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        "datetime_start":"20261122T080000",
        "datetime_end":"20261122T230000",
        "has_end_time":1,
        "date_start":"2026-11-22",
        "date_end":"2026-11-22",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Comics Beyond Sight",
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        "combined_title":"Comics Beyond Sight",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit covers a variety of creative approaches to comics accessibility, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing, haptics, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!), and prior to that, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU), the lead creative organizer of the exhibit, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open, and join us for an opening presentation on Friday, October 2nd, 1:00pm - 4:00pm.",
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        "building_name":"Hatcher Graduate Library",
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        "room":"Gallery, 1st Floor",
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        "has_livestream":0,
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        "tags":["Accessibility","Comics","Disability","Free","Library"],
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    {
        "datetime_modified":"20260814T155307",
        "datetime_start":"20261122T080000",
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        "has_end_time":1,
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        "date_end":"2026-11-22",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
        "occurrence_title":"",
        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
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        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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    {
        "datetime_modified":"20260820T052117",
        "datetime_start":"20261122T120000",
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        "has_end_time":1,
        "date_start":"2026-11-22",
        "date_end":"2026-11-22",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"FYRST Workshops 2026 - 2027",
        "occurrence_title":"FYRST Workshop",
        "combined_title":"FYRST Workshops 2026 - 2027: FYRST Workshop",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"If you are only seeing one workshop, please SIGN-IN and refresh the Sessions page! If still having issues, click this link.\u00a0\nFirst-Year Relationship and Sexuality Talk (FYRST) is a required, in-person, and peer-facilitated workshop that came directly from feedback and listening sessions with current University of Michigan students. Our goal is to create an accessible, supportive space for student-driven conversations where all identities and experiences are welcomed and in which students can build skills and tools around identifying goals and values and then communicate effectively about those. Workshops will be offered at multiple locations and times throughout the fall semester, so please sign up for the workshop that works for you!!\u00a0First-Year Relationship Sexuality Talk (FYRST) FAQ:\n\u201cHow many workshops do I have to sign up for?\u201d\nYou only need to sign up for 1 workshop. Attending 1 workshop will fulfill the requirement for the training.\u00a0\n\u201cI see that there is more than one session, does it matter which one I sign up for?\u201d\nIt generally does not matter which workshop you sign up for. There will be a few that are designated for specific groups such as transfer students or for students looking for accommodations. If you do not fit these groups please try to save these workshops for those that do and you are free to choose among any of the other workshops.\u00a0\n\u201cIs this workshop required?\u201d\nThis workshop is required for all transfer and first-year students at the University of Michigan.\n\u201cI\u2019ve experienced harm around relationships or sexual experiences in the past and I am worried that attending this workshop may be harmful for me.\u201d\u00a0\nOur team is aware that students who are coming into the university that have experienced harm in the past. Our workshop is specifically designed to respect and validate the experiences of survivors and has been carefully constructed to avoid any specific descriptions of violence and focus instead on themes of empowerment, communication, and boundary setting. However, if you still have concerns about programming and would like to request alternative programming, please feel free to reach out at SAPAC-FYRST@umich.edu.\n\u201cWhat if I struggle to learn in a presentation setting? I\u2019m an active learner.\u201d\nOur workshop is built to meet a variety of learning styles, including time for self-reflection, small group sharing, and resources to take with you to work through on your own time! This workshop is meant to be interactive and inclusive.\u00a0\n\u201cCan I request accommodations?\u201d\nWe considered accessibility in creating this workshop and selecting the locations in which the workshops are help. However, we recognize many places at the University are inaccessible and we've set an * next to workshops that are on the first floor and lack stairs. These workshops also will have a presentation (other workshops we do not) and are a good fit for those who might need a large font. Please sign up for those if you feel that accommodations would assist you and reach out to SAPAC-FYRST@umich.edu if you are concerned or have questions.\u00a0\n\u201cI missed my workshop, what should I do ?\u201d\nOur team tracks attendance at each workshop by having participants swipe in with their MCard. If you are not able to attend the workshop you signed up for, our team will continue to send reminder emails until you have completed a workshop. In this case, please sign up for another workshop as soon as you can as the workshop is required and may fill up especially near the end of the semester. No need to contact SAPAC unless you are not able to reschedule.\u00a0\n\u201cI have had gender-based violence training before, can I get this requirement waived?\u201d\nAs this workshop was designed with University of Michigan student feedback in mind, our workshop is unique to the UM community. Our curriculum focuses on individualized reflection and because of its interactive nature, each workshop will be unique to the people attending. Although we are excited you already have familiarity with the subject, this workshop is required for every first year and transfer student.\u00a0\n\u201cI\u2019m a commuter\/non-traditional student, do I still have to attend?\"\nYes, this workshop is required for every first-year and transfer student - not only do we want every student to benefit from having this time to connect with peers, but we also want to make sure your peers benefit from what you bring to our community. If you have any concerns or questions about being able to participate, please contact SAPAC-FYRST@umich.edu.\n\u201cI still have questions! Who should I contact?\"\nPlease contact us at SAPAC-FYRST@umich.edu.",
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        "location_name":"Michigan Room (League, 2nd Floor)",
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        "website":"https:\/\/sessions.studentlife.umich.edu\/p\/track\/17177",
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        "event_title":"Gross Indecency: The Three Trials of Oscar Wilde",
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        "combined_title":"Gross Indecency: The Three Trials of Oscar Wilde: Department of Theatre & Drama",
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        "building_name":"Lydia Mendelssohn Theatre",
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        "location_name":"Lydia Mendelssohn Theatre",
        "has_livestream":0,
        "cost":"Reserved Seating $35 \/ $29 | Students $16 (fees included)",
        "tags":["LGBT","Storytelling","Theater"],
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        "event_title":"Michigan Youth Jazz Orchestra",
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        "event_title":"FYRST Workshops 2026 - 2027",
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        "event_title":"FYRST Workshops 2026 - 2027",
        "occurrence_title":"FYRST Workshop",
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        "event_title":"Orpheus Singers",
        "occurrence_title":"",
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        "event_subtitle":"The Promise of America",
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        "building_name":"Walgreen Drama Center",
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        "room":"Stamps Auditorium",
        "location_name":"Walgreen Drama Center",
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        "description":"The University of Michigan Percussion Ensemble is an ensemble known for bold artistry and innovation through their performances and project. The ensemble has collaborated with composers such as Michael Gordon, John Luther Adams, Emma O'Halloran, Tristan Perich, Susanna Hancock, Finola Merivale, Robert Maggio, Ted Babcock, Lesley Flanigan, Shruthi Rajeskhar, Jason Treuting, and Ivan Trevino.\n\nRecent recordings with Cantaloupe Records include the Grammy nominated *Sila: The Breath of the World* and *An Atlas of Deep Time* by John Luther Adams, as well as *Field of Vision* by Michael Gordon. The ensemble has performed at Caramoor Festival, Mass MoCA, Bang on a Can's Long Play Festival, and recently premiered Michael Gordon\u2019s *Forest of Metal Objects* at The Met Cloisters in New York, collaborating with director Paul Lazar, choreographer Annie-B Parson, and artist Todd Colby.",
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        "event_title":"Small Jazz Ensembles",
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        "description":"Student ensembles perform from the Small Jazz Ensembles program, coached by Professors Andy Milne, Robert Hurst, Marion Hayden and Nate Winn. The groups range in size from duos to sextets, performing original and standard repertoire.",
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    {
        "datetime_modified":"20260818T121511",
        "datetime_start":"20261123T080000",
        "datetime_end":"20261123T170000",
        "has_end_time":1,
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        "date_end":"2026-11-23",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Camille Ann Brewer, MFA, MLIS",
        "occurrence_title":"",
        "combined_title":"Camille Ann Brewer, MFA, MLIS: Exhibition Title: Diagrams of Memory: Interwoven Ontology",
        "event_subtitle":"Exhibition Title: Diagrams of Memory: Interwoven Ontology",
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        "event_type_id":"7",
        "description":"Camille Ann Brewer lives and works in the City of Detroit, Michigan.  Through the process of textile construction, Brewer\u2019s artwork intersects cartographic and photographic images that speak to specific spaces and time. Weaving together of physical place, memory with time is the core subject of this body of work.  \n\nThe artwork is built with time-period paper maps, which illustrate spatial geography and political territory; along with paper-collaged images of people, places and things, which tie directly to the history and human relationships in space.  In patterns that support the artwork\u2019s theme, the two disparate paper elements are then woven together to create a serendipitous making and aesthetic experience.",
        "occurrence_notes":"Monday through Friday hours, or by appointment serrag@med.umich.edu",
                "guid":"150411-21909407@events.umich.edu",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Alumni","Art","ArtsEngine","ArtsRx","Culture","Detroit","Diversity","Diversity Equity and Inclusion","Exhibition","Humanities","North Campus","Reception","Visual Arts","Women's Studies"],
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        "datetime_modified":"20260814T151348",
        "datetime_start":"20261123T080000",
        "datetime_end":"20261123T230000",
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        "event_title":"Comics Beyond Sight",
        "occurrence_title":"",
        "combined_title":"Comics Beyond Sight",
        "event_subtitle":"",
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        "description":"This exhibit covers a variety of creative approaches to comics accessibility, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing, haptics, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!), and prior to that, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU), the lead creative organizer of the exhibit, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open, and join us for an opening presentation on Friday, October 2nd, 1:00pm - 4:00pm.",
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    }    ,    "150290-21908862":
    {
        "datetime_modified":"20260814T155307",
        "datetime_start":"20261123T080000",
        "datetime_end":"20261123T230000",
        "has_end_time":1,
        "date_start":"2026-11-23",
        "date_end":"2026-11-23",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
        "occurrence_title":"",
        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
        "event_subtitle":"Exhibit",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
        "occurrence_notes":null,
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        "permalink":"http:\/\/events.umich.edu\/event\/150290",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library, 2nd Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Library","Maps"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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        "has_end_time":1,
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        "time_zone":"America\/Detroit",
        "event_title":"Lila Kadaj Exhibition",
        "occurrence_title":"",
        "combined_title":"Lila Kadaj Exhibition: Tic Tic",
        "event_subtitle":"Tic Tic",
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        "description":"Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions, including the Detroit Institute of Arts, the Cranbrook Art Museum, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: \u201cWhen looking at a beautiful flower.  It\u2019s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It\u2019s not about I am a woman....it\u2019s not about I am a first generation Arab American.....it\u2019s not about being a child of trauma....it\u2019s not about a member of my family being gunned down on the street....it\u2019s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It\u2019s the painting, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it\u2019s in fashion.\u201d",
        "occurrence_notes":"Monday-Friday hours or by appointment serrag@med.umich.edu",
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        "room":"Connections Gallery Concourse Level",
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        "tags":["Arab Heritage Month","Art","ArtsRx","Culture","Detroit","Diversity","Exhibition","Free","Middle East Studies","North Campus","Visual Arts","Women's Studies"],
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        "datetime_modified":"20260806T162236",
        "datetime_start":"20261123T080000",
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        "date_start":"2026-11-23",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
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        "tags":["Art","russia","ukraine"],
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        "sponsors":[
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                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
                "group_name":"International Institute",
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        "datetime_modified":"20260803T135300",
        "datetime_start":"20261123T090000",
        "datetime_end":"20261123T170000",
        "has_end_time":1,
        "date_start":"2026-11-23",
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        "event_title":"Fashion\/Forward",
        "occurrence_title":"",
        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Disability Studies","Humanities","Michigan Arts Festival","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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        "datetime_modified":"20260803T124814",
        "datetime_start":"20261123T090000",
        "datetime_end":"20261123T170000",
        "has_end_time":1,
        "date_start":"2026-11-23",
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        "time_zone":"America\/Detroit",
        "event_title":"Like the Flowing River",
        "occurrence_title":"",
        "combined_title":"Like the Flowing River: An exhibition by Tomoyuki Ueno",
        "event_subtitle":"An exhibition by Tomoyuki Ueno",
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        "description":"Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form, one echoing the other, a repetition. They are a combination of certainty and ephemerality, as if hinged between living and loss. The specificity of Ueno\u2019s sculptural works reads like poetry. Ueno\u2019s installation offers visitors time away, for contemplation, to draw inward, to come inside, to ask the question, \u201cHow are art and the everyday intertwined?\u201d Honoring the Buddhist philosophy of impermanence, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of H\u014dj\u014dki, written by 13th-century Japanese Buddhist monk Kamo no Ch\u014dmei: \"The flow of the river is ceaseless, and the water is never the same\u2026\"*",
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        "campus_maps_id":"524",
        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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        "tags":["Art","Exhibition","Humanities","Visual Arts"],
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        "datetime_modified":"20260819T175408",
        "datetime_start":"20261123T130000",
        "datetime_end":"20261123T140000",
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        "date_start":"2026-11-23",
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        "event_title":"RCGD Fall Seminar Series: Global Perspectives on Culture and Health (Alice Jean Wuermli)",
        "occurrence_title":"",
        "combined_title":"RCGD Fall Seminar Series: Global Perspectives on Culture and Health (Alice Jean Wuermli): Risk and Resilience in Children Born and raised in Displacement: The case of the Rohingya Refugees in Bangladesh",
        "event_subtitle":"Risk and Resilience in Children Born and raised in Displacement: The case of the Rohingya Refugees in Bangladesh",
        "event_type":"Workshop \/ Seminar",
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        "description":"RCGD Fall 2026 Seminar Series: Global Perspectives on Culture & Health, meets Mondays 3:30 to 5 at ISR Thompson 6050.\n\nGlobal Perspectives on Culture and Health explores fundamental aspects of human life. Culture facilitates human interaction by providing meaning to lived experience. Accounting for culture in both theories and methods potentially advances the study of health by connecting the macro and micro levels of human experience. Yet, culture should be understood as dynamic and complex. It fundamentally shapes individuals and simultaneously is shaped by individuals. The importance of systematically attending to culture includes topics of values, language, immigration, and society.\n\nTheories and methods that incorporate culture hold great potential for advancing the understanding of health outcomes and health trajectories in various global contexts.\n\nThe speakers for this series will focus on various aspects of culture and diverse groups living in the U.S. and across the globe to address the ways in which attending to culture helps clarify and overcome challenges to good health.\n\nThe Group Dynamics Seminar series is considered one of the longest running seminar series in the social sciences. It has been running uninterruptedly since it was founded by Kurt Lewin in the 1920\u2019s in Berlin. The seminar series runs every semester on a theme chosen by faculty organizer\/s who are affiliated with the Research Center for Group Dynamics at the Institute for Social Research. A very important feature of this seminar today is its interdisciplinary nature. Recent themes have included political polarization, evolution and human behavior, and cultural psychology.\n\nIn person: ISR Thompson 6050, unless otherwise specified.\nOrganized by Kristine Ajrouch and Sela Panapasa\nEvents are not recorded",
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        "building_name":"Institute For Social Research",
        "campus_maps_id":"76",
        "room":"Room 6050",
        "location_name":"Institute For Social Research",
        "has_livestream":0,
        "cost":"",
        "tags":["Culture","Global Engagement","Health & Wellness","Research","Social Science"],
        "website":"",
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                "group_name":"Research Center for Group Dynamics (RCGD)",
                "group_id":"4836",
                "website":"https:\/\/rcgd.isr.umich.edu\/"                },             {
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        "event_title":"Housing First or Treatment First? Evidence from the VA's Homelessness Programs",
        "occurrence_title":"",
        "combined_title":"Housing First or Treatment First? Evidence from the VA's Homelessness Programs: Sydney Constantini, University of California, Berkeley",
        "event_subtitle":"Sydney Constantini, University of California, Berkeley",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Debates in homelessness policy often pit Housing First programs, in which subsidized housing is offered unconditionally and immediately, against Treatment First interventions, which combine short-term housing with treatment for issues like substance use. I study a national sample of nearly 300,000 unhoused, mentally ill Veterans who are potentially eligible for the VA's Housing First program (known as HUD-VASH or VA Supportive Housing) or for a Treatment First program (offered by a variety of local contractors). Using an instrumental variables design, I find that enrolling in Housing First reduces three-year mortality by 4.6 percentage points relative to a no-program counterfactual. In contrast, Treatment First has no long-term effects on health. Housing First is also cost-saving, as it causes individuals to substitute away from lengthy inpatient stays.",
        "occurrence_notes":"For those not familiar with the academic and residential towers of North Quad, please refer to this link for wayfindng guidance: https:\/\/lsa.umich.edu\/content\/dam\/econ-assets\/Econdocs\/NQ%20Econ%20Department%20Directions.pdf",
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        "tags":["Economics","Public Finance","seminar"],
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        "has_end_time":1,
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        "time_zone":"America\/Detroit",
        "event_title":"Small Jazz Ensembles",
        "occurrence_title":"",
        "combined_title":"Small Jazz Ensembles",
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        "event_type":"Performance",
        "event_type_id":"15",
        "description":"Student ensembles perform from the Small Jazz Ensembles program, coached by Professors Andy Milne, Robert Hurst, Marion Hayden and Nate Winn. The groups range in size from duos to sextets, performing original and standard repertoire.",
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        "room":"McIntosh Theatre",
        "location_name":"Earl V. Moore Building",
        "has_livestream":0,
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        "tags":["Concert","Free","Music","North Campus"],
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        "datetime_modified":"20260609T181659",
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        "has_end_time":1,
        "date_start":"2026-11-23",
        "date_end":"2026-11-23",
        "time_start":"20:00:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Concert Band",
        "occurrence_title":"",
        "combined_title":"Concert Band: For All",
        "event_subtitle":"For All",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"For its final concert of the fall semester, Concert Band performs \"For All.\" In conjunction with the USA's 250th anniversary, this concert features works that celebrate the liberation of all people: women, LGBTQIA, Latino, African American, and those Americans that dared to think differently and seek a \"more perfect union.\" \n\nCourtney Snyder, conductor\nJennifer Hepp, graduate student conductor (Cuong)\n\nPROGRAM\n*The New Spirit of '76*, Katheryn McCall Noblitt, arr. Paul Noble\n*John and Jim*, Viet Cuong\n*Delores, AmeriCan Symphony for Band*, Giovanni Santos        \n*Motherless Child*, Ben Horne\n*Symphony No. 2 \"The Road is Life\"*, James David",
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        "permalink":"http:\/\/events.umich.edu\/event\/148730",
        "building_id":"1000177",
        "building_name":"Hill Auditorium",
        "campus_maps_id":"69",
        "room":"",
        "location_name":"Hill Auditorium",
        "has_livestream":0,
        "cost":"Free - no tickets required",
        "tags":["Concert","Free","Music"],
        "website":"",
        "sponsors":[
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                "group_id":"155",
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        "datetime_modified":"20260818T121511",
        "datetime_start":"20261124T080000",
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        "has_end_time":1,
        "date_start":"2026-11-24",
        "date_end":"2026-11-24",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Camille Ann Brewer, MFA, MLIS",
        "occurrence_title":"",
        "combined_title":"Camille Ann Brewer, MFA, MLIS: Exhibition Title: Diagrams of Memory: Interwoven Ontology",
        "event_subtitle":"Exhibition Title: Diagrams of Memory: Interwoven Ontology",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Camille Ann Brewer lives and works in the City of Detroit, Michigan.  Through the process of textile construction, Brewer\u2019s artwork intersects cartographic and photographic images that speak to specific spaces and time. Weaving together of physical place, memory with time is the core subject of this body of work.  \n\nThe artwork is built with time-period paper maps, which illustrate spatial geography and political territory; along with paper-collaged images of people, places and things, which tie directly to the history and human relationships in space.  In patterns that support the artwork\u2019s theme, the two disparate paper elements are then woven together to create a serendipitous making and aesthetic experience.",
        "occurrence_notes":"Monday through Friday hours, or by appointment serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Alumni","Art","ArtsEngine","ArtsRx","Culture","Detroit","Diversity","Diversity Equity and Inclusion","Exhibition","Humanities","North Campus","Reception","Visual Arts","Women's Studies"],
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        "time_zone":"America\/Detroit",
        "event_title":"Comics Beyond Sight",
        "occurrence_title":"",
        "combined_title":"Comics Beyond Sight",
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        "description":"This exhibit covers a variety of creative approaches to comics accessibility, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing, haptics, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!), and prior to that, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU), the lead creative organizer of the exhibit, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open, and join us for an opening presentation on Friday, October 2nd, 1:00pm - 4:00pm.",
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        "room":"Gallery, 1st Floor",
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        "tags":["Accessibility","Comics","Disability","Free","Library"],
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        "datetime_modified":"20260814T155307",
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        "time_start":"08:00:00",
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        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
        "occurrence_title":"",
        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
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        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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        "datetime_modified":"20260818T114238",
        "datetime_start":"20261124T080000",
        "datetime_end":"20261124T170000",
        "has_end_time":1,
        "date_start":"2026-11-24",
        "date_end":"2026-11-24",
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        "time_zone":"America\/Detroit",
        "event_title":"Lila Kadaj Exhibition",
        "occurrence_title":"",
        "combined_title":"Lila Kadaj Exhibition: Tic Tic",
        "event_subtitle":"Tic Tic",
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        "event_type_id":"7",
        "description":"Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions, including the Detroit Institute of Arts, the Cranbrook Art Museum, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: \u201cWhen looking at a beautiful flower.  It\u2019s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It\u2019s not about I am a woman....it\u2019s not about I am a first generation Arab American.....it\u2019s not about being a child of trauma....it\u2019s not about a member of my family being gunned down on the street....it\u2019s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It\u2019s the painting, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it\u2019s in fashion.\u201d",
        "occurrence_notes":"Monday-Friday hours or by appointment serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery Concourse Level",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["Arab Heritage Month","Art","ArtsRx","Culture","Detroit","Diversity","Exhibition","Free","Middle East Studies","North Campus","Visual Arts","Women's Studies"],
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        "datetime_modified":"20260806T162236",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
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        "tags":["Art","russia","ukraine"],
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        "sponsors":[
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                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
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        "datetime_start":"20261124T090000",
        "datetime_end":"20261124T170000",
        "has_end_time":1,
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        "event_title":"Fashion\/Forward",
        "occurrence_title":"",
        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "location_name":"202 S. Thayer",
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        "tags":["Disability Studies","Humanities","Michigan Arts Festival","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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        "event_title":"Like the Flowing River",
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        "combined_title":"Like the Flowing River: An exhibition by Tomoyuki Ueno",
        "event_subtitle":"An exhibition by Tomoyuki Ueno",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n",
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        "event_title":"MADS Placement Process Explained",
        "occurrence_title":"Placement Options Explained",
        "combined_title":"MADS Placement Process Explained: Placement Options Explained",
        "event_subtitle":"",
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        "description":"Are you trying to figure out which placement test might be right for you? Would you like to know more about what you can expect in your placement interview?\nInterviewer Anna Vento, and MADS Admissions & Recruitment coordinator Kelly Barger co-lead an in-depth review of the standard and advanced standing placement test procedure, advanced interview process, and hold a live Q&A at the end. Please join us to get your questions answered, and benefit from the curiosity of like-minded peers!",
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        "time_zone":"America\/Detroit",
        "event_title":"Comics Beyond Sight",
        "occurrence_title":"",
        "combined_title":"Comics Beyond Sight",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit covers a variety of creative approaches to comics accessibility, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing, haptics, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!), and prior to that, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU), the lead creative organizer of the exhibit, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open, and join us for an opening presentation on Friday, October 2nd, 1:00pm - 4:00pm.",
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        "campus_maps_id":"65",
        "room":"Gallery, 1st Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Accessibility","Comics","Disability","Free","Library"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
        "occurrence_title":"",
        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
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        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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        "date_start":"2026-11-25",
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        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
        "sponsors":[
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                "group_name":"Weiser Center for Europe and Eurasia",
                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
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                "group_id":"1968",
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        "datetime_start":"20261125T090000",
        "datetime_end":"20261125T170000",
        "has_end_time":1,
        "date_start":"2026-11-25",
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        "time_zone":"America\/Detroit",
        "event_title":"Fashion\/Forward",
        "occurrence_title":"",
        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
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        "cost":"",
        "tags":["Disability Studies","Humanities","Michigan Arts Festival","Visual Arts"],
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    {
        "datetime_modified":"20260803T124814",
        "datetime_start":"20261125T090000",
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        "has_end_time":1,
        "date_start":"2026-11-25",
        "date_end":"2026-11-25",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Like the Flowing River",
        "occurrence_title":"",
        "combined_title":"Like the Flowing River: An exhibition by Tomoyuki Ueno",
        "event_subtitle":"An exhibition by Tomoyuki Ueno",
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        "event_type_id":"7",
        "description":"Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form, one echoing the other, a repetition. They are a combination of certainty and ephemerality, as if hinged between living and loss. The specificity of Ueno\u2019s sculptural works reads like poetry. Ueno\u2019s installation offers visitors time away, for contemplation, to draw inward, to come inside, to ask the question, \u201cHow are art and the everyday intertwined?\u201d Honoring the Buddhist philosophy of impermanence, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of H\u014dj\u014dki, written by 13th-century Japanese Buddhist monk Kamo no Ch\u014dmei: \"The flow of the river is ceaseless, and the water is never the same\u2026\"*",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
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        "tags":["Art","Exhibition","Humanities","Visual Arts"],
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    {
        "datetime_modified":"20260819T181517",
        "datetime_start":"20261125T110000",
        "datetime_end":"20261125T170000",
        "has_end_time":1,
        "date_start":"2026-11-25",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive-responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/the-stamps-gallery-pillar-project-fore-site-phase-three",
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    {
        "datetime_modified":"20260818T121513",
        "datetime_start":"20261125T120000",
        "datetime_end":"20261125T170000",
        "has_end_time":1,
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        "date_end":"2026-11-25",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n",
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                "guid":"149541-21906647@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149541",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "event_title":"CEW+ Midweek Mindfulness",
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        "event_title":"Comics Beyond Sight",
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        "event_title":"Fashion\/Forward",
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        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
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        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "tags":["Disability Studies","Humanities","Michigan Arts Festival","Visual Arts"],
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        "datetime_modified":"20260819T181517",
        "datetime_start":"20261126T110000",
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        "date_start":"2026-11-26",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive-responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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        "datetime_modified":"20260813T101439",
        "datetime_start":"20261126T190000",
        "datetime_end":"20261126T203000",
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        "time_start":"19:00:00",
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        "event_title":"Movie Nights at The Connector",
        "occurrence_title":"",
        "combined_title":"Movie Nights at The Connector",
        "event_subtitle":"",
        "event_type":"Social \/ Informal Gathering",
        "event_type_id":"19",
        "description":"Wanna watch a movie and eat free popcorn? Join the Connector Community Assistants and watch a new movie or a classic while meeting new or familiar faces! Settle-in for a cozy night with us every Thursday as we enter into comfy Fall weather. \n\nThe Connector is located in West Quad.",
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        "building_id":"0",
        "building_name":"The Connector",
        "campus_maps_id":"599",
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        "has_livestream":0,
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        "tags":["Community Building","Community Engagement","Community Gathering","Free","Housing","Welcome Week","Welcome Week Event","Welcome26"],
        "website":"https:\/\/www.instagram.com\/umichhousing\/",
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        "datetime_modified":"20260814T151348",
        "datetime_start":"20261127T080000",
        "datetime_end":"20261127T230000",
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        "date_start":"2026-11-27",
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        "time_zone":"America\/Detroit",
        "event_title":"Comics Beyond Sight",
        "occurrence_title":"",
        "combined_title":"Comics Beyond Sight",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit covers a variety of creative approaches to comics accessibility, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing, haptics, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!), and prior to that, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU), the lead creative organizer of the exhibit, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open, and join us for an opening presentation on Friday, October 2nd, 1:00pm - 4:00pm.",
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        "tags":["Accessibility","Comics","Disability","Free","Library"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Weiser Hall",
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        "room":"Room 1010",
        "location_name":"Weiser Hall",
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        "tags":["Art","russia","ukraine"],
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                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
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        "event_title":"Fashion\/Forward",
        "occurrence_title":"",
        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
        "event_type":"Exhibition",
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        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
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        "tags":["Disability Studies","Humanities","Michigan Arts Festival","Visual Arts"],
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        "datetime_start":"20261127T090000",
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        "has_end_time":1,
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        "event_title":"Like the Flowing River",
        "occurrence_title":"",
        "combined_title":"Like the Flowing River: An exhibition by Tomoyuki Ueno",
        "event_subtitle":"An exhibition by Tomoyuki Ueno",
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        "description":"Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form, one echoing the other, a repetition. They are a combination of certainty and ephemerality, as if hinged between living and loss. The specificity of Ueno\u2019s sculptural works reads like poetry. Ueno\u2019s installation offers visitors time away, for contemplation, to draw inward, to come inside, to ask the question, \u201cHow are art and the everyday intertwined?\u201d Honoring the Buddhist philosophy of impermanence, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of H\u014dj\u014dki, written by 13th-century Japanese Buddhist monk Kamo no Ch\u014dmei: \"The flow of the river is ceaseless, and the water is never the same\u2026\"*",
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        "tags":["Art","Exhibition","Humanities","Visual Arts"],
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        "datetime_modified":"20260819T181517",
        "datetime_start":"20261127T110000",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive-responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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        "datetime_modified":"20260812T103351",
        "datetime_start":"20261127T150000",
        "datetime_end":"20261127T160000",
        "has_end_time":1,
        "date_start":"2026-11-27",
        "date_end":"2026-11-27",
        "time_start":"15:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Sustainability Coffee Chats: Free coffee and good conversation!",
        "occurrence_title":"",
        "combined_title":"Sustainability Coffee Chats: Free coffee and good conversation!",
        "event_subtitle":"",
        "event_type":"Social \/ Informal Gathering",
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        "description":"The Student Sustainability Coalition will be hosting our coffee chats throughout the semester and we want you to join us!  Passionate about sustainability?--water conservation, AI, carbon neutrality, transportation, ANYTHING!--come chat with us, share your passion(s) and interests, all while helping contribute to a more sustainable University of Michigan! Not to mention: WE WILL BUY YOUR DRINK!\n\nFind us at: \nMaizes Cafe every Friday from 3-4p",
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        "room":"Maizie's Cafe",
        "location_name":"Michigan League",
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        "tags":["Activism","Climate Change","Discussion","Food","food and the environment","Free","Free Food","Graduate and Professional Students","In Person","Social","Social Impact","Student Org","Sustainability","Talk","Undergraduate Students"],
        "website":"https:\/\/planetblue.umich.edu\/campus\/get-involved\/for-students\/student-orgs\/ssc",
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        "datetime_end":"20260428T190000",
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        "date_end":"2026-04-28",
        "time_start":"19:00:00",
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        "event_title":"Ice Hockey vs Ferris State ",
        "occurrence_title":"",
        "combined_title":"Ice Hockey vs Ferris State ",
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        "event_type_id":"20",
        "description":"Ice Hockey vs Ferris State ",
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        "location_name":"Ann Arbor, Mich.",
        "has_livestream":0,
        "cost":"See MGoblue.com",
        "tags":["Athletics","Athletics - Ice Hockey"],
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    }    ,    "150276-21908564":
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        "datetime_modified":"20260814T151348",
        "datetime_start":"20261128T080000",
        "datetime_end":"20261128T230000",
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        "date_start":"2026-11-28",
        "date_end":"2026-11-28",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Comics Beyond Sight",
        "occurrence_title":"",
        "combined_title":"Comics Beyond Sight",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit covers a variety of creative approaches to comics accessibility, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing, haptics, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!), and prior to that, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU), the lead creative organizer of the exhibit, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open, and join us for an opening presentation on Friday, October 2nd, 1:00pm - 4:00pm.",
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        "campus_maps_id":"65",
        "room":"Gallery, 1st Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Accessibility","Comics","Disability","Free","Library"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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        "datetime_modified":"20260814T155307",
        "datetime_start":"20261128T080000",
        "datetime_end":"20261128T230000",
        "has_end_time":1,
        "date_start":"2026-11-28",
        "date_end":"2026-11-28",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
        "occurrence_title":"",
        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
        "event_subtitle":"Exhibit",
        "event_type":"Exhibition",
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        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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                "guid":"150290-21908867@events.umich.edu",
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        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library, 2nd Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Free","Library","Maps"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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    {
        "datetime_modified":"20260819T181517",
        "datetime_start":"20261128T110000",
        "datetime_end":"20261128T170000",
        "has_end_time":1,
        "date_start":"2026-11-28",
        "date_end":"2026-11-28",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive-responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_title":"Ice Hockey vs Ferris State ",
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