KIN assembles the queer beings who dwell beyond the confines of binary gender and species categories. It highlights communities whose members and affiliations strain normative arrangements of “nature” and “culture.” KIN transmutes these categories by its joinings of oddbods and oddkin. It envisions worlds in which creatures form kinship beyond the monogamous, cisheterosexual, human family unit.
Transversing painting, drawing, comics, and installation, KIN’s menagerie of media, draws on ancient Jewish sources, demi-fictional autobiography, deviant zoology, and a love for the materiality of mark-making itself. Process, rather than product; becoming, rather than stasis; collaboration rather than closure: this is KIN’s hope.
Transversing painting, drawing, comics, and installation, KIN’s menagerie of media, draws on ancient Jewish sources, demi-fictional autobiography, deviant zoology, and a love for the materiality of mark-making itself. Process, rather than product; becoming, rather than stasis; collaboration rather than closure: this is KIN’s hope.
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