawing, ceramics, weaving, bookbinding and more. She\u2019s been a faculty member at the University of Michigan, Ann Arbor and SUNY Purchase, NY, managed branding with Unisys and designed at The New York Times. After a stint on the east coast, Youngblood has returned to Detroit where she maintains a studio practice and continues to investigate the intersection of her range of interests.\n",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "datetime_end":"20240703T170000",
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        "date_start":"2024-07-03",
        "date_end":"2024-07-03",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
        "occurrence_notes":null,
                "guid":"84303-21621328@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/84303",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","European","Exhibition","History","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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    {
        "datetime_modified":"20240624T181507",
        "datetime_start":"20240703T110100",
        "datetime_end":"20240703T170000",
        "has_end_time":1,
        "date_start":"2024-07-03",
        "date_end":"2024-07-03",
        "time_start":"11:01:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Black Art Library",
        "occurrence_title":"",
        "combined_title":"Black Art Library",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nThe Black Art Library is a collection of books and other art history ephemera on Black visual art intended to be an educational resource to share within the Black community and beyond. The library intends to introduce or expand the community\u2019s knowledge of Black art from the past and the present through art books. For Stamps Gallery, independent curator and organizer of the Black Art Library Asmaa Walton has curated a special selection of books that focus on black women artists as well as Black artists from Southeast Michigan. \n\nAbout the curator:\nAsmaa Walton was born and raised in Detroit, she is an arts educator and ardent developer of a Black cultural archive. In 2017, Walton earned a BFA in Art Education from Michigan State University. In 2018, she received a MA in Art Politics from New York University, Tisch School of the Arts. After completing her masters degree, Walton joined Toledo Museum of Art as an Education and Engagement Intern, in 2018. In the same year she was appointed the Museum\u2019s first KeyBank Fellow in Diversity Leadership, a position where she identified opportunities for diversity and equity programming across museums and cultural institutions. In 2019, Walton was appointed Romare Bearden Graduate Museum Fellow at Saint Louis Art Museum. In 2020, Walton established Black Art Library which is a collection of publications, exhibition catalogs and theoretical texts about Black art and visual culture. Walton is currently working towards the mobile project becoming a public archive in a permanent space in Detroit, Michigan.",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/black-art-library",
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        "datetime_modified":"20240620T181506",
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        "has_end_time":1,
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        "event_title":"Michelle Hinojosa: Logcabins",
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        "combined_title":"Michelle Hinojosa: Logcabins",
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        "description":"Stamps Gallery commissioned Michelle Hinojosa (MFA, 2023) to reimagine the pillars on Division Street that flank the Gallery. Hinojosa has created log cabin quilts to adorn the columns in front of Stamps Gallery. The log cabin quilts traditionally represent the warm hearth at the center of a home. This installation reflects on the interplay between home, placemaking, labor, and intergenerational memories of migration. Rather than quilting cotton designed to softly embrace the body, these quilts are sewn from outdoor grade, UV-resistant polyester. The quilt is an ode to Hinojosa\u2019s grandmother who illegally crossed the US\/Mexico border holding her babies and her quilts. As she and her family drove across the United States to work in the fields of the Salinas Valley, the quilts offered a safe space for her and her family. Hinojosa celebrates their resilience to her grandmother and elders while also drawing attention to precarity and violence experienced by refugees and migrants crossing the US-Mexico border in our present today.\nArtist\u2019s bio:\nMichelle Inez Hinojosa is an artist, educator, and researcher whose work is informed by Indigenous and Latine\/x\/a\/o studies. Born and raised in Texas, she earned her Bachelor of Fine Arts degree in both drawing and painting and art education with a minor in art history at the University of North Texas. She holds a Master of Fine Arts from the University of Michigan. She works with quilting, bead weaving, embroidery, jewelry, transparent film installations, painting, ceramics, and sculpture to honor and explore the history of migration in her family and humanize the current discourse around migration still occurring at the southern border. Alongside her artwork she maintains a writing practice to re-story, re-make, and re-claim the often subordinated narratives of Latinx, Chicanx, Mexican, and Texican peoples. \n\nRecently, Hinojosa was named an inaugural Creative Careers Artist in Residence at the University of Michigan, she has also attended residencies at Mildred's Lane (Pennsylvania), Anderson Ranch Art Center (Aspen, CO) and The Cedars Union (Dallas, TX). ",
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        "datetime_end":"20240703T133000",
        "has_end_time":1,
        "date_start":"2024-07-03",
        "date_end":"2024-07-03",
        "time_start":"12:30:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Sea Monsters",
        "occurrence_title":"",
        "combined_title":"Sea Monsters",
        "event_subtitle":"",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"The film follows a curious and adventurous Dolichorhynchops \u2013 familiarly known as a \u2018dolly\u2019 \u2013 as she travels through the most dangerous oceans in history. Along the way, she encounters long-necked plesiosaurs, giant turtles, enormous fish, fierce sharks, and the most dangerous sea monster of all\u2013 the mosasaur.",
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                "guid":"121866-21849099@events.umich.edu",
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        "cost":"Tickets are $8 and are available in the museum store on the day of the show.",
        "tags":["Museum","museums","natural history museum"],
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    }    ,    "123100-21850268":
    {
        "datetime_modified":"20240802T121648",
        "datetime_start":"20240703T143000",
        "datetime_end":"20240703T153000",
        "has_end_time":1,
        "date_start":"2024-07-03",
        "date_end":"2024-07-03",
        "time_start":"14:30:00",
        "time_end":"15:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"One Sky",
        "occurrence_title":"",
        "combined_title":"One Sky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"One Sky features 6 short narratives, each of which represents the perspective of a different culture or Indigenous society from around the globe. Stories include the Forge of Artemis from Greece, the Thunderbird from the Navajo, Jai Singh\u2019s Dream from India, the Celestial Canoe from the Innu people of northern Canada, the Samurai and Stars from Japan, and stories from the wayfinders of Hawaii.",
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                "guid":"123100-21850268@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/123100",
        "building_id":"1005169",
        "building_name":"Museum of Natural History",
        "campus_maps_id":"646",
        "room":"",
        "location_name":"Museum of Natural History",
        "has_livestream":0,
        "cost":"$8 - buy tickets at the museum store on the day of the show",
        "tags":["natural history museum","Natural Sciences"],
        "website":"",
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    {
        "datetime_modified":"20240718T123129",
        "datetime_start":"20240703T160000",
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        "date_end":"2024-07-03",
        "time_start":"16:00:00",
        "time_end":"23:55:00",
        "time_zone":"America\/Detroit",
        "event_title":"Join Enterprise Strategy's Mailing List | Internal Consulting at American Express",
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        "event_title":"\"Queer Clearings: Gender, Nature, Poetry\"",
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        "combined_title":"\"Queer Clearings: Gender, Nature, Poetry\": Dr. Madeleine Wattenberg, Lakeland University",
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        "datetime_modified":"20240410T105911",
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        "datetime_end":"20240704T170000",
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        "event_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024",
        "occurrence_title":"",
        "combined_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024: Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
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        "description":"June 3- July 26, 2024\r\n77th Summer Institute in Survey Research Techniques\r\n\r\nClasses are open for registration!\r\n\r\nThe mission of the Summer Institute in Survey Research Techniques (SISRT) is to provide rigorous and high quality graduate training in all phases of survey research. The program teaches state-of-the art practice and theory in the design, implementation, and analysis of surveys. \r\n \r\nSpace is limited so please register early! Since our courses are not for academic credit, fees are based on the number of assigned \u201ccourse hours\u201d to each class.\r\n\r\nPlease view the 2024 course schedule for our extensive class offerings. Classes are offered remotely at their scheduled times.\r\n\r\nYou do not have to be affiliated with the University in order to attend. \r\n\r\nSCHEDULE\r\n\u2022\tJune 3-July 26: Analysis of Complex Sample Survey Data, 10:00am-12:00pm, M \/W (9:00am-11:00am) F \r\n\u2022\tJune 3-July 26: Workshop in Survey Sampling Techniques, 2:00pm-5:00pm, M-F\r\n\u2022\tJune 3-July 26: Methods of Survey Sampling, 9:00am-11:00am, T\/Th \r\n\u2022\tJune 3-14: Machine Learning for Social Science, 1:00pm-3:00pm, M\/W\/F \r\n\u2022\tJune 3-7: Introduction to the Health and Retirement Study (HRS) Workshop, 10:00am-3:00pm, M-F \r\n\u2022\tJune 10-14: Introduction to Survey Methodology, 9:00am-12:00pm, M-F\r\n\u2022\tJune 11-12: Introduction to Focus Group Interviewing Research Methods, 8:30am-12:00pm, T-W\r\n\u2022\tJune 17-21: Mixed Method Research Design, Data Collection and Analysis, 8:30 am - 12:00 pm, M-F \r\n\u2022\tJune 17-28: Survey and Data Science for Undergraduates, 1:00pm-4:00pm, M-F\r\n\u2022\tJune 24-28: Writing Questions For Surveys, 1:00pm-4:00pm, M-F \r\n\u2022\tJune 25-27: RSD Webinar: Basic Concepts in Responsive Survey Design, 9:00am-1:00pm, T\/TH\r\n\u2022\tJune 24-July 17: Introduction to Questionnaire Design, 10:00am-12:00pm, M & W \r\n\u2022\tJuly 9,11: RSD Webinar: Interventions in a Responsive Survey Design Framework, 9:00am-1:00pm, T\/Th\r\n\u2022\tJuly 8-12: Design and Implementation of Web Surveys, 9:00am-1:00pm, M-F \r\n\u2022\tJuly 9-30: Data Collection Using Wearables, Sensors, and Apps in the Social, Behavioral, and Health Sciences, 11:00am - 12:30pm, T\r\n\u2022\tJuly 15-25: Introduction to Text Analysis, 1:00pm-2:30pm, M\/T\/Th \r\n\u2022\tJuly 15-26: Qualitative Methods: Overview and Semi-Structured Interviewing, 1:00-3:00pm, M-F\r\n\u2022\tJuly 23-25: Intermediate Questionnaire Design, 12:00pm-4:00pm, M-Th",
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        "tags":["Anthropology","Basic Science","Bias","Biomedical","Biosciences","Causal Inference","Computer Science","Data","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Department Of Political Science","Economics","Education","Electrical Engineering and Computer Science","gerald r. ford school of public policy","Graduate","Graduate and Professional Students","Graduate Students","Health Data","Macroeconomics","Mathematics","Medical","Political Science","Population Studies Center","Psychology","Public Health","Research","Science","Social Science","Social Sciences","Sociology","Survey Methodology","Survey Research"],
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        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
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        "building_name":"Matthaei Botanical Gardens",
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        "tags":["Art","Exhibition","Free","In Person","Visual Arts"],
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        "datetime_modified":"20240710T181506",
        "datetime_start":"20240704T110000",
        "datetime_end":"20240704T170000",
        "has_end_time":1,
        "date_start":"2024-07-04",
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        "event_title":"Elizabeth Youngblood: Syntax",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nStamps Gallery is proud to present a solo exhibition that celebrates the important work of Detroit-based artist, educator, and designer Elizabeth Youngblood (BFA 1973). This exhibition explores the expansive and experimental nature of her prolific and interstitial art practice. Syntax sheds light on Youngblood\u2019s embodied practice that encompasses a deep commitment and respect for the process and the material with which she is working - be it found objects, fur, hair, surfaces of different types of paper, pigments, ink, wire, porcelain, threads, and\/or clay, that may have inspired her. The work occupies the spaces between art and design, abstract and concrete, making and becoming. In Syntax, the viewers will encounter over 30 works from the last four decades that range from large-scale drawings to intimate mixed-media works, sculptural objects, and weavings. The exhibition will also include Youngblood's early design work where her explorations with dots, dashes, lines and accumulation of lines and space emerged and became a framework for a way to consider form as ever-evolving and iterative. These recurring forms were the points of departure for her experiments with materiality as they became reconstituted across different mediums and disciplines, transformed over and over again to create Youngblood\u2019s unique visual vocabulary and her Syntax of making and meaning.\nCurated by Srimoyee Mitra.\nArtist\u2019s Bio\nBorn in Detroit and educated in southeastern Michigan, Elizabeth Youngblood is an artist, educator, designer and maker of interesting things. From her high school education at Cass Technical High School to her undergraduate education at the University of Michigan, through graduate work at Cranbrook, she has always maintained a dual interest in making by hand and in design for production. Youngblood\u2019s art-making practice includes working in the mediums of drawing, ceramics, weaving, bookbinding and more. She\u2019s been a faculty member at the University of Michigan, Ann Arbor and SUNY Purchase, NY, managed branding with Unisys and designed at The New York Times. After a stint on the east coast, Youngblood has returned to Detroit where she maintains a studio practice and continues to investigate the intersection of her range of interests.\n",
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        "date_start":"2024-07-04",
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        "event_title":"Black Art Library",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nThe Black Art Library is a collection of books and other art history ephemera on Black visual art intended to be an educational resource to share within the Black community and beyond. The library intends to introduce or expand the community\u2019s knowledge of Black art from the past and the present through art books. For Stamps Gallery, independent curator and organizer of the Black Art Library Asmaa Walton has curated a special selection of books that focus on black women artists as well as Black artists from Southeast Michigan. \n\nAbout the curator:\nAsmaa Walton was born and raised in Detroit, she is an arts educator and ardent developer of a Black cultural archive. In 2017, Walton earned a BFA in Art Education from Michigan State University. In 2018, she received a MA in Art Politics from New York University, Tisch School of the Arts. After completing her masters degree, Walton joined Toledo Museum of Art as an Education and Engagement Intern, in 2018. In the same year she was appointed the Museum\u2019s first KeyBank Fellow in Diversity Leadership, a position where she identified opportunities for diversity and equity programming across museums and cultural institutions. In 2019, Walton was appointed Romare Bearden Graduate Museum Fellow at Saint Louis Art Museum. In 2020, Walton established Black Art Library which is a collection of publications, exhibition catalogs and theoretical texts about Black art and visual culture. Walton is currently working towards the mobile project becoming a public archive in a permanent space in Detroit, Michigan.",
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        "event_title":"Michelle Hinojosa: Logcabins",
        "occurrence_title":"",
        "combined_title":"Michelle Hinojosa: Logcabins",
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        "description":"Stamps Gallery commissioned Michelle Hinojosa (MFA, 2023) to reimagine the pillars on Division Street that flank the Gallery. Hinojosa has created log cabin quilts to adorn the columns in front of Stamps Gallery. The log cabin quilts traditionally represent the warm hearth at the center of a home. This installation reflects on the interplay between home, placemaking, labor, and intergenerational memories of migration. Rather than quilting cotton designed to softly embrace the body, these quilts are sewn from outdoor grade, UV-resistant polyester. The quilt is an ode to Hinojosa\u2019s grandmother who illegally crossed the US\/Mexico border holding her babies and her quilts. As she and her family drove across the United States to work in the fields of the Salinas Valley, the quilts offered a safe space for her and her family. Hinojosa celebrates their resilience to her grandmother and elders while also drawing attention to precarity and violence experienced by refugees and migrants crossing the US-Mexico border in our present today.\nArtist\u2019s bio:\nMichelle Inez Hinojosa is an artist, educator, and researcher whose work is informed by Indigenous and Latine\/x\/a\/o studies. Born and raised in Texas, she earned her Bachelor of Fine Arts degree in both drawing and painting and art education with a minor in art history at the University of North Texas. She holds a Master of Fine Arts from the University of Michigan. She works with quilting, bead weaving, embroidery, jewelry, transparent film installations, painting, ceramics, and sculpture to honor and explore the history of migration in her family and humanize the current discourse around migration still occurring at the southern border. Alongside her artwork she maintains a writing practice to re-story, re-make, and re-claim the often subordinated narratives of Latinx, Chicanx, Mexican, and Texican peoples. \n\nRecently, Hinojosa was named an inaugural Creative Careers Artist in Residence at the University of Michigan, she has also attended residencies at Mildred's Lane (Pennsylvania), Anderson Ranch Art Center (Aspen, CO) and The Cedars Union (Dallas, TX). ",
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        "datetime_end":"20240704T153000",
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        "date_end":"2024-07-04",
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        "event_title":"One Sky",
        "occurrence_title":"",
        "combined_title":"One Sky",
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        "event_type_id":"7",
        "description":"One Sky features 6 short narratives, each of which represents the perspective of a different culture or Indigenous society from around the globe. Stories include the Forge of Artemis from Greece, the Thunderbird from the Navajo, Jai Singh\u2019s Dream from India, the Celestial Canoe from the Innu people of northern Canada, the Samurai and Stars from Japan, and stories from the wayfinders of Hawaii.",
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        "datetime_modified":"20241205T130011",
        "datetime_start":"20240705T080000",
        "datetime_end":"20240705T230000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Being Mixed Race in a Mono-racially Organized World",
        "occurrence_title":"",
        "combined_title":"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us",
        "event_subtitle":"Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The exhibit \"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us\" is an exploration into the library's collections about the diversity of mixed race heritage. Through research, narratives, demographic data, and a variety of visual and published materials, explore multifaceted aspects of mixed race heritage with insights from many perspectives.\r\n\r\nThe 2020 U.S. Census illuminated a 276 percent increase in individuals who identify as \"two or more races\" since 2010. In recognition of the growing numbers of mixed race-identifying people at the University of Michigan, throughout the country, and across the globe, we're excited to unveil this new exhibit \u2014 a unique exploration of changing demographics and intersectional identities.\r\n\r\n[The Hatcher Library will be closed December 21 to January 1.]",
        "occurrence_notes":null,
                "guid":"121281-21846208@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/121281",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library (2nd floor)",
        "location_name":"Hatcher Graduate Library",
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        "tags":["Free","Library"],
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        "datetime_modified":"20240410T105911",
        "datetime_start":"20240705T080000",
        "datetime_end":"20240705T170000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"08:00:00",
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        "event_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024",
        "occurrence_title":"",
        "combined_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024: Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
        "event_subtitle":"Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
        "event_type":"Class \/ Instruction",
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        "description":"June 3- July 26, 2024\r\n77th Summer Institute in Survey Research Techniques\r\n\r\nClasses are open for registration!\r\n\r\nThe mission of the Summer Institute in Survey Research Techniques (SISRT) is to provide rigorous and high quality graduate training in all phases of survey research. The program teaches state-of-the art practice and theory in the design, implementation, and analysis of surveys. \r\n \r\nSpace is limited so please register early! Since our courses are not for academic credit, fees are based on the number of assigned \u201ccourse hours\u201d to each class.\r\n\r\nPlease view the 2024 course schedule for our extensive class offerings. Classes are offered remotely at their scheduled times.\r\n\r\nYou do not have to be affiliated with the University in order to attend. \r\n\r\nSCHEDULE\r\n\u2022\tJune 3-July 26: Analysis of Complex Sample Survey Data, 10:00am-12:00pm, M \/W (9:00am-11:00am) F \r\n\u2022\tJune 3-July 26: Workshop in Survey Sampling Techniques, 2:00pm-5:00pm, M-F\r\n\u2022\tJune 3-July 26: Methods of Survey Sampling, 9:00am-11:00am, T\/Th \r\n\u2022\tJune 3-14: Machine Learning for Social Science, 1:00pm-3:00pm, M\/W\/F \r\n\u2022\tJune 3-7: Introduction to the Health and Retirement Study (HRS) Workshop, 10:00am-3:00pm, M-F \r\n\u2022\tJune 10-14: Introduction to Survey Methodology, 9:00am-12:00pm, M-F\r\n\u2022\tJune 11-12: Introduction to Focus Group Interviewing Research Methods, 8:30am-12:00pm, T-W\r\n\u2022\tJune 17-21: Mixed Method Research Design, Data Collection and Analysis, 8:30 am - 12:00 pm, M-F \r\n\u2022\tJune 17-28: Survey and Data Science for Undergraduates, 1:00pm-4:00pm, M-F\r\n\u2022\tJune 24-28: Writing Questions For Surveys, 1:00pm-4:00pm, M-F \r\n\u2022\tJune 25-27: RSD Webinar: Basic Concepts in Responsive Survey Design, 9:00am-1:00pm, T\/TH\r\n\u2022\tJune 24-July 17: Introduction to Questionnaire Design, 10:00am-12:00pm, M & W \r\n\u2022\tJuly 9,11: RSD Webinar: Interventions in a Responsive Survey Design Framework, 9:00am-1:00pm, T\/Th\r\n\u2022\tJuly 8-12: Design and Implementation of Web Surveys, 9:00am-1:00pm, M-F \r\n\u2022\tJuly 9-30: Data Collection Using Wearables, Sensors, and Apps in the Social, Behavioral, and Health Sciences, 11:00am - 12:30pm, T\r\n\u2022\tJuly 15-25: Introduction to Text Analysis, 1:00pm-2:30pm, M\/T\/Th \r\n\u2022\tJuly 15-26: Qualitative Methods: Overview and Semi-Structured Interviewing, 1:00-3:00pm, M-F\r\n\u2022\tJuly 23-25: Intermediate Questionnaire Design, 12:00pm-4:00pm, M-Th",
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        "cost":"Fees are based on duration of the course. Please see Summer Institute website.",
        "tags":["Anthropology","Basic Science","Bias","Biomedical","Biosciences","Causal Inference","Computer Science","Data","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Department Of Political Science","Economics","Education","Electrical Engineering and Computer Science","gerald r. ford school of public policy","Graduate","Graduate and Professional Students","Graduate Students","Health Data","Macroeconomics","Mathematics","Medical","Political Science","Population Studies Center","Psychology","Public Health","Research","Science","Social Science","Social Sciences","Sociology","Survey Methodology","Survey Research"],
        "website":"https:\/\/si.isr.umich.edu\/",
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                "group_id":"4327",
                "website":""                },             {
                "group_name":"Institute for Social Research",
                "group_id":"3285",
                "website":"http:\/\/isr.umich.edu"                },             {
                "group_name":"Survey Research Center",
                "group_id":"5063",
                "website":"https:\/\/src.isr.umich.edu\/"                }                    ],
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        "datetime_modified":"20240423T152636",
        "datetime_start":"20240705T090000",
        "datetime_end":"20240705T170000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bill Jackson Photography Exhibition",
        "occurrence_title":"",
        "combined_title":"Bill Jackson Photography Exhibition: \"Homecoming\"  April 19 to August 2, 2024",
        "event_subtitle":"\"Homecoming\"  April 19 to August 2, 2024",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition is entitled HOMECOMING because it has been almost 6 years since Bill was scheduled to have an exhibition at NCRC Gallery.  However, his untimely passing in 2018 prevented the exhibition.  In honor of the artist, his wife Meighen Jackson has assembled this body of work for this exhibition.\r\n\r\nA 1960\u2019s graduate of Monteith College at Wayne State, Bill saw himself not as a storyteller nor a documentarian, but as a photographer seeking images with the power and creativity of late 20th century painting and music making.\r\n\r\nBill Jackson\u2019s work is represented nationally by Walter Wickiser Gallery in Manhattan and regionally by M Contemporary in Ferndale, MI.   It is included in many permanent collections including Wayne State University in Detroit.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
                "guid":"121687-21846988@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/121687",
        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Culture","Detroit","Exhibition","Free","Humanities","North Campus","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "datetime_modified":"20240423T153958",
        "datetime_start":"20240705T090000",
        "datetime_end":"20240705T170000",
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        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Enna Diddio Exhibition \"War Relics\"",
        "occurrence_title":"",
        "combined_title":"Enna Diddio Exhibition \"War Relics\": May 10-August 2, 2024",
        "event_subtitle":"May 10-August 2, 2024",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Enna Diddio was born and raised in Detroit.  She is a multimedia artist with a newfound attachment to printmaking. A recent Wayne State Fine Arts graduate, with a major in Drawing, Diddio\u2019s work is versatile and inquisitive. She is a strong proponent of City of Detroit, with a strong sense of community, craftsmanship, and creativity. They have created as space between traditionally taught skills and the contemporary methods to apply them and I desire to function within that space.\r\n\r\nThe works in the exhibition \u201cWar Relics\u201d speak directly to the printmaking qualities and imagery of Western war iconography and memorabilia. In recent years the artist has gravitated towards signage, print, poster, stamp, reproduction and automation and highlighting the roll advertisement and design play in war. Some pieces include pin up nose bird art, signage, ration packaging and wartime tattoo flash.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
                "guid":"121689-21847076@events.umich.edu",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Art","Exhibition","Free","Humanities","North Campus","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_id":"5062",
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        "datetime_modified":"20240103T111241",
        "datetime_start":"20240705T090000",
        "datetime_end":"20240705T160000",
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        "time_start":"09:00:00",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
        "occurrence_notes":null,
                "guid":"116487-21837193@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/116487",
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        "building_name":"Lane Hall",
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        "room":"",
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        "has_livestream":0,
        "cost":"",
        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
        "sponsors":[
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_id":"1158",
                "website":""                },             {
                "group_name":"Women's and Gender Studies Department",
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    }    ,    "107870-21817850":
    {
        "datetime_modified":"20240130T121550",
        "datetime_start":"20240705T100000",
        "datetime_end":"20240705T200000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
        "occurrence_notes":null,
                "guid":"107870-21817850@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/107870",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"Lizzie and Jonathan Tisch Apse",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Free","Humanities","Museum","Staff","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2023\/a-gathering",
        "sponsors":[
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                "group_id":"1177",
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    }    ,    "114750-21833546":
    {
        "datetime_modified":"20240130T121549",
        "datetime_start":"20240705T100000",
        "datetime_end":"20240705T200000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
        "occurrence_title":"",
        "combined_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Care in Uncertain Times\n \nAs crises of public health, economic instability, authoritarian regimes, racial injustice, and climate change spread around the globe,\u00a0millions are experiencing distress, conflict, uncertainty, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979, when the Khmer Rouge ruled Cambodia, about a quarter of the country\u2019s populations died of infectious diseases, weapon wounds, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its\u00a0diaspora\u00a0has evolved in the face of cultural upheaval. Showcasing works from worldwide collections, including those from some of the foremost members of the Cambodian contemporary art scene, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, Eleanor Noyes Crumpacker Endowment Fund, and U-M Ross School of Business.\n\u00a0",
        "occurrence_notes":null,
                "guid":"114750-21833546@events.umich.edu",
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        "building_id":"1000151",
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        "campus_maps_id":"11",
        "room":"A. Alfred Taubman Gallery I",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Culture","Exhibition","Museum","Public Health","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2024\/angkor-complex-cultural-heritage-and-post-genocide-memory-in-cambodia",
        "sponsors":[
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                "group_id":"1177",
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    {
        "datetime_modified":"20240610T132829",
        "datetime_start":"20240705T100000",
        "datetime_end":"20240705T160000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"10:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Nicole Ray Art Exhibit: State of Play",
        "occurrence_title":"",
        "combined_title":"Nicole Ray Art Exhibit: State of Play",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
        "occurrence_notes":null,
                "guid":"122110-21848268@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/122110",
        "building_id":"0",
        "building_name":"Matthaei Botanical Gardens",
        "campus_maps_id":"554",
        "room":"",
        "location_name":"Matthaei Botanical Gardens",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Free","In Person","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_id":"1072",
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    {
        "datetime_modified":"20240130T121551",
        "datetime_start":"20240705T100000",
        "datetime_end":"20240705T200000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
        "occurrence_notes":null,
                "guid":"84303-21621329@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/84303",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","European","Exhibition","History","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
        "sponsors":[
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                "group_id":"1177",
                "website":"http:\/\/www.umma.umich.edu\/"                }                    ],
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        "event_title":"Elizabeth Youngblood: Syntax",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nStamps Gallery is proud to present a solo exhibition that celebrates the important work of Detroit-based artist, educator, and designer Elizabeth Youngblood (BFA 1973). This exhibition explores the expansive and experimental nature of her prolific and interstitial art practice. Syntax sheds light on Youngblood\u2019s embodied practice that encompasses a deep commitment and respect for the process and the material with which she is working - be it found objects, fur, hair, surfaces of different types of paper, pigments, ink, wire, porcelain, threads, and\/or clay, that may have inspired her. The work occupies the spaces between art and design, abstract and concrete, making and becoming. In Syntax, the viewers will encounter over 30 works from the last four decades that range from large-scale drawings to intimate mixed-media works, sculptural objects, and weavings. The exhibition will also include Youngblood's early design work where her explorations with dots, dashes, lines and accumulation of lines and space emerged and became a framework for a way to consider form as ever-evolving and iterative. These recurring forms were the points of departure for her experiments with materiality as they became reconstituted across different mediums and disciplines, transformed over and over again to create Youngblood\u2019s unique visual vocabulary and her Syntax of making and meaning.\nCurated by Srimoyee Mitra.\nArtist\u2019s Bio\nBorn in Detroit and educated in southeastern Michigan, Elizabeth Youngblood is an artist, educator, designer and maker of interesting things. From her high school education at Cass Technical High School to her undergraduate education at the University of Michigan, through graduate work at Cranbrook, she has always maintained a dual interest in making by hand and in design for production. Youngblood\u2019s art-making practice includes working in the mediums of drawing, ceramics, weaving, bookbinding and more. She\u2019s been a faculty member at the University of Michigan, Ann Arbor and SUNY Purchase, NY, managed branding with Unisys and designed at The New York Times. After a stint on the east coast, Youngblood has returned to Detroit where she maintains a studio practice and continues to investigate the intersection of her range of interests.\n",
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        "event_title":"Black Art Library",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nThe Black Art Library is a collection of books and other art history ephemera on Black visual art intended to be an educational resource to share within the Black community and beyond. The library intends to introduce or expand the community\u2019s knowledge of Black art from the past and the present through art books. For Stamps Gallery, independent curator and organizer of the Black Art Library Asmaa Walton has curated a special selection of books that focus on black women artists as well as Black artists from Southeast Michigan. \n\nAbout the curator:\nAsmaa Walton was born and raised in Detroit, she is an arts educator and ardent developer of a Black cultural archive. In 2017, Walton earned a BFA in Art Education from Michigan State University. In 2018, she received a MA in Art Politics from New York University, Tisch School of the Arts. After completing her masters degree, Walton joined Toledo Museum of Art as an Education and Engagement Intern, in 2018. In the same year she was appointed the Museum\u2019s first KeyBank Fellow in Diversity Leadership, a position where she identified opportunities for diversity and equity programming across museums and cultural institutions. In 2019, Walton was appointed Romare Bearden Graduate Museum Fellow at Saint Louis Art Museum. In 2020, Walton established Black Art Library which is a collection of publications, exhibition catalogs and theoretical texts about Black art and visual culture. Walton is currently working towards the mobile project becoming a public archive in a permanent space in Detroit, Michigan.",
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        "description":"Stamps Gallery commissioned Michelle Hinojosa (MFA, 2023) to reimagine the pillars on Division Street that flank the Gallery. Hinojosa has created log cabin quilts to adorn the columns in front of Stamps Gallery. The log cabin quilts traditionally represent the warm hearth at the center of a home. This installation reflects on the interplay between home, placemaking, labor, and intergenerational memories of migration. Rather than quilting cotton designed to softly embrace the body, these quilts are sewn from outdoor grade, UV-resistant polyester. The quilt is an ode to Hinojosa\u2019s grandmother who illegally crossed the US\/Mexico border holding her babies and her quilts. As she and her family drove across the United States to work in the fields of the Salinas Valley, the quilts offered a safe space for her and her family. Hinojosa celebrates their resilience to her grandmother and elders while also drawing attention to precarity and violence experienced by refugees and migrants crossing the US-Mexico border in our present today.\nArtist\u2019s bio:\nMichelle Inez Hinojosa is an artist, educator, and researcher whose work is informed by Indigenous and Latine\/x\/a\/o studies. Born and raised in Texas, she earned her Bachelor of Fine Arts degree in both drawing and painting and art education with a minor in art history at the University of North Texas. She holds a Master of Fine Arts from the University of Michigan. She works with quilting, bead weaving, embroidery, jewelry, transparent film installations, painting, ceramics, and sculpture to honor and explore the history of migration in her family and humanize the current discourse around migration still occurring at the southern border. Alongside her artwork she maintains a writing practice to re-story, re-make, and re-claim the often subordinated narratives of Latinx, Chicanx, Mexican, and Texican peoples. \n\nRecently, Hinojosa was named an inaugural Creative Careers Artist in Residence at the University of Michigan, she has also attended residencies at Mildred's Lane (Pennsylvania), Anderson Ranch Art Center (Aspen, CO) and The Cedars Union (Dallas, TX). ",
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        "event_title":"Heartfulness Guided Meditation",
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        "combined_title":"Heartfulness Guided Meditation: Pushyami Gundala",
        "event_subtitle":"Pushyami Gundala",
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        "description":"Heartfulness Guided Meditation is a weekly, drop-in program designed to help you Mental well-being. \r\n\r\nAll U-M students, faculty, and staff are welcome to participate in guided meditation practice with a trainer every Friday at noon over Zoom (details to join are provided below). No prior experience with meditation is required. \r\n\r\n*What will you learn?*\r\n\r\nThe guided meditation practice involves three simple steps: relaxation, rejuvenation, and meditation.\r\n\r\nRelaxation brings your body to a calm, steady posture creating a stillness at the physical level, and prepares the mind for meditation. We follow this with a rejuvenation method to detox the mind to let go of stress and complex emotions, and will leave you feeling light and refreshed. Lastly, learning to meditate by being mindful of your heart will connect you with yourself by listening to your heart\u2019s voice. \r\n\r\n*Why Meditate?*\r\n\r\nWhile physical fitness keeps our bodies in shape, meditation is an exercise for the mind and mental wellness. In addition to the measurable benefits mentally and physically, many people benefit from an unquantifiable inner poise and harmony. \r\n\r\n*Please take Learn to Meditate session if you are new to the practice. These sessions are offered Monthly.* https:\/\/events.umich.edu\/event\/128708\r\n\r\n*Event Details*\r\n\r\nHeartfulness Guided Meditation \r\nFridays from 12-12:30 p.m. ET (except during university season days \/ holidays)\r\nJoin Via Zoom Meeting\r\nRegister to receive Passcode (see \u201cRelated links\u201d\r\n\r\n\r\nThis wellness program is coordinated by ITS Teaching & Learning and provided at no cost by heartfulness.org.",
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        "event_title":"Sea Monsters",
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