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BEGIN:VEVENT
DTSTAMP:20260814T151348
DTSTART;TZID=America/Detroit:20261122T080000
DTEND;TZID=America/Detroit:20261122T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired\, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908558@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261122T080000
DTEND;TZID=America/Detroit:20261122T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908861@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T052117
DTSTART;TZID=America/Detroit:20261122T120000
DTEND;TZID=America/Detroit:20261122T140000
SUMMARY:Workshop / Seminar:FYRST Workshops 2026 - 2027
DESCRIPTION:If you are only seeing one workshop\, please SIGN-IN and refresh the Sessions page! If still having issues\, click this link. \nFirst-Year Relationship and Sexuality Talk (FYRST) is a required\, in-person\, and peer-facilitated workshop that came directly from feedback and listening sessions with current University of Michigan students. Our goal is to create an accessible\, supportive space for student-driven conversations where all identities and experiences are welcomed and in which students can build skills and tools around identifying goals and values and then communicate effectively about those. Workshops will be offered at multiple locations and times throughout the fall semester\, so please sign up for the workshop that works for you!! First-Year Relationship Sexuality Talk (FYRST) FAQ:\n“How many workshops do I have to sign up for?”\nYou only need to sign up for 1 workshop. Attending 1 workshop will fulfill the requirement for the training. \n“I see that there is more than one session\, does it matter which one I sign up for?”\nIt generally does not matter which workshop you sign up for. There will be a few that are designated for specific groups such as transfer students or for students looking for accommodations. If you do not fit these groups please try to save these workshops for those that do and you are free to choose among any of the other workshops. \n“Is this workshop required?”\nThis workshop is required for all transfer and first-year students at the University of Michigan.\n“I’ve experienced harm around relationships or sexual experiences in the past and I am worried that attending this workshop may be harmful for me.” \nOur team is aware that students who are coming into the university that have experienced harm in the past. Our workshop is specifically designed to respect and validate the experiences of survivors and has been carefully constructed to avoid any specific descriptions of violence and focus instead on themes of empowerment\, communication\, and boundary setting. However\, if you still have concerns about programming and would like to request alternative programming\, please feel free to reach out at SAPAC-FYRST@umich.edu.\n“What if I struggle to learn in a presentation setting? I’m an active learner.”\nOur workshop is built to meet a variety of learning styles\, including time for self-reflection\, small group sharing\, and resources to take with you to work through on your own time! This workshop is meant to be interactive and inclusive. \n“Can I request accommodations?”\nWe considered accessibility in creating this workshop and selecting the locations in which the workshops are help. However\, we recognize many places at the University are inaccessible and we've set an * next to workshops that are on the first floor and lack stairs. These workshops also will have a presentation (other workshops we do not) and are a good fit for those who might need a large font. Please sign up for those if you feel that accommodations would assist you and reach out to SAPAC-FYRST@umich.edu if you are concerned or have questions. \n“I missed my workshop\, what should I do ?”\nOur team tracks attendance at each workshop by having participants swipe in with their MCard. If you are not able to attend the workshop you signed up for\, our team will continue to send reminder emails until you have completed a workshop. In this case\, please sign up for another workshop as soon as you can as the workshop is required and may fill up especially near the end of the semester. No need to contact SAPAC unless you are not able to reschedule. \n“I have had gender-based violence training before\, can I get this requirement waived?”\nAs this workshop was designed with University of Michigan student feedback in mind\, our workshop is unique to the UM community. Our curriculum focuses on individualized reflection and because of its interactive nature\, each workshop will be unique to the people attending. Although we are excited you already have familiarity with the subject\, this workshop is required for every first year and transfer student. \n“I’m a commuter/non-traditional student\, do I still have to attend?\"\nYes\, this workshop is required for every first-year and transfer student - not only do we want every student to benefit from having this time to connect with peers\, but we also want to make sure your peers benefit from what you bring to our community. If you have any concerns or questions about being able to participate\, please contact SAPAC-FYRST@umich.edu.\n“I still have questions! Who should I contact?\"\nPlease contact us at SAPAC-FYRST@umich.edu.
UID:149176-21907026@events.umich.edu
URL:https://events.umich.edu/event/149176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Michigan Room (League, 2nd Floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260730T121650
DTSTART;TZID=America/Detroit:20261122T140000
DTEND;TZID=America/Detroit:20261122T160000
SUMMARY:Performance:Gross Indecency: The Three Trials of Oscar Wilde
DESCRIPTION:In 1895\, playwright and poet Oscar Wilde sued the Marquess of Queensberry for criminal libel after the Marquess called him a “posing sodomite.” This lawsuit backfired on Wilde\, resulting in two additional trials to determine whether Wilde was guilty of “gross indecency with male persons.” \n\nPlaywright Moisés Kaufman\, the Tony- and Emmy-nominated playwright behind *The Laramie Project*\, uses trial transcripts\, personal correspondence\, interviews\, and other source materials to tell the story of the downfall of the great man of letters whose artistic genius has long been overshadowed by the scandal surrounding his imprisonment.\n\nWritten by Moisés Kaufman\nDirected by Halena Kays\n
UID:148692-21904608@events.umich.edu
URL:https://events.umich.edu/event/148692
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:LGBT,Storytelling,Theater
LOCATION:Lydia Mendelssohn Theatre
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260609T121652
DTSTART;TZID=America/Detroit:20261122T140000
DTEND;TZID=America/Detroit:20261122T150000
SUMMARY:Performance:Michigan Youth Jazz Orchestra
DESCRIPTION:The Michigan Youth Jazz Orchestra (MYJO) provides advanced experience performing a variety of big band repertoire in venues throughout Southeast Michigan. The Michigan Youth Jazz Orchestra is open by audition to all high-school aged instrumentalists interested in jazz and/or improvisation.\n\nConductor/ Faculty Director Dennis Wilson
UID:148693-21904609@events.umich.edu
URL:https://events.umich.edu/event/148693
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Concert,Free,Music,North Campus
LOCATION:Earl V. Moore Building - Hankinson Rehearsal Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T052117
DTSTART;TZID=America/Detroit:20261122T143000
DTEND;TZID=America/Detroit:20261122T163000
SUMMARY:Workshop / Seminar:FYRST Workshops 2026 - 2027
DESCRIPTION:If you are only seeing one workshop\, please SIGN-IN and refresh the Sessions page! If still having issues\, click this link. \nFirst-Year Relationship and Sexuality Talk (FYRST) is a required\, in-person\, and peer-facilitated workshop that came directly from feedback and listening sessions with current University of Michigan students. Our goal is to create an accessible\, supportive space for student-driven conversations where all identities and experiences are welcomed and in which students can build skills and tools around identifying goals and values and then communicate effectively about those. Workshops will be offered at multiple locations and times throughout the fall semester\, so please sign up for the workshop that works for you!! First-Year Relationship Sexuality Talk (FYRST) FAQ:\n“How many workshops do I have to sign up for?”\nYou only need to sign up for 1 workshop. Attending 1 workshop will fulfill the requirement for the training. \n“I see that there is more than one session\, does it matter which one I sign up for?”\nIt generally does not matter which workshop you sign up for. There will be a few that are designated for specific groups such as transfer students or for students looking for accommodations. If you do not fit these groups please try to save these workshops for those that do and you are free to choose among any of the other workshops. \n“Is this workshop required?”\nThis workshop is required for all transfer and first-year students at the University of Michigan.\n“I’ve experienced harm around relationships or sexual experiences in the past and I am worried that attending this workshop may be harmful for me.” \nOur team is aware that students who are coming into the university that have experienced harm in the past. Our workshop is specifically designed to respect and validate the experiences of survivors and has been carefully constructed to avoid any specific descriptions of violence and focus instead on themes of empowerment\, communication\, and boundary setting. However\, if you still have concerns about programming and would like to request alternative programming\, please feel free to reach out at SAPAC-FYRST@umich.edu.\n“What if I struggle to learn in a presentation setting? I’m an active learner.”\nOur workshop is built to meet a variety of learning styles\, including time for self-reflection\, small group sharing\, and resources to take with you to work through on your own time! This workshop is meant to be interactive and inclusive. \n“Can I request accommodations?”\nWe considered accessibility in creating this workshop and selecting the locations in which the workshops are help. However\, we recognize many places at the University are inaccessible and we've set an * next to workshops that are on the first floor and lack stairs. These workshops also will have a presentation (other workshops we do not) and are a good fit for those who might need a large font. Please sign up for those if you feel that accommodations would assist you and reach out to SAPAC-FYRST@umich.edu if you are concerned or have questions. \n“I missed my workshop\, what should I do ?”\nOur team tracks attendance at each workshop by having participants swipe in with their MCard. If you are not able to attend the workshop you signed up for\, our team will continue to send reminder emails until you have completed a workshop. In this case\, please sign up for another workshop as soon as you can as the workshop is required and may fill up especially near the end of the semester. No need to contact SAPAC unless you are not able to reschedule. \n“I have had gender-based violence training before\, can I get this requirement waived?”\nAs this workshop was designed with University of Michigan student feedback in mind\, our workshop is unique to the UM community. Our curriculum focuses on individualized reflection and because of its interactive nature\, each workshop will be unique to the people attending. Although we are excited you already have familiarity with the subject\, this workshop is required for every first year and transfer student. \n“I’m a commuter/non-traditional student\, do I still have to attend?\"\nYes\, this workshop is required for every first-year and transfer student - not only do we want every student to benefit from having this time to connect with peers\, but we also want to make sure your peers benefit from what you bring to our community. If you have any concerns or questions about being able to participate\, please contact SAPAC-FYRST@umich.edu.\n“I still have questions! Who should I contact?\"\nPlease contact us at SAPAC-FYRST@umich.edu.
UID:149176-21907027@events.umich.edu
URL:https://events.umich.edu/event/149176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Michigan, League (2nd floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260310T122130
DTSTART;TZID=America/Detroit:20261122T160000
SUMMARY:Performance:Joe Jencks & Deidre McCalla
DESCRIPTION:Deidre McCalla plainly admits what every rocker knows - life begins with an acoustic guitar. Affectionately dubbed the \"dreadlocked troubadour\" by The Miami Herald\, Deidre McCalla and her music embrace and celebrate the power and diversity of life. With five critically-acclaimed albums under her belt Deidre McCalla has captivated audiences from Maui to Maine\, college coffeehouses to Carnegie Hall.\n\nJoe Jencks is a 25-year veteran of the international folk circuit\, an award-winning songwriter\, and a celebrated vocalist based in Chicago\, IL. Merging conservatory training with his Irish roots and working-class upbringing\, Joe delivers engaged musical narratives filled with heart\, soul\, groove and grit. Joe is noted for his unique merging of musical beauty\, social consciousness\, and spiritual exploration. Blending well-crafted instrumentals and vivid songwriting\, Joe Jencks serves it all up with a lyric baritone voice that has the edgy richness of a good sea-salt caramel.
UID:146277-21898828@events.umich.edu
URL:https://events.umich.edu/event/146277
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ark,Mutotix
LOCATION:ARK Reserved
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T000037
DTSTART;TZID=America/Detroit:20261122T160000
DTEND;TZID=America/Detroit:20261122T183000
SUMMARY:Other:University of Michigan Women's Ice Hockey @ Adrian
DESCRIPTION:Away game vs Adrian
UID:149145-21905820@events.umich.edu
URL:https://events.umich.edu/event/149145
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Arrington Ice Arena
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T000204
DTSTART;TZID=America/Detroit:20261122T160000
DTEND;TZID=America/Detroit:20261122T170000
SUMMARY:Other:Weekly Session Michigan Cricket Club 
DESCRIPTION:Michigan Cricket Club Weekly Session\; Hard Tennis Ball at the U of M - Sports Coliseum\, 721 S 5th Ave\, Ann Arbor\, MI 48104\, USA
UID:150304-21908995@events.umich.edu
URL:https://events.umich.edu/event/150304
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:U of M - Sports Coliseum, 
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T052117
DTSTART;TZID=America/Detroit:20261122T170000
DTEND;TZID=America/Detroit:20261122T190000
SUMMARY:Workshop / Seminar:FYRST Workshops 2026 - 2027
DESCRIPTION:If you are only seeing one workshop\, please SIGN-IN and refresh the Sessions page! If still having issues\, click this link. \nFirst-Year Relationship and Sexuality Talk (FYRST) is a required\, in-person\, and peer-facilitated workshop that came directly from feedback and listening sessions with current University of Michigan students. Our goal is to create an accessible\, supportive space for student-driven conversations where all identities and experiences are welcomed and in which students can build skills and tools around identifying goals and values and then communicate effectively about those. Workshops will be offered at multiple locations and times throughout the fall semester\, so please sign up for the workshop that works for you!! First-Year Relationship Sexuality Talk (FYRST) FAQ:\n“How many workshops do I have to sign up for?”\nYou only need to sign up for 1 workshop. Attending 1 workshop will fulfill the requirement for the training. \n“I see that there is more than one session\, does it matter which one I sign up for?”\nIt generally does not matter which workshop you sign up for. There will be a few that are designated for specific groups such as transfer students or for students looking for accommodations. If you do not fit these groups please try to save these workshops for those that do and you are free to choose among any of the other workshops. \n“Is this workshop required?”\nThis workshop is required for all transfer and first-year students at the University of Michigan.\n“I’ve experienced harm around relationships or sexual experiences in the past and I am worried that attending this workshop may be harmful for me.” \nOur team is aware that students who are coming into the university that have experienced harm in the past. Our workshop is specifically designed to respect and validate the experiences of survivors and has been carefully constructed to avoid any specific descriptions of violence and focus instead on themes of empowerment\, communication\, and boundary setting. However\, if you still have concerns about programming and would like to request alternative programming\, please feel free to reach out at SAPAC-FYRST@umich.edu.\n“What if I struggle to learn in a presentation setting? I’m an active learner.”\nOur workshop is built to meet a variety of learning styles\, including time for self-reflection\, small group sharing\, and resources to take with you to work through on your own time! This workshop is meant to be interactive and inclusive. \n“Can I request accommodations?”\nWe considered accessibility in creating this workshop and selecting the locations in which the workshops are help. However\, we recognize many places at the University are inaccessible and we've set an * next to workshops that are on the first floor and lack stairs. These workshops also will have a presentation (other workshops we do not) and are a good fit for those who might need a large font. Please sign up for those if you feel that accommodations would assist you and reach out to SAPAC-FYRST@umich.edu if you are concerned or have questions. \n“I missed my workshop\, what should I do ?”\nOur team tracks attendance at each workshop by having participants swipe in with their MCard. If you are not able to attend the workshop you signed up for\, our team will continue to send reminder emails until you have completed a workshop. In this case\, please sign up for another workshop as soon as you can as the workshop is required and may fill up especially near the end of the semester. No need to contact SAPAC unless you are not able to reschedule. \n“I have had gender-based violence training before\, can I get this requirement waived?”\nAs this workshop was designed with University of Michigan student feedback in mind\, our workshop is unique to the UM community. Our curriculum focuses on individualized reflection and because of its interactive nature\, each workshop will be unique to the people attending. Although we are excited you already have familiarity with the subject\, this workshop is required for every first year and transfer student. \n“I’m a commuter/non-traditional student\, do I still have to attend?\"\nYes\, this workshop is required for every first-year and transfer student - not only do we want every student to benefit from having this time to connect with peers\, but we also want to make sure your peers benefit from what you bring to our community. If you have any concerns or questions about being able to participate\, please contact SAPAC-FYRST@umich.edu.\n“I still have questions! Who should I contact?\"\nPlease contact us at SAPAC-FYRST@umich.edu.
UID:149176-21907028@events.umich.edu
URL:https://events.umich.edu/event/149176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Michigan Room (League, 2nd floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T181644
DTSTART;TZID=America/Detroit:20261122T190000
DTEND;TZID=America/Detroit:20261122T223000
SUMMARY:Performance:Campus Orchestras
DESCRIPTION:The University of Michigan Campus Orchestras are made up of two main orchestras: Campus Symphony Orchestra (CSO) and Campus Philharmonia Orchestra (CPO). Both groups are comprised of non-music major students\, faculty members\, staff\, and alumni of the University of Michigan.\n\nThe Campus Orchestras are conducted by Graduate Student Conductors at the School of Music\, Theatre & Dance. Some of the past Campus Orchestras conductors are now assistant conductors or music directors in professional orchestras around the country.\n\nPROGRAM\n\nCampus Symphony Orchestra:\n\n*Overture to an Unwritten Tragedy*\, Hubert Parry	\n*Preludio sinfonico*\, Giacomo Puccini\nSymphony No. 2 in C minor\, Op. 17\, Pyotr Ilyich Tchaikovsky\n\nCampus Philharmonia Orchestra:\n\n*Coriolan Overture*\, Op. 62\, Ludwig van Beethoven \n*Carmen Suite* No. 1\, Georges Bizet \n*Intermezzo* from *Goyescas*\, Enrique Granados\n*Polovtsian Dances*\, Alexander Borodin   
UID:148694-21904610@events.umich.edu
URL:https://events.umich.edu/event/148694
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Concert,Free,Music
LOCATION:Hill Auditorium
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260609T121653
DTSTART;TZID=America/Detroit:20261122T190000
DTEND;TZID=America/Detroit:20261122T210000
SUMMARY:Performance:Orpheus Singers
DESCRIPTION:The Orpheus Singers performs a program of choral works conducted by members of the graduate choral conducting studio. The concert concludes with *The Promise of America*\, presented in collaboration with the Department of Musical Theatre.\n\n*The Promise of America* is a song cycle written for choir\, soloists\, and chamber orchestra by Kim D. Sherman (music/ vocal arrangements) and Christine Toy Johnson (words) that illuminates the impact of various constitutional amendments on the American people. Aiming to inspire the upholding of the U.S. Constitution as the cornerstone of American democracy\, included are reflections on the freedom of speech\, marriage equality\, public school funding\, prohibition\, voting rights\, Presidential term limits\, due process\, ramifications of the Second Amendment\, and more.\n\nPROGRAM\n*I Can Tell the World*\, arr. Moses Hogan\n*Plain-Chant for America*\, William Grant Still                                                        \n*Frostiana*\, Randall Thompson\n*The Promise of America*\, Christine Toy Johnson\, Kim D. Sherman     
UID:148695-21904611@events.umich.edu
URL:https://events.umich.edu/event/148695
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Concert,Free,Music,North Campus
LOCATION:Walgreen Drama Center - Stamps Auditorium
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260609T181657
DTSTART;TZID=America/Detroit:20261122T190000
DTEND;TZID=America/Detroit:20261122T203000
SUMMARY:Performance:Percussion Ensemble
DESCRIPTION:The University of Michigan Percussion Ensemble is an ensemble known for bold artistry and innovation through their performances and project. The ensemble has collaborated with composers such as Michael Gordon\, John Luther Adams\, Emma O'Halloran\, Tristan Perich\, Susanna Hancock\, Finola Merivale\, Robert Maggio\, Ted Babcock\, Lesley Flanigan\, Shruthi Rajeskhar\, Jason Treuting\, and Ivan Trevino.\n\nRecent recordings with Cantaloupe Records include the Grammy nominated *Sila: The Breath of the World* and *An Atlas of Deep Time* by John Luther Adams\, as well as *Field of Vision* by Michael Gordon. The ensemble has performed at Caramoor Festival\, Mass MoCA\, Bang on a Can's Long Play Festival\, and recently premiered Michael Gordon’s *Forest of Metal Objects* at The Met Cloisters in New York\, collaborating with director Paul Lazar\, choreographer Annie-B Parson\, and artist Todd Colby.
UID:148727-21904669@events.umich.edu
URL:https://events.umich.edu/event/148727
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Music,North Campus
LOCATION:Earl V. Moore Building - Hankinson Rehearsal Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260609T181658
DTSTART;TZID=America/Detroit:20261122T190000
DTEND;TZID=America/Detroit:20261122T210000
SUMMARY:Performance:Small Jazz Ensembles
DESCRIPTION:Student ensembles perform from the Small Jazz Ensembles program\, coached by Professors Andy Milne\, Robert Hurst\, Marion Hayden and Nate Winn. The groups range in size from duos to sextets\, performing original and standard repertoire.
UID:148728-21904670@events.umich.edu
URL:https://events.umich.edu/event/148728
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Concert,Free,Music,North Campus
LOCATION:Earl V. Moore Building - McIntosh Theatre
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T121511
DTSTART;TZID=America/Detroit:20261123T080000
DTEND;TZID=America/Detroit:20261123T170000
SUMMARY:Exhibition:Camille Ann Brewer\, MFA\, MLIS
DESCRIPTION:Camille Ann Brewer lives and works in the City of Detroit\, Michigan.  Through the process of textile construction\, Brewer’s artwork intersects cartographic and photographic images that speak to specific spaces and time. Weaving together of physical place\, memory with time is the core subject of this body of work.  \n\nThe artwork is built with time-period paper maps\, which illustrate spatial geography and political territory\; along with paper-collaged images of people\, places and things\, which tie directly to the history and human relationships in space.  In patterns that support the artwork’s theme\, the two disparate paper elements are then woven together to create a serendipitous making and aesthetic experience.
UID:150411-21909407@events.umich.edu
URL:https://events.umich.edu/event/150411
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Alumni,Art,ArtsEngine,ArtsRx,Culture,Detroit,Diversity,Diversity Equity and Inclusion,Exhibition,Humanities,North Campus,Reception,Visual Arts,Women's Studies
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T151348
DTSTART;TZID=America/Detroit:20261123T080000
DTEND;TZID=America/Detroit:20261123T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired\, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908559@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261123T080000
DTEND;TZID=America/Detroit:20261123T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908862@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T114238
DTSTART;TZID=America/Detroit:20261123T080000
DTEND;TZID=America/Detroit:20261123T170000
SUMMARY:Exhibition:Lila Kadaj Exhibition
DESCRIPTION:Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions\, including the Detroit Institute of Arts\, the Cranbrook Art Museum\, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: “When looking at a beautiful flower.  It’s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It’s not about I am a woman....it’s not about I am a first generation Arab American.....it’s not about being a child of trauma....it’s not about a member of my family being gunned down on the street....it’s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It’s the painting\, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it’s in fashion.”
UID:150406-21909243@events.umich.edu
URL:https://events.umich.edu/event/150406
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Arab Heritage Month,Art,ArtsRx,Culture,Detroit,Diversity,Exhibition,Free,Middle East Studies,North Campus,Visual Arts,Women's Studies
LOCATION:North Campus Research Complex Building 18 - Connections Gallery Concourse Level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261123T080000
DTEND;TZID=America/Detroit:20261123T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907545@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T135300
DTSTART;TZID=America/Detroit:20261123T090000
DTEND;TZID=America/Detroit:20261123T170000
SUMMARY:Exhibition:Fashion/Forward
DESCRIPTION:Fashion/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and/or mental health differences from progressive art studios around the country. Both including fashion and about fashion\, the exhibition features drawings\, paintings\, sculptures\, textiles\, wearable clothing\, accessories\, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https://myumi.ch/qwVRX.
UID:149758-21907110@events.umich.edu
URL:https://events.umich.edu/event/149758
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Disability Studies,Humanities,Michigan Arts Festival,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T124814
DTSTART;TZID=America/Detroit:20261123T090000
DTEND;TZID=America/Detroit:20261123T170000
SUMMARY:Exhibition:Like the Flowing River
DESCRIPTION:Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form\, one echoing the other\, a repetition. They are a combination of certainty and ephemerality\, as if hinged between living and loss. The specificity of Ueno’s sculptural works reads like poetry. Ueno’s installation offers visitors time away\, for contemplation\, to draw inward\, to come inside\, to ask the question\, “How are art and the everyday intertwined?” Honoring the Buddhist philosophy of impermanence\, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of Hōjōki\, written by 13th-century Japanese Buddhist monk Kamo no Chōmei: \"The flow of the river is ceaseless\, and the water is never the same…\"*
UID:149763-21907142@events.umich.edu
URL:https://events.umich.edu/event/149763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T175408
DTSTART;TZID=America/Detroit:20261123T130000
DTEND;TZID=America/Detroit:20261123T140000
SUMMARY:Workshop / Seminar:RCGD Fall Seminar Series: Global Perspectives on Culture and Health (Alice Jean Wuermli)
DESCRIPTION:RCGD Fall 2026 Seminar Series: Global Perspectives on Culture & Health\, meets Mondays 3:30 to 5 at ISR Thompson 6050.\n\nGlobal Perspectives on Culture and Health explores fundamental aspects of human life. Culture facilitates human interaction by providing meaning to lived experience. Accounting for culture in both theories and methods potentially advances the study of health by connecting the macro and micro levels of human experience. Yet\, culture should be understood as dynamic and complex. It fundamentally shapes individuals and simultaneously is shaped by individuals. The importance of systematically attending to culture includes topics of values\, language\, immigration\, and society.\n\nTheories and methods that incorporate culture hold great potential for advancing the understanding of health outcomes and health trajectories in various global contexts.\n\nThe speakers for this series will focus on various aspects of culture and diverse groups living in the U.S. and across the globe to address the ways in which attending to culture helps clarify and overcome challenges to good health.\n\nThe Group Dynamics Seminar series is considered one of the longest running seminar series in the social sciences. It has been running uninterruptedly since it was founded by Kurt Lewin in the 1920’s in Berlin. The seminar series runs every semester on a theme chosen by faculty organizer/s who are affiliated with the Research Center for Group Dynamics at the Institute for Social Research. A very important feature of this seminar today is its interdisciplinary nature. Recent themes have included political polarization\, evolution and human behavior\, and cultural psychology.\n\nIn person: ISR Thompson 6050\, unless otherwise specified.\nOrganized by Kristine Ajrouch and Sela Panapasa\nEvents are not recorded
UID:149697-21906963@events.umich.edu
URL:https://events.umich.edu/event/149697
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culture,Global Engagement,Health & Wellness,Research,Social Science
LOCATION:Institute For Social Research - Room 6050
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260721T132219
DTSTART;TZID=America/Detroit:20261123T160000
DTEND;TZID=America/Detroit:20261123T172000
SUMMARY:Workshop / Seminar:Housing First or Treatment First? Evidence from the VA's Homelessness Programs
DESCRIPTION:Debates in homelessness policy often pit Housing First programs\, in which subsidized housing is offered unconditionally and immediately\, against Treatment First interventions\, which combine short-term housing with treatment for issues like substance use. I study a national sample of nearly 300\,000 unhoused\, mentally ill Veterans who are potentially eligible for the VA's Housing First program (known as HUD-VASH or VA Supportive Housing) or for a Treatment First program (offered by a variety of local contractors). Using an instrumental variables design\, I find that enrolling in Housing First reduces three-year mortality by 4.6 percentage points relative to a no-program counterfactual. In contrast\, Treatment First has no long-term effects on health. Housing First is also cost-saving\, as it causes individuals to substitute away from lengthy inpatient stays.
UID:149336-21906245@events.umich.edu
URL:https://events.umich.edu/event/149336
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Economics,Public Finance,seminar
LOCATION:North Quad - 4325
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260609T181659
DTSTART;TZID=America/Detroit:20261123T190000
DTEND;TZID=America/Detroit:20261123T210000
SUMMARY:Performance:Small Jazz Ensembles
DESCRIPTION:Student ensembles perform from the Small Jazz Ensembles program\, coached by Professors Andy Milne\, Robert Hurst\, Marion Hayden and Nate Winn. The groups range in size from duos to sextets\, performing original and standard repertoire.
UID:148729-21904671@events.umich.edu
URL:https://events.umich.edu/event/148729
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Concert,Free,Music,North Campus
LOCATION:Earl V. Moore Building - McIntosh Theatre
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260609T181659
DTSTART;TZID=America/Detroit:20261123T200000
DTEND;TZID=America/Detroit:20261123T220000
SUMMARY:Performance:Concert Band
DESCRIPTION:For its final concert of the fall semester\, Concert Band performs \"For All.\" In conjunction with the USA's 250th anniversary\, this concert features works that celebrate the liberation of all people: women\, LGBTQIA\, Latino\, African American\, and those Americans that dared to think differently and seek a \"more perfect union.\" \n\nCourtney Snyder\, conductor\nJennifer Hepp\, graduate student conductor (Cuong)\n\nPROGRAM\n*The New Spirit of '76*\, Katheryn McCall Noblitt\, arr. Paul Noble\n*John and Jim*\, Viet Cuong\n*Delores\, AmeriCan Symphony for Band*\, Giovanni Santos        \n*Motherless Child*\, Ben Horne\n*Symphony No. 2 \"The Road is Life\"*\, James David
UID:148730-21904672@events.umich.edu
URL:https://events.umich.edu/event/148730
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Concert,Free,Music
LOCATION:Hill Auditorium
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T121511
DTSTART;TZID=America/Detroit:20261124T080000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:Camille Ann Brewer\, MFA\, MLIS
DESCRIPTION:Camille Ann Brewer lives and works in the City of Detroit\, Michigan.  Through the process of textile construction\, Brewer’s artwork intersects cartographic and photographic images that speak to specific spaces and time. Weaving together of physical place\, memory with time is the core subject of this body of work.  \n\nThe artwork is built with time-period paper maps\, which illustrate spatial geography and political territory\; along with paper-collaged images of people\, places and things\, which tie directly to the history and human relationships in space.  In patterns that support the artwork’s theme\, the two disparate paper elements are then woven together to create a serendipitous making and aesthetic experience.
UID:150411-21909408@events.umich.edu
URL:https://events.umich.edu/event/150411
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Alumni,Art,ArtsEngine,ArtsRx,Culture,Detroit,Diversity,Diversity Equity and Inclusion,Exhibition,Humanities,North Campus,Reception,Visual Arts,Women's Studies
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T151348
DTSTART;TZID=America/Detroit:20261124T080000
DTEND;TZID=America/Detroit:20261124T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired\, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908560@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261124T080000
DTEND;TZID=America/Detroit:20261124T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908863@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T114238
DTSTART;TZID=America/Detroit:20261124T080000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:Lila Kadaj Exhibition
DESCRIPTION:Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions\, including the Detroit Institute of Arts\, the Cranbrook Art Museum\, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: “When looking at a beautiful flower.  It’s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It’s not about I am a woman....it’s not about I am a first generation Arab American.....it’s not about being a child of trauma....it’s not about a member of my family being gunned down on the street....it’s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It’s the painting\, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it’s in fashion.”
UID:150406-21909244@events.umich.edu
URL:https://events.umich.edu/event/150406
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Arab Heritage Month,Art,ArtsRx,Culture,Detroit,Diversity,Exhibition,Free,Middle East Studies,North Campus,Visual Arts,Women's Studies
LOCATION:North Campus Research Complex Building 18 - Connections Gallery Concourse Level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261124T080000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907546@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T135300
DTSTART;TZID=America/Detroit:20261124T090000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:Fashion/Forward
DESCRIPTION:Fashion/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and/or mental health differences from progressive art studios around the country. Both including fashion and about fashion\, the exhibition features drawings\, paintings\, sculptures\, textiles\, wearable clothing\, accessories\, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https://myumi.ch/qwVRX.
UID:149758-21907111@events.umich.edu
URL:https://events.umich.edu/event/149758
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Disability Studies,Humanities,Michigan Arts Festival,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T124814
DTSTART;TZID=America/Detroit:20261124T090000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:Like the Flowing River
DESCRIPTION:Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form\, one echoing the other\, a repetition. They are a combination of certainty and ephemerality\, as if hinged between living and loss. The specificity of Ueno’s sculptural works reads like poetry. Ueno’s installation offers visitors time away\, for contemplation\, to draw inward\, to come inside\, to ask the question\, “How are art and the everyday intertwined?” Honoring the Buddhist philosophy of impermanence\, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of Hōjōki\, written by 13th-century Japanese Buddhist monk Kamo no Chōmei: \"The flow of the river is ceaseless\, and the water is never the same…\"*
UID:149763-21907143@events.umich.edu
URL:https://events.umich.edu/event/149763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T121513
DTSTART;TZID=America/Detroit:20261124T120000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n
UID:149541-21906646@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T052104
DTSTART;TZID=America/Detroit:20261124T120000
DTEND;TZID=America/Detroit:20261124T130000
SUMMARY:Workshop / Seminar:MADS Placement Process Explained
DESCRIPTION:Are you trying to figure out which placement test might be right for you? Would you like to know more about what you can expect in your placement interview?\nInterviewer Anna Vento\, and MADS Admissions & Recruitment coordinator Kelly Barger co-lead an in-depth review of the standard and advanced standing placement test procedure\, advanced interview process\, and hold a live Q&A at the end. Please join us to get your questions answered\, and benefit from the curiosity of like-minded peers!
UID:144381-21907983@events.umich.edu
URL:https://events.umich.edu/event/144381
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:Virtual
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T151348
DTSTART;TZID=America/Detroit:20261125T080000
DTEND;TZID=America/Detroit:20261125T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired\, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908561@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261125T080000
DTEND;TZID=America/Detroit:20261125T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908864@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261125T080000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907547@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T135300
DTSTART;TZID=America/Detroit:20261125T090000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:Fashion/Forward
DESCRIPTION:Fashion/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and/or mental health differences from progressive art studios around the country. Both including fashion and about fashion\, the exhibition features drawings\, paintings\, sculptures\, textiles\, wearable clothing\, accessories\, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https://myumi.ch/qwVRX.
UID:149758-21907112@events.umich.edu
URL:https://events.umich.edu/event/149758
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Disability Studies,Humanities,Michigan Arts Festival,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T124814
DTSTART;TZID=America/Detroit:20261125T090000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:Like the Flowing River
DESCRIPTION:Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form\, one echoing the other\, a repetition. They are a combination of certainty and ephemerality\, as if hinged between living and loss. The specificity of Ueno’s sculptural works reads like poetry. Ueno’s installation offers visitors time away\, for contemplation\, to draw inward\, to come inside\, to ask the question\, “How are art and the everyday intertwined?” Honoring the Buddhist philosophy of impermanence\, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of Hōjōki\, written by 13th-century Japanese Buddhist monk Kamo no Chōmei: \"The flow of the river is ceaseless\, and the water is never the same…\"*
UID:149763-21907144@events.umich.edu
URL:https://events.umich.edu/event/149763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T181517
DTSTART;TZID=America/Detroit:20261125T110000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive-responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881369@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T121513
DTSTART;TZID=America/Detroit:20261125T120000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n
UID:149541-21906647@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260729T130108
DTSTART;TZID=America/Detroit:20261125T121500
DTEND;TZID=America/Detroit:20261125T124500
SUMMARY:Well-being:CEW+ Midweek Mindfulness
DESCRIPTION:RSVP here: https://umich.zoom.us/meeting/register/htrYM6lXQH28gjySTQaKIw\n\nJoin us on Wednesdays from 12:15 – 12:45 pm. Register once to receive a Zoom link to access the sits each week or as your schedule allows.\n\nMindful meditation is a contemplative practice that\, over time\, can build resilience and coping skills to support you to gain perspective\, navigate the demands of daily life\, and build compassion. Weekly guided sits offer a virtual community of practice that explores present-moment awareness\, open and directed attention\, non-judgment\, and self-compassion. CEW+ Midweek Mindfulness welcomes practitioners of all skill levels. Each session offers instruction\, support\, and the opportunity to practice guided and self-directed mindful meditation. Participate weekly\, or drop in as your schedule allows. All are welcome!
UID:109796-21906866@events.umich.edu
URL:https://events.umich.edu/event/109796
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Caregivers,first-generation,Free,Graduate and Professional Students,Health & Wellness,Mindfulness,Nontraditional Students,Self-care,Student Parents,Students With Children,Support,transfer students,Undergraduate,Undergraduate Students,Virtual,Welcome to Michigan,Well-being,Wellness,women,women's health,Work-life Balance,Zoom
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T151348
DTSTART;TZID=America/Detroit:20261126T080000
DTEND;TZID=America/Detroit:20261126T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired\, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908562@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261126T080000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907548@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T135300
DTSTART;TZID=America/Detroit:20261126T090000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Fashion/Forward
DESCRIPTION:Fashion/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and/or mental health differences from progressive art studios around the country. Both including fashion and about fashion\, the exhibition features drawings\, paintings\, sculptures\, textiles\, wearable clothing\, accessories\, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https://myumi.ch/qwVRX.
UID:149758-21907113@events.umich.edu
URL:https://events.umich.edu/event/149758
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Disability Studies,Humanities,Michigan Arts Festival,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T124814
DTSTART;TZID=America/Detroit:20261126T090000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Like the Flowing River
DESCRIPTION:Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form\, one echoing the other\, a repetition. They are a combination of certainty and ephemerality\, as if hinged between living and loss. The specificity of Ueno’s sculptural works reads like poetry. Ueno’s installation offers visitors time away\, for contemplation\, to draw inward\, to come inside\, to ask the question\, “How are art and the everyday intertwined?” Honoring the Buddhist philosophy of impermanence\, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of Hōjōki\, written by 13th-century Japanese Buddhist monk Kamo no Chōmei: \"The flow of the river is ceaseless\, and the water is never the same…\"*
UID:149763-21907145@events.umich.edu
URL:https://events.umich.edu/event/149763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T181517
DTSTART;TZID=America/Detroit:20261126T110000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive-responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881370@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T121513
DTSTART;TZID=America/Detroit:20261126T120000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n
UID:149541-21906648@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260813T101439
DTSTART;TZID=America/Detroit:20261126T190000
DTEND;TZID=America/Detroit:20261126T203000
SUMMARY:Social / Informal Gathering:Movie Nights at The Connector
DESCRIPTION:Wanna watch a movie and eat free popcorn? Join the Connector Community Assistants and watch a new movie or a classic while meeting new or familiar faces! Settle-in for a cozy night with us every Thursday as we enter into comfy Fall weather. \n\nThe Connector is located in West Quad.
UID:150143-21908235@events.umich.edu
URL:https://events.umich.edu/event/150143
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Community Building,Community Engagement,Community Gathering,Free,Housing,Welcome Week,Welcome Week Event,Welcome26
LOCATION:The Connector
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T151348
DTSTART;TZID=America/Detroit:20261127T080000
DTEND;TZID=America/Detroit:20261127T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired\, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908563@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261127T080000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907549@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T135300
DTSTART;TZID=America/Detroit:20261127T090000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:Fashion/Forward
DESCRIPTION:Fashion/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and/or mental health differences from progressive art studios around the country. Both including fashion and about fashion\, the exhibition features drawings\, paintings\, sculptures\, textiles\, wearable clothing\, accessories\, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https://myumi.ch/qwVRX.
UID:149758-21907114@events.umich.edu
URL:https://events.umich.edu/event/149758
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Disability Studies,Humanities,Michigan Arts Festival,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260803T124814
DTSTART;TZID=America/Detroit:20261127T090000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:Like the Flowing River
DESCRIPTION:Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form\, one echoing the other\, a repetition. They are a combination of certainty and ephemerality\, as if hinged between living and loss. The specificity of Ueno’s sculptural works reads like poetry. Ueno’s installation offers visitors time away\, for contemplation\, to draw inward\, to come inside\, to ask the question\, “How are art and the everyday intertwined?” Honoring the Buddhist philosophy of impermanence\, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of Hōjōki\, written by 13th-century Japanese Buddhist monk Kamo no Chōmei: \"The flow of the river is ceaseless\, and the water is never the same…\"*
UID:149763-21907146@events.umich.edu
URL:https://events.umich.edu/event/149763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T181517
DTSTART;TZID=America/Detroit:20261127T110000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive-responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881371@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T121513
DTSTART;TZID=America/Detroit:20261127T120000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n
UID:149541-21906649@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T103351
DTSTART;TZID=America/Detroit:20261127T150000
DTEND;TZID=America/Detroit:20261127T160000
SUMMARY:Social / Informal Gathering:Sustainability Coffee Chats: Free coffee and good conversation!
DESCRIPTION:The Student Sustainability Coalition will be hosting our coffee chats throughout the semester and we want you to join us!  Passionate about sustainability?--water conservation\, AI\, carbon neutrality\, transportation\, ANYTHING!--come chat with us\, share your passion(s) and interests\, all while helping contribute to a more sustainable University of Michigan! Not to mention: WE WILL BUY YOUR DRINK!\n\nFind us at: \nMaizes Cafe every Friday from 3-4p
UID:138091-21908269@events.umich.edu
URL:https://events.umich.edu/event/138091
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Climate Change,Discussion,Food,food and the environment,Free,Free Food,Graduate and Professional Students,In Person,Social,Social Impact,Student Org,Sustainability,Talk,Undergraduate Students
LOCATION:Michigan League - Maizie's Cafe
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260616T121534
DTSTART;TZID=America/Detroit:20261127T190000
DTEND;TZID=America/Detroit:20260428T190000
SUMMARY:Sporting Event:Ice Hockey vs Ferris State 
DESCRIPTION:Ice Hockey vs Ferris State 
UID:147999-21902686@events.umich.edu
URL:https://events.umich.edu/event/147999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Athletics,Athletics - Ice Hockey
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T151348
DTSTART;TZID=America/Detroit:20261128T080000
DTEND;TZID=America/Detroit:20261128T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired\, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908564@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261128T080000
DTEND;TZID=America/Detroit:20261128T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908867@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T181517
DTSTART;TZID=America/Detroit:20261128T110000
DTEND;TZID=America/Detroit:20261128T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive-responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881372@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T121513
DTSTART;TZID=America/Detroit:20261128T120000
DTEND;TZID=America/Detroit:20261128T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n
UID:149541-21906650@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260616T121535
DTSTART;TZID=America/Detroit:20261128T190000
DTEND;TZID=America/Detroit:20260428T190000
SUMMARY:Sporting Event:Ice Hockey vs Ferris State 
DESCRIPTION:Ice Hockey vs Ferris State 
UID:148000-21902687@events.umich.edu
URL:https://events.umich.edu/event/148000
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Athletics,Athletics - Ice Hockey
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
END:VCALENDAR