History of Art honors students give twenty-minute presentations followed by Q & A.

Katie Fleckenstein, Day-Glo Nightmare: Raunch and Reprobation in Peter Saul’s Saigon (1967)

Mo Zhang, Double Exposure: Ink and Emulsion in After Huang Gongwang

Oona Nicholas, Art and Entrepreneurship in the work of Takashi Murakami

Isabella Achenbach, Race and Rhythm in Beauford Delaney’s Jazz Club (1951)