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Free Conference / Symposium

Presented By: Center for Armenian Studies

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CAS Workshop. Photographic Genres, in and Beyond Archives

Organizer: Hazal Özdemir (Manoogian Postdoctoral Fellow in Armenian History, U-M)

Sepia-toned studio portrait of a family of four from the late Ottoman period. A woman stands at the left wearing a long dress and a dark headscarf, her hands clasped at her waist. A seated man at the right wears a fez, a dark jacket, and has a thick mustache. Two young children stand in front of the adults, each wearing long dresses typical of the period. One child stands between the adults holding the man’s hand, while the other stands slightly to the left, turned partially toward the camera. The background includes a studio backdrop with a decorative column and draped fabric. The photograph is mounted on a cardboard backing with archival markings visible along the bottom edge. Sepia-toned studio portrait of a family of four from the late Ottoman period. A woman stands at the left wearing a long dress and a dark headscarf, her hands clasped at her waist. A seated man at the right wears a fez, a dark jacket, and has a thick mustache. Two young children stand in front of the adults, each wearing long dresses typical of the period. One child stands between the adults holding the man’s hand, while the other stands slightly to the left, turned partially toward the camera. The background includes a studio backdrop with a decorative column and draped fabric. The photograph is mounted on a cardboard backing with archival markings visible along the bottom edge.
Sepia-toned studio portrait of a family of four from the late Ottoman period. A woman stands at the left wearing a long dress and a dark headscarf, her hands clasped at her waist. A seated man at the right wears a fez, a dark jacket, and has a thick mustache. Two young children stand in front of the adults, each wearing long dresses typical of the period. One child stands between the adults holding the man’s hand, while the other stands slightly to the left, turned partially toward the camera. The background includes a studio backdrop with a decorative column and draped fabric. The photograph is mounted on a cardboard backing with archival markings visible along the bottom edge.
This workshop explores the multiple deployments of photography in the early twentieth-century global Middle East. We will discuss how visual practices intersect with power, communication, and documentation. Collectively, participants ask how photography became a tool for denaturalization and the persecution of undesirable and marginalized subjects, whether minorities, revolutionaries, and convicts in the Ottoman and Qajar empires. How did state surveillance of mobility produce knowledge about imperial subjects?

Participants will examine a diverse range of photographic genres, from family records to convict photographs, and studio portraits to complicate photography’s role in regulating class and gender dynamics as well as criminality across the region.

Questions of ownership and the ethical status of imperial archives that preserve photographs of marginalized or indigenous communities are critical to our discussions of power. How can we responsibly reconstruct the pasts of marginalized, displaced, and persecuted individuals by the Ottoman or Qajar state using photographs taken by the very same state? In what ways did photographs serve as instruments of state bureaucracy and as a form of resistance to it? In other words, how do blurred boundaries between photographic genres offer subjects opportunities to assert their identity and recreate personal or collective memories?

Schedule of Events:

9:30-9:45 am: Morning Refreshments

9:45-10 am: Welcome & Opening Remarks
Kathryn Babayan, Director of the Center for Armenian Studies, University of Michigan, Ann Arbor
Hazal Özdemir, Manoogian Postdoctoral Fellow of Armenian History, University of Michigan, Ann Arbor

10 – 11:15 am: Keynote Lecture: Edhem Eldem, Columbia University

11:15-11:30 am: Coffee Break

11:30 am -12:45 pm: Panel 1: Documenting Atrocity and Survival
Mira Xenia Schwerda, Duke University
İdil Çetin, University of Oslo
Respondent: Kathryn Babayan, University of Michigan

1:00-2:00 pm: Lunch

2:00 – 3:30 pm: Panel 2: Surveying and Gendering Mobility
Erin Hyde Nolan, Harvard University
Hazal Özdemir, University of Michigan, Ann Arbor
Respondent: Joseph Ho, University of Michigan

3:30 – 4:00 pm: Coffee break

4:00 – 5:00 pm: Roundtable Discussion with Arto Vaun (Director, Project Save)

Online Access:
Webinar ID: 932 5370 8805
https://umich.zoom.us/j/93253708805

*Accommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Email: -- armenianstudies@umich.edu
Sepia-toned studio portrait of a family of four from the late Ottoman period. A woman stands at the left wearing a long dress and a dark headscarf, her hands clasped at her waist. A seated man at the right wears a fez, a dark jacket, and has a thick mustache. Two young children stand in front of the adults, each wearing long dresses typical of the period. One child stands between the adults holding the man’s hand, while the other stands slightly to the left, turned partially toward the camera. The background includes a studio backdrop with a decorative column and draped fabric. The photograph is mounted on a cardboard backing with archival markings visible along the bottom edge. Sepia-toned studio portrait of a family of four from the late Ottoman period. A woman stands at the left wearing a long dress and a dark headscarf, her hands clasped at her waist. A seated man at the right wears a fez, a dark jacket, and has a thick mustache. Two young children stand in front of the adults, each wearing long dresses typical of the period. One child stands between the adults holding the man’s hand, while the other stands slightly to the left, turned partially toward the camera. The background includes a studio backdrop with a decorative column and draped fabric. The photograph is mounted on a cardboard backing with archival markings visible along the bottom edge.
Sepia-toned studio portrait of a family of four from the late Ottoman period. A woman stands at the left wearing a long dress and a dark headscarf, her hands clasped at her waist. A seated man at the right wears a fez, a dark jacket, and has a thick mustache. Two young children stand in front of the adults, each wearing long dresses typical of the period. One child stands between the adults holding the man’s hand, while the other stands slightly to the left, turned partially toward the camera. The background includes a studio backdrop with a decorative column and draped fabric. The photograph is mounted on a cardboard backing with archival markings visible along the bottom edge.

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