Presented By: School of Music, Theatre & Dance
Cramer String Quartet
A HIP* Conversation with the CRAMER QUARTET
Presented by the Stearns Collection of Musical Instruments and the Academy of Early Music
Hosted by SMTD Guest Faculty Artist Eva Lymenstull
With period instruments and an invigorating historically informed approach, the Cramer Quartet brings uncommon warmth, transparency, and texture to Classical and early Romantic repertoire as well as commissioned works that explore and expand the sound world of gut strings. The quartet’s stylish, nuanced interpretations and visionary approach to programming stimulate dialogue around old and new works, inviting audiences to listen with fresh ears.
Highlights of the past season include performances of The Seven Last Words Project— an immersive multimedia journey through Haydn’s Seven Last Words of Christ as reflected upon by seven diverse contemporary composers— at Five Boroughs Music Festival; the quartet’s debut at Music Mountain Summer Festival as the first period instrument ensemble to perform in the concert series 92 year history, and a residency at Festival de Música de Santa Catarina in Jaraguá do Sul, Brazil. The ensemble takes its name from Wilhelm Cramer, a brilliant violinist who enjoyed a multifaceted career as London’s first major string quartet leader. Cramer is credited with popularizing a late 18th century violin bow which became the inspiration for the style of historical bows used by the Cramer Quartet.
Host Faculty Guest Artist Eva Lymenstull is a Los Angeles-based baroque cellist and violist da gamba who enjoys a diverse career that has taken her across North America and Europe as a soloist, chamber musician, continuo player and orchestral musician. Recent recordings can be heard on the Brilliant Classics and Violet Ear labels. In addition to performing, Ms. Lymenstull teaches baroque cello and viola da gamba as a regular guest artist at the University of Michigan. She holds degrees from the Royal Conservatory of The Hague (Jaap ter Linden), Rice University (Desmond Hoebig) and University of Michigan (Richard Aaron), and a doctorate in historical performance practice from Case Western Reserve University.
Hosted by SMTD Guest Faculty Artist Eva Lymenstull
With period instruments and an invigorating historically informed approach, the Cramer Quartet brings uncommon warmth, transparency, and texture to Classical and early Romantic repertoire as well as commissioned works that explore and expand the sound world of gut strings. The quartet’s stylish, nuanced interpretations and visionary approach to programming stimulate dialogue around old and new works, inviting audiences to listen with fresh ears.
Highlights of the past season include performances of The Seven Last Words Project— an immersive multimedia journey through Haydn’s Seven Last Words of Christ as reflected upon by seven diverse contemporary composers— at Five Boroughs Music Festival; the quartet’s debut at Music Mountain Summer Festival as the first period instrument ensemble to perform in the concert series 92 year history, and a residency at Festival de Música de Santa Catarina in Jaraguá do Sul, Brazil. The ensemble takes its name from Wilhelm Cramer, a brilliant violinist who enjoyed a multifaceted career as London’s first major string quartet leader. Cramer is credited with popularizing a late 18th century violin bow which became the inspiration for the style of historical bows used by the Cramer Quartet.
Host Faculty Guest Artist Eva Lymenstull is a Los Angeles-based baroque cellist and violist da gamba who enjoys a diverse career that has taken her across North America and Europe as a soloist, chamber musician, continuo player and orchestral musician. Recent recordings can be heard on the Brilliant Classics and Violet Ear labels. In addition to performing, Ms. Lymenstull teaches baroque cello and viola da gamba as a regular guest artist at the University of Michigan. She holds degrees from the Royal Conservatory of The Hague (Jaap ter Linden), Rice University (Desmond Hoebig) and University of Michigan (Richard Aaron), and a doctorate in historical performance practice from Case Western Reserve University.
Cost
- Free and open to all - In person and livestreamed
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