Presented By: Department of Philosophy
Moral Norms and the Aesthetic Appreciation of Nature
Robert Stecker (CMU)
The central issue in environmental aesthetics is whether there are norms that constrain aesthetic judgments about nature, and if so, what are they? This paper asks whether there are "moral" norms that act as such constraints. I will argue that the recent attempts to demonstrate that there are have been unsuccessful, but I will also try to construct the best case I can for the existence of such a moral norm.
Those who believe that morality has a bearing on aesthetic judgments about nature take one of two tacks. The first appeals to the idea that morally bad states of nature detract from their aesthetic value. Call this idea "interaction." The other tack is that certain aesthetic judgments manifest disrespect for nature, which makes them defective or inappropriate, while others manifest respect making them more appropriate. Call this idea "respect for nature."
I will first explain why constraints on aesthetic judgment play such central role in environmental aesthetics. I will then consider each of the two approaches to justifying the claim that there are moral constraints on such judgments, and in each case show that there has not been successful arguments for a moral norm that bears on aesthetic judgments. I will then use elements from each approach to make a case for the existence of such moral norms. I will argue that there are at least two reasonable competing moral norms that bear on our aesthetic judgments about nature, and in general, it is permissible to adopt either one in the face of degraded natural environments.
Those who believe that morality has a bearing on aesthetic judgments about nature take one of two tacks. The first appeals to the idea that morally bad states of nature detract from their aesthetic value. Call this idea "interaction." The other tack is that certain aesthetic judgments manifest disrespect for nature, which makes them defective or inappropriate, while others manifest respect making them more appropriate. Call this idea "respect for nature."
I will first explain why constraints on aesthetic judgment play such central role in environmental aesthetics. I will then consider each of the two approaches to justifying the claim that there are moral constraints on such judgments, and in each case show that there has not been successful arguments for a moral norm that bears on aesthetic judgments. I will then use elements from each approach to make a case for the existence of such moral norms. I will argue that there are at least two reasonable competing moral norms that bear on our aesthetic judgments about nature, and in general, it is permissible to adopt either one in the face of degraded natural environments.
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