Presented By: Center for Southeast Asian Studies
[CANCELLED]. CSEAS Lecture Series. Islamizing a Sacred Hindu-Javanese Text: The Story of Jimat Kalimasada in Javanese Wayang Puppet Play
Regrettably, to limit the potential spread of respiratory viruses and safeguard those at highest risk of catching COVID-19, this event has been cancelled.
Sumarsam, Winslow-Kaplan Professor of Music, Wesleyan University
Before the arrival of Islam, Javanese people had lived in Hindu–Javanese hybrid culture. The Islamization of Java has given rise to not only the expansion of different groups of people with diverse syncretistic religion and culture, but also rich variations in the content and context of Java-Islamic cultural performance genres and ideologies. Believing in the performing arts as one of the major venues for the blending of beliefs and practices, my presentation discusses a particular wayang story, Jimat Kalimasada, to show the complex processes of religious and cultural transformation from Hindu-Javanese to Islam-Javanese world of view.
Sumarsam has played Javanese gamelan since childhood. He is also a keen amateur dhalang (puppeteer) of wayang puppet play. He holds a BA degree from Akademi Seni Karawitan Indonesia, MA from Wesleyan, and PhD from Cornell. Currently holding the status of Winslow-Kaplan Professor of Music, he has taught at Wesleyan since 1972. His research on the history, theory, and performance practice of gamelan and wayang, and on Indonesia-Western encounter theme has resulted the publication of numerous articles and two books: Gamelan: Cultural Interaction and Musical Development in Central Java (1995) and Javanese Gamelan and the West (2013).
Sumarsam's recent research focuses on the intersections between religion and performing arts, examining discourses of transculturalism, the performing arts, and Islam among the Javanese. He is the recipient of a number of fellowship grants and awards, including the National Endowment for the Humanities and the American Council of Learned Societies fellowship (2016-17), Indonesian Bintang Satyalencana Cultural Award (2017), the International Gamelan Festival Literacy Award (2018), and Yale Institute of Sacred Music Fellowship (2019-20). He was recently named the 2018 honorary membership of the Society for Ethnomusicology.
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If you are a person with a disability who requires an accommodation to attend this event, please reach out to us at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact:- Jessica Hill Riggs, jessmhil@umich.edu
Before the arrival of Islam, Javanese people had lived in Hindu–Javanese hybrid culture. The Islamization of Java has given rise to not only the expansion of different groups of people with diverse syncretistic religion and culture, but also rich variations in the content and context of Java-Islamic cultural performance genres and ideologies. Believing in the performing arts as one of the major venues for the blending of beliefs and practices, my presentation discusses a particular wayang story, Jimat Kalimasada, to show the complex processes of religious and cultural transformation from Hindu-Javanese to Islam-Javanese world of view.
Sumarsam has played Javanese gamelan since childhood. He is also a keen amateur dhalang (puppeteer) of wayang puppet play. He holds a BA degree from Akademi Seni Karawitan Indonesia, MA from Wesleyan, and PhD from Cornell. Currently holding the status of Winslow-Kaplan Professor of Music, he has taught at Wesleyan since 1972. His research on the history, theory, and performance practice of gamelan and wayang, and on Indonesia-Western encounter theme has resulted the publication of numerous articles and two books: Gamelan: Cultural Interaction and Musical Development in Central Java (1995) and Javanese Gamelan and the West (2013).
Sumarsam's recent research focuses on the intersections between religion and performing arts, examining discourses of transculturalism, the performing arts, and Islam among the Javanese. He is the recipient of a number of fellowship grants and awards, including the National Endowment for the Humanities and the American Council of Learned Societies fellowship (2016-17), Indonesian Bintang Satyalencana Cultural Award (2017), the International Gamelan Festival Literacy Award (2018), and Yale Institute of Sacred Music Fellowship (2019-20). He was recently named the 2018 honorary membership of the Society for Ethnomusicology.
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If you are a person with a disability who requires an accommodation to attend this event, please reach out to us at least 2 weeks in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact:- Jessica Hill Riggs, jessmhil@umich.edu
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